29628 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP137
Résumé:
The fonds documents architectural projects from 1955-1969 by the Montréal-based firm of Affleck, Desbarats, Dimakopoulos, Lebensold, Sise. Most of the 44 projects are located in Canada, and include major buildings such as Place Ville Marie, Place Bonaventure, and the National Arts Centre in Ottawa. Two projects are in Italy, and there is a proposed exhibition pavilion for Osaka, Japan. The fonds consists primarily of architectural drawings - design development, presentation and working drawings - and some presentation panels probably used for exhibition purposes.
AP137
Résumé:
The fonds documents architectural projects from 1955-1969 by the Montréal-based firm of Affleck, Desbarats, Dimakopoulos, Lebensold, Sise. Most of the 44 projects are located in Canada, and include major buildings such as Place Ville Marie, Place Bonaventure, and the National Arts Centre in Ottawa. Two projects are in Italy, and there is a proposed exhibition pavilion for Osaka, Japan. The fonds consists primarily of architectural drawings - design development, presentation and working drawings - and some presentation panels probably used for exhibition purposes.
Personnes et institutions:
Date:
1955, 1957-1969
1955, 1957-1969
Titre:
Fonds Affleck, Desbarats, Dimakopoulos, Lebensold, Sise
Actions:
AP137
Résumé:
The fonds documents architectural projects from 1955-1969 by the Montréal-based firm of Affleck, Desbarats, Dimakopoulos, Lebensold, Sise. Most of the 44 projects are located in Canada, and include major buildings such as Place Ville Marie, Place Bonaventure, and the National Arts Centre in Ottawa. Two projects are in Italy, and there is a proposed exhibition pavilion for Osaka, Japan. The fonds consists primarily of architectural drawings - design development, presentation and working drawings - and some presentation panels probably used for exhibition purposes.
Fonds Affleck, Desbarats, Dimakopoulos, Lebensold, Sise
Actions:
AP137
Résumé:
The fonds documents architectural projects from 1955-1969 by the Montréal-based firm of Affleck, Desbarats, Dimakopoulos, Lebensold, Sise. Most of the 44 projects are located in Canada, and include major buildings such as Place Ville Marie, Place Bonaventure, and the National Arts Centre in Ottawa. Two projects are in Italy, and there is a proposed exhibition pavilion for Osaka, Japan. The fonds consists primarily of architectural drawings - design development, presentation and working drawings - and some presentation panels probably used for exhibition purposes.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1955, 1957-1969
1955, 1957-1969
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Printed materials
Printed materials
Numéro de référence:
CI005.S2.D2
Description:
Series contains printed materials of J.J.P. exhibition of his work.
CI005.S2.D2
Description:
Series contains printed materials of J.J.P. exhibition of his work.
Personnes et institutions:
Date:
1951-1966
1951-1966
Titre:
Printed materials
CI005.S2.D2
Description:
Series contains printed materials of J.J.P. exhibition of his work.
Printed materials
CI005.S2.D2
Description:
Series contains printed materials of J.J.P. exhibition of his work.
Niveau de description archivistique:
file(s)
file(s)
Date:
1951-1966
1951-1966
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP032.S1.SS4.D1
Description:
A series of b/w photographs mounted on cardboard illustrating collaborative work in Rome by Myron Goldsmith with James Ferris and others (1954-1955). Also includes early Goldsmith and Ferris projects with Skidmore, Owings and Merrill, Architects (1955-1962). (Material on these additional projects is located in Series 4: Publications and Exhibitions, and Series 2: Professional Activities - Architecture).
AP032.S1.SS4.D1
Description:
A series of b/w photographs mounted on cardboard illustrating collaborative work in Rome by Myron Goldsmith with James Ferris and others (1954-1955). Also includes early Goldsmith and Ferris projects with Skidmore, Owings and Merrill, Architects (1955-1962). (Material on these additional projects is located in Series 4: Publications and Exhibitions, and Series 2: Professional Activities - Architecture).
Personnes et institutions:
Date:
1953-1962
1953-1962
Titre:
Goldsmith - Ferris Portfolios
Actions:
AP032.S1.SS4.D1
Description:
A series of b/w photographs mounted on cardboard illustrating collaborative work in Rome by Myron Goldsmith with James Ferris and others (1954-1955). Also includes early Goldsmith and Ferris projects with Skidmore, Owings and Merrill, Architects (1955-1962). (Material on these additional projects is located in Series 4: Publications and Exhibitions, and Series 2: Professional Activities - Architecture).
Goldsmith - Ferris Portfolios
Actions:
AP032.S1.SS4.D1
Description:
A series of b/w photographs mounted on cardboard illustrating collaborative work in Rome by Myron Goldsmith with James Ferris and others (1954-1955). Also includes early Goldsmith and Ferris projects with Skidmore, Owings and Merrill, Architects (1955-1962). (Material on these additional projects is located in Series 4: Publications and Exhibitions, and Series 2: Professional Activities - Architecture).
Niveau de description archivistique:
File 1
File 1
Date:
1953-1962
1953-1962
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Correspondence
Correspondence
Numéro de référence:
AP032.S1.SS4.D5
Description:
Private correspondence between Goldsmith and colleagues, friends and associates, including personal business matters, recommendation letters, drafts, notes, postcards, receipts. Subjects include Goldsmith's exhibition and professorship at Harvard, comments concerning the Mies van der Rohe exhibition at the Museum of Modern Art, various competitions, retirement notices.
AP032.S1.SS4.D5
Description:
Private correspondence between Goldsmith and colleagues, friends and associates, including personal business matters, recommendation letters, drafts, notes, postcards, receipts. Subjects include Goldsmith's exhibition and professorship at Harvard, comments concerning the Mies van der Rohe exhibition at the Museum of Modern Art, various competitions, retirement notices.
Personnes et institutions:
Date:
1967-1995
1967-1995
Titre:
Correspondence
Actions:
AP032.S1.SS4.D5
Description:
Private correspondence between Goldsmith and colleagues, friends and associates, including personal business matters, recommendation letters, drafts, notes, postcards, receipts. Subjects include Goldsmith's exhibition and professorship at Harvard, comments concerning the Mies van der Rohe exhibition at the Museum of Modern Art, various competitions, retirement notices.
Correspondence
Actions:
AP032.S1.SS4.D5
Description:
Private correspondence between Goldsmith and colleagues, friends and associates, including personal business matters, recommendation letters, drafts, notes, postcards, receipts. Subjects include Goldsmith's exhibition and professorship at Harvard, comments concerning the Mies van der Rohe exhibition at the Museum of Modern Art, various competitions, retirement notices.
Niveau de description archivistique:
File 5
File 5
Date:
1967-1995
1967-1995
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP027.S1.D54
Description:
This project series documents a presentation for the 1976 U.S. Bicentennial Corporation in Philadelphia. The project was a proposed plan for US1 highway to become a 2000 mile national exhibition from Madawasha, Maine to Key West, Florida. The plan was presented as an opportunity to create a national exhibition of incomparable scale.
AP027.S1.D54
Description:
This project series documents a presentation for the 1976 U.S. Bicentennial Corporation in Philadelphia. The project was a proposed plan for US1 highway to become a 2000 mile national exhibition from Madawasha, Maine to Key West, Florida. The plan was presented as an opportunity to create a national exhibition of incomparable scale.
Personnes et institutions:
Sujet:
design d'exposition
design d'exposition
Date:
1971-1972
1971-1972
Titre:
United States One (1971-1972)
Actions:
AP027.S1.D54
Description:
This project series documents a presentation for the 1976 U.S. Bicentennial Corporation in Philadelphia. The project was a proposed plan for US1 highway to become a 2000 mile national exhibition from Madawasha, Maine to Key West, Florida. The plan was presented as an opportunity to create a national exhibition of incomparable scale.
United States One (1971-1972)
Actions:
AP027.S1.D54
Description:
This project series documents a presentation for the 1976 U.S. Bicentennial Corporation in Philadelphia. The project was a proposed plan for US1 highway to become a 2000 mile national exhibition from Madawasha, Maine to Key West, Florida. The plan was presented as an opportunity to create a national exhibition of incomparable scale.
Niveau de description archivistique:
File 54
File 54
Date:
1971-1972
1971-1972
Personnes et institutions:
Sujet:
design d'exposition
design d'exposition
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Research
Research
Numéro de référence:
CD042.S1
Description:
The series documents Susan Wagg's research for the exhibition “Money Matters: A Critical Look at Bank Architecture”on bank buildings in the United States and in Canada. It contains her research files on each bank building presented in the exhibition and more general research on bank architecture and architects or architectural firms who designed banks. The series contains a research file for each of the bank buildings studied for the exhibition, which mainly consist of photocopies of articles and press clippings. Also included are more general research files on banks, which include press clippings and photocopies of publicatons, leaflets, and promotional material, as well as some reference photographs. Furthermore, the series contains texts and labels for the exhibition at the Museum of Fine Arts, Houston, and for the venue at Columbia University.
CD042.S1
Description:
The series documents Susan Wagg's research for the exhibition “Money Matters: A Critical Look at Bank Architecture”on bank buildings in the United States and in Canada. It contains her research files on each bank building presented in the exhibition and more general research on bank architecture and architects or architectural firms who designed banks. The series contains a research file for each of the bank buildings studied for the exhibition, which mainly consist of photocopies of articles and press clippings. Also included are more general research files on banks, which include press clippings and photocopies of publicatons, leaflets, and promotional material, as well as some reference photographs. Furthermore, the series contains texts and labels for the exhibition at the Museum of Fine Arts, Houston, and for the venue at Columbia University.
Personnes et institutions:
Date:
1929-1993
1929-1993
Titre:
Research
Actions:
CD042.S1
Description:
The series documents Susan Wagg's research for the exhibition “Money Matters: A Critical Look at Bank Architecture”on bank buildings in the United States and in Canada. It contains her research files on each bank building presented in the exhibition and more general research on bank architecture and architects or architectural firms who designed banks. The series contains a research file for each of the bank buildings studied for the exhibition, which mainly consist of photocopies of articles and press clippings. Also included are more general research files on banks, which include press clippings and photocopies of publicatons, leaflets, and promotional material, as well as some reference photographs. Furthermore, the series contains texts and labels for the exhibition at the Museum of Fine Arts, Houston, and for the venue at Columbia University.
Research
Actions:
CD042.S1
Description:
The series documents Susan Wagg's research for the exhibition “Money Matters: A Critical Look at Bank Architecture”on bank buildings in the United States and in Canada. It contains her research files on each bank building presented in the exhibition and more general research on bank architecture and architects or architectural firms who designed banks. The series contains a research file for each of the bank buildings studied for the exhibition, which mainly consist of photocopies of articles and press clippings. Also included are more general research files on banks, which include press clippings and photocopies of publicatons, leaflets, and promotional material, as well as some reference photographs. Furthermore, the series contains texts and labels for the exhibition at the Museum of Fine Arts, Houston, and for the venue at Columbia University.
Niveau de description archivistique:
Series
Series
Date:
1929-1993
1929-1993
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP041.S3.SS04
Description:
This subseries documents Melvin Charney's solo exhibition "Melvin Charney : Oeuvres, 1970-1979", originally held at the Musée d'art contemporain de Montréal in 1979. The exhibition presentes Charney's work through his works of art, including photographs, drawings, installations and sculptures. The sub-series includes textual records.
AP041.S3.SS04
Description:
This subseries documents Melvin Charney's solo exhibition "Melvin Charney : Oeuvres, 1970-1979", originally held at the Musée d'art contemporain de Montréal in 1979. The exhibition presentes Charney's work through his works of art, including photographs, drawings, installations and sculptures. The sub-series includes textual records.
Personnes et institutions:
Date:
1979
1979
Titre:
Melvin Charney: oeuvres 1970-1979
Actions:
AP041.S3.SS04
Description:
This subseries documents Melvin Charney's solo exhibition "Melvin Charney : Oeuvres, 1970-1979", originally held at the Musée d'art contemporain de Montréal in 1979. The exhibition presentes Charney's work through his works of art, including photographs, drawings, installations and sculptures. The sub-series includes textual records.
Melvin Charney: oeuvres 1970-1979
Actions:
AP041.S3.SS04
Description:
This subseries documents Melvin Charney's solo exhibition "Melvin Charney : Oeuvres, 1970-1979", originally held at the Musée d'art contemporain de Montréal in 1979. The exhibition presentes Charney's work through his works of art, including photographs, drawings, installations and sculptures. The sub-series includes textual records.
Niveau de description archivistique:
Subseries
Subseries
Date:
1979
1979
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP207.S2.SS16
Description:
The sub-series documents the exhibition "Radical Design. Ricerca e progetto dagli anni ’60 a oggi”, curated by Pettena and presented at the Casa Masaccio in San Giovanni Valdarno, in 2004. The exhibition focuses on the Radical movement and exhibits over 70 objects designed by some of the most well known figures of the Radical movement from the 1960s to the 2000s, such as Superstudio, Archizoom, Global Tools, Gaetano Pesce, Hans Hollein, and Ettore Sottsass. The sub-series contains texts for the exhibition and publications, correspondence related to the planning of the exhibition, installation views, and promotional materials. Source: Casa Masaccio Centro per l'arte contemporanea website, http://www.casamasaccio.it/archivio/radical-design-ricerca-e-progetto-dagli-anni-60-ad-oggi/ (last accessed 30 January 2020).
AP207.S2.SS16
Description:
The sub-series documents the exhibition "Radical Design. Ricerca e progetto dagli anni ’60 a oggi”, curated by Pettena and presented at the Casa Masaccio in San Giovanni Valdarno, in 2004. The exhibition focuses on the Radical movement and exhibits over 70 objects designed by some of the most well known figures of the Radical movement from the 1960s to the 2000s, such as Superstudio, Archizoom, Global Tools, Gaetano Pesce, Hans Hollein, and Ettore Sottsass. The sub-series contains texts for the exhibition and publications, correspondence related to the planning of the exhibition, installation views, and promotional materials. Source: Casa Masaccio Centro per l'arte contemporanea website, http://www.casamasaccio.it/archivio/radical-design-ricerca-e-progetto-dagli-anni-60-ad-oggi/ (last accessed 30 January 2020).
Personnes et institutions:
Date:
2001-2018
2001-2018
Titre:
Radical Design. Ricerca e progetto dagli anni ’60 a oggi (2004)
Actions:
AP207.S2.SS16
Description:
The sub-series documents the exhibition "Radical Design. Ricerca e progetto dagli anni ’60 a oggi”, curated by Pettena and presented at the Casa Masaccio in San Giovanni Valdarno, in 2004. The exhibition focuses on the Radical movement and exhibits over 70 objects designed by some of the most well known figures of the Radical movement from the 1960s to the 2000s, such as Superstudio, Archizoom, Global Tools, Gaetano Pesce, Hans Hollein, and Ettore Sottsass. The sub-series contains texts for the exhibition and publications, correspondence related to the planning of the exhibition, installation views, and promotional materials. Source: Casa Masaccio Centro per l'arte contemporanea website, http://www.casamasaccio.it/archivio/radical-design-ricerca-e-progetto-dagli-anni-60-ad-oggi/ (last accessed 30 January 2020).
Radical Design. Ricerca e progetto dagli anni ’60 a oggi (2004)
Actions:
AP207.S2.SS16
Description:
The sub-series documents the exhibition "Radical Design. Ricerca e progetto dagli anni ’60 a oggi”, curated by Pettena and presented at the Casa Masaccio in San Giovanni Valdarno, in 2004. The exhibition focuses on the Radical movement and exhibits over 70 objects designed by some of the most well known figures of the Radical movement from the 1960s to the 2000s, such as Superstudio, Archizoom, Global Tools, Gaetano Pesce, Hans Hollein, and Ettore Sottsass. The sub-series contains texts for the exhibition and publications, correspondence related to the planning of the exhibition, installation views, and promotional materials. Source: Casa Masaccio Centro per l'arte contemporanea website, http://www.casamasaccio.it/archivio/radical-design-ricerca-e-progetto-dagli-anni-60-ad-oggi/ (last accessed 30 January 2020).
Niveau de description archivistique:
Subseries
Subseries
Date:
2001-2018
2001-2018
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP114.S1.SS1.D12
Description:
Project for a hotel, exhibition hall, pool and apartment suites in Atlanta, Georgia.
AP114.S1.SS1.D12
Description:
Project for a hotel, exhibition hall, pool and apartment suites in Atlanta, Georgia.
Personnes et institutions:
Date:
circa 1970 - 1979
circa 1970 - 1979
Titre:
The Atlanta Biltmore
Actions:
AP114.S1.SS1.D12
Description:
Project for a hotel, exhibition hall, pool and apartment suites in Atlanta, Georgia.
The Atlanta Biltmore
Actions:
AP114.S1.SS1.D12
Description:
Project for a hotel, exhibition hall, pool and apartment suites in Atlanta, Georgia.
Niveau de description archivistique:
File 12
File 12
Date:
circa 1970 - 1979
circa 1970 - 1979
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1986.D9
Description:
This project series documents the exhibition “Le Corbusier: rascacielos” curated by Abalos & Herreros and organised by the Ayuntamiento de Madrid. The exposition, installation and catalog commemorated the centenary of the birth of Le Corbusier. The exhibition won the premio de investigación from the Colegio Oficial de Arquitectos de Madrid (C.O.A.M.) in 1987 or 1988. It also won the prize from the Ayuntamiento de Madrid in 1988 or 1989. The firm identified this project as number 41. Documenting the exhibition are design development drawings, illustrations, notes, project descriptions, correspondence, clippings, portraits, drafts, and reference and photographic materials.
AP164.S1.1986.D9
Description:
This project series documents the exhibition “Le Corbusier: rascacielos” curated by Abalos & Herreros and organised by the Ayuntamiento de Madrid. The exposition, installation and catalog commemorated the centenary of the birth of Le Corbusier. The exhibition won the premio de investigación from the Colegio Oficial de Arquitectos de Madrid (C.O.A.M.) in 1987 or 1988. It also won the prize from the Ayuntamiento de Madrid in 1988 or 1989. The firm identified this project as number 41. Documenting the exhibition are design development drawings, illustrations, notes, project descriptions, correspondence, clippings, portraits, drafts, and reference and photographic materials.
Personnes et institutions:
Date:
1986-1988
1986-1988
Titre:
Le Corbusier : rascacielos, Madrid, Spain (1986-1987)
Actions:
AP164.S1.1986.D9
Description:
This project series documents the exhibition “Le Corbusier: rascacielos” curated by Abalos & Herreros and organised by the Ayuntamiento de Madrid. The exposition, installation and catalog commemorated the centenary of the birth of Le Corbusier. The exhibition won the premio de investigación from the Colegio Oficial de Arquitectos de Madrid (C.O.A.M.) in 1987 or 1988. It also won the prize from the Ayuntamiento de Madrid in 1988 or 1989. The firm identified this project as number 41. Documenting the exhibition are design development drawings, illustrations, notes, project descriptions, correspondence, clippings, portraits, drafts, and reference and photographic materials.
Le Corbusier : rascacielos, Madrid, Spain (1986-1987)
Actions:
AP164.S1.1986.D9
Description:
This project series documents the exhibition “Le Corbusier: rascacielos” curated by Abalos & Herreros and organised by the Ayuntamiento de Madrid. The exposition, installation and catalog commemorated the centenary of the birth of Le Corbusier. The exhibition won the premio de investigación from the Colegio Oficial de Arquitectos de Madrid (C.O.A.M.) in 1987 or 1988. It also won the prize from the Ayuntamiento de Madrid in 1988 or 1989. The firm identified this project as number 41. Documenting the exhibition are design development drawings, illustrations, notes, project descriptions, correspondence, clippings, portraits, drafts, and reference and photographic materials.
Niveau de description archivistique:
Project
Project
Date:
1986-1988
1986-1988
Personnes et institutions:
