1662 Résultats
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A pioneer of Conceptual art in Los Angeles during the late 1960s and 1970s, the painter, installation artist and theater director William Leavitt (born 1941) is above all an artist of narrative devices. Since 1969, his works in all the above media have employed abrupt fragments of popular and vernacular culture and depictions of modernist architecture to construct elusive(...)
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A pioneer of Conceptual art in Los Angeles during the late 1960s and 1970s, the painter, installation artist and theater director William Leavitt (born 1941) is above all an artist of narrative devices. Since 1969, his works in all the above media have employed abrupt fragments of popular and vernacular culture and depictions of modernist architecture to construct elusive(...)
Titre:
William Leavitt: Theater Objects
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A pioneer of Conceptual art in Los Angeles during the late 1960s and 1970s, the painter, installation artist and theater director William Leavitt (born 1941) is above all an artist of narrative devices. Since 1969, his works in all the above media have employed abrupt fragments of popular and vernacular culture and depictions of modernist architecture to construct elusive narratives of cityscapes and environments. The culture and atmosphere of Los Angeles has played a significant role in Leavitt's handling of these themes; classic southern Californian motifs of ever-present artifice and almost washed-out brightness recur throughout his work. Surveying the artist's 40-year career, this volume includes sculptural tableaux, paintings, works on paper, photographs and performances from the late 1960s to the present. Leavitt has created a remarkable oeuvre that has influenced generations of artists, and this volume is both long overdue and highly anticipated.
William Leavitt: Theater Objects
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A pioneer of Conceptual art in Los Angeles during the late 1960s and 1970s, the painter, installation artist and theater director William Leavitt (born 1941) is above all an artist of narrative devices. Since 1969, his works in all the above media have employed abrupt fragments of popular and vernacular culture and depictions of modernist architecture to construct elusive narratives of cityscapes and environments. The culture and atmosphere of Los Angeles has played a significant role in Leavitt's handling of these themes; classic southern Californian motifs of ever-present artifice and almost washed-out brightness recur throughout his work. Surveying the artist's 40-year career, this volume includes sculptural tableaux, paintings, works on paper, photographs and performances from the late 1960s to the present. Leavitt has created a remarkable oeuvre that has influenced generations of artists, and this volume is both long overdue and highly anticipated.
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livres
livres
Publication:
avril 2011
avril 2011
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livres
livres
Titre:
Gego: Measuring infinity
Gego: Measuring infinity
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Accompanying the first major museum retrospective exhibition of Gego’s work in the US in more than 15 years, this expansive, definitive catalog charts the evolution of Gego’s singular approach to abstraction through organic forms, linear structures and systematic spatial investigations. Featuring nearly 300 images, including more than 160 sculptures, drawings, prints,(...)
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Accompanying the first major museum retrospective exhibition of Gego’s work in the US in more than 15 years, this expansive, definitive catalog charts the evolution of Gego’s singular approach to abstraction through organic forms, linear structures and systematic spatial investigations. Featuring nearly 300 images, including more than 160 sculptures, drawings, prints,(...)
Publication:
juin 2023
juin 2023
Titre:
Gego: Measuring infinity
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Accompanying the first major museum retrospective exhibition of Gego’s work in the US in more than 15 years, this expansive, definitive catalog charts the evolution of Gego’s singular approach to abstraction through organic forms, linear structures and systematic spatial investigations. Featuring nearly 300 images, including more than 160 sculptures, drawings, prints, artist’s books, textiles and installations made between the early 1950s and the early 1990s, this volume also presents 11 illustrated essays by experts in the field of modern and contemporary Latin American art that trace Gego’s artistic development across various mediums and disciplines, including her significant contributions to architecture and design; ground her practice in various art movements that materialized in Latin America, Europe and the US during her lifetime; and consider the pedagogical influence of her two-decade teaching career in Caracas. This essential publication advances an expanded understanding and appreciation of the artist’s work within the context of 20th-century modernism.
Gego: Measuring infinity
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Accompanying the first major museum retrospective exhibition of Gego’s work in the US in more than 15 years, this expansive, definitive catalog charts the evolution of Gego’s singular approach to abstraction through organic forms, linear structures and systematic spatial investigations. Featuring nearly 300 images, including more than 160 sculptures, drawings, prints, artist’s books, textiles and installations made between the early 1950s and the early 1990s, this volume also presents 11 illustrated essays by experts in the field of modern and contemporary Latin American art that trace Gego’s artistic development across various mediums and disciplines, including her significant contributions to architecture and design; ground her practice in various art movements that materialized in Latin America, Europe and the US during her lifetime; and consider the pedagogical influence of her two-decade teaching career in Caracas. This essential publication advances an expanded understanding and appreciation of the artist’s work within the context of 20th-century modernism.
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livres
livres
Publication:
juin 2023
juin 2023
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In 1976, Sol LeWitt made a large group of pencil drawings on the internal walls of the Vecchia Torre, a medieval tower in the Umbrian town of Spoleto, Italy. These fragile drawings, made on walls that are susceptible to degradation, have rarely been seen and never been documented, yet they represent one of LeWitt's major works and a milestone in American conceptual art.(...)
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In 1976, Sol LeWitt made a large group of pencil drawings on the internal walls of the Vecchia Torre, a medieval tower in the Umbrian town of Spoleto, Italy. These fragile drawings, made on walls that are susceptible to degradation, have rarely been seen and never been documented, yet they represent one of LeWitt's major works and a milestone in American conceptual art.(...)
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Sol Lewitt's studio drawings in the Vecchia Torre
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In 1976, Sol LeWitt made a large group of pencil drawings on the internal walls of the Vecchia Torre, a medieval tower in the Umbrian town of Spoleto, Italy. These fragile drawings, made on walls that are susceptible to degradation, have rarely been seen and never been documented, yet they represent one of LeWitt's major works and a milestone in American conceptual art. This groundbreaking volume brings together an extended essay on LeWitt's work by art historian Rye Dag Holmboe and a series of 60 photographic plates of the drawings by artist Joschi Herczeg, giving readers an intimate experience of this singular, site-specific work. A visual archive, this book situates LeWitt's provisional, material, bodily, and highly personal drawings in their historical, biographical, and theoretical contexts. The result is nothing less than a reconsideration of LeWitt's lifework. At once a work of conservation and a reflection on the relationship between drawing and architecture, the volume sheds new and welcome light on an unseen masterpiece.
Sol Lewitt's studio drawings in the Vecchia Torre
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In 1976, Sol LeWitt made a large group of pencil drawings on the internal walls of the Vecchia Torre, a medieval tower in the Umbrian town of Spoleto, Italy. These fragile drawings, made on walls that are susceptible to degradation, have rarely been seen and never been documented, yet they represent one of LeWitt's major works and a milestone in American conceptual art. This groundbreaking volume brings together an extended essay on LeWitt's work by art historian Rye Dag Holmboe and a series of 60 photographic plates of the drawings by artist Joschi Herczeg, giving readers an intimate experience of this singular, site-specific work. A visual archive, this book situates LeWitt's provisional, material, bodily, and highly personal drawings in their historical, biographical, and theoretical contexts. The result is nothing less than a reconsideration of LeWitt's lifework. At once a work of conservation and a reflection on the relationship between drawing and architecture, the volume sheds new and welcome light on an unseen masterpiece.
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livres
livres
Publication:
avril 2023
avril 2023
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livres
livres
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Dan Graham (1942), one of the major neo avant-garde figures since the Second World War, is internationally recognized for his work in public spaces. Graham was invited to Como to take part in the centenary celebration of the birth of Giuseppe Terragni. For the occasion, he installed a pavilion entitled "Half square/half crazy" on the square in front of the Casa del(...)
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Dan Graham (1942), one of the major neo avant-garde figures since the Second World War, is internationally recognized for his work in public spaces. Graham was invited to Como to take part in the centenary celebration of the birth of Giuseppe Terragni. For the occasion, he installed a pavilion entitled "Half square/half crazy" on the square in front of the Casa del(...)
Publication:
septembre 2005, Como
septembre 2005, Como
Titre:
Dan Graham : half square half crazy
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Dan Graham (1942), one of the major neo avant-garde figures since the Second World War, is internationally recognized for his work in public spaces. Graham was invited to Como to take part in the centenary celebration of the birth of Giuseppe Terragni. For the occasion, he installed a pavilion entitled "Half square/half crazy" on the square in front of the Casa del Fascio. For Graham, the pavilion is a tool to critically fathom modern architecture. It is an instrument for studying the rapport between the interior (private) and exterior (public) environment as well as a way to examine the relationship of the individual to the urban scheme. His architectural structure moves from contemplative object to meeting point: a place of exchange and reflection. This volume presents an exhaustive documentation of the Como pavilion together with a selection of recent works by Dan Graham and two interviews with the artist. The dvd included records the course of the Como pavilion from its construction to inauguration.
Dan Graham : half square half crazy
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Dan Graham (1942), one of the major neo avant-garde figures since the Second World War, is internationally recognized for his work in public spaces. Graham was invited to Como to take part in the centenary celebration of the birth of Giuseppe Terragni. For the occasion, he installed a pavilion entitled "Half square/half crazy" on the square in front of the Casa del Fascio. For Graham, the pavilion is a tool to critically fathom modern architecture. It is an instrument for studying the rapport between the interior (private) and exterior (public) environment as well as a way to examine the relationship of the individual to the urban scheme. His architectural structure moves from contemplative object to meeting point: a place of exchange and reflection. This volume presents an exhaustive documentation of the Como pavilion together with a selection of recent works by Dan Graham and two interviews with the artist. The dvd included records the course of the Como pavilion from its construction to inauguration.
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livres
livres
Publication:
septembre 2005, Como
septembre 2005, Como
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livres
livres
Titre:
Vanishing point
Vanishing point
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Over the past few decades, discussions of contemporary architecture have tended to concentrate on a select few innovative building projects that promise to single-handedly change their urban landscapes. "Vanishing point" conversely focuses on aspects of the built environment that are far less singular yet arguably more influential: spaces that anthropologist Marc Augé(...)
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Over the past few decades, discussions of contemporary architecture have tended to concentrate on a select few innovative building projects that promise to single-handedly change their urban landscapes. "Vanishing point" conversely focuses on aspects of the built environment that are far less singular yet arguably more influential: spaces that anthropologist Marc Augé(...)
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Vanishing point
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Over the past few decades, discussions of contemporary architecture have tended to concentrate on a select few innovative building projects that promise to single-handedly change their urban landscapes. "Vanishing point" conversely focuses on aspects of the built environment that are far less singular yet arguably more influential: spaces that anthropologist Marc Augé terms "non-places"--hotels, shopping malls, freeways, corporate high-rises, airport terminals, gambling casinos, themed restaurants, and other visually intoxicating yet banal environments that people pass through, often on their way to somewhere else. Reflecting this, the artists in "Vanishing point" make an effort to "place" these characterless locations. They interpret rather than document architectural spaces in order to convey the range of emotions and physical sensations that they evoke. Includes the resulting paintings, photographs, videos, and installations by emerging and established artists such as Fabian Birgfeld, Dike Blair, Marco Brambilla, Jonah Freeman, Carla Klein, Sabine Hornig, Luisa Lambri, Won Ju Lim, Sarah Morris, Deborah Stratman, Amelie Von Wulffen, and Amy Wheeler.
Vanishing point
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Over the past few decades, discussions of contemporary architecture have tended to concentrate on a select few innovative building projects that promise to single-handedly change their urban landscapes. "Vanishing point" conversely focuses on aspects of the built environment that are far less singular yet arguably more influential: spaces that anthropologist Marc Augé terms "non-places"--hotels, shopping malls, freeways, corporate high-rises, airport terminals, gambling casinos, themed restaurants, and other visually intoxicating yet banal environments that people pass through, often on their way to somewhere else. Reflecting this, the artists in "Vanishing point" make an effort to "place" these characterless locations. They interpret rather than document architectural spaces in order to convey the range of emotions and physical sensations that they evoke. Includes the resulting paintings, photographs, videos, and installations by emerging and established artists such as Fabian Birgfeld, Dike Blair, Marco Brambilla, Jonah Freeman, Carla Klein, Sabine Hornig, Luisa Lambri, Won Ju Lim, Sarah Morris, Deborah Stratman, Amelie Von Wulffen, and Amy Wheeler.
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livres
livres
Publication:
janvier 2005, New York
janvier 2005, New York
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Thomas Schütte has frequently cast himself into the role of a maverick - remained remote from the work of his artistic mentor, distanced himself from the statements of each ephemeral Zeitgeist and increasingly contradicted his own positions - and in so doing has become one of the most influential artists of his generation. Shifting from text to image to object to book,(...)
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Thomas Schütte has frequently cast himself into the role of a maverick - remained remote from the work of his artistic mentor, distanced himself from the statements of each ephemeral Zeitgeist and increasingly contradicted his own positions - and in so doing has become one of the most influential artists of his generation. Shifting from text to image to object to book,(...)
Titre:
Thomas Schutte : Friedrich Christian Flick collection, volume 2
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Thomas Schütte has frequently cast himself into the role of a maverick - remained remote from the work of his artistic mentor, distanced himself from the statements of each ephemeral Zeitgeist and increasingly contradicted his own positions - and in so doing has become one of the most influential artists of his generation. Shifting from text to image to object to book, his work juxtaposes biographical moments with contemporary events, oscillates between the aspiration to shape the public reception of architecture and monumental sculpture and the conjunctive of model-maker, and projects avant-garde ideas onto traditional forms of art. With meticulous rigor, Ulrich Loock has observed the evolution of Schütte’s output over the past 25 years. Underpinning his lucid overview is a series of intensive discussions between the author and artist on the genesis and history of particular works. This well-designed book is the most comprehensive monograph of the artist’s work to date, and provides profound insight into Schütte’s work through detailed discussions of the pieces.
Thomas Schutte : Friedrich Christian Flick collection, volume 2
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Thomas Schütte has frequently cast himself into the role of a maverick - remained remote from the work of his artistic mentor, distanced himself from the statements of each ephemeral Zeitgeist and increasingly contradicted his own positions - and in so doing has become one of the most influential artists of his generation. Shifting from text to image to object to book, his work juxtaposes biographical moments with contemporary events, oscillates between the aspiration to shape the public reception of architecture and monumental sculpture and the conjunctive of model-maker, and projects avant-garde ideas onto traditional forms of art. With meticulous rigor, Ulrich Loock has observed the evolution of Schütte’s output over the past 25 years. Underpinning his lucid overview is a series of intensive discussions between the author and artist on the genesis and history of particular works. This well-designed book is the most comprehensive monograph of the artist’s work to date, and provides profound insight into Schütte’s work through detailed discussions of the pieces.
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livres
livres
Publication:
janvier 1900, Cologne
janvier 1900, Cologne
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livres
livres
Titre:
Public art : a reader
Public art : a reader
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An indispensable handbook on art in the public sphere with profoundly thoughtful texts by curators, artists, and art historians. Few topics in the visual arts have created such controversy recently as the debate surrounding the significance and potential of public art. In response to this, "Public Art" was published in a bilingual edition and quickly sold out. The book(...)
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An indispensable handbook on art in the public sphere with profoundly thoughtful texts by curators, artists, and art historians. Few topics in the visual arts have created such controversy recently as the debate surrounding the significance and potential of public art. In response to this, "Public Art" was published in a bilingual edition and quickly sold out. The book(...)
Publication:
janvier 2004, Ostfildern-Ruit
janvier 2004, Ostfildern-Ruit
Titre:
Public art : a reader
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An indispensable handbook on art in the public sphere with profoundly thoughtful texts by curators, artists, and art historians. Few topics in the visual arts have created such controversy recently as the debate surrounding the significance and potential of public art. In response to this, "Public Art" was published in a bilingual edition and quickly sold out. The book has now been republished in separate language editions. In this handbook, over fifty authors take a critical look at the subject of public art: the result is a fascinating compendium of opinions and statements, experiences and reports. The wide-ranging material by curators, art historians, and artists is divided into "Art and the City", "Art and Architecture", "Art and History", "Art and Society", "Art and the Exhibition", and "Art and the Public". Contributors include Vito Acconci, Daniel Buren, Dan Graham, Walter Grasskamp, Hans Haacke, Ilya Kabakov, Kasper König, Joseph Kosuth, Florian Matzner, Ulrich Rückriem, Lawrence Weiner among many others.
Public art : a reader
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$49.50
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An indispensable handbook on art in the public sphere with profoundly thoughtful texts by curators, artists, and art historians. Few topics in the visual arts have created such controversy recently as the debate surrounding the significance and potential of public art. In response to this, "Public Art" was published in a bilingual edition and quickly sold out. The book has now been republished in separate language editions. In this handbook, over fifty authors take a critical look at the subject of public art: the result is a fascinating compendium of opinions and statements, experiences and reports. The wide-ranging material by curators, art historians, and artists is divided into "Art and the City", "Art and Architecture", "Art and History", "Art and Society", "Art and the Exhibition", and "Art and the Public". Contributors include Vito Acconci, Daniel Buren, Dan Graham, Walter Grasskamp, Hans Haacke, Ilya Kabakov, Kasper König, Joseph Kosuth, Florian Matzner, Ulrich Rückriem, Lawrence Weiner among many others.
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livres
livres
Publication:
janvier 2004, Ostfildern-Ruit
janvier 2004, Ostfildern-Ruit
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livres
livres
Titre:
Aranda/Lasch: Trace elements
Aranda/Lasch: Trace elements
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"Trace elements" are minerals that exist in minute quantities necessary for the growth and development of cells. Exposure to excessive quantities is toxic, but without them our bodies would atrophy. They are the crystalline structures that support life. Over the past decade, Aranda\Lasch has focused obsessively on these structures as a form of both organization and(...)
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"Trace elements" are minerals that exist in minute quantities necessary for the growth and development of cells. Exposure to excessive quantities is toxic, but without them our bodies would atrophy. They are the crystalline structures that support life. Over the past decade, Aranda\Lasch has focused obsessively on these structures as a form of both organization and(...)
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Aranda/Lasch: Trace elements
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"Trace elements" are minerals that exist in minute quantities necessary for the growth and development of cells. Exposure to excessive quantities is toxic, but without them our bodies would atrophy. They are the crystalline structures that support life. Over the past decade, Aranda\Lasch has focused obsessively on these structures as a form of both organization and expression for architecture. Their projects explore the interplay between rule-based systems and human ritual. In scale, this work lies somewhere between furniture and building, so that what is built, drawn, and projected gives human measure to procedural thinking. Published on the occasion of the studio's exhibition "Meeting the Clouds Halfway" at the Museum of Contemporary Art (MOCA) Tucson, this book is a collection of recent explorations into modularity, craft, pattern, rhythm, material, and memory. Trace Elements documents a wide-ranging and yet sharply focused body of work from an office dedicated both to intellectual exploration and the honing of a distinct design sensibility.
Aranda/Lasch: Trace elements
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"Trace elements" are minerals that exist in minute quantities necessary for the growth and development of cells. Exposure to excessive quantities is toxic, but without them our bodies would atrophy. They are the crystalline structures that support life. Over the past decade, Aranda\Lasch has focused obsessively on these structures as a form of both organization and expression for architecture. Their projects explore the interplay between rule-based systems and human ritual. In scale, this work lies somewhere between furniture and building, so that what is built, drawn, and projected gives human measure to procedural thinking. Published on the occasion of the studio's exhibition "Meeting the Clouds Halfway" at the Museum of Contemporary Art (MOCA) Tucson, this book is a collection of recent explorations into modularity, craft, pattern, rhythm, material, and memory. Trace Elements documents a wide-ranging and yet sharply focused body of work from an office dedicated both to intellectual exploration and the honing of a distinct design sensibility.
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livres
livres
Publication:
août 2017
août 2017
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livres
livres
Titre:
Frauke Dannert: collage
Frauke Dannert: collage
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Artists who create collages appropriate existing images and assemble them in new ways without being bound to a style or a medium. Frauke Dannert (b. Herdecke, 1979; lives and works in Cologne and Düsseldorf) has dedicated herself to this technique since her days as a student in Düsseldorf and London. Over the course of almost a decade, she has built a considerable(...)
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Artists who create collages appropriate existing images and assemble them in new ways without being bound to a style or a medium. Frauke Dannert (b. Herdecke, 1979; lives and works in Cologne and Düsseldorf) has dedicated herself to this technique since her days as a student in Düsseldorf and London. Over the course of almost a decade, she has built a considerable(...)
Titre:
Frauke Dannert: collage
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Artists who create collages appropriate existing images and assemble them in new ways without being bound to a style or a medium. Frauke Dannert (b. Herdecke, 1979; lives and works in Cologne and Düsseldorf) has dedicated herself to this technique since her days as a student in Düsseldorf and London. Over the course of almost a decade, she has built a considerable repertoire of forms she now variously applies in works on paper, wall paintings, projections, films, and photographs. Architecture is the basic material and subject of the collages in which she explores questions of perception as well as orientation and recollection. She dismantles structures to examine their sculptural potential. Drawing on a personal archive of found pictures and her own photographs, she selects jutties, spires, ribbon windows, or entire façades, makes multiple photocopies, and alters dimensions and proportions. Out of the resulting elements she then pieces together weightless structures with a futuristic air.
Frauke Dannert: collage
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Artists who create collages appropriate existing images and assemble them in new ways without being bound to a style or a medium. Frauke Dannert (b. Herdecke, 1979; lives and works in Cologne and Düsseldorf) has dedicated herself to this technique since her days as a student in Düsseldorf and London. Over the course of almost a decade, she has built a considerable repertoire of forms she now variously applies in works on paper, wall paintings, projections, films, and photographs. Architecture is the basic material and subject of the collages in which she explores questions of perception as well as orientation and recollection. She dismantles structures to examine their sculptural potential. Drawing on a personal archive of found pictures and her own photographs, she selects jutties, spires, ribbon windows, or entire façades, makes multiple photocopies, and alters dimensions and proportions. Out of the resulting elements she then pieces together weightless structures with a futuristic air.
Classification:
livres
livres
Publication:
avril 2016
avril 2016
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livres
livres
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$24.00
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Visual artist and theorist Suzanne Anker opened the 2007 international online conference Bioscience and Visual Culture with the following words: "The ubiquitous employment of digital technologies within the practices of research science and medicine, architecture and design, filmmaking and video production, as well as the visual and performing arts, has set ajar a(...)
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Visual artist and theorist Suzanne Anker opened the 2007 international online conference Bioscience and Visual Culture with the following words: "The ubiquitous employment of digital technologies within the practices of research science and medicine, architecture and design, filmmaking and video production, as well as the visual and performing arts, has set ajar a(...)
Titre:
Visual culture and bioscience
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Visual artist and theorist Suzanne Anker opened the 2007 international online conference Bioscience and Visual Culture with the following words: "The ubiquitous employment of digital technologies within the practices of research science and medicine, architecture and design, filmmaking and video production, as well as the visual and performing arts, has set ajar a multiplex of communication networks which crisscross traditional boundaries." This volume documents the virtual symposium, which was hosted by the National Academy of Sciences in Washington, D.C. and the Center for Art, Design and Visual Culture at the University of Maryland, Baltimore County. Herein, artists, scientists, historians, ethicists, curators, sociologists and writers discuss the myriad intersections between visual culture and the biosciences. The impressive list of international panelists includes Carl Djerassi of Stanford University, Troy Duster of NYU, Marvin Heiferman of SVA, David Freedberg of Columbia University, artist Catherine Chalmers, Art in America Senior Editor Nancy Princenthal and writer Andrew Solomon.
Visual culture and bioscience
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Visual artist and theorist Suzanne Anker opened the 2007 international online conference Bioscience and Visual Culture with the following words: "The ubiquitous employment of digital technologies within the practices of research science and medicine, architecture and design, filmmaking and video production, as well as the visual and performing arts, has set ajar a multiplex of communication networks which crisscross traditional boundaries." This volume documents the virtual symposium, which was hosted by the National Academy of Sciences in Washington, D.C. and the Center for Art, Design and Visual Culture at the University of Maryland, Baltimore County. Herein, artists, scientists, historians, ethicists, curators, sociologists and writers discuss the myriad intersections between visual culture and the biosciences. The impressive list of international panelists includes Carl Djerassi of Stanford University, Troy Duster of NYU, Marvin Heiferman of SVA, David Freedberg of Columbia University, artist Catherine Chalmers, Art in America Senior Editor Nancy Princenthal and writer Andrew Solomon.
Classification:
livres
livres
Publication:
novembre 2008
novembre 2008
