12556 Résultats
Classification:
pages web
pages web
Actions:
Résumé:
Avec le programme de stages curatoriaux, le Centre Canadien d’Architecture souhaite partager son expertise avec des étudiants ou des jeunes diplômés dans les domaines de l’architecture, du design, des arts et des sciences humaines intéressés à explorer les aspects éditoriaux et curatoriaux de l’architecture. Les candidats sélectionnés seront invités à se familiariser avec l’approche curatoriale du CCA - en particulier ses activités liées à sa Collection, ses expositions, ses projets éditoriaux et ses programmes de recherche - au cours d’un stage de neuf mois à Montréal.
Titre:
Programme de stages curatoriaux
Actions:
Résumé:
Programme de stages curatoriaux
Actions:
Résumé:
Avec le programme de stages curatoriaux, le Centre Canadien d’Architecture souhaite partager son expertise avec des étudiants ou des jeunes diplômés dans les domaines de l’architecture, du design, des arts et des sciences humaines intéressés à explorer les aspects éditoriaux et curatoriaux de l’architecture. Les candidats sélectionnés seront invités à se familiariser avec l’approche curatoriale du CCA - en particulier ses activités liées à sa Collection, ses expositions, ses projets éditoriaux et ses programmes de recherche - au cours d’un stage de neuf mois à Montréal.
Classification:
pages web
pages web
Classification:
événements
événements
Titre:
Histoires de l’environnement
Histoires de l’environnement
Actions:
Description:
Pour débuter « Architecture et/pour l’environnement », le troisième Projet de Recherche Multidisciplinaire du CCA financé par la Andrew W. Mellon Foundation, Daniel Abramson et Imre Szeman présenteront deux concepts clés pour reconcevoir l’environnement dans l’histoire de l’architecture. Daniel Abramson, historien de l’architecture, discutera de « l’obsolescence » comme(...)
Pour débuter « Architecture et/pour l’environnement », le troisième Projet de Recherche Multidisciplinaire du CCA financé par la Andrew W. Mellon Foundation, Daniel Abramson et Imre Szeman présenteront deux concepts clés pour reconcevoir l’environnement dans l’histoire de l’architecture. Daniel Abramson, historien de l’architecture, discutera de « l’obsolescence » comme(...)
Localisation:
Théâtre Paul-Demarais
Théâtre Paul-Demarais
Date:
15 décembre 2016, 18h
15 décembre 2016, 18h
Titre:
Histoires de l’environnement
Actions:
Description:
Pour débuter « Architecture et/pour l’environnement », le troisième Projet de Recherche Multidisciplinaire du CCA financé par la Andrew W. Mellon Foundation, Daniel Abramson et Imre Szeman présenteront deux concepts clés pour reconcevoir l’environnement dans l’histoire de l’architecture. Daniel Abramson, historien de l’architecture, discutera de « l’obsolescence » comme(...)
Histoires de l’environnement
Actions:
Description:
Pour débuter « Architecture et/pour l’environnement », le troisième Projet de Recherche Multidisciplinaire du CCA financé par la Andrew W. Mellon Foundation, Daniel Abramson et Imre Szeman présenteront deux concepts clés pour reconcevoir l’environnement dans l’histoire de l’architecture. Daniel Abramson, historien de l’architecture, discutera de « l’obsolescence » comme(...)
Classification:
événements
événements
Date:
15 décembre 2016
18h
15 décembre 2016
18h
Localisation:
Théâtre Paul-Demarais
Théâtre Paul-Demarais
Classification:
événements
événements
Description:
Première biographie de l’une des architectes de paysage les plus influentes du XXe siècle, Cornelia Hahn Oberlander: Making the Modern Landscape s’appuie sur des recherches archivistiques, des analyses de sites et de nombreuses entrevues avec Cornelia Oberlander et ses collaborateurs. L’auteure Susan Herrington rencontre Oberlander pour une conversation sur son œuvre et(...)
Première biographie de l’une des architectes de paysage les plus influentes du XXe siècle, Cornelia Hahn Oberlander: Making the Modern Landscape s’appuie sur des recherches archivistiques, des analyses de sites et de nombreuses entrevues avec Cornelia Oberlander et ses collaborateurs. L’auteure Susan Herrington rencontre Oberlander pour une conversation sur son œuvre et(...)
Date:
14 septembre 2014 , 15h
14 septembre 2014 , 15h
Titre:
Cornelia Oberlander et Susan Herrington veulent vous parler
Actions:
Description:
Première biographie de l’une des architectes de paysage les plus influentes du XXe siècle, Cornelia Hahn Oberlander: Making the Modern Landscape s’appuie sur des recherches archivistiques, des analyses de sites et de nombreuses entrevues avec Cornelia Oberlander et ses collaborateurs. L’auteure Susan Herrington rencontre Oberlander pour une conversation sur son œuvre et(...)
Cornelia Oberlander et Susan Herrington veulent vous parler
Actions:
Description:
Première biographie de l’une des architectes de paysage les plus influentes du XXe siècle, Cornelia Hahn Oberlander: Making the Modern Landscape s’appuie sur des recherches archivistiques, des analyses de sites et de nombreuses entrevues avec Cornelia Oberlander et ses collaborateurs. L’auteure Susan Herrington rencontre Oberlander pour une conversation sur son œuvre et(...)
Classification:
événements
événements
Date:
14 septembre 2014
15h
14 septembre 2014
15h
Classification:
événements
événements
Description:
Michela Rosso, allocataire d’une bourse d’appui en 2013, présente sa recherche dans les archives de Peter Carter sur le schéma du manoir carré (1962-1985) et montre les différentes facettes de la controverse entourant la tour non construite de Mies van der Rohe, au cœur de Londres. Michela Rosso a obtenu un doctorat de l’École polytechnique de Turin, où elle est depuis(...)
Michela Rosso, allocataire d’une bourse d’appui en 2013, présente sa recherche dans les archives de Peter Carter sur le schéma du manoir carré (1962-1985) et montre les différentes facettes de la controverse entourant la tour non construite de Mies van der Rohe, au cœur de Londres. Michela Rosso a obtenu un doctorat de l’École polytechnique de Turin, où elle est depuis(...)
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Date:
30 mai 2013, 18h
30 mai 2013, 18h
Titre:
« Friends and Enemies of Mies’s Mansion House Square »
Actions:
Description:
Michela Rosso, allocataire d’une bourse d’appui en 2013, présente sa recherche dans les archives de Peter Carter sur le schéma du manoir carré (1962-1985) et montre les différentes facettes de la controverse entourant la tour non construite de Mies van der Rohe, au cœur de Londres. Michela Rosso a obtenu un doctorat de l’École polytechnique de Turin, où elle est depuis(...)
« Friends and Enemies of Mies’s Mansion House Square »
Actions:
Description:
Michela Rosso, allocataire d’une bourse d’appui en 2013, présente sa recherche dans les archives de Peter Carter sur le schéma du manoir carré (1962-1985) et montre les différentes facettes de la controverse entourant la tour non construite de Mies van der Rohe, au cœur de Londres. Michela Rosso a obtenu un doctorat de l’École polytechnique de Turin, où elle est depuis(...)
Classification:
événements
événements
Date:
30 mai 2013
18h
30 mai 2013
18h
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Classification:
événements
événements
Actions:
Description:
Cara Rachele, chercheure en résidence 2016, présente ses recherches: Cette conférence se penche sur l’explosion de dessins détaillés produits pendant la Renaissance. Elle établit le lien entre l’émergence, au XVIe siècle, du détail devenu un canon du dessin et l’évocation de l’antique matériel. L’évolution organique de la façon de dessiner les détails transparaît dans(...)
Cara Rachele, chercheure en résidence 2016, présente ses recherches: Cette conférence se penche sur l’explosion de dessins détaillés produits pendant la Renaissance. Elle établit le lien entre l’émergence, au XVIe siècle, du détail devenu un canon du dessin et l’évocation de l’antique matériel. L’évolution organique de la façon de dessiner les détails transparaît dans(...)
Date:
11 août 2016, 18h
11 août 2016, 18h
Titre:
Séminaire de chercheur en résidence : Cara Rachele
Actions:
Description:
Cara Rachele, chercheure en résidence 2016, présente ses recherches: Cette conférence se penche sur l’explosion de dessins détaillés produits pendant la Renaissance. Elle établit le lien entre l’émergence, au XVIe siècle, du détail devenu un canon du dessin et l’évocation de l’antique matériel. L’évolution organique de la façon de dessiner les détails transparaît dans(...)
Séminaire de chercheur en résidence : Cara Rachele
Actions:
Description:
Cara Rachele, chercheure en résidence 2016, présente ses recherches: Cette conférence se penche sur l’explosion de dessins détaillés produits pendant la Renaissance. Elle établit le lien entre l’émergence, au XVIe siècle, du détail devenu un canon du dessin et l’évocation de l’antique matériel. L’évolution organique de la façon de dessiner les détails transparaît dans(...)
Classification:
événements
événements
Date:
11 août 2016
18h
11 août 2016
18h
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP175.S1
Description:
Series 1, Erasmus Bridge, Rotterdam, Netherlands, 1990-1996, documents the design, conception and construction of a third bridge for Rotterdam over the Nieuwe Maas River. The bridge connects the Kop van Zuid neighborhood, located on the south side of the river, to Willemsplein, located on the north side. The bridge is considered as a landmark in Rotterdam’s landscape. The Erasmus Bridge was a formative project in the thinking of UNStudio. It was originally supposed to be designed by architect Maarten Struijs who was the city of Rotterdam principal architect and who is responsible for the concept of the neighboring Willem Bridge. Ben van Berkel came later into the project and was hired as a designing consultant along with architect Wim Quist. Ben van Berkel proposed design was selected allowing him and his firm, which was called Van Berkel & Bos Architectuurbureau at that time, to supervise the conception and construction of the project, from the original concept to piers design to the selection of every item of bridge furniture such as traffic lights, bridge camera and handrails. The bridge was designed to fit the distinct character and industrial past of Rotterdam. The construction of this landmark was one component of a larger redevelopment project, coinciding with other major developments in the city of Rotterdam. The goal was to develop a dense urban intervention on the southern shore of the Nieuwe Maas, in the Kop van Zuid neighborhood. This explains the implication of UNStudio in the planning of urban configuration of the neighborhoods on both sides of the river and their work for Spido, a ferry company operating on the Nieuwe Maas, work spaces and parking garage. This commercial building was designed by the firm and also hosts The Grand Café and Jazz Café. This commercial building is integrated to one of the bridge pillar on the north shore of the river. For the design the firm used AutoCAD to work along with engineers and to conceptualize 3D models. They also used the software to evaluate the circulation flow of drivers, pedestrians and streetcars, measuring its impact on the structure and the urban configuration of the neighborhoods on both sides of the river. The records contain sketches for bridge and pier design, plans and sections for pier, Spido and bridge, architectural and construction details created by engineering companies for every component of the bridge, from drawbridge, to cable car system, to bridge furnitures such as traffic light, handrails and cameras and photographs documenting the research for precedent and the original configuration of the neighborhoods on both sides of the river. The record contains AutoCAD plans, details and sections for both the bridge and Spido parking garage. The records also contain one physical model: a small scale plastic, glass and metal model of the bridge.
AP175.S1
Description:
Series 1, Erasmus Bridge, Rotterdam, Netherlands, 1990-1996, documents the design, conception and construction of a third bridge for Rotterdam over the Nieuwe Maas River. The bridge connects the Kop van Zuid neighborhood, located on the south side of the river, to Willemsplein, located on the north side. The bridge is considered as a landmark in Rotterdam’s landscape. The Erasmus Bridge was a formative project in the thinking of UNStudio. It was originally supposed to be designed by architect Maarten Struijs who was the city of Rotterdam principal architect and who is responsible for the concept of the neighboring Willem Bridge. Ben van Berkel came later into the project and was hired as a designing consultant along with architect Wim Quist. Ben van Berkel proposed design was selected allowing him and his firm, which was called Van Berkel & Bos Architectuurbureau at that time, to supervise the conception and construction of the project, from the original concept to piers design to the selection of every item of bridge furniture such as traffic lights, bridge camera and handrails. The bridge was designed to fit the distinct character and industrial past of Rotterdam. The construction of this landmark was one component of a larger redevelopment project, coinciding with other major developments in the city of Rotterdam. The goal was to develop a dense urban intervention on the southern shore of the Nieuwe Maas, in the Kop van Zuid neighborhood. This explains the implication of UNStudio in the planning of urban configuration of the neighborhoods on both sides of the river and their work for Spido, a ferry company operating on the Nieuwe Maas, work spaces and parking garage. This commercial building was designed by the firm and also hosts The Grand Café and Jazz Café. This commercial building is integrated to one of the bridge pillar on the north shore of the river. For the design the firm used AutoCAD to work along with engineers and to conceptualize 3D models. They also used the software to evaluate the circulation flow of drivers, pedestrians and streetcars, measuring its impact on the structure and the urban configuration of the neighborhoods on both sides of the river. The records contain sketches for bridge and pier design, plans and sections for pier, Spido and bridge, architectural and construction details created by engineering companies for every component of the bridge, from drawbridge, to cable car system, to bridge furnitures such as traffic light, handrails and cameras and photographs documenting the research for precedent and the original configuration of the neighborhoods on both sides of the river. The record contains AutoCAD plans, details and sections for both the bridge and Spido parking garage. The records also contain one physical model: a small scale plastic, glass and metal model of the bridge.
Personnes et institutions:
Date:
1990-1996
1990-1996
Titre:
Erasmus Bridge, Rotterdam, Netherlands, 1990-1996
Actions:
AP175.S1
Description:
Series 1, Erasmus Bridge, Rotterdam, Netherlands, 1990-1996, documents the design, conception and construction of a third bridge for Rotterdam over the Nieuwe Maas River. The bridge connects the Kop van Zuid neighborhood, located on the south side of the river, to Willemsplein, located on the north side. The bridge is considered as a landmark in Rotterdam’s landscape. The Erasmus Bridge was a formative project in the thinking of UNStudio. It was originally supposed to be designed by architect Maarten Struijs who was the city of Rotterdam principal architect and who is responsible for the concept of the neighboring Willem Bridge. Ben van Berkel came later into the project and was hired as a designing consultant along with architect Wim Quist. Ben van Berkel proposed design was selected allowing him and his firm, which was called Van Berkel & Bos Architectuurbureau at that time, to supervise the conception and construction of the project, from the original concept to piers design to the selection of every item of bridge furniture such as traffic lights, bridge camera and handrails. The bridge was designed to fit the distinct character and industrial past of Rotterdam. The construction of this landmark was one component of a larger redevelopment project, coinciding with other major developments in the city of Rotterdam. The goal was to develop a dense urban intervention on the southern shore of the Nieuwe Maas, in the Kop van Zuid neighborhood. This explains the implication of UNStudio in the planning of urban configuration of the neighborhoods on both sides of the river and their work for Spido, a ferry company operating on the Nieuwe Maas, work spaces and parking garage. This commercial building was designed by the firm and also hosts The Grand Café and Jazz Café. This commercial building is integrated to one of the bridge pillar on the north shore of the river. For the design the firm used AutoCAD to work along with engineers and to conceptualize 3D models. They also used the software to evaluate the circulation flow of drivers, pedestrians and streetcars, measuring its impact on the structure and the urban configuration of the neighborhoods on both sides of the river. The records contain sketches for bridge and pier design, plans and sections for pier, Spido and bridge, architectural and construction details created by engineering companies for every component of the bridge, from drawbridge, to cable car system, to bridge furnitures such as traffic light, handrails and cameras and photographs documenting the research for precedent and the original configuration of the neighborhoods on both sides of the river. The record contains AutoCAD plans, details and sections for both the bridge and Spido parking garage. The records also contain one physical model: a small scale plastic, glass and metal model of the bridge.
Erasmus Bridge, Rotterdam, Netherlands, 1990-1996
Actions:
AP175.S1
Description:
Series 1, Erasmus Bridge, Rotterdam, Netherlands, 1990-1996, documents the design, conception and construction of a third bridge for Rotterdam over the Nieuwe Maas River. The bridge connects the Kop van Zuid neighborhood, located on the south side of the river, to Willemsplein, located on the north side. The bridge is considered as a landmark in Rotterdam’s landscape. The Erasmus Bridge was a formative project in the thinking of UNStudio. It was originally supposed to be designed by architect Maarten Struijs who was the city of Rotterdam principal architect and who is responsible for the concept of the neighboring Willem Bridge. Ben van Berkel came later into the project and was hired as a designing consultant along with architect Wim Quist. Ben van Berkel proposed design was selected allowing him and his firm, which was called Van Berkel & Bos Architectuurbureau at that time, to supervise the conception and construction of the project, from the original concept to piers design to the selection of every item of bridge furniture such as traffic lights, bridge camera and handrails. The bridge was designed to fit the distinct character and industrial past of Rotterdam. The construction of this landmark was one component of a larger redevelopment project, coinciding with other major developments in the city of Rotterdam. The goal was to develop a dense urban intervention on the southern shore of the Nieuwe Maas, in the Kop van Zuid neighborhood. This explains the implication of UNStudio in the planning of urban configuration of the neighborhoods on both sides of the river and their work for Spido, a ferry company operating on the Nieuwe Maas, work spaces and parking garage. This commercial building was designed by the firm and also hosts The Grand Café and Jazz Café. This commercial building is integrated to one of the bridge pillar on the north shore of the river. For the design the firm used AutoCAD to work along with engineers and to conceptualize 3D models. They also used the software to evaluate the circulation flow of drivers, pedestrians and streetcars, measuring its impact on the structure and the urban configuration of the neighborhoods on both sides of the river. The records contain sketches for bridge and pier design, plans and sections for pier, Spido and bridge, architectural and construction details created by engineering companies for every component of the bridge, from drawbridge, to cable car system, to bridge furnitures such as traffic light, handrails and cameras and photographs documenting the research for precedent and the original configuration of the neighborhoods on both sides of the river. The record contains AutoCAD plans, details and sections for both the bridge and Spido parking garage. The records also contain one physical model: a small scale plastic, glass and metal model of the bridge.
Niveau de description archivistique:
Series
Series
Date:
1990-1996
1990-1996
Personnes et institutions:
Classification:
recherche
recherche
Actions:
Description:
Subventions de recherche Bechtel dans la collection du CCA : Peter Coffman (Queens University); Christina Contandriopoulos (McGill University); Heather Diack (University of Toronto); Brent Epp (University of British Columbia); Jennifer Ferng (Massachusetts Institute of Technology); Nicolas Gaudreau (Concordia University, Montreal); Lauren Kroiz (Massachusetts Institute(...)
Subventions de recherche Bechtel dans la collection du CCA : Peter Coffman (Queens University); Christina Contandriopoulos (McGill University); Heather Diack (University of Toronto); Brent Epp (University of British Columbia); Jennifer Ferng (Massachusetts Institute of Technology); Nicolas Gaudreau (Concordia University, Montreal); Lauren Kroiz (Massachusetts Institute(...)
Date:
janvier 2004 au août 2004
janvier 2004 au août 2004
Titre:
Programme pour les doctorants 2004
Actions:
Description:
Subventions de recherche Bechtel dans la collection du CCA : Peter Coffman (Queens University); Christina Contandriopoulos (McGill University); Heather Diack (University of Toronto); Brent Epp (University of British Columbia); Jennifer Ferng (Massachusetts Institute of Technology); Nicolas Gaudreau (Concordia University, Montreal); Lauren Kroiz (Massachusetts Institute(...)
Programme pour les doctorants 2004
Actions:
Description:
Subventions de recherche Bechtel dans la collection du CCA : Peter Coffman (Queens University); Christina Contandriopoulos (McGill University); Heather Diack (University of Toronto); Brent Epp (University of British Columbia); Jennifer Ferng (Massachusetts Institute of Technology); Nicolas Gaudreau (Concordia University, Montreal); Lauren Kroiz (Massachusetts Institute(...)
Classification:
recherche
recherche
Date:
janvier 2004 au
août 2004
janvier 2004 au
août 2004
Classification:
événements
événements
Description:
Wolfgang Ernst, titulaire de la chaire de théorie des médias à la Humboldt Universität de Berlin, présente l’archéologie des médias comme méthode de recherche et discute des concepts récents de l’archive dynamique. Il soutient la création d’un musée virtuel de l’architecture de l’ordinateur et traite du concept de ce qu’il convient d’appeler les humanités numériques, avec(...)
Wolfgang Ernst, titulaire de la chaire de théorie des médias à la Humboldt Universität de Berlin, présente l’archéologie des médias comme méthode de recherche et discute des concepts récents de l’archive dynamique. Il soutient la création d’un musée virtuel de l’architecture de l’ordinateur et traite du concept de ce qu’il convient d’appeler les humanités numériques, avec(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
25 septembre 2014 , 18h
25 septembre 2014 , 18h
Titre:
Archéologie des médias numériques : archives, musée et sonicité
Actions:
Description:
Wolfgang Ernst, titulaire de la chaire de théorie des médias à la Humboldt Universität de Berlin, présente l’archéologie des médias comme méthode de recherche et discute des concepts récents de l’archive dynamique. Il soutient la création d’un musée virtuel de l’architecture de l’ordinateur et traite du concept de ce qu’il convient d’appeler les humanités numériques, avec(...)
Archéologie des médias numériques : archives, musée et sonicité
Actions:
Description:
Wolfgang Ernst, titulaire de la chaire de théorie des médias à la Humboldt Universität de Berlin, présente l’archéologie des médias comme méthode de recherche et discute des concepts récents de l’archive dynamique. Il soutient la création d’un musée virtuel de l’architecture de l’ordinateur et traite du concept de ce qu’il convient d’appeler les humanités numériques, avec(...)
Classification:
événements
événements
Date:
25 septembre 2014
18h
25 septembre 2014
18h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP046.S1.1983.PR01
Description:
This project series documents the design and construction of the Canadian Centre for Architecture, Montréal, Québec. After initially working as a consultant on the CCA warehouse project in the early 1980s, Peter Rose began designing the current CCA building in 1983. Architect, Erol Argun joined the project in 1985. The CCA building integrates the historic Shaughnessy House whose restoration ran concurrently with the CCA construction and was supervised by architect Denis St-Louis. For the realization of the Canadian Centre for Architecture, Rose worked in collaboration with the CCA’s founder and consulting architect, Phyllis Lambert and architects Erol Argun and Denis St. Louis. The CCA’s unique design and construction earned Rose a Prix d'excellence from the Ordre des architectes du Québec (1989), a National Honour Award from the American Institute of Architects (1992), a Governor General’s Award for Architecture (1992), and a Medal of Excellence from the Royal Architectural Institute of Canada (1993). The drawings in this project are largely arranged chronologically from the restoration of the Shaughnessy House to the design and construction of the CCA building. The bulk of the drawings are dated between 1985 and 1989 which correspond with the dates of construction, however there is a large number of sketches from 1983 on. Any materials which are not explicitly dated have been given the date range of the project. The textual records include minutes, correspondence with contractors, consultants and suppliers which often include discussions of design revisions, reports, architectural plan record sets, administrative files, architectural change orders, and files specific to the Shaughnessy House restoration. The majority of the records follow the original file structure, the largest two categories being Consultants, and Builder / Construction manager. There are also approximately 1.32 l.m. of architectural and shop drawings which were kept with the textual records. The photographic material includes mainly research and reference photographs and documents the CCA construction phases as well as a few photographs that document the Shaughnessy House restoration. The models are presentation and development models for the CCA building. These models provide views of Shaughnessy House, the entrance pavilion to the CCA, the galleries, library, Alcan Scholar’s wing, the Paul Desmarais Theatre, mock-ups of the CCA’s handrails and exterior wall facades as well as lamp bases for the Shaughnessy House. In order to better navigate the materials it is important to note that when referring exclusively to the CCA floor plans or to floor plans which show both the CCA and Shaughnessy House, Rose often uses the term “level” with the height in feet above sea level, for example, level 149’ 9” is the main floor. However, architectural plans exclusively for Shaughnessy House often use floor numbers. It should also be noted that all plans for the Paul Desmarais Theatre are labeled as auditorium.
AP046.S1.1983.PR01
Description:
This project series documents the design and construction of the Canadian Centre for Architecture, Montréal, Québec. After initially working as a consultant on the CCA warehouse project in the early 1980s, Peter Rose began designing the current CCA building in 1983. Architect, Erol Argun joined the project in 1985. The CCA building integrates the historic Shaughnessy House whose restoration ran concurrently with the CCA construction and was supervised by architect Denis St-Louis. For the realization of the Canadian Centre for Architecture, Rose worked in collaboration with the CCA’s founder and consulting architect, Phyllis Lambert and architects Erol Argun and Denis St. Louis. The CCA’s unique design and construction earned Rose a Prix d'excellence from the Ordre des architectes du Québec (1989), a National Honour Award from the American Institute of Architects (1992), a Governor General’s Award for Architecture (1992), and a Medal of Excellence from the Royal Architectural Institute of Canada (1993). The drawings in this project are largely arranged chronologically from the restoration of the Shaughnessy House to the design and construction of the CCA building. The bulk of the drawings are dated between 1985 and 1989 which correspond with the dates of construction, however there is a large number of sketches from 1983 on. Any materials which are not explicitly dated have been given the date range of the project. The textual records include minutes, correspondence with contractors, consultants and suppliers which often include discussions of design revisions, reports, architectural plan record sets, administrative files, architectural change orders, and files specific to the Shaughnessy House restoration. The majority of the records follow the original file structure, the largest two categories being Consultants, and Builder / Construction manager. There are also approximately 1.32 l.m. of architectural and shop drawings which were kept with the textual records. The photographic material includes mainly research and reference photographs and documents the CCA construction phases as well as a few photographs that document the Shaughnessy House restoration. The models are presentation and development models for the CCA building. These models provide views of Shaughnessy House, the entrance pavilion to the CCA, the galleries, library, Alcan Scholar’s wing, the Paul Desmarais Theatre, mock-ups of the CCA’s handrails and exterior wall facades as well as lamp bases for the Shaughnessy House. In order to better navigate the materials it is important to note that when referring exclusively to the CCA floor plans or to floor plans which show both the CCA and Shaughnessy House, Rose often uses the term “level” with the height in feet above sea level, for example, level 149’ 9” is the main floor. However, architectural plans exclusively for Shaughnessy House often use floor numbers. It should also be noted that all plans for the Paul Desmarais Theatre are labeled as auditorium.
Personnes et institutions:
Date:
1983-1989
1983-1989
Titre:
Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01
Description:
This project series documents the design and construction of the Canadian Centre for Architecture, Montréal, Québec. After initially working as a consultant on the CCA warehouse project in the early 1980s, Peter Rose began designing the current CCA building in 1983. Architect, Erol Argun joined the project in 1985. The CCA building integrates the historic Shaughnessy House whose restoration ran concurrently with the CCA construction and was supervised by architect Denis St-Louis. For the realization of the Canadian Centre for Architecture, Rose worked in collaboration with the CCA’s founder and consulting architect, Phyllis Lambert and architects Erol Argun and Denis St. Louis. The CCA’s unique design and construction earned Rose a Prix d'excellence from the Ordre des architectes du Québec (1989), a National Honour Award from the American Institute of Architects (1992), a Governor General’s Award for Architecture (1992), and a Medal of Excellence from the Royal Architectural Institute of Canada (1993). The drawings in this project are largely arranged chronologically from the restoration of the Shaughnessy House to the design and construction of the CCA building. The bulk of the drawings are dated between 1985 and 1989 which correspond with the dates of construction, however there is a large number of sketches from 1983 on. Any materials which are not explicitly dated have been given the date range of the project. The textual records include minutes, correspondence with contractors, consultants and suppliers which often include discussions of design revisions, reports, architectural plan record sets, administrative files, architectural change orders, and files specific to the Shaughnessy House restoration. The majority of the records follow the original file structure, the largest two categories being Consultants, and Builder / Construction manager. There are also approximately 1.32 l.m. of architectural and shop drawings which were kept with the textual records. The photographic material includes mainly research and reference photographs and documents the CCA construction phases as well as a few photographs that document the Shaughnessy House restoration. The models are presentation and development models for the CCA building. These models provide views of Shaughnessy House, the entrance pavilion to the CCA, the galleries, library, Alcan Scholar’s wing, the Paul Desmarais Theatre, mock-ups of the CCA’s handrails and exterior wall facades as well as lamp bases for the Shaughnessy House. In order to better navigate the materials it is important to note that when referring exclusively to the CCA floor plans or to floor plans which show both the CCA and Shaughnessy House, Rose often uses the term “level” with the height in feet above sea level, for example, level 149’ 9” is the main floor. However, architectural plans exclusively for Shaughnessy House often use floor numbers. It should also be noted that all plans for the Paul Desmarais Theatre are labeled as auditorium.
Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01
Description:
This project series documents the design and construction of the Canadian Centre for Architecture, Montréal, Québec. After initially working as a consultant on the CCA warehouse project in the early 1980s, Peter Rose began designing the current CCA building in 1983. Architect, Erol Argun joined the project in 1985. The CCA building integrates the historic Shaughnessy House whose restoration ran concurrently with the CCA construction and was supervised by architect Denis St-Louis. For the realization of the Canadian Centre for Architecture, Rose worked in collaboration with the CCA’s founder and consulting architect, Phyllis Lambert and architects Erol Argun and Denis St. Louis. The CCA’s unique design and construction earned Rose a Prix d'excellence from the Ordre des architectes du Québec (1989), a National Honour Award from the American Institute of Architects (1992), a Governor General’s Award for Architecture (1992), and a Medal of Excellence from the Royal Architectural Institute of Canada (1993). The drawings in this project are largely arranged chronologically from the restoration of the Shaughnessy House to the design and construction of the CCA building. The bulk of the drawings are dated between 1985 and 1989 which correspond with the dates of construction, however there is a large number of sketches from 1983 on. Any materials which are not explicitly dated have been given the date range of the project. The textual records include minutes, correspondence with contractors, consultants and suppliers which often include discussions of design revisions, reports, architectural plan record sets, administrative files, architectural change orders, and files specific to the Shaughnessy House restoration. The majority of the records follow the original file structure, the largest two categories being Consultants, and Builder / Construction manager. There are also approximately 1.32 l.m. of architectural and shop drawings which were kept with the textual records. The photographic material includes mainly research and reference photographs and documents the CCA construction phases as well as a few photographs that document the Shaughnessy House restoration. The models are presentation and development models for the CCA building. These models provide views of Shaughnessy House, the entrance pavilion to the CCA, the galleries, library, Alcan Scholar’s wing, the Paul Desmarais Theatre, mock-ups of the CCA’s handrails and exterior wall facades as well as lamp bases for the Shaughnessy House. In order to better navigate the materials it is important to note that when referring exclusively to the CCA floor plans or to floor plans which show both the CCA and Shaughnessy House, Rose often uses the term “level” with the height in feet above sea level, for example, level 149’ 9” is the main floor. However, architectural plans exclusively for Shaughnessy House often use floor numbers. It should also be noted that all plans for the Paul Desmarais Theatre are labeled as auditorium.
Niveau de description archivistique:
Project
Project
Date:
1983-1989
1983-1989
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Ben Bradley présente comment lautomobile a influencé la manière dont les Canadiens ont fait lexpérience de leur pays cours du XXe siècle. Alors que des millions de personnes sont parties à la rencontre du Canada à travers le voyage automobile, elles ont aussi donné forme aux endroits quelles ont traversés, par leurs habitudes de visite, leurs goûts et leurs mouvements.(...)
Ben Bradley présente comment lautomobile a influencé la manière dont les Canadiens ont fait lexpérience de leur pays cours du XXe siècle. Alors que des millions de personnes sont parties à la rencontre du Canada à travers le voyage automobile, elles ont aussi donné forme aux endroits quelles ont traversés, par leurs habitudes de visite, leurs goûts et leurs mouvements.(...)
Localisation:
Théâtre Paul-Demarais Mot(s)-clé(s):
Canada, Le temps presse, environnement, Bradley, halte-routière, roadside
Théâtre Paul-Demarais Mot(s)-clé(s):
Canada, Le temps presse, environnement, Bradley, halte-routière, roadside
Date:
23 février 2017, 18h
23 février 2017, 18h
Titre:
Faire du Canada une halte-routière
Actions:
Description:
Ben Bradley présente comment lautomobile a influencé la manière dont les Canadiens ont fait lexpérience de leur pays cours du XXe siècle. Alors que des millions de personnes sont parties à la rencontre du Canada à travers le voyage automobile, elles ont aussi donné forme aux endroits quelles ont traversés, par leurs habitudes de visite, leurs goûts et leurs mouvements.(...)
Faire du Canada une halte-routière
Actions:
Description:
Ben Bradley présente comment lautomobile a influencé la manière dont les Canadiens ont fait lexpérience de leur pays cours du XXe siècle. Alors que des millions de personnes sont parties à la rencontre du Canada à travers le voyage automobile, elles ont aussi donné forme aux endroits quelles ont traversés, par leurs habitudes de visite, leurs goûts et leurs mouvements.(...)
Classification:
événements
événements
Date:
23 février 2017
18h
23 février 2017
18h
Localisation:
Théâtre Paul-Demarais Mot(s)-clé(s):
Canada, Le temps presse, environnement, Bradley, halte-routière, roadside
Théâtre Paul-Demarais Mot(s)-clé(s):
Canada, Le temps presse, environnement, Bradley, halte-routière, roadside
