4849 Résultats
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périodiques
périodiques
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No.6. John Bevis’s definitive study of the pioneering natural history photographers "The Keartons : inventing nature photography", illustrated throughout with their original images. The first essay in this issue, by Angus Carlyle, reflects on the sequence of one hundred short runs that comprise "A downland index", which will be out in early summer. Other projects in(...)
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No.6. John Bevis’s definitive study of the pioneering natural history photographers "The Keartons : inventing nature photography", illustrated throughout with their original images. The first essay in this issue, by Angus Carlyle, reflects on the sequence of one hundred short runs that comprise "A downland index", which will be out in early summer. Other projects in(...)
Titre:
Uniformagazine no.6 Spring-Summer 2016
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No.6. John Bevis’s definitive study of the pioneering natural history photographers "The Keartons : inventing nature photography", illustrated throughout with their original images. The first essay in this issue, by Angus Carlyle, reflects on the sequence of one hundred short runs that comprise "A downland index", which will be out in early summer. Other projects in progress include a new book in collaboration with geographers Hannah Neate and Ruth Craggs which will highlight the diversity of current responses to modernist architecture; a survey of the work of Michael Gibbs whose activities included poetry, performance, film, and publishing, and his immersion in what he called “a genuinely ‘underground’ culture… which owed nothing to the official art establishment”; and a book with the sound poet and performance artist Nathan Walker from his residency in June at the Armitt Museum in Cumbria.
Uniformagazine no.6 Spring-Summer 2016
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No.6. John Bevis’s definitive study of the pioneering natural history photographers "The Keartons : inventing nature photography", illustrated throughout with their original images. The first essay in this issue, by Angus Carlyle, reflects on the sequence of one hundred short runs that comprise "A downland index", which will be out in early summer. Other projects in progress include a new book in collaboration with geographers Hannah Neate and Ruth Craggs which will highlight the diversity of current responses to modernist architecture; a survey of the work of Michael Gibbs whose activities included poetry, performance, film, and publishing, and his immersion in what he called “a genuinely ‘underground’ culture… which owed nothing to the official art establishment”; and a book with the sound poet and performance artist Nathan Walker from his residency in June at the Armitt Museum in Cumbria.
Classification:
périodiques
périodiques
Publication:
mai 2016
mai 2016
Sujet:
Revues
Revues
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livres
livres
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This publication presents the history of House Buchthal in Berlin-Westend in pictures, plans, and archival documents. In its original form, the home built in 1922/23 was one of the few examples of Expressionist villa architecture in Berlin.
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This publication presents the history of House Buchthal in Berlin-Westend in pictures, plans, and archival documents. In its original form, the home built in 1922/23 was one of the few examples of Expressionist villa architecture in Berlin.
Titre:
Ein Kristall, verborgen in Neuer Sachlichkeit
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This publication presents the history of House Buchthal in Berlin-Westend in pictures, plans, and archival documents. In its original form, the home built in 1922/23 was one of the few examples of Expressionist villa architecture in Berlin.
Ein Kristall, verborgen in Neuer Sachlichkeit
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This publication presents the history of House Buchthal in Berlin-Westend in pictures, plans, and archival documents. In its original form, the home built in 1922/23 was one of the few examples of Expressionist villa architecture in Berlin.
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livres
livres
Publication:
janvier 2017
janvier 2017
Sujet:
petits formats
petits formats
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livres
livres
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The rigorous essays and original works of art collected in this volume present a compelling demonstration of the strategies, aesthetic and otherwise, used by artists to elicit intellectual, sensual, or emotional responses that can only be obtained through artistic practices in public places. Public Art in Canada is a major contribution to the study of Canadian art and culture.
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The rigorous essays and original works of art collected in this volume present a compelling demonstration of the strategies, aesthetic and otherwise, used by artists to elicit intellectual, sensual, or emotional responses that can only be obtained through artistic practices in public places. Public Art in Canada is a major contribution to the study of Canadian art and culture.
Titre:
Public art in Canada: critical perspectives
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The rigorous essays and original works of art collected in this volume present a compelling demonstration of the strategies, aesthetic and otherwise, used by artists to elicit intellectual, sensual, or emotional responses that can only be obtained through artistic practices in public places. Public Art in Canada is a major contribution to the study of Canadian art and culture.
Public art in Canada: critical perspectives
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The rigorous essays and original works of art collected in this volume present a compelling demonstration of the strategies, aesthetic and otherwise, used by artists to elicit intellectual, sensual, or emotional responses that can only be obtained through artistic practices in public places. Public Art in Canada is a major contribution to the study of Canadian art and culture.
Classification:
livres
livres
Publication:
décembre 2008
décembre 2008
Sujet:
Architecture du Canada
Architecture du Canada
Classification:
périodiques
périodiques
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One of the difficulties about reexamining the subject of realism lies in the passage from the initial idea of magical realism to the concept of new objectivity. Actually it is possible to return to the initial notion, elaborating the concept of marvelous reality which with that idea of a mixture of the real and the fantastic seeks to maintain something of the heroic and(...)
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One of the difficulties about reexamining the subject of realism lies in the passage from the initial idea of magical realism to the concept of new objectivity. Actually it is possible to return to the initial notion, elaborating the concept of marvelous reality which with that idea of a mixture of the real and the fantastic seeks to maintain something of the heroic and(...)
Titre:
Lotus 116: nuovi realisti/new realists
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One of the difficulties about reexamining the subject of realism lies in the passage from the initial idea of magical realism to the concept of new objectivity. Actually it is possible to return to the initial notion, elaborating the concept of marvelous reality which with that idea of a mixture of the real and the fantastic seeks to maintain something of the heroic and the sublime. The realistic way of preserving the sublime that, in defiance of the 'real' world, succeeds in living that illusion: this is the direction in which we want to interpret the symptoms of a return of the real in architecture. In short magical realism does not make us long for normality, but invites us to look beyond every norm hidden by conventions.
Lotus 116: nuovi realisti/new realists
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One of the difficulties about reexamining the subject of realism lies in the passage from the initial idea of magical realism to the concept of new objectivity. Actually it is possible to return to the initial notion, elaborating the concept of marvelous reality which with that idea of a mixture of the real and the fantastic seeks to maintain something of the heroic and the sublime. The realistic way of preserving the sublime that, in defiance of the 'real' world, succeeds in living that illusion: this is the direction in which we want to interpret the symptoms of a return of the real in architecture. In short magical realism does not make us long for normality, but invites us to look beyond every norm hidden by conventions.
Classification:
périodiques
périodiques
Publication:
janvier 1900, Milano
janvier 1900, Milano
Sujet:
Revues
Revues
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livres
livres
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Italian photographer Gabriele Basilico (1944–2013) is best known for his photographs of industrial and postindustrial sites. This volume focuses on contemporary ruins and the oscillation between urban space and natural space in cities.
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Italian photographer Gabriele Basilico (1944–2013) is best known for his photographs of industrial and postindustrial sites. This volume focuses on contemporary ruins and the oscillation between urban space and natural space in cities.
Titre:
Gabriele Basilico: entropy and urban space
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Italian photographer Gabriele Basilico (1944–2013) is best known for his photographs of industrial and postindustrial sites. This volume focuses on contemporary ruins and the oscillation between urban space and natural space in cities.
Gabriele Basilico: entropy and urban space
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Italian photographer Gabriele Basilico (1944–2013) is best known for his photographs of industrial and postindustrial sites. This volume focuses on contemporary ruins and the oscillation between urban space and natural space in cities.
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livres
livres
Publication:
février 2018
février 2018
Sujet:
Monographies photo
Monographies photo
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livres
livres
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Résumé:
Why did Henri Cartier-Bresson nearly have a posthumous exhibition while still alive? What led Stephen Shore to work with color? Why was Sophie Calle accused of stealing Vermeer’s "The Concert"? And what is Susan Meiselas’s take on Instagram and the future of online storytelling? "Aperture Conversations" presents a selection of interviews highlighting critical dialogue(...)
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Why did Henri Cartier-Bresson nearly have a posthumous exhibition while still alive? What led Stephen Shore to work with color? Why was Sophie Calle accused of stealing Vermeer’s "The Concert"? And what is Susan Meiselas’s take on Instagram and the future of online storytelling? "Aperture Conversations" presents a selection of interviews highlighting critical dialogue(...)
Titre:
Aperture conversations: 1985 to the present
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Why did Henri Cartier-Bresson nearly have a posthumous exhibition while still alive? What led Stephen Shore to work with color? Why was Sophie Calle accused of stealing Vermeer’s "The Concert"? And what is Susan Meiselas’s take on Instagram and the future of online storytelling? "Aperture Conversations" presents a selection of interviews highlighting critical dialogue between photographers, esteemed critics, curators, editors, and artists from 1985 to the present day. Emerging talent along with well-established photographers discuss their work openly and examine the future of the medium. Drawn primarily from "Aperture" magazine with selections from Aperture’s booklist and online platform, "Aperture Conversations" celebrates the artist’s voice, collaborations, and the photography community at large.
Aperture conversations: 1985 to the present
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Why did Henri Cartier-Bresson nearly have a posthumous exhibition while still alive? What led Stephen Shore to work with color? Why was Sophie Calle accused of stealing Vermeer’s "The Concert"? And what is Susan Meiselas’s take on Instagram and the future of online storytelling? "Aperture Conversations" presents a selection of interviews highlighting critical dialogue between photographers, esteemed critics, curators, editors, and artists from 1985 to the present day. Emerging talent along with well-established photographers discuss their work openly and examine the future of the medium. Drawn primarily from "Aperture" magazine with selections from Aperture’s booklist and online platform, "Aperture Conversations" celebrates the artist’s voice, collaborations, and the photography community at large.
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livres
livres
Publication:
mai 2018
mai 2018
Sujet:
Théorie de la photographie
Théorie de la photographie
Classification:
périodiques
périodiques
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Résumé:
The latest issue is now in store!
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Résumé:
The latest issue is now in store!
Titre:
032c 34th issue Berlin Summer 2018
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The latest issue is now in store!
032c 34th issue Berlin Summer 2018
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The latest issue is now in store!
Classification:
périodiques
périodiques
Publication:
juillet 2018
juillet 2018
Sujet:
Revues
Revues
Classification:
livres
livres
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There are few art-world figures as influential - and as little known - as Dick Higgins (1938–98), cofounder of Fluxus, "polyartist," poet, scholar, theorist, composer, performer and, not least, the publisher of the legendary Something Else Press. In 1965 he restored the term "intermedia" to the English language, giving it new dimension to recognize the dissolution of(...)
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There are few art-world figures as influential - and as little known - as Dick Higgins (1938–98), cofounder of Fluxus, "polyartist," poet, scholar, theorist, composer, performer and, not least, the publisher of the legendary Something Else Press. In 1965 he restored the term "intermedia" to the English language, giving it new dimension to recognize the dissolution of(...)
Titre:
Vincent Van Duysen Works, 2009-2018
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There are few art-world figures as influential - and as little known - as Dick Higgins (1938–98), cofounder of Fluxus, "polyartist," poet, scholar, theorist, composer, performer and, not least, the publisher of the legendary Something Else Press. In 1965 he restored the term "intermedia" to the English language, giving it new dimension to recognize the dissolution of boundaries between traditional modes of art-making and the open field for new forms that cannot be compartmentalized. His own contributions to intermedia are many - as a participant and instigator of happenings, as writer and composer straddling traditional and vanguard forms, among others - but it was Something Else Press (1963–74) that redefined how "the book" could inhabit that energized, in-between space.
Vincent Van Duysen Works, 2009-2018
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There are few art-world figures as influential - and as little known - as Dick Higgins (1938–98), cofounder of Fluxus, "polyartist," poet, scholar, theorist, composer, performer and, not least, the publisher of the legendary Something Else Press. In 1965 he restored the term "intermedia" to the English language, giving it new dimension to recognize the dissolution of boundaries between traditional modes of art-making and the open field for new forms that cannot be compartmentalized. His own contributions to intermedia are many - as a participant and instigator of happenings, as writer and composer straddling traditional and vanguard forms, among others - but it was Something Else Press (1963–74) that redefined how "the book" could inhabit that energized, in-between space.
Classification:
livres
livres
Publication:
novembre 2018
novembre 2018
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
périodiques
périodiques
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This issue of Harvard Design Magazine is about the design of work and the work of design. ''No Sweat'' challenges designers to speculate on the spaces of work in an accelerated future, and to imagine a world in which a novel ethics of labor can emerge. What scenarios and spaces can we imagine for the next generation of work? How can we anticipate and formulate work(...)
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This issue of Harvard Design Magazine is about the design of work and the work of design. ''No Sweat'' challenges designers to speculate on the spaces of work in an accelerated future, and to imagine a world in which a novel ethics of labor can emerge. What scenarios and spaces can we imagine for the next generation of work? How can we anticipate and formulate work(...)
Titre:
Harvard Design Magazine 46 : no sweat
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This issue of Harvard Design Magazine is about the design of work and the work of design. ''No Sweat'' challenges designers to speculate on the spaces of work in an accelerated future, and to imagine a world in which a novel ethics of labor can emerge. What scenarios and spaces can we imagine for the next generation of work? How can we anticipate and formulate work environments and experiences that are productive, humane, and ecologically responsible?
Harvard Design Magazine 46 : no sweat
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This issue of Harvard Design Magazine is about the design of work and the work of design. ''No Sweat'' challenges designers to speculate on the spaces of work in an accelerated future, and to imagine a world in which a novel ethics of labor can emerge. What scenarios and spaces can we imagine for the next generation of work? How can we anticipate and formulate work environments and experiences that are productive, humane, and ecologically responsible?
Classification:
périodiques
périodiques
Publication:
avril 2019
avril 2019
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
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$23.00
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L'édition ''Les nouveaux paradigmes'' dirigée par Alessandra Mariani et Rébéca Lemay-Perreault, explore les stratégies et les approches en cours dans les institutions muséales et divers espaces analogues. Par le biais d'études de cas exemplaires, les articles colligés dans ce numéro exposent les façons dont la critique sociale, l'ontologie historique, l'occidentalisme,(...)
$23.00
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L'édition ''Les nouveaux paradigmes'' dirigée par Alessandra Mariani et Rébéca Lemay-Perreault, explore les stratégies et les approches en cours dans les institutions muséales et divers espaces analogues. Par le biais d'études de cas exemplaires, les articles colligés dans ce numéro exposent les façons dont la critique sociale, l'ontologie historique, l'occidentalisme,(...)
Titre:
Muséologies volume 8, numéro 2, 2018
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L'édition ''Les nouveaux paradigmes'' dirigée par Alessandra Mariani et Rébéca Lemay-Perreault, explore les stratégies et les approches en cours dans les institutions muséales et divers espaces analogues. Par le biais d'études de cas exemplaires, les articles colligés dans ce numéro exposent les façons dont la critique sociale, l'ontologie historique, l'occidentalisme, les études de genre, la pédagogie critique et les théories de l'action communicative et du public transforment les paradigmes muséaux existants (les expositions, les cinq fonctions muséales, les publics, la médiation, les pratiques spatiales, le féminisme, le postcolonialisme , le poststructuralisme, et le (socio) constructivisme) en des champs de recherche distincts qui alimentent la codification et la rationalisation nécessaires à la pérennité des pratiques émergentes.
Muséologies volume 8, numéro 2, 2018
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L'édition ''Les nouveaux paradigmes'' dirigée par Alessandra Mariani et Rébéca Lemay-Perreault, explore les stratégies et les approches en cours dans les institutions muséales et divers espaces analogues. Par le biais d'études de cas exemplaires, les articles colligés dans ce numéro exposent les façons dont la critique sociale, l'ontologie historique, l'occidentalisme, les études de genre, la pédagogie critique et les théories de l'action communicative et du public transforment les paradigmes muséaux existants (les expositions, les cinq fonctions muséales, les publics, la médiation, les pratiques spatiales, le féminisme, le postcolonialisme , le poststructuralisme, et le (socio) constructivisme) en des champs de recherche distincts qui alimentent la codification et la rationalisation nécessaires à la pérennité des pratiques émergentes.
Classification:
périodiques
périodiques
Publication:
novembre 2018
novembre 2018
Sujet:
Revues
Revues
