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SUKO Magazine is an artist-run, Montreal-based publication featuring the work of artists and cultural workers based locally and internationally. "Frontiers" reveals discussions critiquing imposed political barriers, tangible and symbolic borders, categorized identities, and binary worldviews. This issue features an array of photography, writing, styling, object design,(...)
SUKO Magazine, volume 03: Frontiers
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SUKO Magazine is an artist-run, Montreal-based publication featuring the work of artists and cultural workers based locally and internationally. "Frontiers" reveals discussions critiquing imposed political barriers, tangible and symbolic borders, categorized identities, and binary worldviews. This issue features an array of photography, writing, styling, object design, and more, all expanding on ideas of the either/or, the here/there, the back/forth, and the blurry space of the in-between. The selected works reveal varying perceptions and challenges brought on by the copious ways borders and boundaries exist. Placed in context with one another, these contributions honour lineage and storytelling as methods of truth telling and resistance against ongoing forms of violence and occupation.
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TC 165/166 Kengo Kuma
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This double issue of TC Cuadernos explores two decades of Kengo Kuma & Associates' prolific production, focusing on their urban architecture between 2006 and 2024. Through a careful selection of projects, the monograph offers a comprehensive overview of KKAA's evolution and its constant interplay between the rural, explored in TC 158, and the urban. The work is organised(...)
TC 165/166 Kengo Kuma
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This double issue of TC Cuadernos explores two decades of Kengo Kuma & Associates' prolific production, focusing on their urban architecture between 2006 and 2024. Through a careful selection of projects, the monograph offers a comprehensive overview of KKAA's evolution and its constant interplay between the rural, explored in TC 158, and the urban. The work is organised around five key strategies: attract, mimetize, hide, occupy and organise. These categories reveal how Kuma approaches urban design in complex contexts. Projects such as the V Dundee Museum in Scotland and the 1550 Alberni Street Tower in Vancouver demonstrate his ability to create architectural landmarks without resorting to traditional monumentalism, prioritising materiality and the environment. On the other hand, the Asakusa Tourist Information Centre in Tokyo and the Nezu Museum show how his architecture is subtly integrated into the urban landscape.
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Dedicated to the work of Portuguese architect Ricardo Bak Gordon, this issue reviews his career from 2008 to the present day through a selection of 17 projects, documented with plans, photographs and construction details. The selection includes emblematic projects such as the D. Dinis Secondary School in Lisbon and the García da Orta Secondary School in Porto, the(...)
TC 167: Bak Gordon. Arquitectura 2008-2024
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Dedicated to the work of Portuguese architect Ricardo Bak Gordon, this issue reviews his career from 2008 to the present day through a selection of 17 projects, documented with plans, photographs and construction details. The selection includes emblematic projects such as the D. Dinis Secondary School in Lisbon and the García da Orta Secondary School in Porto, the National Museum of Carriages (in collaboration with Paulo Mendes da Rocha) and various detached houses that demonstrate his sensitivity to the domestic scale. Each project demonstrates his search for a timeless architecture based on fundamental values such as scale, proportion, light and materiality.
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C3 431: Let's work together!
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When departments within an organisation fail to share information with each other, the popular term is “silo mentality”. Universities also suffer from this phenomenon, with learning and research in one field literally walled off from others. But architecture can create a very different environment: transparent, flexible, interactive. The magazine examines ''UCL East(...)
C3 431: Let's work together!
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When departments within an organisation fail to share information with each other, the popular term is “silo mentality”. Universities also suffer from this phenomenon, with learning and research in one field literally walled off from others. But architecture can create a very different environment: transparent, flexible, interactive. The magazine examines ''UCL East Marshgate'', designed by Stanton Williams, and the Faculty of Arts at Warwick University by Feilden Clegg Bradley Studios as excellent examples. Also in this issue, a special feature on the Chilean practice of Pezo von Ellrichshausen and new work by Snøhetta, Wallmarkers, Peter Pichler Architecture, Atelier FCJZ, and more.
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The use of mass timber (also called engineered wood) in architecture involves prefabricated modular parts, making construction quicker and cheaper, and applying digital technology to design and fabrication. Both glue-laminated timber (glulam) and cross-laminated timber (CLT) are load-bearing materials that offer buildings not only a positive carbon footprint but also(...)
C3 432: The Revolution will be laminated
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The use of mass timber (also called engineered wood) in architecture involves prefabricated modular parts, making construction quicker and cheaper, and applying digital technology to design and fabrication. Both glue-laminated timber (glulam) and cross-laminated timber (CLT) are load-bearing materials that offer buildings not only a positive carbon footprint but also flame-retardant qualities. A special feature on mass timber includes exemplary projects such as the ''World of Volvo'' by Henning Larsen and the ''Rehmannia Root Crafts Exhibition Hall'' by LUO studio. In addition, the magazine features a special profile on new Basque topography through the eyes of Ele Arkitektura.
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This issue investigates the ancient and continuing urban phenomenon of density through two new projects that are far from formulaic but have a strong signature form and vibrant facades. The first is ''One Ashley Road'' by Alison Brooks Architects, a flagship project of the Tottenham Hale regeneration in London. The second is ''Highnote'', a residential tower in Almere(...)
C3 433: One-aftr + Density boosts city and life
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This issue investigates the ancient and continuing urban phenomenon of density through two new projects that are far from formulaic but have a strong signature form and vibrant facades. The first is ''One Ashley Road'' by Alison Brooks Architects, a flagship project of the Tottenham Hale regeneration in London. The second is ''Highnote'', a residential tower in Almere designed by Studioninedots and geared towards young urban homebuyers. Also in this issue, a look at what to expect from the new generation of Korean architects through a feature on the firm One-aftr, co-founded by Joon Ma and Ryu Ahn, plus new projects by Atelier Marc Barani, 5468796 Architecture, and others.
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For architects, designing adaptive reuse projects for buildings originally constructed for religious purposes is a challenging task. Different approaches to transforming historic structures often spark intense debate. The three projects examined in this issue’s special feature on the future of preservation illustrate different interpretations of the principles set forth(...)
C3 434: Mac Nuñez - renovation from Monestary
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For architects, designing adaptive reuse projects for buildings originally constructed for religious purposes is a challenging task. Different approaches to transforming historic structures often spark intense debate. The three projects examined in this issue’s special feature on the future of preservation illustrate different interpretations of the principles set forth in the ''Charter of Krakow'' (2000), a document aimed at establishing common ground. In addition, the magazine zooms in on Max Núñez Arquitectos through an interview with the architect and selected projects, including the Hogar Alemán Elderly Care Home and MUSEAT Atacama Regional Museum, both in Chile.
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Shohei Shigematsu, whose works include projects from educational facilities, art museums, and exhibition designs to high-rise commercial complexes, has been the lead at OMA New York since 2006. All his designs can be described as “open-ended” and able to “absorb and reflect society in the moment”. Through a curated selection of images, this issue captures architecture(...)
A+U 647 : OMA Shohei Shigemats
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Shohei Shigematsu, whose works include projects from educational facilities, art museums, and exhibition designs to high-rise commercial complexes, has been the lead at OMA New York since 2006. All his designs can be described as “open-ended” and able to “absorb and reflect society in the moment”. Through a curated selection of images, this issue captures architecture that demonstrates how the rational box and soft form can coexist, as embodied in the contemporary public realm. A selection of 34 projects representing the architecture of both New York and Tokyo is expanded upon with essays by Shigematsu and others, plus two conversations with the architect.
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A+U 648 : Dwelling in France
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The magazine examines residential architecture in France by showcasing a diverse array of projects. From newly built urban homes and renovated farmhouses to mixed-use apartment blocks in redevelopment districts, the selection covers six multi-unit projects and twelve single-family houses. The projects emphasise the varied efforts of architects and stakeholders when(...)
A+U 648 : Dwelling in France
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The magazine examines residential architecture in France by showcasing a diverse array of projects. From newly built urban homes and renovated farmhouses to mixed-use apartment blocks in redevelopment districts, the selection covers six multi-unit projects and twelve single-family houses. The projects emphasise the varied efforts of architects and stakeholders when building within unique and historic areas in Paris and elsewhere, as well as architects’ sensitivity to existing conditions. Included are works by Lacaton & Vassal, Studio Muoto, BAST, Studio Odile Decq, Avignon Architecte, FREAKS Architecture, Atelier du Pont, Moussafir Architectes, and more.
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A+U 649: adamo-faiden
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This issue highlights the work of adama-faiden, founded in Buenos Aires in 2005 by Sebastián Adamo and Marcelo Faiden. Nearly two decades of work is traced through 34 projects in chronological order. From small residential projects in their early years, the studio has transitioned into an increasingly diverse practice, including a high-rise in central Buenos Aires and(...)
A+U 649: adamo-faiden
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This issue highlights the work of adama-faiden, founded in Buenos Aires in 2005 by Sebastián Adamo and Marcelo Faiden. Nearly two decades of work is traced through 34 projects in chronological order. From small residential projects in their early years, the studio has transitioned into an increasingly diverse practice, including a high-rise in central Buenos Aires and social housing in Europe. Regardless of scale, what remains consistent in their work is a considered approach to urban environments and a sensitivity to airflow. Their designs often feature permeable facades and cohabitating plants, creating a soft, fluid connection between interior and exterior.
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