1749 Résultats
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livres
livres
Titre:
Heterotemporality
Heterotemporality
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Inspired by ‘Tokyo Papers’ by Karel Martens, Ari Marcopoulos arranged his pictures while thinking about what would distinguish inside and outside, public and private. It is an idea that had already become a prevalent thought during the Covid-19 pandemic. The images in colour, hidden on the inside folds of the pages of this publication, are mostly portraits of objects and(...)
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Inspired by ‘Tokyo Papers’ by Karel Martens, Ari Marcopoulos arranged his pictures while thinking about what would distinguish inside and outside, public and private. It is an idea that had already become a prevalent thought during the Covid-19 pandemic. The images in colour, hidden on the inside folds of the pages of this publication, are mostly portraits of objects and(...)
Titre:
Heterotemporality
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Inspired by ‘Tokyo Papers’ by Karel Martens, Ari Marcopoulos arranged his pictures while thinking about what would distinguish inside and outside, public and private. It is an idea that had already become a prevalent thought during the Covid-19 pandemic. The images in colour, hidden on the inside folds of the pages of this publication, are mostly portraits of objects and people, while the black-and-white photographs on the visible pages are recent work, primarily exterior shots taken in January and February of 2021. Envisioning his own photos in book form is “a good way to see how images look together”, according to Marcopoulos.
Heterotemporality
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Inspired by ‘Tokyo Papers’ by Karel Martens, Ari Marcopoulos arranged his pictures while thinking about what would distinguish inside and outside, public and private. It is an idea that had already become a prevalent thought during the Covid-19 pandemic. The images in colour, hidden on the inside folds of the pages of this publication, are mostly portraits of objects and people, while the black-and-white photographs on the visible pages are recent work, primarily exterior shots taken in January and February of 2021. Envisioning his own photos in book form is “a good way to see how images look together”, according to Marcopoulos.
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livres
livres
Publication:
octobre 2021
octobre 2021
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livres
livres
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Menna Agha and Ola Hassanain edit, curate, and annotate this collection of stories by black Europeans, in which they tell stories of African peoplehood in cities that didn’t want them. They gather and tell stories of care, refusal, and the many place-making emotions that carved black spaces despite European cities. This collection includes stories by k. eltinaé, Mário(...)
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Menna Agha and Ola Hassanain edit, curate, and annotate this collection of stories by black Europeans, in which they tell stories of African peoplehood in cities that didn’t want them. They gather and tell stories of care, refusal, and the many place-making emotions that carved black spaces despite European cities. This collection includes stories by k. eltinaé, Mário(...)
Publication:
février 2022
février 2022
Titre:
There, is the city... and, here are my hands
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Menna Agha and Ola Hassanain edit, curate, and annotate this collection of stories by black Europeans, in which they tell stories of African peoplehood in cities that didn’t want them. They gather and tell stories of care, refusal, and the many place-making emotions that carved black spaces despite European cities. This collection includes stories by k. eltinaé, Mário Barros, Moad Musbahi, Sarah Bekambo, Bothan Ahmed Botan, Belinda Kazeem-Kaminski, and Nasra Abdullahi who recount, account, testify, theorize, plot, and speculate. The storytellers write in a sense-making exercise that seeks to shake the epistemic grounds on which they were forced to stand.
There, is the city... and, here are my hands
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Menna Agha and Ola Hassanain edit, curate, and annotate this collection of stories by black Europeans, in which they tell stories of African peoplehood in cities that didn’t want them. They gather and tell stories of care, refusal, and the many place-making emotions that carved black spaces despite European cities. This collection includes stories by k. eltinaé, Mário Barros, Moad Musbahi, Sarah Bekambo, Bothan Ahmed Botan, Belinda Kazeem-Kaminski, and Nasra Abdullahi who recount, account, testify, theorize, plot, and speculate. The storytellers write in a sense-making exercise that seeks to shake the epistemic grounds on which they were forced to stand.
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livres
livres
Publication:
février 2022
février 2022
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livres
livres
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Cette publication est une collection d’essais réunissant les voix de 16 artistes, commissaires, historien.ne.s de l’art et travailleur.se.s culturel.le.s autochtones, tant francophones qu’anglophones, œuvrant dans les territoires que l’on nomme Québec. Faisant suite à des expositions, des performances, des résidences d’artistes et des discussions mises en place lors du(...)
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Cette publication est une collection d’essais réunissant les voix de 16 artistes, commissaires, historien.ne.s de l’art et travailleur.se.s culturel.le.s autochtones, tant francophones qu’anglophones, œuvrant dans les territoires que l’on nomme Québec. Faisant suite à des expositions, des performances, des résidences d’artistes et des discussions mises en place lors du(...)
Titre:
D'horizons et d'estuaires : Entres mémoires et créations autochtones
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Cette publication est une collection d’essais réunissant les voix de 16 artistes, commissaires, historien.ne.s de l’art et travailleur.se.s culturel.le.s autochtones, tant francophones qu’anglophones, œuvrant dans les territoires que l’on nomme Québec. Faisant suite à des expositions, des performances, des résidences d’artistes et des discussions mises en place lors du Projet Tiohtìa :ke (2017-2019) du Collectif des commissaires autochtones, ces textes honorent les relations et les affinités qui sont au cœur de ces pratiques en arts visuels. Par la diversité des points de vue et les enjeux soulevés par ces écrits, ce livre pose des questions cruciales sur l’avenir des arts autochtones et ouvre la porte à des dialogues longtemps attendus au Québec qui, nous l’espérons, permettront de créer de réels changements positifs. Il est maintenant temps de plonger dans ces imaginaires collectifs éblouissants et de nager dans les eaux ondulantes de ces mémoires résilientes.
D'horizons et d'estuaires : Entres mémoires et créations autochtones
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Cette publication est une collection d’essais réunissant les voix de 16 artistes, commissaires, historien.ne.s de l’art et travailleur.se.s culturel.le.s autochtones, tant francophones qu’anglophones, œuvrant dans les territoires que l’on nomme Québec. Faisant suite à des expositions, des performances, des résidences d’artistes et des discussions mises en place lors du Projet Tiohtìa :ke (2017-2019) du Collectif des commissaires autochtones, ces textes honorent les relations et les affinités qui sont au cœur de ces pratiques en arts visuels. Par la diversité des points de vue et les enjeux soulevés par ces écrits, ce livre pose des questions cruciales sur l’avenir des arts autochtones et ouvre la porte à des dialogues longtemps attendus au Québec qui, nous l’espérons, permettront de créer de réels changements positifs. Il est maintenant temps de plonger dans ces imaginaires collectifs éblouissants et de nager dans les eaux ondulantes de ces mémoires résilientes.
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livres
livres
Publication:
avril 2022
avril 2022
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livres
livres
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Emblématique portraitiste de mode, « Prince des photographes », Cecil Beaton fut l’une des figures principales de cette vie mondaine et cosmopolite appelée Café Society. Et si nous savions de Cecil Beaton qu’il était un chroniqueur talentueux, nous découvrons dans cet ouvrage qu’il fut aussi un superbe écrivain. Au fil des pages, se succèdent les portraits de célébrités(...)
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Emblématique portraitiste de mode, « Prince des photographes », Cecil Beaton fut l’une des figures principales de cette vie mondaine et cosmopolite appelée Café Society. Et si nous savions de Cecil Beaton qu’il était un chroniqueur talentueux, nous découvrons dans cet ouvrage qu’il fut aussi un superbe écrivain. Au fil des pages, se succèdent les portraits de célébrités(...)
Publication:
avril 2022
avril 2022
Titre:
Cinquante ans d'élégances et d'art de vivre
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Emblématique portraitiste de mode, « Prince des photographes », Cecil Beaton fut l’une des figures principales de cette vie mondaine et cosmopolite appelée Café Society. Et si nous savions de Cecil Beaton qu’il était un chroniqueur talentueux, nous découvrons dans cet ouvrage qu’il fut aussi un superbe écrivain. Au fil des pages, se succèdent les portraits de célébrités tels Balenciaga, Dior, Chanel, mais aussi d’élégantes, de modèles, de photographes et de tant d’autres. Ainsi Beaton encense-t-il une époque, se souvient des gens d’influence, rallume le chic, l’esprit et la déraison.
Cinquante ans d'élégances et d'art de vivre
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Emblématique portraitiste de mode, « Prince des photographes », Cecil Beaton fut l’une des figures principales de cette vie mondaine et cosmopolite appelée Café Society. Et si nous savions de Cecil Beaton qu’il était un chroniqueur talentueux, nous découvrons dans cet ouvrage qu’il fut aussi un superbe écrivain. Au fil des pages, se succèdent les portraits de célébrités tels Balenciaga, Dior, Chanel, mais aussi d’élégantes, de modèles, de photographes et de tant d’autres. Ainsi Beaton encense-t-il une époque, se souvient des gens d’influence, rallume le chic, l’esprit et la déraison.
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livres
livres
Publication:
avril 2022
avril 2022
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livres
livres
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$21.50
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Résumé:
Focusing on reconciliation with nature, a respectful approach was taken when creating the exhibition “Jinyun Quarries— The Wuarry as Stage“.The large, extensive installation presents the unusual spatial feeling in the stone quarries of Jinyun scenographically and enables visitors to experience it. Spectacular, translucent models give an impression of the complex spatial(...)
$21.50
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Résumé:
Focusing on reconciliation with nature, a respectful approach was taken when creating the exhibition “Jinyun Quarries— The Wuarry as Stage“.The large, extensive installation presents the unusual spatial feeling in the stone quarries of Jinyun scenographically and enables visitors to experience it. Spectacular, translucent models give an impression of the complex spatial(...)
Titre:
Xu Tiantian : Jinyun Quarries, the quarry as stage
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Focusing on reconciliation with nature, a respectful approach was taken when creating the exhibition “Jinyun Quarries— The Wuarry as Stage“.The large, extensive installation presents the unusual spatial feeling in the stone quarries of Jinyun scenographically and enables visitors to experience it. Spectacular, translucent models give an impression of the complex spatial structure of the spaces carved into the rock, accompanied by large-format photos, plans, and descriptions. The exhibition also explores the historical situation when the stone quarries were still in operation on the one hand, and how the population, the craftsmen, and the administration have accepted and assess the newly created infrastructures today on the other. This publication accompanies the exhibition.
Xu Tiantian : Jinyun Quarries, the quarry as stage
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Résumé:
Focusing on reconciliation with nature, a respectful approach was taken when creating the exhibition “Jinyun Quarries— The Wuarry as Stage“.The large, extensive installation presents the unusual spatial feeling in the stone quarries of Jinyun scenographically and enables visitors to experience it. Spectacular, translucent models give an impression of the complex spatial structure of the spaces carved into the rock, accompanied by large-format photos, plans, and descriptions. The exhibition also explores the historical situation when the stone quarries were still in operation on the one hand, and how the population, the craftsmen, and the administration have accepted and assess the newly created infrastructures today on the other. This publication accompanies the exhibition.
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livres
livres
Publication:
juin 2022
juin 2022
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livres
livres
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$34.00
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This catalog presents the works of artist Stefano Graziani on display at the Pescheria visual arts center in Pesaro. These works come from different lines of research, some from past years (architecture and museum collections), others more recent (mushrooms and athletes in training), and particularly interesting is the link, sometimes subtle other times more articulated(...)
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This catalog presents the works of artist Stefano Graziani on display at the Pescheria visual arts center in Pesaro. These works come from different lines of research, some from past years (architecture and museum collections), others more recent (mushrooms and athletes in training), and particularly interesting is the link, sometimes subtle other times more articulated(...)
Titre:
Stefano Graziani: Mostra Fotografica
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This catalog presents the works of artist Stefano Graziani on display at the Pescheria visual arts center in Pesaro. These works come from different lines of research, some from past years (architecture and museum collections), others more recent (mushrooms and athletes in training), and particularly interesting is the link, sometimes subtle other times more articulated and complex, that binds the images together, in a continuous game of evocations and correspondences. The volume includes a conversation by Stefano Graziani with exhibition curator Alessandro Dandini de Sylva.
Stefano Graziani: Mostra Fotografica
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This catalog presents the works of artist Stefano Graziani on display at the Pescheria visual arts center in Pesaro. These works come from different lines of research, some from past years (architecture and museum collections), others more recent (mushrooms and athletes in training), and particularly interesting is the link, sometimes subtle other times more articulated and complex, that binds the images together, in a continuous game of evocations and correspondences. The volume includes a conversation by Stefano Graziani with exhibition curator Alessandro Dandini de Sylva.
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livres
livres
Publication:
juin 2022
juin 2022
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livres
livres
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$16.00
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In her photographic work Austrian Aglaia Konrad has developed a distinctive way of documenting global urbanization. Her archive contains thousands of pictures concerning infrastructure and architecture, an almost unlimited collection that elucidates the relationship between society and place. The pictures allow the viewer to participate in a scenario where the(...)
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In her photographic work Austrian Aglaia Konrad has developed a distinctive way of documenting global urbanization. Her archive contains thousands of pictures concerning infrastructure and architecture, an almost unlimited collection that elucidates the relationship between society and place. The pictures allow the viewer to participate in a scenario where the(...)
Titre:
Angle 17° : Aglaia Konrad. shaping stones
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In her photographic work Austrian Aglaia Konrad has developed a distinctive way of documenting global urbanization. Her archive contains thousands of pictures concerning infrastructure and architecture, an almost unlimited collection that elucidates the relationship between society and place. The pictures allow the viewer to participate in a scenario where the dividing-lines between the old and the new, between architecture, nature, power and symbols are fluid.
Angle 17° : Aglaia Konrad. shaping stones
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In her photographic work Austrian Aglaia Konrad has developed a distinctive way of documenting global urbanization. Her archive contains thousands of pictures concerning infrastructure and architecture, an almost unlimited collection that elucidates the relationship between society and place. The pictures allow the viewer to participate in a scenario where the dividing-lines between the old and the new, between architecture, nature, power and symbols are fluid.
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livres
livres
Publication:
janvier 2017
janvier 2017
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livres
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Renowned philosopher Susan Buck-Morss collaborates with Kevin McCaughey of Boot Boyz Biz and Adam Michaels of Inventory Press on this experimental image-text renewal of McLuhan, Berger and Benjamin. "Seeing <—> Making: Room for thought" both studies and presents the creative process of constructing ideas with images. By activating the techniques of montage and analogy,(...)
$41.95
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Renowned philosopher Susan Buck-Morss collaborates with Kevin McCaughey of Boot Boyz Biz and Adam Michaels of Inventory Press on this experimental image-text renewal of McLuhan, Berger and Benjamin. "Seeing <—> Making: Room for thought" both studies and presents the creative process of constructing ideas with images. By activating the techniques of montage and analogy,(...)
Publication:
janvier 2024
janvier 2024
Titre:
Seeing <—> Making: Room for thought
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Renowned philosopher Susan Buck-Morss collaborates with Kevin McCaughey of Boot Boyz Biz and Adam Michaels of Inventory Press on this experimental image-text renewal of McLuhan, Berger and Benjamin. "Seeing <—> Making: Room for thought" both studies and presents the creative process of constructing ideas with images. By activating the techniques of montage and analogy, the book reveals a wide field of view and a space to engage new critical connections between a multiplicity of objects from the past and present. Realized through an intergenerational collaboration of three cultural producers committed to making theory visible, a transformative anthology of critical essays by Susan Buck-Morss anchors this kaleidoscopic project. Images and ideas sync with Buck-Morss’ perceptive texts on visual culture, history, politics and aesthetics, fusing criticism with visual play and linking collective imagination and social action. In both design and content, "Seeing <—> Making: Room for thought" builds upon the dynamic sensorium of Marshall McLuhan and Quentin Fiore's book "The medium is the massage", Walter Benjamin's "Arcades" Project and John Berger's "Ways of seeing". This innovative volume brings Buck-Morss’ more experimental, visually engaged work to the fore in a way that has not been available in the usual contexts within which her writing has appeared.
Seeing <—> Making: Room for thought
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$41.95
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Renowned philosopher Susan Buck-Morss collaborates with Kevin McCaughey of Boot Boyz Biz and Adam Michaels of Inventory Press on this experimental image-text renewal of McLuhan, Berger and Benjamin. "Seeing <—> Making: Room for thought" both studies and presents the creative process of constructing ideas with images. By activating the techniques of montage and analogy, the book reveals a wide field of view and a space to engage new critical connections between a multiplicity of objects from the past and present. Realized through an intergenerational collaboration of three cultural producers committed to making theory visible, a transformative anthology of critical essays by Susan Buck-Morss anchors this kaleidoscopic project. Images and ideas sync with Buck-Morss’ perceptive texts on visual culture, history, politics and aesthetics, fusing criticism with visual play and linking collective imagination and social action. In both design and content, "Seeing <—> Making: Room for thought" builds upon the dynamic sensorium of Marshall McLuhan and Quentin Fiore's book "The medium is the massage", Walter Benjamin's "Arcades" Project and John Berger's "Ways of seeing". This innovative volume brings Buck-Morss’ more experimental, visually engaged work to the fore in a way that has not been available in the usual contexts within which her writing has appeared.
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livres
livres
Publication:
janvier 2024
janvier 2024
Classification:
livres
livres
Titre:
Mining photography
Mining photography
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$63.00
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Résumé:
Photography has always depended on the extraction and exploitation of so-called natural raw materials. Having started out using copper, coal, silver, and paper—the raw materials of analogue image production in the nineteenth and twentieth centuries—photography now relies, in the age of the smartphone, on rare earths and metals like coltan, cobalt, and europium. The(...)
$63.00
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Photography has always depended on the extraction and exploitation of so-called natural raw materials. Having started out using copper, coal, silver, and paper—the raw materials of analogue image production in the nineteenth and twentieth centuries—photography now relies, in the age of the smartphone, on rare earths and metals like coltan, cobalt, and europium. The(...)
Publication:
mars 2023
mars 2023
Titre:
Mining photography
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$63.00
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Photography has always depended on the extraction and exploitation of so-called natural raw materials. Having started out using copper, coal, silver, and paper—the raw materials of analogue image production in the nineteenth and twentieth centuries—photography now relies, in the age of the smartphone, on rare earths and metals like coltan, cobalt, and europium. The exhibition focuses on the history of key raw materials utilized in photography and establishes a connection between the history of their extraction, their disposal, and climate change. Looking at historical and contemporary works, it tells the story of photography as a history of industrial production and demonstrates that the medium is deeply implicated in human-induced changes to nature. The exhibition shows contemporary works by a range of photographers and artists, including Ignacio Acosta, Lisa Barnard, F Cartier, Susanne Kriemann, Mary Mattingly, Daphné Nan Le Sergent, Lisa Rave, Alison Rossiter, Metabolic Studio’s Optics Division, Robert Smithson, Simon Starling, Anaïs Tondeur, James Welling, Noa Yafe and Tobias Zielony, along with historical works by Eduard Christian Arning, Hermann Biow, Oscar and Theodor Hofmeister, Jürgen Friedrich Mahrt, Hermann Reichling, and others, and historical material from the Agfa Foto-Historama in Leverkusen, the Eastman Kodak Archive in Rochester and the FOMU Photo Museum in Antwerp as well as mineral samples collected by Alexander von Humboldt from the collection of the Museum für Naturkunde, Berlin.
Mining photography
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Photography has always depended on the extraction and exploitation of so-called natural raw materials. Having started out using copper, coal, silver, and paper—the raw materials of analogue image production in the nineteenth and twentieth centuries—photography now relies, in the age of the smartphone, on rare earths and metals like coltan, cobalt, and europium. The exhibition focuses on the history of key raw materials utilized in photography and establishes a connection between the history of their extraction, their disposal, and climate change. Looking at historical and contemporary works, it tells the story of photography as a history of industrial production and demonstrates that the medium is deeply implicated in human-induced changes to nature. The exhibition shows contemporary works by a range of photographers and artists, including Ignacio Acosta, Lisa Barnard, F Cartier, Susanne Kriemann, Mary Mattingly, Daphné Nan Le Sergent, Lisa Rave, Alison Rossiter, Metabolic Studio’s Optics Division, Robert Smithson, Simon Starling, Anaïs Tondeur, James Welling, Noa Yafe and Tobias Zielony, along with historical works by Eduard Christian Arning, Hermann Biow, Oscar and Theodor Hofmeister, Jürgen Friedrich Mahrt, Hermann Reichling, and others, and historical material from the Agfa Foto-Historama in Leverkusen, the Eastman Kodak Archive in Rochester and the FOMU Photo Museum in Antwerp as well as mineral samples collected by Alexander von Humboldt from the collection of the Museum für Naturkunde, Berlin.
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livres
livres
Publication:
mars 2023
mars 2023
Classification:
livres
livres
Titre:
On photography
On photography
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$22.99
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Photographs are everywhere. From high art to family albums to legal evidence, they capture and document the world around us. And whether we use them to expose, reveal or remember, they hold an enduring power. In this essential and revelatory volume, Susan Sontag confronts important questions surrounding the power dynamics between photographer and subject, the blurred(...)
$22.99
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Résumé:
Photographs are everywhere. From high art to family albums to legal evidence, they capture and document the world around us. And whether we use them to expose, reveal or remember, they hold an enduring power. In this essential and revelatory volume, Susan Sontag confronts important questions surrounding the power dynamics between photographer and subject, the blurred(...)
Titre:
On photography
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$22.99
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Photographs are everywhere. From high art to family albums to legal evidence, they capture and document the world around us. And whether we use them to expose, reveal or remember, they hold an enduring power. In this essential and revelatory volume, Susan Sontag confronts important questions surrounding the power dynamics between photographer and subject, the blurred boundary between lived events and recreated images, and the desires that lead us to record our lives.
On photography
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$22.99
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Résumé:
Photographs are everywhere. From high art to family albums to legal evidence, they capture and document the world around us. And whether we use them to expose, reveal or remember, they hold an enduring power. In this essential and revelatory volume, Susan Sontag confronts important questions surrounding the power dynamics between photographer and subject, the blurred boundary between lived events and recreated images, and the desires that lead us to record our lives.
Classification:
livres
livres
Publication:
août 2019
août 2019
