43397 Résultats
Classification:
photographies
photographies
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Numéro de référence:
PH2018:0005:013
Description:
Photograph by Stefano Graziani of the following work: Nature morte, MR Table, Thonet, Ludwig Mies van der Rohe, 1935, Stiftung Insel Hombroich, Neuss Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:013
Description:
Photograph by Stefano Graziani of the following work: Nature morte, MR Table, Thonet, Ludwig Mies van der Rohe, 1935, Stiftung Insel Hombroich, Neuss Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2017
2017
Titre:
Questioning Pictures: Photograph of Nature Morta and MR Table by Ludwig Mies van der Rohe for Thonet, 1935
Actions:
PH2018:0005:013
Description:
Photograph by Stefano Graziani of the following work: Nature morte, MR Table, Thonet, Ludwig Mies van der Rohe, 1935, Stiftung Insel Hombroich, Neuss Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Nature Morta and MR Table by Ludwig Mies van der Rohe for Thonet, 1935
Actions:
PH2018:0005:013
Description:
Photograph by Stefano Graziani of the following work: Nature morte, MR Table, Thonet, Ludwig Mies van der Rohe, 1935, Stiftung Insel Hombroich, Neuss Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2017
2017
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:021
Description:
Photograph by Stefano Graziani of the following work: Natura morta, MR Table, Thonet, Ludwig Mies van der Rohe, 1935, Stiftung Insel Hombroich, Neuss Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:021
Description:
Photograph by Stefano Graziani of the following work: Natura morta, MR Table, Thonet, Ludwig Mies van der Rohe, 1935, Stiftung Insel Hombroich, Neuss Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2016
2016
Titre:
Questioning Pictures: Photograph of Nature Morta and MR Table by Ludwig Mies van der Rohe for Thonet, 1935
Actions:
PH2018:0005:021
Description:
Photograph by Stefano Graziani of the following work: Natura morta, MR Table, Thonet, Ludwig Mies van der Rohe, 1935, Stiftung Insel Hombroich, Neuss Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of Nature Morta and MR Table by Ludwig Mies van der Rohe for Thonet, 1935
Actions:
PH2018:0005:021
Description:
Photograph by Stefano Graziani of the following work: Natura morta, MR Table, Thonet, Ludwig Mies van der Rohe, 1935, Stiftung Insel Hombroich, Neuss Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2016
2016
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI007.S1.1939.PR01
Description:
This project series documents Mies van der Rohe project for the Illinois Institute of Techology in Chicago, Illinois, United States. This series includes documents related to his project for the Illinois Institute of Technology Campus Master Plan (1936-1958), and his work on various pavilion of the campus: the Boiler Plant (1945-1946), the Field House Building, Gymnasium, Natatorium (1939-1945), the Metallurgy and Chemical Engineering Building (Perlstein Hall) (1944-1947), the Minerals and Metals Research Building (1942-1943), and the Robert F. Carr Memorial Chapel of Saint Savior (1949-1952). The material in this series was produced between 1939 and 1958, with a bulk of material from 1930 to 1946. The series contains drawings and sketches by Mies van der Rohe, predominantly related to the the Metallurgy and Chemical Engineering Building (Perlstein Hall), the Field House Building, Gymnasium, Natatorium, and the Minerals and Metals Research Building, and also photographs of some of the drawings and exterior views of the Boiler Plant photographed by Hedrich-Blessing. The series also includes a few textual records of notes and calculations for the Field House Building, Gymnasium, Natatorium.
CI007.S1.1939.PR01
Description:
This project series documents Mies van der Rohe project for the Illinois Institute of Techology in Chicago, Illinois, United States. This series includes documents related to his project for the Illinois Institute of Technology Campus Master Plan (1936-1958), and his work on various pavilion of the campus: the Boiler Plant (1945-1946), the Field House Building, Gymnasium, Natatorium (1939-1945), the Metallurgy and Chemical Engineering Building (Perlstein Hall) (1944-1947), the Minerals and Metals Research Building (1942-1943), and the Robert F. Carr Memorial Chapel of Saint Savior (1949-1952). The material in this series was produced between 1939 and 1958, with a bulk of material from 1930 to 1946. The series contains drawings and sketches by Mies van der Rohe, predominantly related to the the Metallurgy and Chemical Engineering Building (Perlstein Hall), the Field House Building, Gymnasium, Natatorium, and the Minerals and Metals Research Building, and also photographs of some of the drawings and exterior views of the Boiler Plant photographed by Hedrich-Blessing. The series also includes a few textual records of notes and calculations for the Field House Building, Gymnasium, Natatorium.
Personnes et institutions:
Date:
1936-1958
1936-1958
Titre:
Illinois Institute of Technology, Chicago, Illinois, United States (1939-1958)
Actions:
CI007.S1.1939.PR01
Description:
This project series documents Mies van der Rohe project for the Illinois Institute of Techology in Chicago, Illinois, United States. This series includes documents related to his project for the Illinois Institute of Technology Campus Master Plan (1936-1958), and his work on various pavilion of the campus: the Boiler Plant (1945-1946), the Field House Building, Gymnasium, Natatorium (1939-1945), the Metallurgy and Chemical Engineering Building (Perlstein Hall) (1944-1947), the Minerals and Metals Research Building (1942-1943), and the Robert F. Carr Memorial Chapel of Saint Savior (1949-1952). The material in this series was produced between 1939 and 1958, with a bulk of material from 1930 to 1946. The series contains drawings and sketches by Mies van der Rohe, predominantly related to the the Metallurgy and Chemical Engineering Building (Perlstein Hall), the Field House Building, Gymnasium, Natatorium, and the Minerals and Metals Research Building, and also photographs of some of the drawings and exterior views of the Boiler Plant photographed by Hedrich-Blessing. The series also includes a few textual records of notes and calculations for the Field House Building, Gymnasium, Natatorium.
Illinois Institute of Technology, Chicago, Illinois, United States (1939-1958)
Actions:
CI007.S1.1939.PR01
Description:
This project series documents Mies van der Rohe project for the Illinois Institute of Techology in Chicago, Illinois, United States. This series includes documents related to his project for the Illinois Institute of Technology Campus Master Plan (1936-1958), and his work on various pavilion of the campus: the Boiler Plant (1945-1946), the Field House Building, Gymnasium, Natatorium (1939-1945), the Metallurgy and Chemical Engineering Building (Perlstein Hall) (1944-1947), the Minerals and Metals Research Building (1942-1943), and the Robert F. Carr Memorial Chapel of Saint Savior (1949-1952). The material in this series was produced between 1939 and 1958, with a bulk of material from 1930 to 1946. The series contains drawings and sketches by Mies van der Rohe, predominantly related to the the Metallurgy and Chemical Engineering Building (Perlstein Hall), the Field House Building, Gymnasium, Natatorium, and the Minerals and Metals Research Building, and also photographs of some of the drawings and exterior views of the Boiler Plant photographed by Hedrich-Blessing. The series also includes a few textual records of notes and calculations for the Field House Building, Gymnasium, Natatorium.
Niveau de description archivistique:
project
project
Date:
1936-1958
1936-1958
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2001.PR01
Description:
The project series documents "Achipensierio" a series of installations designed by Pettena from 2001 to 2018. The installation consists of variations of a building frame either made of metal beams or trellis covered in plants or straw. The building frame is designed to change form and appears deconstructed depending on the point of view. "Described by Gianni Pettena as “a contemporary Stonehenge,” but also as “a lesson in spatial perception,” this work metaphorically reaffirms the idea that there are no longer any frontiers today, when one is referring to themes relating to physical space, between the sensibility of the architect and that of the environmental artist." [1] The "Archipensierio" installations were presented in various venues from 2001 to 2018, including: "Archipensierio 2" at the Manifesta 7 in Rovereto, in 2008; "Archipensierio 5" at the Court Carrée du Louvre, in Parigi, for FIAC 2009; and "Archipensierio 6" at the UMOCA, in Salt Lake City, in 2013. The project series contains sketches, elevations, plans, drawings and photographs of the installations. It also includes a small model for the Archipensierio I, 2001 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-archithoughts-2001/ (last accessed 22 January 2020).
AP207.S1.2001.PR01
Description:
The project series documents "Achipensierio" a series of installations designed by Pettena from 2001 to 2018. The installation consists of variations of a building frame either made of metal beams or trellis covered in plants or straw. The building frame is designed to change form and appears deconstructed depending on the point of view. "Described by Gianni Pettena as “a contemporary Stonehenge,” but also as “a lesson in spatial perception,” this work metaphorically reaffirms the idea that there are no longer any frontiers today, when one is referring to themes relating to physical space, between the sensibility of the architect and that of the environmental artist." [1] The "Archipensierio" installations were presented in various venues from 2001 to 2018, including: "Archipensierio 2" at the Manifesta 7 in Rovereto, in 2008; "Archipensierio 5" at the Court Carrée du Louvre, in Parigi, for FIAC 2009; and "Archipensierio 6" at the UMOCA, in Salt Lake City, in 2013. The project series contains sketches, elevations, plans, drawings and photographs of the installations. It also includes a small model for the Archipensierio I, 2001 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-archithoughts-2001/ (last accessed 22 January 2020).
Personnes et institutions:
Date:
2001-2018
2001-2018
Titre:
Archipensierio [Architoughts] 2001
Actions:
AP207.S1.2001.PR01
Description:
The project series documents "Achipensierio" a series of installations designed by Pettena from 2001 to 2018. The installation consists of variations of a building frame either made of metal beams or trellis covered in plants or straw. The building frame is designed to change form and appears deconstructed depending on the point of view. "Described by Gianni Pettena as “a contemporary Stonehenge,” but also as “a lesson in spatial perception,” this work metaphorically reaffirms the idea that there are no longer any frontiers today, when one is referring to themes relating to physical space, between the sensibility of the architect and that of the environmental artist." [1] The "Archipensierio" installations were presented in various venues from 2001 to 2018, including: "Archipensierio 2" at the Manifesta 7 in Rovereto, in 2008; "Archipensierio 5" at the Court Carrée du Louvre, in Parigi, for FIAC 2009; and "Archipensierio 6" at the UMOCA, in Salt Lake City, in 2013. The project series contains sketches, elevations, plans, drawings and photographs of the installations. It also includes a small model for the Archipensierio I, 2001 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-archithoughts-2001/ (last accessed 22 January 2020).
Archipensierio [Architoughts] 2001
Actions:
AP207.S1.2001.PR01
Description:
The project series documents "Achipensierio" a series of installations designed by Pettena from 2001 to 2018. The installation consists of variations of a building frame either made of metal beams or trellis covered in plants or straw. The building frame is designed to change form and appears deconstructed depending on the point of view. "Described by Gianni Pettena as “a contemporary Stonehenge,” but also as “a lesson in spatial perception,” this work metaphorically reaffirms the idea that there are no longer any frontiers today, when one is referring to themes relating to physical space, between the sensibility of the architect and that of the environmental artist." [1] The "Archipensierio" installations were presented in various venues from 2001 to 2018, including: "Archipensierio 2" at the Manifesta 7 in Rovereto, in 2008; "Archipensierio 5" at the Court Carrée du Louvre, in Parigi, for FIAC 2009; and "Archipensierio 6" at the UMOCA, in Salt Lake City, in 2013. The project series contains sketches, elevations, plans, drawings and photographs of the installations. It also includes a small model for the Archipensierio I, 2001 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-archithoughts-2001/ (last accessed 22 January 2020).
Niveau de description archivistique:
Project
Project
Date:
2001-2018
2001-2018
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1974.PR07
Description:
This project series documents long-term planning for airports near Kabul, Afghanistan from 1974-1990. The office identified the project number as 7408. This project consisted of the planning of airports near Kabul for the years 1974-1990. This work was undertaken in joint venture with other Canadian firms who worked together on airport planning projects around the world. The firms, which consisted of Parkin Architects Planners as the architects, the Montreal Engineering Company Limited, and Peat, Marwick and Partners, joined with the local Afghan Bureau of Consulting Architects and Engineers for this project. It was to be funded by the Islamic Bank, with the Canadian government paying the design fees. The proposed airport, referred to as Logar Airport, consisted of a rectangular passenger terminal with each level set back to create the look of a staircase roofline. A 225 car parking lot, an administration building and a tower in the parking lot area were also included. The long-term plan showed a symmetrical addition built onto the passenger building and symmetrical 225 car parking lot to compliment it in the years following the original construction. An airport hotel was also proposed for future additions. A feasibility study for this project investigated Logar as a site for the airport, based on the ability to expand the terminal size for passenger processing and traffic, and the flexibility of the local topography. Planing, deplaning, processing and passenger flows were all investigated in this project, along with phasing and development plans. It is not clear from the project documentation if this project was ever built. The project is recorded through drawings, a photograph, and textual records dating from 1974-1976. The drawings include a large number of base plans with overlays to study planing and deplaning flows, natural lighting, and passenger movements. Plans, sections and presentation drawings are also included. The textual records consist of reports on the project program and costs, interoffice memos, correspondence, and financial records.
AP018.S1.1974.PR07
Description:
This project series documents long-term planning for airports near Kabul, Afghanistan from 1974-1990. The office identified the project number as 7408. This project consisted of the planning of airports near Kabul for the years 1974-1990. This work was undertaken in joint venture with other Canadian firms who worked together on airport planning projects around the world. The firms, which consisted of Parkin Architects Planners as the architects, the Montreal Engineering Company Limited, and Peat, Marwick and Partners, joined with the local Afghan Bureau of Consulting Architects and Engineers for this project. It was to be funded by the Islamic Bank, with the Canadian government paying the design fees. The proposed airport, referred to as Logar Airport, consisted of a rectangular passenger terminal with each level set back to create the look of a staircase roofline. A 225 car parking lot, an administration building and a tower in the parking lot area were also included. The long-term plan showed a symmetrical addition built onto the passenger building and symmetrical 225 car parking lot to compliment it in the years following the original construction. An airport hotel was also proposed for future additions. A feasibility study for this project investigated Logar as a site for the airport, based on the ability to expand the terminal size for passenger processing and traffic, and the flexibility of the local topography. Planing, deplaning, processing and passenger flows were all investigated in this project, along with phasing and development plans. It is not clear from the project documentation if this project was ever built. The project is recorded through drawings, a photograph, and textual records dating from 1974-1976. The drawings include a large number of base plans with overlays to study planing and deplaning flows, natural lighting, and passenger movements. Plans, sections and presentation drawings are also included. The textual records consist of reports on the project program and costs, interoffice memos, correspondence, and financial records.
Personnes et institutions:
Date:
1974-1976
1974-1976
Titre:
Kabul Area Airport Developments, Afghanistan (1974-1990)
Actions:
AP018.S1.1974.PR07
Description:
This project series documents long-term planning for airports near Kabul, Afghanistan from 1974-1990. The office identified the project number as 7408. This project consisted of the planning of airports near Kabul for the years 1974-1990. This work was undertaken in joint venture with other Canadian firms who worked together on airport planning projects around the world. The firms, which consisted of Parkin Architects Planners as the architects, the Montreal Engineering Company Limited, and Peat, Marwick and Partners, joined with the local Afghan Bureau of Consulting Architects and Engineers for this project. It was to be funded by the Islamic Bank, with the Canadian government paying the design fees. The proposed airport, referred to as Logar Airport, consisted of a rectangular passenger terminal with each level set back to create the look of a staircase roofline. A 225 car parking lot, an administration building and a tower in the parking lot area were also included. The long-term plan showed a symmetrical addition built onto the passenger building and symmetrical 225 car parking lot to compliment it in the years following the original construction. An airport hotel was also proposed for future additions. A feasibility study for this project investigated Logar as a site for the airport, based on the ability to expand the terminal size for passenger processing and traffic, and the flexibility of the local topography. Planing, deplaning, processing and passenger flows were all investigated in this project, along with phasing and development plans. It is not clear from the project documentation if this project was ever built. The project is recorded through drawings, a photograph, and textual records dating from 1974-1976. The drawings include a large number of base plans with overlays to study planing and deplaning flows, natural lighting, and passenger movements. Plans, sections and presentation drawings are also included. The textual records consist of reports on the project program and costs, interoffice memos, correspondence, and financial records.
Kabul Area Airport Developments, Afghanistan (1974-1990)
Actions:
AP018.S1.1974.PR07
Description:
This project series documents long-term planning for airports near Kabul, Afghanistan from 1974-1990. The office identified the project number as 7408. This project consisted of the planning of airports near Kabul for the years 1974-1990. This work was undertaken in joint venture with other Canadian firms who worked together on airport planning projects around the world. The firms, which consisted of Parkin Architects Planners as the architects, the Montreal Engineering Company Limited, and Peat, Marwick and Partners, joined with the local Afghan Bureau of Consulting Architects and Engineers for this project. It was to be funded by the Islamic Bank, with the Canadian government paying the design fees. The proposed airport, referred to as Logar Airport, consisted of a rectangular passenger terminal with each level set back to create the look of a staircase roofline. A 225 car parking lot, an administration building and a tower in the parking lot area were also included. The long-term plan showed a symmetrical addition built onto the passenger building and symmetrical 225 car parking lot to compliment it in the years following the original construction. An airport hotel was also proposed for future additions. A feasibility study for this project investigated Logar as a site for the airport, based on the ability to expand the terminal size for passenger processing and traffic, and the flexibility of the local topography. Planing, deplaning, processing and passenger flows were all investigated in this project, along with phasing and development plans. It is not clear from the project documentation if this project was ever built. The project is recorded through drawings, a photograph, and textual records dating from 1974-1976. The drawings include a large number of base plans with overlays to study planing and deplaning flows, natural lighting, and passenger movements. Plans, sections and presentation drawings are also included. The textual records consist of reports on the project program and costs, interoffice memos, correspondence, and financial records.
Niveau de description archivistique:
Project
Project
Date:
1974-1976
1974-1976
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
CD041.S2
Description:
This series documents nine projects by the firm Rosen, Caruso, Vecsei Architects. The practice was opened in partnership by Bernard Rosen, Irving Caruso and André Vecsei. The latter was partner until his departure in 1984 when he founded Vecsei Architects with Eva Hollo Vecsei. During his time at Rosen, Caruso, Vecsei Architect, André was the partner in charge of several projects including: Twenty-five story apartment building, Lincoln Avenue and St. Mathieu Street, Montréal, Québec (circa 1962-1974); Nursing home, Côte-Saint-Luc, Québec (circa 1962-1970); Senoir’s home, Manoir Outremont, Outremont, Québec (1977); Intermunicipal library, Pierrefonds, Montréal, Québec (circa 1980-1984). Eva Hollo Vecsei did not work for the firm Rosen, Caruso, Vecsei Architects. This series documents the following projects: Golf clubhouse, Mirabel, Québec (circa 1962-1970); Fraternity house, Montréal, Québec (circa 1964); Marina, Expo 67, Montréal, Québec (1965-1966); Engineering Institute of Canada, Montréal, Québec (circa 1967); International Civil Aviation Organisation building, Montréal, Québec (circa 1974); Seniors home, Manoir Outremont, Outremont, Québec (1977); Fort de la Montagne, Westmount, Québec (circa 1980-1982); and City hall and municipal library, Côte-Saint-Luc, Québec (circa 1981-1984). Also included are sketches from 1962 to 1984 for an unidentified project. Collection material in this series was produced between 1974 and 2006. Documenting the series are architectural records, such as conceptual, design, presentation, and working drawings, as well as photographs, digital material (mainly photographs), and a sketchbook. The bulk of the material was produced between 1981 and 1984, which corresponds to the period during which André Vecsei worked on the city hall and municipal library, in Côte-Saint-Luc, Québec. Documenting this project are working drawings and a few digitized sketches and photographs.
CD041.S2
Description:
This series documents nine projects by the firm Rosen, Caruso, Vecsei Architects. The practice was opened in partnership by Bernard Rosen, Irving Caruso and André Vecsei. The latter was partner until his departure in 1984 when he founded Vecsei Architects with Eva Hollo Vecsei. During his time at Rosen, Caruso, Vecsei Architect, André was the partner in charge of several projects including: Twenty-five story apartment building, Lincoln Avenue and St. Mathieu Street, Montréal, Québec (circa 1962-1974); Nursing home, Côte-Saint-Luc, Québec (circa 1962-1970); Senoir’s home, Manoir Outremont, Outremont, Québec (1977); Intermunicipal library, Pierrefonds, Montréal, Québec (circa 1980-1984). Eva Hollo Vecsei did not work for the firm Rosen, Caruso, Vecsei Architects. This series documents the following projects: Golf clubhouse, Mirabel, Québec (circa 1962-1970); Fraternity house, Montréal, Québec (circa 1964); Marina, Expo 67, Montréal, Québec (1965-1966); Engineering Institute of Canada, Montréal, Québec (circa 1967); International Civil Aviation Organisation building, Montréal, Québec (circa 1974); Seniors home, Manoir Outremont, Outremont, Québec (1977); Fort de la Montagne, Westmount, Québec (circa 1980-1982); and City hall and municipal library, Côte-Saint-Luc, Québec (circa 1981-1984). Also included are sketches from 1962 to 1984 for an unidentified project. Collection material in this series was produced between 1974 and 2006. Documenting the series are architectural records, such as conceptual, design, presentation, and working drawings, as well as photographs, digital material (mainly photographs), and a sketchbook. The bulk of the material was produced between 1981 and 1984, which corresponds to the period during which André Vecsei worked on the city hall and municipal library, in Côte-Saint-Luc, Québec. Documenting this project are working drawings and a few digitized sketches and photographs.
Personnes et institutions:
Date:
1974-2006
1974-2006
Titre:
Rosen, Caruso, Vecsei Architects (1962-1984)
Actions:
CD041.S2
Description:
This series documents nine projects by the firm Rosen, Caruso, Vecsei Architects. The practice was opened in partnership by Bernard Rosen, Irving Caruso and André Vecsei. The latter was partner until his departure in 1984 when he founded Vecsei Architects with Eva Hollo Vecsei. During his time at Rosen, Caruso, Vecsei Architect, André was the partner in charge of several projects including: Twenty-five story apartment building, Lincoln Avenue and St. Mathieu Street, Montréal, Québec (circa 1962-1974); Nursing home, Côte-Saint-Luc, Québec (circa 1962-1970); Senoir’s home, Manoir Outremont, Outremont, Québec (1977); Intermunicipal library, Pierrefonds, Montréal, Québec (circa 1980-1984). Eva Hollo Vecsei did not work for the firm Rosen, Caruso, Vecsei Architects. This series documents the following projects: Golf clubhouse, Mirabel, Québec (circa 1962-1970); Fraternity house, Montréal, Québec (circa 1964); Marina, Expo 67, Montréal, Québec (1965-1966); Engineering Institute of Canada, Montréal, Québec (circa 1967); International Civil Aviation Organisation building, Montréal, Québec (circa 1974); Seniors home, Manoir Outremont, Outremont, Québec (1977); Fort de la Montagne, Westmount, Québec (circa 1980-1982); and City hall and municipal library, Côte-Saint-Luc, Québec (circa 1981-1984). Also included are sketches from 1962 to 1984 for an unidentified project. Collection material in this series was produced between 1974 and 2006. Documenting the series are architectural records, such as conceptual, design, presentation, and working drawings, as well as photographs, digital material (mainly photographs), and a sketchbook. The bulk of the material was produced between 1981 and 1984, which corresponds to the period during which André Vecsei worked on the city hall and municipal library, in Côte-Saint-Luc, Québec. Documenting this project are working drawings and a few digitized sketches and photographs.
Rosen, Caruso, Vecsei Architects (1962-1984)
Actions:
CD041.S2
Description:
This series documents nine projects by the firm Rosen, Caruso, Vecsei Architects. The practice was opened in partnership by Bernard Rosen, Irving Caruso and André Vecsei. The latter was partner until his departure in 1984 when he founded Vecsei Architects with Eva Hollo Vecsei. During his time at Rosen, Caruso, Vecsei Architect, André was the partner in charge of several projects including: Twenty-five story apartment building, Lincoln Avenue and St. Mathieu Street, Montréal, Québec (circa 1962-1974); Nursing home, Côte-Saint-Luc, Québec (circa 1962-1970); Senoir’s home, Manoir Outremont, Outremont, Québec (1977); Intermunicipal library, Pierrefonds, Montréal, Québec (circa 1980-1984). Eva Hollo Vecsei did not work for the firm Rosen, Caruso, Vecsei Architects. This series documents the following projects: Golf clubhouse, Mirabel, Québec (circa 1962-1970); Fraternity house, Montréal, Québec (circa 1964); Marina, Expo 67, Montréal, Québec (1965-1966); Engineering Institute of Canada, Montréal, Québec (circa 1967); International Civil Aviation Organisation building, Montréal, Québec (circa 1974); Seniors home, Manoir Outremont, Outremont, Québec (1977); Fort de la Montagne, Westmount, Québec (circa 1980-1982); and City hall and municipal library, Côte-Saint-Luc, Québec (circa 1981-1984). Also included are sketches from 1962 to 1984 for an unidentified project. Collection material in this series was produced between 1974 and 2006. Documenting the series are architectural records, such as conceptual, design, presentation, and working drawings, as well as photographs, digital material (mainly photographs), and a sketchbook. The bulk of the material was produced between 1981 and 1984, which corresponds to the period during which André Vecsei worked on the city hall and municipal library, in Côte-Saint-Luc, Québec. Documenting this project are working drawings and a few digitized sketches and photographs.
Niveau de description archivistique:
Series
Series
Date:
1974-2006
1974-2006
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1990.D7
Description:
The project series documents the commission, design, and construction of a shopping centre, on Fuencarral Street, in Madrid, Spain. The firm identified this project as number 68. Abalos & Herreros worked with Javier Herreros, Javier Fresneda, Javier Peña and Dula Internacional. Documenting this project are conceptual, design development and working drawings, project descriptions, estimates, correspondence, reference materials, and photographic materials.
AP164.S1.1990.D7
Description:
The project series documents the commission, design, and construction of a shopping centre, on Fuencarral Street, in Madrid, Spain. The firm identified this project as number 68. Abalos & Herreros worked with Javier Herreros, Javier Fresneda, Javier Peña and Dula Internacional. Documenting this project are conceptual, design development and working drawings, project descriptions, estimates, correspondence, reference materials, and photographic materials.
Personnes et institutions:
Date:
1990-1992
1990-1992
Titre:
City VIPS, Fuencarral, Madrid, Spain (1990)
Actions:
AP164.S1.1990.D7
Description:
The project series documents the commission, design, and construction of a shopping centre, on Fuencarral Street, in Madrid, Spain. The firm identified this project as number 68. Abalos & Herreros worked with Javier Herreros, Javier Fresneda, Javier Peña and Dula Internacional. Documenting this project are conceptual, design development and working drawings, project descriptions, estimates, correspondence, reference materials, and photographic materials.
City VIPS, Fuencarral, Madrid, Spain (1990)
Actions:
AP164.S1.1990.D7
Description:
The project series documents the commission, design, and construction of a shopping centre, on Fuencarral Street, in Madrid, Spain. The firm identified this project as number 68. Abalos & Herreros worked with Javier Herreros, Javier Fresneda, Javier Peña and Dula Internacional. Documenting this project are conceptual, design development and working drawings, project descriptions, estimates, correspondence, reference materials, and photographic materials.
Niveau de description archivistique:
Project
Project
Date:
1990-1992
1990-1992
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1994.D2
Description:
The project series documents self-sufficient hybrid towers in Madrid, Spain. The project was entered in the 1994 international competition “Zephyr” held by the Comisión Comunidades Europeas. Abalos & Herreros worked in collaboration with Pablo Gallego and Beatriz Inglés. The firm identified this project as number 91. Documenting the project are conceptual and design development drawings, textual records, and photographic materials.
AP164.S1.1994.D2
Description:
The project series documents self-sufficient hybrid towers in Madrid, Spain. The project was entered in the 1994 international competition “Zephyr” held by the Comisión Comunidades Europeas. Abalos & Herreros worked in collaboration with Pablo Gallego and Beatriz Inglés. The firm identified this project as number 91. Documenting the project are conceptual and design development drawings, textual records, and photographic materials.
Personnes et institutions:
Date:
circa 1994
circa 1994
Titre:
Concurso Zephyr: torres mixtas autosuficientes, Madrid, Spain (1994)
Actions:
AP164.S1.1994.D2
Description:
The project series documents self-sufficient hybrid towers in Madrid, Spain. The project was entered in the 1994 international competition “Zephyr” held by the Comisión Comunidades Europeas. Abalos & Herreros worked in collaboration with Pablo Gallego and Beatriz Inglés. The firm identified this project as number 91. Documenting the project are conceptual and design development drawings, textual records, and photographic materials.
Concurso Zephyr: torres mixtas autosuficientes, Madrid, Spain (1994)
Actions:
AP164.S1.1994.D2
Description:
The project series documents self-sufficient hybrid towers in Madrid, Spain. The project was entered in the 1994 international competition “Zephyr” held by the Comisión Comunidades Europeas. Abalos & Herreros worked in collaboration with Pablo Gallego and Beatriz Inglés. The firm identified this project as number 91. Documenting the project are conceptual and design development drawings, textual records, and photographic materials.
Niveau de description archivistique:
Project
Project
Date:
circa 1994
circa 1994
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2000.D4
Description:
The project series documents a landscaping competition in 2002 where the firm proposed their evaluation for the transformation of the old recycling facilities for solid residues in Madrid into an urban public space. The firm identified this project as number 128. Abalos & Herreros worked in collaboration with Urbaser and F.C.C. Documenting the project are conceptual, presentation, studies, project descriptions, reference, digital and graphic materials.
AP164.S1.2000.D4
Description:
The project series documents a landscaping competition in 2002 where the firm proposed their evaluation for the transformation of the old recycling facilities for solid residues in Madrid into an urban public space. The firm identified this project as number 128. Abalos & Herreros worked in collaboration with Urbaser and F.C.C. Documenting the project are conceptual, presentation, studies, project descriptions, reference, digital and graphic materials.
Personnes et institutions:
Date:
2000
2000
Titre:
Jardines Valdemingómez, Madrid, Spain (2000)
Actions:
AP164.S1.2000.D4
Description:
The project series documents a landscaping competition in 2002 where the firm proposed their evaluation for the transformation of the old recycling facilities for solid residues in Madrid into an urban public space. The firm identified this project as number 128. Abalos & Herreros worked in collaboration with Urbaser and F.C.C. Documenting the project are conceptual, presentation, studies, project descriptions, reference, digital and graphic materials.
Jardines Valdemingómez, Madrid, Spain (2000)
Actions:
AP164.S1.2000.D4
Description:
The project series documents a landscaping competition in 2002 where the firm proposed their evaluation for the transformation of the old recycling facilities for solid residues in Madrid into an urban public space. The firm identified this project as number 128. Abalos & Herreros worked in collaboration with Urbaser and F.C.C. Documenting the project are conceptual, presentation, studies, project descriptions, reference, digital and graphic materials.
Niveau de description archivistique:
Project
Project
Date:
2000
2000
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2006.D1
Description:
The project series documents office space which was built on the ground floor of the Torre Woermann (AP164.S1.2001.D7). The firm identified this project as number 216. Abalos & Herreros worked with Renata Sentkiewicz. After the dissolution of Abalos & Herreros in 2008, the project was completed by Abalos+Sentkiewicz Arquitectos. Documenting the project are digital materials which have not yet been processed.
AP164.S1.2006.D1
Description:
The project series documents office space which was built on the ground floor of the Torre Woermann (AP164.S1.2001.D7). The firm identified this project as number 216. Abalos & Herreros worked with Renata Sentkiewicz. After the dissolution of Abalos & Herreros in 2008, the project was completed by Abalos+Sentkiewicz Arquitectos. Documenting the project are digital materials which have not yet been processed.
Personnes et institutions:
Date:
circa 2006
circa 2006
Titre:
Hoteles Escuela de Canarias (HECANSA), Las Palmas de Gran Canaria, Spain (2006)
Actions:
AP164.S1.2006.D1
Description:
The project series documents office space which was built on the ground floor of the Torre Woermann (AP164.S1.2001.D7). The firm identified this project as number 216. Abalos & Herreros worked with Renata Sentkiewicz. After the dissolution of Abalos & Herreros in 2008, the project was completed by Abalos+Sentkiewicz Arquitectos. Documenting the project are digital materials which have not yet been processed.
Hoteles Escuela de Canarias (HECANSA), Las Palmas de Gran Canaria, Spain (2006)
Actions:
AP164.S1.2006.D1
Description:
The project series documents office space which was built on the ground floor of the Torre Woermann (AP164.S1.2001.D7). The firm identified this project as number 216. Abalos & Herreros worked with Renata Sentkiewicz. After the dissolution of Abalos & Herreros in 2008, the project was completed by Abalos+Sentkiewicz Arquitectos. Documenting the project are digital materials which have not yet been processed.
Niveau de description archivistique:
Project
Project
Date:
circa 2006
circa 2006
Personnes et institutions:
