14785 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2012:0012:098:005
Description:
File containing documents in English and French, including correspondence, and press coverage related to the exhibition Montréal, plus ou moins?, and includes the following publications: - Architecture Canada, 10 July 1972; - M13 [magazine the Montreal Museum of Fine Arts], vol. 4, no. 1, June 1972; - M14 [magazine the Montreal Museum of Fine Arts], vol. 4, no. 2, September 1972. Original folder inscribed in graphite: 1972 EXHIB - MONTERAL, PLUS OU MOINS?
DR2012:0012:098:005
Description:
File containing documents in English and French, including correspondence, and press coverage related to the exhibition Montréal, plus ou moins?, and includes the following publications: - Architecture Canada, 10 July 1972; - M13 [magazine the Montreal Museum of Fine Arts], vol. 4, no. 1, June 1972; - M14 [magazine the Montreal Museum of Fine Arts], vol. 4, no. 2, September 1972. Original folder inscribed in graphite: 1972 EXHIB - MONTERAL, PLUS OU MOINS?
Personnes et institutions:
Date:
1972
1972
Titre:
Correspondence, and press coverage related to exhibition "Montréal, plus ou moins?"
Actions:
DR2012:0012:098:005
Description:
File containing documents in English and French, including correspondence, and press coverage related to the exhibition Montréal, plus ou moins?, and includes the following publications: - Architecture Canada, 10 July 1972; - M13 [magazine the Montreal Museum of Fine Arts], vol. 4, no. 1, June 1972; - M14 [magazine the Montreal Museum of Fine Arts], vol. 4, no. 2, September 1972. Original folder inscribed in graphite: 1972 EXHIB - MONTERAL, PLUS OU MOINS?
Correspondence, and press coverage related to exhibition "Montréal, plus ou moins?"
Actions:
DR2012:0012:098:005
Description:
File containing documents in English and French, including correspondence, and press coverage related to the exhibition Montréal, plus ou moins?, and includes the following publications: - Architecture Canada, 10 July 1972; - M13 [magazine the Montreal Museum of Fine Arts], vol. 4, no. 1, June 1972; - M14 [magazine the Montreal Museum of Fine Arts], vol. 4, no. 2, September 1972. Original folder inscribed in graphite: 1972 EXHIB - MONTERAL, PLUS OU MOINS?
Classification:
documents textuels
documents textuels
Date:
1972
1972
Personnes et institutions:
Quantité:
2 file
2 file
Numéro de référence:
ARCH242991
Description:
Video recordings of In ANY Event: 8 Critics on 8 Buildings, held 3 May 1997 at the Guggenheim Museum, New York City, New York In ANY Event - 5/3/97 - 1 of 2 Dub In ANY Event - 5/3/97 - 2 of 2 Dub Guggenheim Museum, New York City, New York In ANY Event - 5/3/97 - 1 of 2 Dub In ANY Event - 5/3/97 - 2 of 2 Dub
ARCH242991
Description:
Video recordings of In ANY Event: 8 Critics on 8 Buildings, held 3 May 1997 at the Guggenheim Museum, New York City, New York In ANY Event - 5/3/97 - 1 of 2 Dub In ANY Event - 5/3/97 - 2 of 2 Dub Guggenheim Museum, New York City, New York In ANY Event - 5/3/97 - 1 of 2 Dub In ANY Event - 5/3/97 - 2 of 2 Dub
Personnes et institutions:
Date:
1997-05-03
1997-05-03
Titre:
Video recordings of In ANY Event: 8 critics on 8 buildings, 2 tapes
Actions:
ARCH242991
Description:
Video recordings of In ANY Event: 8 Critics on 8 Buildings, held 3 May 1997 at the Guggenheim Museum, New York City, New York In ANY Event - 5/3/97 - 1 of 2 Dub In ANY Event - 5/3/97 - 2 of 2 Dub Guggenheim Museum, New York City, New York In ANY Event - 5/3/97 - 1 of 2 Dub In ANY Event - 5/3/97 - 2 of 2 Dub
Video recordings of In ANY Event: 8 critics on 8 buildings, 2 tapes
Actions:
ARCH242991
Description:
Video recordings of In ANY Event: 8 Critics on 8 Buildings, held 3 May 1997 at the Guggenheim Museum, New York City, New York In ANY Event - 5/3/97 - 1 of 2 Dub In ANY Event - 5/3/97 - 2 of 2 Dub Guggenheim Museum, New York City, New York In ANY Event - 5/3/97 - 1 of 2 Dub In ANY Event - 5/3/97 - 2 of 2 Dub
Quantité:
2 file
2 file
Date:
1997-05-03
1997-05-03
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
Personnes et institutions:
Date:
1996-2002
1996-2002
Titre:
MACBA [Museu d'Art Contemporani de Barcelona] (1997)
Actions:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
MACBA [Museu d'Art Contemporani de Barcelona] (1997)
Actions:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
Niveau de description archivistique:
Project
Project
Date:
1996-2002
1996-2002
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP193.S1
Description:
Series 1, Water Flux and Scrambled Flat, 2002-2010, documents the conception and evolution of a project that was originally a farm building and later became a geology and glaciology museum and research center focused on the Swiss Alps. The project was never realized. R&Sie(n) conceptualized Scrambled Flat as an experimental farm. The project goal was to reconcile European Union’s agricultural regulations, imposing a separation between animal and human living, to the community of Évolène traditional way of living, contiguously with animals, benefiting from the resources they offer. As conceived, Scrambled Flat creates an environment where fluidity between the existence of the animals and the humans is materialized. The size of the form is also adapted from a typical local rural house and exploits the heat of the animals and the insulation of the hay. For this project, R&Sie(n) approached the mayor of the community with the design proposition. The mayor then called for a competition, while also changing the program to an ecology museum and research center illustrating the local effects of global warming and the thawing of the Alps. R&Sie(n) won the competition with Water Flux, a reinterpretation of Scrambled Flat. The project was intended to uncover and exorcise the anxieties of ecological disaster, and the principle of flux related to seasonal change and, more broadly, climate change. The firm designed rooms that reproduce the geological and meteorological environment of the high mountains making it visible and experimental, offering refrigerated spaces for art installations and scientific demonstrations. The concept was also to build with the use of new technologies such as digital modelling, point scanning, and computer numerical control (CNC), combined with ancient local knowledge of knocking on trees to decide which specific pines have the best wood for construction. The building is designed to be constructed with local lamellar wood milled by nearby CNC. The resulting parts would be used for the structure, the insulation, the waterproofing and both the interior and exterior finishes. The design includes a grille wrapping the building, reproducing the profile of traditional houses and enclosure and making it possible to hold the snow inside a typo-morphological imprint. Therefore, the transformable envelope of the building reacts to the rhythm of the seasons. In the winter, the structure would appear like a solid cut-out of ice and snow, with cavities similar to those found in glaciers. In the summer, it would resemble piles of stones used in these areas to make borders. A small pool would collect rainwater and supply it to an interior artificial snowmaking system designed for the gallery. Transformation of the water is an integral part of the design. The records contain images of plans, sections, details for the structure of the façade, renderings, plans of the engineered structure, and photographs documenting the conception of the models with the CNC machinery. The Rhino 3D modelling files are also part of the records along with AutoCAD models and a video documenting the process. The records contain two physical models: a smaller polymer model at 1:20 scale representing the whole structure of the building, and a larger 1:1 latch wood fragment representing detail of the structure in its integrality.
AP193.S1
Description:
Series 1, Water Flux and Scrambled Flat, 2002-2010, documents the conception and evolution of a project that was originally a farm building and later became a geology and glaciology museum and research center focused on the Swiss Alps. The project was never realized. R&Sie(n) conceptualized Scrambled Flat as an experimental farm. The project goal was to reconcile European Union’s agricultural regulations, imposing a separation between animal and human living, to the community of Évolène traditional way of living, contiguously with animals, benefiting from the resources they offer. As conceived, Scrambled Flat creates an environment where fluidity between the existence of the animals and the humans is materialized. The size of the form is also adapted from a typical local rural house and exploits the heat of the animals and the insulation of the hay. For this project, R&Sie(n) approached the mayor of the community with the design proposition. The mayor then called for a competition, while also changing the program to an ecology museum and research center illustrating the local effects of global warming and the thawing of the Alps. R&Sie(n) won the competition with Water Flux, a reinterpretation of Scrambled Flat. The project was intended to uncover and exorcise the anxieties of ecological disaster, and the principle of flux related to seasonal change and, more broadly, climate change. The firm designed rooms that reproduce the geological and meteorological environment of the high mountains making it visible and experimental, offering refrigerated spaces for art installations and scientific demonstrations. The concept was also to build with the use of new technologies such as digital modelling, point scanning, and computer numerical control (CNC), combined with ancient local knowledge of knocking on trees to decide which specific pines have the best wood for construction. The building is designed to be constructed with local lamellar wood milled by nearby CNC. The resulting parts would be used for the structure, the insulation, the waterproofing and both the interior and exterior finishes. The design includes a grille wrapping the building, reproducing the profile of traditional houses and enclosure and making it possible to hold the snow inside a typo-morphological imprint. Therefore, the transformable envelope of the building reacts to the rhythm of the seasons. In the winter, the structure would appear like a solid cut-out of ice and snow, with cavities similar to those found in glaciers. In the summer, it would resemble piles of stones used in these areas to make borders. A small pool would collect rainwater and supply it to an interior artificial snowmaking system designed for the gallery. Transformation of the water is an integral part of the design. The records contain images of plans, sections, details for the structure of the façade, renderings, plans of the engineered structure, and photographs documenting the conception of the models with the CNC machinery. The Rhino 3D modelling files are also part of the records along with AutoCAD models and a video documenting the process. The records contain two physical models: a smaller polymer model at 1:20 scale representing the whole structure of the building, and a larger 1:1 latch wood fragment representing detail of the structure in its integrality.
Personnes et institutions:
Date:
2002-2010
2002-2010
Titre:
Water Flux and Scrambled Flat
Actions:
AP193.S1
Description:
Series 1, Water Flux and Scrambled Flat, 2002-2010, documents the conception and evolution of a project that was originally a farm building and later became a geology and glaciology museum and research center focused on the Swiss Alps. The project was never realized. R&Sie(n) conceptualized Scrambled Flat as an experimental farm. The project goal was to reconcile European Union’s agricultural regulations, imposing a separation between animal and human living, to the community of Évolène traditional way of living, contiguously with animals, benefiting from the resources they offer. As conceived, Scrambled Flat creates an environment where fluidity between the existence of the animals and the humans is materialized. The size of the form is also adapted from a typical local rural house and exploits the heat of the animals and the insulation of the hay. For this project, R&Sie(n) approached the mayor of the community with the design proposition. The mayor then called for a competition, while also changing the program to an ecology museum and research center illustrating the local effects of global warming and the thawing of the Alps. R&Sie(n) won the competition with Water Flux, a reinterpretation of Scrambled Flat. The project was intended to uncover and exorcise the anxieties of ecological disaster, and the principle of flux related to seasonal change and, more broadly, climate change. The firm designed rooms that reproduce the geological and meteorological environment of the high mountains making it visible and experimental, offering refrigerated spaces for art installations and scientific demonstrations. The concept was also to build with the use of new technologies such as digital modelling, point scanning, and computer numerical control (CNC), combined with ancient local knowledge of knocking on trees to decide which specific pines have the best wood for construction. The building is designed to be constructed with local lamellar wood milled by nearby CNC. The resulting parts would be used for the structure, the insulation, the waterproofing and both the interior and exterior finishes. The design includes a grille wrapping the building, reproducing the profile of traditional houses and enclosure and making it possible to hold the snow inside a typo-morphological imprint. Therefore, the transformable envelope of the building reacts to the rhythm of the seasons. In the winter, the structure would appear like a solid cut-out of ice and snow, with cavities similar to those found in glaciers. In the summer, it would resemble piles of stones used in these areas to make borders. A small pool would collect rainwater and supply it to an interior artificial snowmaking system designed for the gallery. Transformation of the water is an integral part of the design. The records contain images of plans, sections, details for the structure of the façade, renderings, plans of the engineered structure, and photographs documenting the conception of the models with the CNC machinery. The Rhino 3D modelling files are also part of the records along with AutoCAD models and a video documenting the process. The records contain two physical models: a smaller polymer model at 1:20 scale representing the whole structure of the building, and a larger 1:1 latch wood fragment representing detail of the structure in its integrality.
Water Flux and Scrambled Flat
Actions:
AP193.S1
Description:
Series 1, Water Flux and Scrambled Flat, 2002-2010, documents the conception and evolution of a project that was originally a farm building and later became a geology and glaciology museum and research center focused on the Swiss Alps. The project was never realized. R&Sie(n) conceptualized Scrambled Flat as an experimental farm. The project goal was to reconcile European Union’s agricultural regulations, imposing a separation between animal and human living, to the community of Évolène traditional way of living, contiguously with animals, benefiting from the resources they offer. As conceived, Scrambled Flat creates an environment where fluidity between the existence of the animals and the humans is materialized. The size of the form is also adapted from a typical local rural house and exploits the heat of the animals and the insulation of the hay. For this project, R&Sie(n) approached the mayor of the community with the design proposition. The mayor then called for a competition, while also changing the program to an ecology museum and research center illustrating the local effects of global warming and the thawing of the Alps. R&Sie(n) won the competition with Water Flux, a reinterpretation of Scrambled Flat. The project was intended to uncover and exorcise the anxieties of ecological disaster, and the principle of flux related to seasonal change and, more broadly, climate change. The firm designed rooms that reproduce the geological and meteorological environment of the high mountains making it visible and experimental, offering refrigerated spaces for art installations and scientific demonstrations. The concept was also to build with the use of new technologies such as digital modelling, point scanning, and computer numerical control (CNC), combined with ancient local knowledge of knocking on trees to decide which specific pines have the best wood for construction. The building is designed to be constructed with local lamellar wood milled by nearby CNC. The resulting parts would be used for the structure, the insulation, the waterproofing and both the interior and exterior finishes. The design includes a grille wrapping the building, reproducing the profile of traditional houses and enclosure and making it possible to hold the snow inside a typo-morphological imprint. Therefore, the transformable envelope of the building reacts to the rhythm of the seasons. In the winter, the structure would appear like a solid cut-out of ice and snow, with cavities similar to those found in glaciers. In the summer, it would resemble piles of stones used in these areas to make borders. A small pool would collect rainwater and supply it to an interior artificial snowmaking system designed for the gallery. Transformation of the water is an integral part of the design. The records contain images of plans, sections, details for the structure of the façade, renderings, plans of the engineered structure, and photographs documenting the conception of the models with the CNC machinery. The Rhino 3D modelling files are also part of the records along with AutoCAD models and a video documenting the process. The records contain two physical models: a smaller polymer model at 1:20 scale representing the whole structure of the building, and a larger 1:1 latch wood fragment representing detail of the structure in its integrality.
Niveau de description archivistique:
Series
Series
Date:
2002-2010
2002-2010
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH274040
Description:
Drawings, studies, plans and furnishing layouts on negatives related to various projects including: Catton House, University of Lethbridge, Christ Church Cathedral, Graham House, Museum of Anthropology, MacMillan Bloedel building.
ARCH274040
Description:
Drawings, studies, plans and furnishing layouts on negatives related to various projects including: Catton House, University of Lethbridge, Christ Church Cathedral, Graham House, Museum of Anthropology, MacMillan Bloedel building.
Personnes et institutions:
Titre:
Microfilms of drawings, studies, plans and furnishing layouts on negatives related to various projects
Actions:
ARCH274040
Description:
Drawings, studies, plans and furnishing layouts on negatives related to various projects including: Catton House, University of Lethbridge, Christ Church Cathedral, Graham House, Museum of Anthropology, MacMillan Bloedel building.
Microfilms of drawings, studies, plans and furnishing layouts on negatives related to various projects
Actions:
ARCH274040
Description:
Drawings, studies, plans and furnishing layouts on negatives related to various projects including: Catton House, University of Lethbridge, Christ Church Cathedral, Graham House, Museum of Anthropology, MacMillan Bloedel building.
Classification:
photographies
photographies
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
AP178.S1.1993.PR06.017
Description:
Original file title: The J. Paul Getty Museum © Teresa Siza - Negativos April 2012 - As provas ja estavam no escritorio Siza's office numbered photographs in this file JPGM015 JPGM025
AP178.S1.1993.PR06.017
Description:
Original file title: The J. Paul Getty Museum © Teresa Siza - Negativos April 2012 - As provas ja estavam no escritorio Siza's office numbered photographs in this file JPGM015 JPGM025
Personnes et institutions:
Date:
1993
1993
Titre:
Photographs and negatives of models, Museu J. Paul Getty, Malibu
Actions:
AP178.S1.1993.PR06.017
Description:
Original file title: The J. Paul Getty Museum © Teresa Siza - Negativos April 2012 - As provas ja estavam no escritorio Siza's office numbered photographs in this file JPGM015 JPGM025
Photographs and negatives of models, Museu J. Paul Getty, Malibu
Actions:
AP178.S1.1993.PR06.017
Description:
Original file title: The J. Paul Getty Museum © Teresa Siza - Negativos April 2012 - As provas ja estavam no escritorio Siza's office numbered photographs in this file JPGM015 JPGM025
Classification:
photographies
photographies
Date:
1993
1993
Personnes et institutions:
Classification:
photographies
Quantité:
44 photograph(s)
photographies
Quantité:
44 photograph(s)
Numéro de référence:
ARCH269814
Description:
Group consists of photographs of Chandigarh, India, including photographs of the Capitol Complex's buildings, the Museum and Art Gallery in sector 10, commercial buildings and the College of Architecture in sector 10.
ARCH269814
Description:
Group consists of photographs of Chandigarh, India, including photographs of the Capitol Complex's buildings, the Museum and Art Gallery in sector 10, commercial buildings and the College of Architecture in sector 10.
Personnes et institutions:
Date:
n.d.
n.d.
Titre:
Photographs of Chandigarh, India, including photographs of the Capitol Complex's buildings
Actions:
ARCH269814
Description:
Group consists of photographs of Chandigarh, India, including photographs of the Capitol Complex's buildings, the Museum and Art Gallery in sector 10, commercial buildings and the College of Architecture in sector 10.
Photographs of Chandigarh, India, including photographs of the Capitol Complex's buildings
Actions:
ARCH269814
Description:
Group consists of photographs of Chandigarh, India, including photographs of the Capitol Complex's buildings, the Museum and Art Gallery in sector 10, commercial buildings and the College of Architecture in sector 10.
Classification:
photographies
Quantité:
44 photograph(s)
photographies
Quantité:
44 photograph(s)
Date:
n.d.
n.d.
Personnes et institutions:
Numéro de référence:
ARCH273833
Description:
Lieutenant Governor of British Columbia Medals in Architecture, The Architectural Institute of British Columbia: Liu Centre for the Study of Global Issues (2001), Waterfall Building (2002) and Museum of Glass (2003).
ARCH273833
Description:
Lieutenant Governor of British Columbia Medals in Architecture, The Architectural Institute of British Columbia: Liu Centre for the Study of Global Issues (2001), Waterfall Building (2002) and Museum of Glass (2003).
Personnes et institutions:
Date:
2001-2003
2001-2003
Titre:
Lieutenant Governor of British Columbia Medals awarded to Erickson
Actions:
ARCH273833
Description:
Lieutenant Governor of British Columbia Medals in Architecture, The Architectural Institute of British Columbia: Liu Centre for the Study of Global Issues (2001), Waterfall Building (2002) and Museum of Glass (2003).
Lieutenant Governor of British Columbia Medals awarded to Erickson
Actions:
ARCH273833
Description:
Lieutenant Governor of British Columbia Medals in Architecture, The Architectural Institute of British Columbia: Liu Centre for the Study of Global Issues (2001), Waterfall Building (2002) and Museum of Glass (2003).
Date:
2001-2003
2001-2003
Personnes et institutions:
Classification:
périodiques
périodiques
Numéro de référence:
PH2008:0037:007
Description:
A mention of the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007, appears on p. 56.
PH2008:0037:007
Description:
A mention of the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007, appears on p. 56.
Personnes et institutions:
Date:
March 2007
March 2007
Titre:
dwell: At Home in the Modern World
Actions:
PH2008:0037:007
Description:
A mention of the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007, appears on p. 56.
dwell: At Home in the Modern World
Actions:
PH2008:0037:007
Description:
A mention of the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007, appears on p. 56.
Classification:
périodiques
périodiques
Date:
March 2007
March 2007
Personnes et institutions:
Classification:
périodiques
périodiques
Numéro de référence:
PH2008:0037:013
Description:
A mention of the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007, appears on p. 14.
PH2008:0037:013
Description:
A mention of the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007, appears on p. 14.
Personnes et institutions:
Date:
February-March 2007
February-March 2007
Titre:
Culture & Travel
Actions:
PH2008:0037:013
Description:
A mention of the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007, appears on p. 14.
Culture & Travel
Actions:
PH2008:0037:013
Description:
A mention of the exhibition "Gordon Matta-Clark: You Are The Measure" held at the Whitney Museum of American Art from 22 February 2007 to 3 June 2007, appears on p. 14.
Classification:
périodiques
périodiques
Date:
February-March 2007
February-March 2007
Personnes et institutions:
