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The Prudential Center anchors the Boston skyline with its tall, gray tower. Though unassuming architecturally, it is a historical beacon, representing a midcentury moment when insurance companies such as Prudential were particularly aware of how their physical presence and civic engagement reflected upon their intangible product: financial security. Looking to New York's(...)
Insuring the city: the Prudential Center and the Postwar urban landscape
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The Prudential Center anchors the Boston skyline with its tall, gray tower. Though unassuming architecturally, it is a historical beacon, representing a midcentury moment when insurance companies such as Prudential were particularly aware of how their physical presence and civic engagement reflected upon their intangible product: financial security. Looking to New York's Rockefeller Center, the creators of the Prudential Center aspired to use real estate development as a tool toward civic achievement, reinvigorating central Boston and integrating a large complex of buildings with new infrastructure for the automobile. Architectural historian Elihu Rubin tells the full story of "The Pru", placing it within the political, economic, and architectural contexts of the period. The Prudential Center played a pivotal role in the economic redevelopment of Boston and was arguably one of the most significant urban developments of the 1950s and '60s. It is an important story, and one that provides great insight into the evolution of the modern city in postwar America.
Théorie de l’urbanisme
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With the invention of telecommunications technologies in the late nineteenth century, the radio-electric spectrum became a tool for rethinking the world in which we live. The emission of radio waves did away with physical distances, crossing borders and cultures and acting as a powerful catalyst for trade. Moreover, the radio spectrum is the invisible infrastructure on(...)
Invisible fields: geographies of radio waves
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With the invention of telecommunications technologies in the late nineteenth century, the radio-electric spectrum became a tool for rethinking the world in which we live. The emission of radio waves did away with physical distances, crossing borders and cultures and acting as a powerful catalyst for trade. Moreover, the radio spectrum is the invisible infrastructure on which our information and communication technologies have been built. The history of its scientific discovery and how it was gradually colonized by the media, the military complex, and activists and hackers is one of the most fascinating stories of the twentieth century. The future uses of the radio-electric spectrum in the twenty-first century and its new potential are being decided now, with the end of analogue TV broadcasting worldwide marking the most important transformation of uses in the radio-electric space in decades. This catalog sets out to examine these issues and shed a little light on intriguing stories about radio-electric spectrum.
Épistémologie et réseau
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Today, contemporary landscape design is increasingly drawing from ideas of sustainability and ecological stability. Not in fact new, the foundations of this approach stem from early twentieth century Germany, where architects and planners were already beginning to use the design concepts which are now referred to as "green." This ecological school of thought was(...)
When modern was green : life and work of landscape architect Leberecht Migge
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Today, contemporary landscape design is increasingly drawing from ideas of sustainability and ecological stability. Not in fact new, the foundations of this approach stem from early twentieth century Germany, where architects and planners were already beginning to use the design concepts which are now referred to as "green." This ecological school of thought was driven by modernist landscape architect Leberecht Migge (1881-1935). Working with significant modernist architects of the age including Martin Elsaesser, Ernst May, Bruno Taut, and Martin Wagner Migge was responsible for some of the most important housing and planning projects of the age; the mass housing settlements, or Gro siedlungen, of Frankfurt Main and Berlin. Using "biotechnic" principles to integrally link dwelling and garden, Migge was able to recycle household waste to grow foodstuffs through the use of innovative infrastructure and open space planning. Also a skilled park and garden designer, he drew together green and architectural elements in his "garden-architectonic" approach.
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avril 2012
Architecture, monographies
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xv, 252 pages : illustrations (chiefly color), maps (chiefly color) ; 25 cm
London ; New York : Routledge, 2012.
Urban wildscapes / edited by Anna Jorgensen and Richard Keenan.
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xv, 252 pages : illustrations (chiefly color), maps (chiefly color) ; 25 cm
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London ; New York : Routledge, 2012.
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Forecolosed: Rehousing the American Dream is an exploration of new architectural possibilities for American cities and suburbs in the aftermath of the recent foreclosure crisis in the United States. During the summer of 2011, five interdisciplinary teams of architects, urban planners, ecologists, engineers and landscape designers were enlisted by The Museum of Modern(...)
Foreclosed: rehousing the American dream
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Forecolosed: Rehousing the American Dream is an exploration of new architectural possibilities for American cities and suburbs in the aftermath of the recent foreclosure crisis in the United States. During the summer of 2011, five interdisciplinary teams of architects, urban planners, ecologists, engineers and landscape designers were enlisted by The Museum of Modern Art, New York, and MoMA PS1 to envision new housing infrastructures that could catalyze urban transformation, particularly in the country’s suburbs. Drawing on ideas proposed in The Buell Hypothesis, a research publication prepared by the Temple Hoyne Buell Center for the Study of American Architecture at Columbia University, each team focused on a specific location within a “megaregion” to come up with inventive solutions for the future of housing and cities. This publication presents each of these proposals (exhibited at MoMA in Spring 2012) in detail, through photographs, drawings and renderings as well as interviews with the team leaders. Foreclosedexamines the relationship between land, infrastructure and urban form, exploring potential futures for America’s extended metropolises.
Logements collectifs
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From 1906 to 1934, Eugene de Salignac shot over twenty thousand 8-by-10-inch glass-plate negatives of New York City. As sole photographer at the Department of Bridges/Plant and Structures during that period of dizzying growth, he documented the creation of the city's modern infrastructure—bridges, major municipal buildings, roads, and subways. For years these(...)
Monographies photo
avril 2007, New York
New York rises : photographs by Eugene de Salignac
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From 1906 to 1934, Eugene de Salignac shot over twenty thousand 8-by-10-inch glass-plate negatives of New York City. As sole photographer at the Department of Bridges/Plant and Structures during that period of dizzying growth, he documented the creation of the city's modern infrastructure—bridges, major municipal buildings, roads, and subways. For years these remarkably lyrical photographs have been used in books and films, but never credited to de Salignac. New York Rises is the first monograph to present them as an aesthetically coherent oeuvre by a photographer with a unique vision. As meticulous in his record keeping as he was creative in his photography, de Salignac left five handwritten logs that identify each negative by place and exact date. This information is complemented throughout the book by narrative captions expanding on themes such as accidents, bridges, workers, and the Depression. Michael Lorenzini has unearthed primary sources to reconstruct de Salignac's biography. Kevin Moore explores his work in the context of other photographers of the period, including Eugène Atget and Berenice Abbott.
Monographies photo
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Comparing the work of ''Archigram'' and ''High-Tech'' architects thematically, this book explores the historical and cultural context of London to reveal their influences and interconnections and why two such radical groups emerged from a seemingly conservative city. This book examines the relationships between the work of ''Archigram'' and that of the British(...)
Architectures of the technopolis: Archigram and the British high tech
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Comparing the work of ''Archigram'' and ''High-Tech'' architects thematically, this book explores the historical and cultural context of London to reveal their influences and interconnections and why two such radical groups emerged from a seemingly conservative city. This book examines the relationships between the work of ''Archigram'' and that of the British ''High-Tech'' architects, groups that were based in London and developing in the 1960s and 70s. While one group consisted of academics and artists known for their humour and eccentricity and the other were a group of deadly serious architects emerging to international proliference, this book argues that they shared uncannily similar impulses. There is the self-evident commonality of language: overblown machines, kits-of-parts of pieces and components, and a disintegration of building as object in favour of the constituent elements. Underlying both movements is a mutual, undying optimism in technological process and technological expression. Set within the rich history and culture of London, the book makes its comparisons by exploring central shared ideas: utopia, engineering, theatricality, infrastructure and narrative, and the iconography of war machinery.
Architecture, monographies
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Seamlessly interweaving the new with the historic, the renovation by Selldorf Architects preserves The Frick Collection’s Gilded Age grandeur and sense of tranquillity while making more of the museum accessible and adding important new amenities. A museum of memorable rooms and superb Old Master holdings, The Frick Collection, the former home of industrialist Henry Clay(...)
janvier 2026
A Design for Continuity and Change: The Frick Collection
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Seamlessly interweaving the new with the historic, the renovation by Selldorf Architects preserves The Frick Collection’s Gilded Age grandeur and sense of tranquillity while making more of the museum accessible and adding important new amenities. A museum of memorable rooms and superb Old Master holdings, The Frick Collection, the former home of industrialist Henry Clay Frick, is one of New York City’s most beloved art institutions. Designed by Thomas Hastings of the New York firm of Carrère and Hastings, the original Fifth Avenue mansion was completed in 1914 and served the Frick family until 1931. With John Russell Pope’s expansion of the mansion in 1935, which included the addition of a library (today’s esteemed Frick Art Research Library), the residence was converted into a public museum. The goal of the renovation was to honor the architectural legacy and unique contemplative atmosphere of the Frick while adding new space and critical infrastructure updates. Visitors will enjoy the enhanced functionality of the institution, and its improved climate controls will ensure the preservation of the collection and the house for generations to come.
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The dominant architectures in our culture of development consist of generic protocols for building offices, airports, houses, and highways. For Keller Easterling these organizational formats are not merely the context of design efforts. They are the design. Bridging the gap between architecture and infrastructure, Easterling views architecture as part of an ecology of(...)
Organization space : landscapes, highways, and houses in America
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The dominant architectures in our culture of development consist of generic protocols for building offices, airports, houses, and highways. For Keller Easterling these organizational formats are not merely the context of design efforts. They are the design. Bridging the gap between architecture and infrastructure, Easterling views architecture as part of an ecology of interrelationships and linkages, and she treats the expression of organizational character as part of the architectural endeavor. Easterling also makes the case that these organizational formats are improvisational and responsive to circumstantial change, to mistakes, anomalies, and seemingly illogical market forces. By treating these irregularities opportunistically, she offers architects working within the customary development protocols new sites for making and altering space. By showing the reciprocal relations between systems of thinking and modes of designing, Easterling establishes unexpected congruencies between natural and built environments, virtual and physical systems, highway and communication networks, and corporate and spatial organizations. She frames her unconventional notion of site not in terms of singular entities, but in terms of relationships between multiple sites that are both individually and collectively adjustable.
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octobre 2001, Cambridge, Mass.
Théorie de l’urbanisme
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For almost seven years after World War II, a small group of architects took on an exciting task: to imagine the spaces of global governance for a new political organization called the United Nations (UN). To create the iconic headquarters of the UN in New York City, these architects experimented with room layouts, media technologies, and design in tribunal courtrooms,(...)
Assembly by design: The United Nations and its global interior
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For almost seven years after World War II, a small group of architects took on an exciting task: to imagine the spaces of global governance for a new political organization called the United Nations (UN). To create the iconic headquarters of the UN in New York City, these architects experimented with room layouts, media technologies, and design in tribunal courtrooms, assembly halls, and council chambers. The result was the creation of a new type of public space, the global interior. "Assembly by design" shows how this space leveraged media to help the UN communicate with the world. With its media infrastructure, symbols, acoustic design, and architecture, the global interior defined political assembly both inside and outside the UN headquarters, serving as the architectural medium to organize multilateral encounters of international publics around the globe. Demonstrating how aesthetics have long held sway over political work, Olga Touloumi posits that the building framed diplomacy on the ground amid a changing political landscape that brought the United States to the forefront of international politics, destabilizing old and establishing new geopolitical alliances.
Théorie de l’architecture