33366 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1977.PR10
Description:
This project series documents interior refurbishments to the Ontario Association of Architects headquarters in Toronto from 1977-1978. The office identified the project number as 7711. This project consisted of changes to the carpeting, drapes and furniture in the building's lounge. However, this project was cancelled by the client due to the possibility of expanding the lounge in the near future. The headquarters had been designed by John C. Parkin's previous firm, John B. Parkin Associates, in the 1950s and was located at 50 Park Road. The project is recorded through correspondence and cost planning records dating from 1977-1978.
AP018.S1.1977.PR10
Description:
This project series documents interior refurbishments to the Ontario Association of Architects headquarters in Toronto from 1977-1978. The office identified the project number as 7711. This project consisted of changes to the carpeting, drapes and furniture in the building's lounge. However, this project was cancelled by the client due to the possibility of expanding the lounge in the near future. The headquarters had been designed by John C. Parkin's previous firm, John B. Parkin Associates, in the 1950s and was located at 50 Park Road. The project is recorded through correspondence and cost planning records dating from 1977-1978.
Personnes et institutions:
Date:
1977-1978
1977-1978
Titre:
Ontario Association of Architects, Interior Refurbishment, Toronto (1977-1978)
Actions:
AP018.S1.1977.PR10
Description:
This project series documents interior refurbishments to the Ontario Association of Architects headquarters in Toronto from 1977-1978. The office identified the project number as 7711. This project consisted of changes to the carpeting, drapes and furniture in the building's lounge. However, this project was cancelled by the client due to the possibility of expanding the lounge in the near future. The headquarters had been designed by John C. Parkin's previous firm, John B. Parkin Associates, in the 1950s and was located at 50 Park Road. The project is recorded through correspondence and cost planning records dating from 1977-1978.
Ontario Association of Architects, Interior Refurbishment, Toronto (1977-1978)
Actions:
AP018.S1.1977.PR10
Description:
This project series documents interior refurbishments to the Ontario Association of Architects headquarters in Toronto from 1977-1978. The office identified the project number as 7711. This project consisted of changes to the carpeting, drapes and furniture in the building's lounge. However, this project was cancelled by the client due to the possibility of expanding the lounge in the near future. The headquarters had been designed by John C. Parkin's previous firm, John B. Parkin Associates, in the 1950s and was located at 50 Park Road. The project is recorded through correspondence and cost planning records dating from 1977-1978.
Niveau de description archivistique:
Project
Project
Date:
1977-1978
1977-1978
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1971.PR09
Description:
This project series documents the site planning for the University of Ottawa Health Sciences Centre in 1971. The office identified the project number as 7113. The Ottawa Heath Sciences Complex, a vast hospital network encompassing institutions across the city, hired Parkin Architects Planners in 1971 to design and construct University of Ottawa buildings within the network. These campus buildings were located in the Alta Vista neighbourhood and are reffered to as the Ottawa Health Sciences Centre. This project consists of the site planning for the Centre. The project is documented by preliminary design drawings and site drawings dating from around 1971.
AP018.S1.1971.PR09
Description:
This project series documents the site planning for the University of Ottawa Health Sciences Centre in 1971. The office identified the project number as 7113. The Ottawa Heath Sciences Complex, a vast hospital network encompassing institutions across the city, hired Parkin Architects Planners in 1971 to design and construct University of Ottawa buildings within the network. These campus buildings were located in the Alta Vista neighbourhood and are reffered to as the Ottawa Health Sciences Centre. This project consists of the site planning for the Centre. The project is documented by preliminary design drawings and site drawings dating from around 1971.
Personnes et institutions:
Date:
circa 1971
circa 1971
Titre:
University of Ottawa Health Sciences Centre, Ottawa, Ontario (1971)
Actions:
AP018.S1.1971.PR09
Description:
This project series documents the site planning for the University of Ottawa Health Sciences Centre in 1971. The office identified the project number as 7113. The Ottawa Heath Sciences Complex, a vast hospital network encompassing institutions across the city, hired Parkin Architects Planners in 1971 to design and construct University of Ottawa buildings within the network. These campus buildings were located in the Alta Vista neighbourhood and are reffered to as the Ottawa Health Sciences Centre. This project consists of the site planning for the Centre. The project is documented by preliminary design drawings and site drawings dating from around 1971.
University of Ottawa Health Sciences Centre, Ottawa, Ontario (1971)
Actions:
AP018.S1.1971.PR09
Description:
This project series documents the site planning for the University of Ottawa Health Sciences Centre in 1971. The office identified the project number as 7113. The Ottawa Heath Sciences Complex, a vast hospital network encompassing institutions across the city, hired Parkin Architects Planners in 1971 to design and construct University of Ottawa buildings within the network. These campus buildings were located in the Alta Vista neighbourhood and are reffered to as the Ottawa Health Sciences Centre. This project consists of the site planning for the Centre. The project is documented by preliminary design drawings and site drawings dating from around 1971.
Niveau de description archivistique:
Project
Project
Date:
circa 1971
circa 1971
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1980.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Bagley and Virginia Wright Residence, located in a residential community in the north of in Seattle, Washington. Oberlander worked on this project from 1979 to 1984. She was invited to work on the landscape by Arthur Erickson, who designed the residence. The project consisted in a landscape design for a nine-acre heavily wooded property in a residential community called the Highlands. The project series contains mainly textual records, including correspondence with clients and architect, inspection reports, specifications, concept notes and plant lists. The project series also contains two landscape working drawings.
AP075.S1.1980.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Bagley and Virginia Wright Residence, located in a residential community in the north of in Seattle, Washington. Oberlander worked on this project from 1979 to 1984. She was invited to work on the landscape by Arthur Erickson, who designed the residence. The project consisted in a landscape design for a nine-acre heavily wooded property in a residential community called the Highlands. The project series contains mainly textual records, including correspondence with clients and architect, inspection reports, specifications, concept notes and plant lists. The project series also contains two landscape working drawings.
Personnes et institutions:
Date:
1978-1980
1978-1980
Titre:
Bagley Wright Residence, Seattle, Washington (1980)
Actions:
AP075.S1.1980.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Bagley and Virginia Wright Residence, located in a residential community in the north of in Seattle, Washington. Oberlander worked on this project from 1979 to 1984. She was invited to work on the landscape by Arthur Erickson, who designed the residence. The project consisted in a landscape design for a nine-acre heavily wooded property in a residential community called the Highlands. The project series contains mainly textual records, including correspondence with clients and architect, inspection reports, specifications, concept notes and plant lists. The project series also contains two landscape working drawings.
Bagley Wright Residence, Seattle, Washington (1980)
Actions:
AP075.S1.1980.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Bagley and Virginia Wright Residence, located in a residential community in the north of in Seattle, Washington. Oberlander worked on this project from 1979 to 1984. She was invited to work on the landscape by Arthur Erickson, who designed the residence. The project consisted in a landscape design for a nine-acre heavily wooded property in a residential community called the Highlands. The project series contains mainly textual records, including correspondence with clients and architect, inspection reports, specifications, concept notes and plant lists. The project series also contains two landscape working drawings.
Niveau de description archivistique:
Project
Project
Date:
1978-1980
1978-1980
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1976.PR07
Description:
This project series documents alterations done to the Safeco Insurance Company of America office building in Mississauga, Ontario from 1976-1977. The office identified the project number as 7611. Beginning in 1973, Parkin Architects Planners began work on the construction of the Safeco office building. This project consists of alterations made to the original building. Alterations include mechanical and electrical work and changes to the computer room and conference room. The project is recorded through textual records dating from 1976-1977 including correspondence, conference reports and certificates of payment. Arranged with these records is an index, which was created by the office.
AP018.S1.1976.PR07
Description:
This project series documents alterations done to the Safeco Insurance Company of America office building in Mississauga, Ontario from 1976-1977. The office identified the project number as 7611. Beginning in 1973, Parkin Architects Planners began work on the construction of the Safeco office building. This project consists of alterations made to the original building. Alterations include mechanical and electrical work and changes to the computer room and conference room. The project is recorded through textual records dating from 1976-1977 including correspondence, conference reports and certificates of payment. Arranged with these records is an index, which was created by the office.
Personnes et institutions:
Date:
1976-1977
1976-1977
Titre:
Safeco Insurance Company of Ontario, Toronto Office Building, Alterations, Mississauga, Ontario (1976-1977)
Actions:
AP018.S1.1976.PR07
Description:
This project series documents alterations done to the Safeco Insurance Company of America office building in Mississauga, Ontario from 1976-1977. The office identified the project number as 7611. Beginning in 1973, Parkin Architects Planners began work on the construction of the Safeco office building. This project consists of alterations made to the original building. Alterations include mechanical and electrical work and changes to the computer room and conference room. The project is recorded through textual records dating from 1976-1977 including correspondence, conference reports and certificates of payment. Arranged with these records is an index, which was created by the office.
Safeco Insurance Company of Ontario, Toronto Office Building, Alterations, Mississauga, Ontario (1976-1977)
Actions:
AP018.S1.1976.PR07
Description:
This project series documents alterations done to the Safeco Insurance Company of America office building in Mississauga, Ontario from 1976-1977. The office identified the project number as 7611. Beginning in 1973, Parkin Architects Planners began work on the construction of the Safeco office building. This project consists of alterations made to the original building. Alterations include mechanical and electrical work and changes to the computer room and conference room. The project is recorded through textual records dating from 1976-1977 including correspondence, conference reports and certificates of payment. Arranged with these records is an index, which was created by the office.
Niveau de description archivistique:
Project
Project
Date:
1976-1977
1976-1977
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP207.S2
Description:
The series documents Pettena’s activities as a curator and exhibition designer from 1980 to 2004 and includes materials for most of the related publications. The material in this series relates to fifteen out of the over twenty-five exhibitions designed by Pettena, which were presented in various galleries in Italy. Pettena’s exhibitions include installations on contemporary architecture, such as an exhibition on avant-garde architects from London, exhibitions on Hans Hollein, on Richard Meier, on Ettore Sottsass and on Ettore Sottsass Jr. He also designed many exhibitions on architects of the Radical movement and the evolution of their work from the beginning of the movement to more recent years. The series also contains material for Pettena’s work on exhibitions on contemporary landscape architecture and the evolution of urban parks. Also included are a few documents related to exhibitions on Pettena’s work, either group exhibitions or solo ones, and curated by others. The series contains research materials, such as publications and reference photographs, correspondence related to exhibition planning and the accompanying publications, exhibition proposals, and some installation designs and concept development notes. The series also contains draft texts, and documents related to the image selection process for the exhibition catalogues. Finally, the series contains installation views, photographs of exhibition openings and some draft exhibition and publication texts for exhibitions on Pettena’s work but that were not curated by him.
AP207.S2
Description:
The series documents Pettena’s activities as a curator and exhibition designer from 1980 to 2004 and includes materials for most of the related publications. The material in this series relates to fifteen out of the over twenty-five exhibitions designed by Pettena, which were presented in various galleries in Italy. Pettena’s exhibitions include installations on contemporary architecture, such as an exhibition on avant-garde architects from London, exhibitions on Hans Hollein, on Richard Meier, on Ettore Sottsass and on Ettore Sottsass Jr. He also designed many exhibitions on architects of the Radical movement and the evolution of their work from the beginning of the movement to more recent years. The series also contains material for Pettena’s work on exhibitions on contemporary landscape architecture and the evolution of urban parks. Also included are a few documents related to exhibitions on Pettena’s work, either group exhibitions or solo ones, and curated by others. The series contains research materials, such as publications and reference photographs, correspondence related to exhibition planning and the accompanying publications, exhibition proposals, and some installation designs and concept development notes. The series also contains draft texts, and documents related to the image selection process for the exhibition catalogues. Finally, the series contains installation views, photographs of exhibition openings and some draft exhibition and publication texts for exhibitions on Pettena’s work but that were not curated by him.
Personnes et institutions:
Date:
circa 1980--2019
circa 1980--2019
Titre:
Exhibitions
Actions:
AP207.S2
Description:
The series documents Pettena’s activities as a curator and exhibition designer from 1980 to 2004 and includes materials for most of the related publications. The material in this series relates to fifteen out of the over twenty-five exhibitions designed by Pettena, which were presented in various galleries in Italy. Pettena’s exhibitions include installations on contemporary architecture, such as an exhibition on avant-garde architects from London, exhibitions on Hans Hollein, on Richard Meier, on Ettore Sottsass and on Ettore Sottsass Jr. He also designed many exhibitions on architects of the Radical movement and the evolution of their work from the beginning of the movement to more recent years. The series also contains material for Pettena’s work on exhibitions on contemporary landscape architecture and the evolution of urban parks. Also included are a few documents related to exhibitions on Pettena’s work, either group exhibitions or solo ones, and curated by others. The series contains research materials, such as publications and reference photographs, correspondence related to exhibition planning and the accompanying publications, exhibition proposals, and some installation designs and concept development notes. The series also contains draft texts, and documents related to the image selection process for the exhibition catalogues. Finally, the series contains installation views, photographs of exhibition openings and some draft exhibition and publication texts for exhibitions on Pettena’s work but that were not curated by him.
Exhibitions
Actions:
AP207.S2
Description:
The series documents Pettena’s activities as a curator and exhibition designer from 1980 to 2004 and includes materials for most of the related publications. The material in this series relates to fifteen out of the over twenty-five exhibitions designed by Pettena, which were presented in various galleries in Italy. Pettena’s exhibitions include installations on contemporary architecture, such as an exhibition on avant-garde architects from London, exhibitions on Hans Hollein, on Richard Meier, on Ettore Sottsass and on Ettore Sottsass Jr. He also designed many exhibitions on architects of the Radical movement and the evolution of their work from the beginning of the movement to more recent years. The series also contains material for Pettena’s work on exhibitions on contemporary landscape architecture and the evolution of urban parks. Also included are a few documents related to exhibitions on Pettena’s work, either group exhibitions or solo ones, and curated by others. The series contains research materials, such as publications and reference photographs, correspondence related to exhibition planning and the accompanying publications, exhibition proposals, and some installation designs and concept development notes. The series also contains draft texts, and documents related to the image selection process for the exhibition catalogues. Finally, the series contains installation views, photographs of exhibition openings and some draft exhibition and publication texts for exhibitions on Pettena’s work but that were not curated by him.
Niveau de description archivistique:
Series
Series
Date:
circa 1980--2019
circa 1980--2019
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Architectural projects
Architectural projects
Numéro de référence:
AP206.S1
Description:
The Architectural projects series, 1957-2007, records 82 architectural projects of Aditya Prakash throughout his career as an architect in Chandigarh, India. Most of these projects were completed with his daughter, Chetna Prakash, through his private practice, Arcon Architects, from 1982-2007. These projects include private residences, housing complexes, university campuses, schools, factories, theatres, sport and yoga centres, offices and furniture, among others. The projects include built work, competition entries and proposals, though it is not always clear which projects were realized. While many projects were located in Chandigarh, the series documents projects across northern India, particularly in Jammu and Kashmir, Punjab, Haryana, Himachal Pradesh and Uttar Pradesh. The projects in this series were identified based on their unique locations and dates. Some projects, located at the same site, consisted of multiple buildings and were designed and/or constructed over long periods of time. The materials for projects like this are described together in one project series, instead of being separated out by building or time period. These projects are recorded largely through original drawings, which include sketches, plans, elevations, sections, perspectives, details, axonometric views and working drawings. However, materials for each project are sparse, often consisting of only 1-10 drawings. Textual records and photographs are also included in the materials for a few projects. The photographs show completed work, while the textual records primarily consist of client correspondence.
AP206.S1
Description:
The Architectural projects series, 1957-2007, records 82 architectural projects of Aditya Prakash throughout his career as an architect in Chandigarh, India. Most of these projects were completed with his daughter, Chetna Prakash, through his private practice, Arcon Architects, from 1982-2007. These projects include private residences, housing complexes, university campuses, schools, factories, theatres, sport and yoga centres, offices and furniture, among others. The projects include built work, competition entries and proposals, though it is not always clear which projects were realized. While many projects were located in Chandigarh, the series documents projects across northern India, particularly in Jammu and Kashmir, Punjab, Haryana, Himachal Pradesh and Uttar Pradesh. The projects in this series were identified based on their unique locations and dates. Some projects, located at the same site, consisted of multiple buildings and were designed and/or constructed over long periods of time. The materials for projects like this are described together in one project series, instead of being separated out by building or time period. These projects are recorded largely through original drawings, which include sketches, plans, elevations, sections, perspectives, details, axonometric views and working drawings. However, materials for each project are sparse, often consisting of only 1-10 drawings. Textual records and photographs are also included in the materials for a few projects. The photographs show completed work, while the textual records primarily consist of client correspondence.
Personnes et institutions:
Date:
1957-2007
1957-2007
Titre:
Architectural projects
Actions:
AP206.S1
Description:
The Architectural projects series, 1957-2007, records 82 architectural projects of Aditya Prakash throughout his career as an architect in Chandigarh, India. Most of these projects were completed with his daughter, Chetna Prakash, through his private practice, Arcon Architects, from 1982-2007. These projects include private residences, housing complexes, university campuses, schools, factories, theatres, sport and yoga centres, offices and furniture, among others. The projects include built work, competition entries and proposals, though it is not always clear which projects were realized. While many projects were located in Chandigarh, the series documents projects across northern India, particularly in Jammu and Kashmir, Punjab, Haryana, Himachal Pradesh and Uttar Pradesh. The projects in this series were identified based on their unique locations and dates. Some projects, located at the same site, consisted of multiple buildings and were designed and/or constructed over long periods of time. The materials for projects like this are described together in one project series, instead of being separated out by building or time period. These projects are recorded largely through original drawings, which include sketches, plans, elevations, sections, perspectives, details, axonometric views and working drawings. However, materials for each project are sparse, often consisting of only 1-10 drawings. Textual records and photographs are also included in the materials for a few projects. The photographs show completed work, while the textual records primarily consist of client correspondence.
Architectural projects
Actions:
AP206.S1
Description:
The Architectural projects series, 1957-2007, records 82 architectural projects of Aditya Prakash throughout his career as an architect in Chandigarh, India. Most of these projects were completed with his daughter, Chetna Prakash, through his private practice, Arcon Architects, from 1982-2007. These projects include private residences, housing complexes, university campuses, schools, factories, theatres, sport and yoga centres, offices and furniture, among others. The projects include built work, competition entries and proposals, though it is not always clear which projects were realized. While many projects were located in Chandigarh, the series documents projects across northern India, particularly in Jammu and Kashmir, Punjab, Haryana, Himachal Pradesh and Uttar Pradesh. The projects in this series were identified based on their unique locations and dates. Some projects, located at the same site, consisted of multiple buildings and were designed and/or constructed over long periods of time. The materials for projects like this are described together in one project series, instead of being separated out by building or time period. These projects are recorded largely through original drawings, which include sketches, plans, elevations, sections, perspectives, details, axonometric views and working drawings. However, materials for each project are sparse, often consisting of only 1-10 drawings. Textual records and photographs are also included in the materials for a few projects. The photographs show completed work, while the textual records primarily consist of client correspondence.
Niveau de description archivistique:
Series
Series
Date:
1957-2007
1957-2007
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1994.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project of a roof garden for the New Canadian Embassy at Leipziger Platz in Berlin, Germany. Oberlander worked on this project in from 1999-2005 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. Oberlander's work for the project included a terrace at the Ambassador's Level (6th floor) with mounded evergreen white flowering groundcover azaleas, cascading roses hanging along the Leipzigerstrasse facade, and a green roof on top of the building. The concept of the landscaping of the green roof was to represente Canada's land of the north in an abstract form, simulating the river system of the MacKenzie River in the Northwest Territories, linking Alberta to the Arctic Ocean. She used black-glass panels to represente the water. The drainage for the green roof was also connected the drainage infrastructure of the building to recycle the water collected from the roof. The project series includes sketches and design development drawings for the green roof landscaping, planting details and irrigation details, presentation drawings from KPMB and drawings of the building used as reference. The project is also documented through research material, concept notes by Oberlander, correspondence, including with architects, consultants, contractors and clients, proposal, specifications, and press clippings about the project. The project series also includes sample of glass tiles used for the landscaping.
AP075.S1.1994.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project of a roof garden for the New Canadian Embassy at Leipziger Platz in Berlin, Germany. Oberlander worked on this project in from 1999-2005 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. Oberlander's work for the project included a terrace at the Ambassador's Level (6th floor) with mounded evergreen white flowering groundcover azaleas, cascading roses hanging along the Leipzigerstrasse facade, and a green roof on top of the building. The concept of the landscaping of the green roof was to represente Canada's land of the north in an abstract form, simulating the river system of the MacKenzie River in the Northwest Territories, linking Alberta to the Arctic Ocean. She used black-glass panels to represente the water. The drainage for the green roof was also connected the drainage infrastructure of the building to recycle the water collected from the roof. The project series includes sketches and design development drawings for the green roof landscaping, planting details and irrigation details, presentation drawings from KPMB and drawings of the building used as reference. The project is also documented through research material, concept notes by Oberlander, correspondence, including with architects, consultants, contractors and clients, proposal, specifications, and press clippings about the project. The project series also includes sample of glass tiles used for the landscaping.
Personnes et institutions:
Date:
1994-2005
1994-2005
Titre:
New Canadian Embassy in Berlin, Germany (1994-2005)
Actions:
AP075.S1.1994.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project of a roof garden for the New Canadian Embassy at Leipziger Platz in Berlin, Germany. Oberlander worked on this project in from 1999-2005 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. Oberlander's work for the project included a terrace at the Ambassador's Level (6th floor) with mounded evergreen white flowering groundcover azaleas, cascading roses hanging along the Leipzigerstrasse facade, and a green roof on top of the building. The concept of the landscaping of the green roof was to represente Canada's land of the north in an abstract form, simulating the river system of the MacKenzie River in the Northwest Territories, linking Alberta to the Arctic Ocean. She used black-glass panels to represente the water. The drainage for the green roof was also connected the drainage infrastructure of the building to recycle the water collected from the roof. The project series includes sketches and design development drawings for the green roof landscaping, planting details and irrigation details, presentation drawings from KPMB and drawings of the building used as reference. The project is also documented through research material, concept notes by Oberlander, correspondence, including with architects, consultants, contractors and clients, proposal, specifications, and press clippings about the project. The project series also includes sample of glass tiles used for the landscaping.
New Canadian Embassy in Berlin, Germany (1994-2005)
Actions:
AP075.S1.1994.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project of a roof garden for the New Canadian Embassy at Leipziger Platz in Berlin, Germany. Oberlander worked on this project in from 1999-2005 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. Oberlander's work for the project included a terrace at the Ambassador's Level (6th floor) with mounded evergreen white flowering groundcover azaleas, cascading roses hanging along the Leipzigerstrasse facade, and a green roof on top of the building. The concept of the landscaping of the green roof was to represente Canada's land of the north in an abstract form, simulating the river system of the MacKenzie River in the Northwest Territories, linking Alberta to the Arctic Ocean. She used black-glass panels to represente the water. The drainage for the green roof was also connected the drainage infrastructure of the building to recycle the water collected from the roof. The project series includes sketches and design development drawings for the green roof landscaping, planting details and irrigation details, presentation drawings from KPMB and drawings of the building used as reference. The project is also documented through research material, concept notes by Oberlander, correspondence, including with architects, consultants, contractors and clients, proposal, specifications, and press clippings about the project. The project series also includes sample of glass tiles used for the landscaping.
Niveau de description archivistique:
Project
Project
Date:
1994-2005
1994-2005
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP009
Résumé:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
AP009
Résumé:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
Personnes et institutions:
Date:
1979-1983
1979-1983
Titre:
Documents d’archives d’Arcop Associates pour le projet Maison Alcan
Actions:
AP009
Résumé:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
Documents d’archives d’Arcop Associates pour le projet Maison Alcan
Actions:
AP009
Résumé:
The Arcop Associates Maison Alcan project records, 1979 – 1983, document Arcop’s (Architects in Co-Partnership) design and construction of Alcan’s Montreal head office, Maison Alcan. These project records consist of the following: approximately 6000 drawings (including reprographic copies), 915 photographic materials, 15 l.m. of textual records, 2 models, 2 panels, 2 plaster mouldings, 1 book, and 1 mullion extrusion.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1979-1983
1979-1983
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
CD034.S1.1974.PR01
Description:
This project series contains four reproductions of drawings displayed in the exhibit to document the neighbourhood Quinta do Bacalhau-Monte Coxo, in Lisbon, Portugal. The exhibit text explained the following: The project architect Manuel Vicente was already working on a design for the intervention in the Quintas de Bacalhau and Monte Coxo when he was co-opted by SAAL. The proposed typology referred to another ambitious urban project of 615 housing units, Quinta das Fonsecas - Quinta da Calçada neighbourhood by the architect Raúl Hestnes Ferreira. The intention was to bring the city to the outlying shanty town areas. None of these projects was carried out in full, and they are now fragmented and besieged by the traffic system without having produced any of the essential community and socialising facilities. In Bacalhau-Monte Coxo the structure of the internal patios reveals the ways in which the public space and community was organised. The architecture assigned importance to the facades, although access to the community courtyards was also a central design concept. In a 1976 interview, the architect himself argued that the release of bourgeois guilt allowed for spatial beauty, adopting the slogan 'Facades First' in defence of architectural design. In a way, this proposal anticipated the post-modern, although in a form that did not deny architecture's social engagement. The design emphasizes a strong idea of architectural autonomy, unfortunately only a part of the project was actually built. (The SAAL Process, Housing in Portugal 1974–76) Manuel Vicente worked for SAAL/Lisbon and Central South with the following collaborators: Afonso José Baptista, Agostinho Xavier de Andrade, António Albano Leitão, Cristina Catela Martins Pereira, Eduardo Serrano de Sousa, Gentil Noras, José Manuel Diniz Cabral Caldeira, Manuel Augusto Lopes de Sousa, Nuno Matos Silva, Rita Cabral and the resident association Cooperativa de Habitação Económica Portugal Novo, that was founded on September 6th, 1974. The team built 384 dwellings. The operation began in September 1974, with a construction date in January 1977. This project series contains reproductions of design development drawings and a cadastral plan. The original drawings were produced in 1974 or after and were reproduced in 2015 for the exhibit.
CD034.S1.1974.PR01
Description:
This project series contains four reproductions of drawings displayed in the exhibit to document the neighbourhood Quinta do Bacalhau-Monte Coxo, in Lisbon, Portugal. The exhibit text explained the following: The project architect Manuel Vicente was already working on a design for the intervention in the Quintas de Bacalhau and Monte Coxo when he was co-opted by SAAL. The proposed typology referred to another ambitious urban project of 615 housing units, Quinta das Fonsecas - Quinta da Calçada neighbourhood by the architect Raúl Hestnes Ferreira. The intention was to bring the city to the outlying shanty town areas. None of these projects was carried out in full, and they are now fragmented and besieged by the traffic system without having produced any of the essential community and socialising facilities. In Bacalhau-Monte Coxo the structure of the internal patios reveals the ways in which the public space and community was organised. The architecture assigned importance to the facades, although access to the community courtyards was also a central design concept. In a 1976 interview, the architect himself argued that the release of bourgeois guilt allowed for spatial beauty, adopting the slogan 'Facades First' in defence of architectural design. In a way, this proposal anticipated the post-modern, although in a form that did not deny architecture's social engagement. The design emphasizes a strong idea of architectural autonomy, unfortunately only a part of the project was actually built. (The SAAL Process, Housing in Portugal 1974–76) Manuel Vicente worked for SAAL/Lisbon and Central South with the following collaborators: Afonso José Baptista, Agostinho Xavier de Andrade, António Albano Leitão, Cristina Catela Martins Pereira, Eduardo Serrano de Sousa, Gentil Noras, José Manuel Diniz Cabral Caldeira, Manuel Augusto Lopes de Sousa, Nuno Matos Silva, Rita Cabral and the resident association Cooperativa de Habitação Económica Portugal Novo, that was founded on September 6th, 1974. The team built 384 dwellings. The operation began in September 1974, with a construction date in January 1977. This project series contains reproductions of design development drawings and a cadastral plan. The original drawings were produced in 1974 or after and were reproduced in 2015 for the exhibit.
Personnes et institutions:
Date:
circa 1974
circa 1974
Titre:
Bairro Quinta do Bacalhau–Monte Coxo, Lisbon
Actions:
CD034.S1.1974.PR01
Description:
This project series contains four reproductions of drawings displayed in the exhibit to document the neighbourhood Quinta do Bacalhau-Monte Coxo, in Lisbon, Portugal. The exhibit text explained the following: The project architect Manuel Vicente was already working on a design for the intervention in the Quintas de Bacalhau and Monte Coxo when he was co-opted by SAAL. The proposed typology referred to another ambitious urban project of 615 housing units, Quinta das Fonsecas - Quinta da Calçada neighbourhood by the architect Raúl Hestnes Ferreira. The intention was to bring the city to the outlying shanty town areas. None of these projects was carried out in full, and they are now fragmented and besieged by the traffic system without having produced any of the essential community and socialising facilities. In Bacalhau-Monte Coxo the structure of the internal patios reveals the ways in which the public space and community was organised. The architecture assigned importance to the facades, although access to the community courtyards was also a central design concept. In a 1976 interview, the architect himself argued that the release of bourgeois guilt allowed for spatial beauty, adopting the slogan 'Facades First' in defence of architectural design. In a way, this proposal anticipated the post-modern, although in a form that did not deny architecture's social engagement. The design emphasizes a strong idea of architectural autonomy, unfortunately only a part of the project was actually built. (The SAAL Process, Housing in Portugal 1974–76) Manuel Vicente worked for SAAL/Lisbon and Central South with the following collaborators: Afonso José Baptista, Agostinho Xavier de Andrade, António Albano Leitão, Cristina Catela Martins Pereira, Eduardo Serrano de Sousa, Gentil Noras, José Manuel Diniz Cabral Caldeira, Manuel Augusto Lopes de Sousa, Nuno Matos Silva, Rita Cabral and the resident association Cooperativa de Habitação Económica Portugal Novo, that was founded on September 6th, 1974. The team built 384 dwellings. The operation began in September 1974, with a construction date in January 1977. This project series contains reproductions of design development drawings and a cadastral plan. The original drawings were produced in 1974 or after and were reproduced in 2015 for the exhibit.
Bairro Quinta do Bacalhau–Monte Coxo, Lisbon
Actions:
CD034.S1.1974.PR01
Description:
This project series contains four reproductions of drawings displayed in the exhibit to document the neighbourhood Quinta do Bacalhau-Monte Coxo, in Lisbon, Portugal. The exhibit text explained the following: The project architect Manuel Vicente was already working on a design for the intervention in the Quintas de Bacalhau and Monte Coxo when he was co-opted by SAAL. The proposed typology referred to another ambitious urban project of 615 housing units, Quinta das Fonsecas - Quinta da Calçada neighbourhood by the architect Raúl Hestnes Ferreira. The intention was to bring the city to the outlying shanty town areas. None of these projects was carried out in full, and they are now fragmented and besieged by the traffic system without having produced any of the essential community and socialising facilities. In Bacalhau-Monte Coxo the structure of the internal patios reveals the ways in which the public space and community was organised. The architecture assigned importance to the facades, although access to the community courtyards was also a central design concept. In a 1976 interview, the architect himself argued that the release of bourgeois guilt allowed for spatial beauty, adopting the slogan 'Facades First' in defence of architectural design. In a way, this proposal anticipated the post-modern, although in a form that did not deny architecture's social engagement. The design emphasizes a strong idea of architectural autonomy, unfortunately only a part of the project was actually built. (The SAAL Process, Housing in Portugal 1974–76) Manuel Vicente worked for SAAL/Lisbon and Central South with the following collaborators: Afonso José Baptista, Agostinho Xavier de Andrade, António Albano Leitão, Cristina Catela Martins Pereira, Eduardo Serrano de Sousa, Gentil Noras, José Manuel Diniz Cabral Caldeira, Manuel Augusto Lopes de Sousa, Nuno Matos Silva, Rita Cabral and the resident association Cooperativa de Habitação Económica Portugal Novo, that was founded on September 6th, 1974. The team built 384 dwellings. The operation began in September 1974, with a construction date in January 1977. This project series contains reproductions of design development drawings and a cadastral plan. The original drawings were produced in 1974 or after and were reproduced in 2015 for the exhibit.
Niveau de description archivistique:
Project
Project
Date:
circa 1974
circa 1974
Personnes et institutions:
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
DR1988:0021:001-006
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal in purpose, this group includes abstract compositions as well as architectural projects such as the Revolving House. Includes reprographic copies of drawings and a draft of Taut's introduction to the Akademie der Künste catalogue, 'Die gläserne Kette' (p. 5-6). These reprographic copies were accessioned as received in an orange folder inscribed with Taut's name and pseudonym.
DR1988:0021:001-006
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal in purpose, this group includes abstract compositions as well as architectural projects such as the Revolving House. Includes reprographic copies of drawings and a draft of Taut's introduction to the Akademie der Künste catalogue, 'Die gläserne Kette' (p. 5-6). These reprographic copies were accessioned as received in an orange folder inscribed with Taut's name and pseudonym.
Personnes et institutions:
Date:
circa 1919-1920
circa 1919-1920
Titre:
Material from Max Taut mostly for Die gläserne Kette
Actions:
DR1988:0021:001-006
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal in purpose, this group includes abstract compositions as well as architectural projects such as the Revolving House. Includes reprographic copies of drawings and a draft of Taut's introduction to the Akademie der Künste catalogue, 'Die gläserne Kette' (p. 5-6). These reprographic copies were accessioned as received in an orange folder inscribed with Taut's name and pseudonym.
Material from Max Taut mostly for Die gläserne Kette
Actions:
DR1988:0021:001-006
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathias Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Primarily formal in purpose, this group includes abstract compositions as well as architectural projects such as the Revolving House. Includes reprographic copies of drawings and a draft of Taut's introduction to the Akademie der Künste catalogue, 'Die gläserne Kette' (p. 5-6). These reprographic copies were accessioned as received in an orange folder inscribed with Taut's name and pseudonym.
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
circa 1919-1920
circa 1919-1920
Personnes et institutions:
