43397 Résultats
Classification:
dessins
dessins
Numéro de référence:
AP154.S1.1973.PR01.SS2.028
Description:
File AP154.S1.1973.PR01.SS2.028 contains detail drawings including sections and details of stairs, elevator cab and entrance details, mailbox and chute details, details for fire passage, granite curbs and steel gratings for Con Edison transformer vault, exterior bronze roof doors (5th and 11th floors), garage ramp and loading dock section and details, 1st floor lobby entrance and exterior bronze details, revolving door details, ramp entrances, bronze skin and rolling doors, additional work required for roof over [fire?] passage, display and utility alphabets, details of garage control facilities, range hood flue, door and frame details, typical wall sections and bases, toilet elevations and details, first floor lobbys and canopy details, and granite exterior wall.
AP154.S1.1973.PR01.SS2.028
Description:
File AP154.S1.1973.PR01.SS2.028 contains detail drawings including sections and details of stairs, elevator cab and entrance details, mailbox and chute details, details for fire passage, granite curbs and steel gratings for Con Edison transformer vault, exterior bronze roof doors (5th and 11th floors), garage ramp and loading dock section and details, 1st floor lobby entrance and exterior bronze details, revolving door details, ramp entrances, bronze skin and rolling doors, additional work required for roof over [fire?] passage, display and utility alphabets, details of garage control facilities, range hood flue, door and frame details, typical wall sections and bases, toilet elevations and details, first floor lobbys and canopy details, and granite exterior wall.
Personnes et institutions:
Date:
1955-1957
1955-1957
Titre:
Copies of drawings for the Seagram Building, 375 Park Avenue, New York, N.Y. (details)
Actions:
AP154.S1.1973.PR01.SS2.028
Description:
File AP154.S1.1973.PR01.SS2.028 contains detail drawings including sections and details of stairs, elevator cab and entrance details, mailbox and chute details, details for fire passage, granite curbs and steel gratings for Con Edison transformer vault, exterior bronze roof doors (5th and 11th floors), garage ramp and loading dock section and details, 1st floor lobby entrance and exterior bronze details, revolving door details, ramp entrances, bronze skin and rolling doors, additional work required for roof over [fire?] passage, display and utility alphabets, details of garage control facilities, range hood flue, door and frame details, typical wall sections and bases, toilet elevations and details, first floor lobbys and canopy details, and granite exterior wall.
Copies of drawings for the Seagram Building, 375 Park Avenue, New York, N.Y. (details)
Actions:
AP154.S1.1973.PR01.SS2.028
Description:
File AP154.S1.1973.PR01.SS2.028 contains detail drawings including sections and details of stairs, elevator cab and entrance details, mailbox and chute details, details for fire passage, granite curbs and steel gratings for Con Edison transformer vault, exterior bronze roof doors (5th and 11th floors), garage ramp and loading dock section and details, 1st floor lobby entrance and exterior bronze details, revolving door details, ramp entrances, bronze skin and rolling doors, additional work required for roof over [fire?] passage, display and utility alphabets, details of garage control facilities, range hood flue, door and frame details, typical wall sections and bases, toilet elevations and details, first floor lobbys and canopy details, and granite exterior wall.
Classification:
dessins
dessins
Date:
1955-1957
1955-1957
Personnes et institutions:
Classification:
documents textuels
documents textuels
Titre:
DDR [Miscellaneous, 1981]
DDR [Miscellaneous, 1981]
Numéro de référence:
ARCH153880
Description:
Announcement from Rizzoli: publication of The Making of an Architect; Nov. 25, 1981. Two b&w prints of Peter Eisenman Program of the AIA National Convention, Minneapolis, Minnesota, May 17-21, 1981. Letter from Milan about the exhibition "Oggetto banale", 15 June 1981. Bill of a carpet sent to P. Eisenman's home and paid by Jacquelin Robertson, March 11, 1981. Letter from the Daily News answering a request for funding the retrospective of Raymond Hood's work, August 4, 1981. Telephone bill of Peter Eisenman's home, 12-16 August 1981. Three pages of information about Middle School. Page 5 of an article by Joan Copjec. Notes by P. Eisenman: "Colin when did you come"
ARCH153880
Description:
Announcement from Rizzoli: publication of The Making of an Architect; Nov. 25, 1981. Two b&w prints of Peter Eisenman Program of the AIA National Convention, Minneapolis, Minnesota, May 17-21, 1981. Letter from Milan about the exhibition "Oggetto banale", 15 June 1981. Bill of a carpet sent to P. Eisenman's home and paid by Jacquelin Robertson, March 11, 1981. Letter from the Daily News answering a request for funding the retrospective of Raymond Hood's work, August 4, 1981. Telephone bill of Peter Eisenman's home, 12-16 August 1981. Three pages of information about Middle School. Page 5 of an article by Joan Copjec. Notes by P. Eisenman: "Colin when did you come"
Personnes et institutions:
Date:
1981
1981
Titre:
DDR [Miscellaneous, 1981]
Actions:
ARCH153880
Description:
Announcement from Rizzoli: publication of The Making of an Architect; Nov. 25, 1981. Two b&w prints of Peter Eisenman Program of the AIA National Convention, Minneapolis, Minnesota, May 17-21, 1981. Letter from Milan about the exhibition "Oggetto banale", 15 June 1981. Bill of a carpet sent to P. Eisenman's home and paid by Jacquelin Robertson, March 11, 1981. Letter from the Daily News answering a request for funding the retrospective of Raymond Hood's work, August 4, 1981. Telephone bill of Peter Eisenman's home, 12-16 August 1981. Three pages of information about Middle School. Page 5 of an article by Joan Copjec. Notes by P. Eisenman: "Colin when did you come"
DDR [Miscellaneous, 1981]
Actions:
ARCH153880
Description:
Announcement from Rizzoli: publication of The Making of an Architect; Nov. 25, 1981. Two b&w prints of Peter Eisenman Program of the AIA National Convention, Minneapolis, Minnesota, May 17-21, 1981. Letter from Milan about the exhibition "Oggetto banale", 15 June 1981. Bill of a carpet sent to P. Eisenman's home and paid by Jacquelin Robertson, March 11, 1981. Letter from the Daily News answering a request for funding the retrospective of Raymond Hood's work, August 4, 1981. Telephone bill of Peter Eisenman's home, 12-16 August 1981. Three pages of information about Middle School. Page 5 of an article by Joan Copjec. Notes by P. Eisenman: "Colin when did you come"
Classification:
documents textuels
documents textuels
Date:
1981
1981
Personnes et institutions:
Classification:
documents textuels
Quantité:
248 manuscript(s)
documents textuels
Quantité:
248 manuscript(s)
Actions:
Numéro de référence:
DR1984:1633:001
Description:
- This is a group of correspondences between Edward Leonard and Belgian architects whose work was proposed for inclusion in a book (never published) on domestic Belgian architecture of the 1920s (see object file DR1984:1633:01-02). The architects whose buildings have been included in the album DR1984:1633:002 are: Richard Acke, Fern Bodson, Paul Bonduelle, Victor Bourgeois, A. van Braekel, Frans Cools, J.A. De Bondt, J. De Ridder, Auguste De Smet, Henri Derée, Paul Detaeye, J.B. Dewin, J. Diongre, René Doom, Eeckeren, J.J. Eggericx, Alfons Francken, Lucien Francois, Jean E.P. Hendrickx, E.P. Jean, Huib Hoste, Houben, Huygh, E. Janssens, Ferdinand van Mierlo, J Minmaar, R. Nyst, Jacques Obozinski, Antoine Pompe, Portielje & De Braey Architectes, A Puissant, Paul Rubbers, Shobert, Cornelis Sol, Edward van Steenbergen, P.T.T. Verbruggen, R. Verwilghen, Jozef Viérin, Vincent Cols & Jules De Roeck Architectes, Oscar van de Voorde, and H.A. Wittocx. - The architects with whom Edward Leonard corresponded, but whose work is not included in the album DR1984:1633:002 are: J. van Asperen, E. van Averbeke, Frank Blockx, Georges Brosens, van Cauwelaert, Edward Craye, A.Defever, Julien De Ridder, Albert van Huffel, Jan Jacobs, S. Jasinski, W. van Kuyek, J. de Lange, F.J. Langeraert, Jan Lauwers, C. Leurs, Jean de Ligne, Alfred Minner, E.H.Nagels, E. van Not, E. van der Paal, F. Petit, Florent van Reeth, Jos. Ritzen, Paul Smekens, Jos. Smolderen, Léon Stynen, Lovis van der Swaelmen, Valentin Vaerwyck, and Henry van de Velde.
DR1984:1633:001
Description:
- This is a group of correspondences between Edward Leonard and Belgian architects whose work was proposed for inclusion in a book (never published) on domestic Belgian architecture of the 1920s (see object file DR1984:1633:01-02). The architects whose buildings have been included in the album DR1984:1633:002 are: Richard Acke, Fern Bodson, Paul Bonduelle, Victor Bourgeois, A. van Braekel, Frans Cools, J.A. De Bondt, J. De Ridder, Auguste De Smet, Henri Derée, Paul Detaeye, J.B. Dewin, J. Diongre, René Doom, Eeckeren, J.J. Eggericx, Alfons Francken, Lucien Francois, Jean E.P. Hendrickx, E.P. Jean, Huib Hoste, Houben, Huygh, E. Janssens, Ferdinand van Mierlo, J Minmaar, R. Nyst, Jacques Obozinski, Antoine Pompe, Portielje & De Braey Architectes, A Puissant, Paul Rubbers, Shobert, Cornelis Sol, Edward van Steenbergen, P.T.T. Verbruggen, R. Verwilghen, Jozef Viérin, Vincent Cols & Jules De Roeck Architectes, Oscar van de Voorde, and H.A. Wittocx. - The architects with whom Edward Leonard corresponded, but whose work is not included in the album DR1984:1633:002 are: J. van Asperen, E. van Averbeke, Frank Blockx, Georges Brosens, van Cauwelaert, Edward Craye, A.Defever, Julien De Ridder, Albert van Huffel, Jan Jacobs, S. Jasinski, W. van Kuyek, J. de Lange, F.J. Langeraert, Jan Lauwers, C. Leurs, Jean de Ligne, Alfred Minner, E.H.Nagels, E. van Not, E. van der Paal, F. Petit, Florent van Reeth, Jos. Ritzen, Paul Smekens, Jos. Smolderen, Léon Stynen, Lovis van der Swaelmen, Valentin Vaerwyck, and Henry van de Velde.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1922-1929
1922-1929
Titre:
Folder of letters and documents concerning the publication of a book on domestic architecture in Belgium after World War I
Actions:
DR1984:1633:001
Description:
- This is a group of correspondences between Edward Leonard and Belgian architects whose work was proposed for inclusion in a book (never published) on domestic Belgian architecture of the 1920s (see object file DR1984:1633:01-02). The architects whose buildings have been included in the album DR1984:1633:002 are: Richard Acke, Fern Bodson, Paul Bonduelle, Victor Bourgeois, A. van Braekel, Frans Cools, J.A. De Bondt, J. De Ridder, Auguste De Smet, Henri Derée, Paul Detaeye, J.B. Dewin, J. Diongre, René Doom, Eeckeren, J.J. Eggericx, Alfons Francken, Lucien Francois, Jean E.P. Hendrickx, E.P. Jean, Huib Hoste, Houben, Huygh, E. Janssens, Ferdinand van Mierlo, J Minmaar, R. Nyst, Jacques Obozinski, Antoine Pompe, Portielje & De Braey Architectes, A Puissant, Paul Rubbers, Shobert, Cornelis Sol, Edward van Steenbergen, P.T.T. Verbruggen, R. Verwilghen, Jozef Viérin, Vincent Cols & Jules De Roeck Architectes, Oscar van de Voorde, and H.A. Wittocx. - The architects with whom Edward Leonard corresponded, but whose work is not included in the album DR1984:1633:002 are: J. van Asperen, E. van Averbeke, Frank Blockx, Georges Brosens, van Cauwelaert, Edward Craye, A.Defever, Julien De Ridder, Albert van Huffel, Jan Jacobs, S. Jasinski, W. van Kuyek, J. de Lange, F.J. Langeraert, Jan Lauwers, C. Leurs, Jean de Ligne, Alfred Minner, E.H.Nagels, E. van Not, E. van der Paal, F. Petit, Florent van Reeth, Jos. Ritzen, Paul Smekens, Jos. Smolderen, Léon Stynen, Lovis van der Swaelmen, Valentin Vaerwyck, and Henry van de Velde.
Folder of letters and documents concerning the publication of a book on domestic architecture in Belgium after World War I
Actions:
DR1984:1633:001
Description:
- This is a group of correspondences between Edward Leonard and Belgian architects whose work was proposed for inclusion in a book (never published) on domestic Belgian architecture of the 1920s (see object file DR1984:1633:01-02). The architects whose buildings have been included in the album DR1984:1633:002 are: Richard Acke, Fern Bodson, Paul Bonduelle, Victor Bourgeois, A. van Braekel, Frans Cools, J.A. De Bondt, J. De Ridder, Auguste De Smet, Henri Derée, Paul Detaeye, J.B. Dewin, J. Diongre, René Doom, Eeckeren, J.J. Eggericx, Alfons Francken, Lucien Francois, Jean E.P. Hendrickx, E.P. Jean, Huib Hoste, Houben, Huygh, E. Janssens, Ferdinand van Mierlo, J Minmaar, R. Nyst, Jacques Obozinski, Antoine Pompe, Portielje & De Braey Architectes, A Puissant, Paul Rubbers, Shobert, Cornelis Sol, Edward van Steenbergen, P.T.T. Verbruggen, R. Verwilghen, Jozef Viérin, Vincent Cols & Jules De Roeck Architectes, Oscar van de Voorde, and H.A. Wittocx. - The architects with whom Edward Leonard corresponded, but whose work is not included in the album DR1984:1633:002 are: J. van Asperen, E. van Averbeke, Frank Blockx, Georges Brosens, van Cauwelaert, Edward Craye, A.Defever, Julien De Ridder, Albert van Huffel, Jan Jacobs, S. Jasinski, W. van Kuyek, J. de Lange, F.J. Langeraert, Jan Lauwers, C. Leurs, Jean de Ligne, Alfred Minner, E.H.Nagels, E. van Not, E. van der Paal, F. Petit, Florent van Reeth, Jos. Ritzen, Paul Smekens, Jos. Smolderen, Léon Stynen, Lovis van der Swaelmen, Valentin Vaerwyck, and Henry van de Velde.
Classification:
documents textuels
Quantité:
248 manuscript(s)
documents textuels
Quantité:
248 manuscript(s)
Date:
1922-1929
1922-1929
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
photographies
photographies
Numéro de référence:
DR2012:0012:089:003
Description:
Ring binder containing slides of photographs taken at the following exhibitions of Melvin Charney's work from 1970 to 2000: - Art Gallery of Ontario, Toronto, 1978 (22 slides, including 3 duplicates); - 49th Parallel, New York City, 1984 (3 slides); - Galerie René Blouin, Montréal, 1990 (13 slides of the installation "In flight... Selavy"); - Musée des beaux-arts, Montréal, 1983 (11 slides of the installation "Pliny on my mind"); - Canadian Centre for Architecture, Montréal 1991 (76 slides of the series "Parables and other allegories", including 31 duplicates); - Sable-Castelli Gallery, Toronto, 2001 (20 slides, including 17 duplicates); - Musée des arts contemporain, Montréal, 2002 (70 slides, including 35 duplicates); - Galerie René Blouin, Montréal, 2002 (13 slides). Binder labelled: MC EXHIBITIONS / 1970-2000
DR2012:0012:089:003
Description:
Ring binder containing slides of photographs taken at the following exhibitions of Melvin Charney's work from 1970 to 2000: - Art Gallery of Ontario, Toronto, 1978 (22 slides, including 3 duplicates); - 49th Parallel, New York City, 1984 (3 slides); - Galerie René Blouin, Montréal, 1990 (13 slides of the installation "In flight... Selavy"); - Musée des beaux-arts, Montréal, 1983 (11 slides of the installation "Pliny on my mind"); - Canadian Centre for Architecture, Montréal 1991 (76 slides of the series "Parables and other allegories", including 31 duplicates); - Sable-Castelli Gallery, Toronto, 2001 (20 slides, including 17 duplicates); - Musée des arts contemporain, Montréal, 2002 (70 slides, including 35 duplicates); - Galerie René Blouin, Montréal, 2002 (13 slides). Binder labelled: MC EXHIBITIONS / 1970-2000
Personnes et institutions:
Date:
1978-2002
1978-2002
Titre:
Photographs of Melvin Charney's exhibitions
Actions:
DR2012:0012:089:003
Description:
Ring binder containing slides of photographs taken at the following exhibitions of Melvin Charney's work from 1970 to 2000: - Art Gallery of Ontario, Toronto, 1978 (22 slides, including 3 duplicates); - 49th Parallel, New York City, 1984 (3 slides); - Galerie René Blouin, Montréal, 1990 (13 slides of the installation "In flight... Selavy"); - Musée des beaux-arts, Montréal, 1983 (11 slides of the installation "Pliny on my mind"); - Canadian Centre for Architecture, Montréal 1991 (76 slides of the series "Parables and other allegories", including 31 duplicates); - Sable-Castelli Gallery, Toronto, 2001 (20 slides, including 17 duplicates); - Musée des arts contemporain, Montréal, 2002 (70 slides, including 35 duplicates); - Galerie René Blouin, Montréal, 2002 (13 slides). Binder labelled: MC EXHIBITIONS / 1970-2000
Photographs of Melvin Charney's exhibitions
Actions:
DR2012:0012:089:003
Description:
Ring binder containing slides of photographs taken at the following exhibitions of Melvin Charney's work from 1970 to 2000: - Art Gallery of Ontario, Toronto, 1978 (22 slides, including 3 duplicates); - 49th Parallel, New York City, 1984 (3 slides); - Galerie René Blouin, Montréal, 1990 (13 slides of the installation "In flight... Selavy"); - Musée des beaux-arts, Montréal, 1983 (11 slides of the installation "Pliny on my mind"); - Canadian Centre for Architecture, Montréal 1991 (76 slides of the series "Parables and other allegories", including 31 duplicates); - Sable-Castelli Gallery, Toronto, 2001 (20 slides, including 17 duplicates); - Musée des arts contemporain, Montréal, 2002 (70 slides, including 35 duplicates); - Galerie René Blouin, Montréal, 2002 (13 slides). Binder labelled: MC EXHIBITIONS / 1970-2000
Classification:
photographies
photographies
Date:
1978-2002
1978-2002
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP180.S1.1994.PR06
Description:
This project series documents renovations for an unidentified building, possibly a two-storey private residence or a hotel in Italy. This project was realized. Riva worked on this project from 1994-1995. The project is recorded through studies and design development drawings, including sections, floor plans, interior elevations, exterior elevations, and details, including furnishing details. The project is also identified as Ricatti Ca’ Priuli.
AP180.S1.1994.PR06
Description:
This project series documents renovations for an unidentified building, possibly a two-storey private residence or a hotel in Italy. This project was realized. Riva worked on this project from 1994-1995. The project is recorded through studies and design development drawings, including sections, floor plans, interior elevations, exterior elevations, and details, including furnishing details. The project is also identified as Ricatti Ca’ Priuli.
Personnes et institutions:
Date:
1994-1996
1994-1996
Titre:
Ca’ Priuli, Bassano del Grappa, Italy (1994-1995)
Actions:
AP180.S1.1994.PR06
Description:
This project series documents renovations for an unidentified building, possibly a two-storey private residence or a hotel in Italy. This project was realized. Riva worked on this project from 1994-1995. The project is recorded through studies and design development drawings, including sections, floor plans, interior elevations, exterior elevations, and details, including furnishing details. The project is also identified as Ricatti Ca’ Priuli.
Ca’ Priuli, Bassano del Grappa, Italy (1994-1995)
Actions:
AP180.S1.1994.PR06
Description:
This project series documents renovations for an unidentified building, possibly a two-storey private residence or a hotel in Italy. This project was realized. Riva worked on this project from 1994-1995. The project is recorded through studies and design development drawings, including sections, floor plans, interior elevations, exterior elevations, and details, including furnishing details. The project is also identified as Ricatti Ca’ Priuli.
Niveau de description archivistique:
Project
Project
Date:
1994-1996
1994-1996
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP180.S1.1977.PR02
Description:
This project series documents an elementary and middle school in Faedis, Italy. Riva worked on this project in 1977. The school was built with aid from the American Agency for International Development, who funded this project as part of a relief program after the 1976 earthquake in Italy. The project series contains design development drawings and construction drawings. Among these drawings are elevations, sections, floor plans, and details for furnishings.
AP180.S1.1977.PR02
Description:
This project series documents an elementary and middle school in Faedis, Italy. Riva worked on this project in 1977. The school was built with aid from the American Agency for International Development, who funded this project as part of a relief program after the 1976 earthquake in Italy. The project series contains design development drawings and construction drawings. Among these drawings are elevations, sections, floor plans, and details for furnishings.
Personnes et institutions:
Date:
1977
1977
Titre:
Scuola elementare e media [Elementary and Middle School], Faedis, Italy (1977-1979)
Actions:
AP180.S1.1977.PR02
Description:
This project series documents an elementary and middle school in Faedis, Italy. Riva worked on this project in 1977. The school was built with aid from the American Agency for International Development, who funded this project as part of a relief program after the 1976 earthquake in Italy. The project series contains design development drawings and construction drawings. Among these drawings are elevations, sections, floor plans, and details for furnishings.
Scuola elementare e media [Elementary and Middle School], Faedis, Italy (1977-1979)
Actions:
AP180.S1.1977.PR02
Description:
This project series documents an elementary and middle school in Faedis, Italy. Riva worked on this project in 1977. The school was built with aid from the American Agency for International Development, who funded this project as part of a relief program after the 1976 earthquake in Italy. The project series contains design development drawings and construction drawings. Among these drawings are elevations, sections, floor plans, and details for furnishings.
Niveau de description archivistique:
Project
Project
Date:
1977
1977
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP075.S4.SS4
Description:
This sub-series documents Cornelia Hahn Oberlander's research on artists, professionals, organizations or universities'schools related to architecture, landscape architecture, environment and other professions of interest to Oberlander and for her projects. It also documents Oberlander's research on some of her clients or architects she worked with, including Arthur Erickson. The sub-series includes collected documentation, such contact information, press clippings and periodicals and some correspondence.
AP075.S4.SS4
Description:
This sub-series documents Cornelia Hahn Oberlander's research on artists, professionals, organizations or universities'schools related to architecture, landscape architecture, environment and other professions of interest to Oberlander and for her projects. It also documents Oberlander's research on some of her clients or architects she worked with, including Arthur Erickson. The sub-series includes collected documentation, such contact information, press clippings and periodicals and some correspondence.
Personnes et institutions:
Date:
1971-2018
1971-2018
Titre:
Research on professional community and organizations
Actions:
AP075.S4.SS4
Description:
This sub-series documents Cornelia Hahn Oberlander's research on artists, professionals, organizations or universities'schools related to architecture, landscape architecture, environment and other professions of interest to Oberlander and for her projects. It also documents Oberlander's research on some of her clients or architects she worked with, including Arthur Erickson. The sub-series includes collected documentation, such contact information, press clippings and periodicals and some correspondence.
Research on professional community and organizations
Actions:
AP075.S4.SS4
Description:
This sub-series documents Cornelia Hahn Oberlander's research on artists, professionals, organizations or universities'schools related to architecture, landscape architecture, environment and other professions of interest to Oberlander and for her projects. It also documents Oberlander's research on some of her clients or architects she worked with, including Arthur Erickson. The sub-series includes collected documentation, such contact information, press clippings and periodicals and some correspondence.
Niveau de description archivistique:
Sub-series
Sub-series
Date:
1971-2018
1971-2018
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1983.PR02
Description:
This project series documents the design and construction of the new National Gallery of Canada in Ottawa, Ontario from 1983-1988. The office identified the project number as 8303. In 1977, Parkin Architects Planners won a limited architectural competition for their design of the new National Gallery of Canada. However, after cited lack of funds, and controversies over the chosen site as well as how the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The building site was also moved from its original location near the Canadian parliament buildings on Wellington Street to the corner of Sussex Drive and St Patrick Street. Eventually, Moshe Safdie, in joint venture with Parkin Architects Planners, were chosen as the architects for the project. Parkin was the minor partner in this joint venture and his firm's work seemed to focus more on construction than design. The dispute over this decision can be found in the textual records of project series AP018.S1.1976.PR23 in this fonds. This project was commissioned by Public Works Canada and the Canada Museum Construction Company, both federal government agencies. The project is recorded through drawings, photographs and textual records dating from 1976-1989. The drawings consist largely of structural and construction drawings for the project. Some drawings in this project series were prepared by Public Works Canada. The textual records for this project include specifications, financial records, change order documentation, correspondence, interoffice letters, documentation on the competition controversy and competition reports. The textual records also focus heavily on a dispute between Parkin/Safdie and the client regarding the architects' professional fees.
AP018.S1.1983.PR02
Description:
This project series documents the design and construction of the new National Gallery of Canada in Ottawa, Ontario from 1983-1988. The office identified the project number as 8303. In 1977, Parkin Architects Planners won a limited architectural competition for their design of the new National Gallery of Canada. However, after cited lack of funds, and controversies over the chosen site as well as how the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The building site was also moved from its original location near the Canadian parliament buildings on Wellington Street to the corner of Sussex Drive and St Patrick Street. Eventually, Moshe Safdie, in joint venture with Parkin Architects Planners, were chosen as the architects for the project. Parkin was the minor partner in this joint venture and his firm's work seemed to focus more on construction than design. The dispute over this decision can be found in the textual records of project series AP018.S1.1976.PR23 in this fonds. This project was commissioned by Public Works Canada and the Canada Museum Construction Company, both federal government agencies. The project is recorded through drawings, photographs and textual records dating from 1976-1989. The drawings consist largely of structural and construction drawings for the project. Some drawings in this project series were prepared by Public Works Canada. The textual records for this project include specifications, financial records, change order documentation, correspondence, interoffice letters, documentation on the competition controversy and competition reports. The textual records also focus heavily on a dispute between Parkin/Safdie and the client regarding the architects' professional fees.
Personnes et institutions:
Date:
1976-1989
1976-1989
Titre:
National Gallery of Canada, Ottawa, Ontario (1983)
Actions:
AP018.S1.1983.PR02
Description:
This project series documents the design and construction of the new National Gallery of Canada in Ottawa, Ontario from 1983-1988. The office identified the project number as 8303. In 1977, Parkin Architects Planners won a limited architectural competition for their design of the new National Gallery of Canada. However, after cited lack of funds, and controversies over the chosen site as well as how the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The building site was also moved from its original location near the Canadian parliament buildings on Wellington Street to the corner of Sussex Drive and St Patrick Street. Eventually, Moshe Safdie, in joint venture with Parkin Architects Planners, were chosen as the architects for the project. Parkin was the minor partner in this joint venture and his firm's work seemed to focus more on construction than design. The dispute over this decision can be found in the textual records of project series AP018.S1.1976.PR23 in this fonds. This project was commissioned by Public Works Canada and the Canada Museum Construction Company, both federal government agencies. The project is recorded through drawings, photographs and textual records dating from 1976-1989. The drawings consist largely of structural and construction drawings for the project. Some drawings in this project series were prepared by Public Works Canada. The textual records for this project include specifications, financial records, change order documentation, correspondence, interoffice letters, documentation on the competition controversy and competition reports. The textual records also focus heavily on a dispute between Parkin/Safdie and the client regarding the architects' professional fees.
National Gallery of Canada, Ottawa, Ontario (1983)
Actions:
AP018.S1.1983.PR02
Description:
This project series documents the design and construction of the new National Gallery of Canada in Ottawa, Ontario from 1983-1988. The office identified the project number as 8303. In 1977, Parkin Architects Planners won a limited architectural competition for their design of the new National Gallery of Canada. However, after cited lack of funds, and controversies over the chosen site as well as how the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The building site was also moved from its original location near the Canadian parliament buildings on Wellington Street to the corner of Sussex Drive and St Patrick Street. Eventually, Moshe Safdie, in joint venture with Parkin Architects Planners, were chosen as the architects for the project. Parkin was the minor partner in this joint venture and his firm's work seemed to focus more on construction than design. The dispute over this decision can be found in the textual records of project series AP018.S1.1976.PR23 in this fonds. This project was commissioned by Public Works Canada and the Canada Museum Construction Company, both federal government agencies. The project is recorded through drawings, photographs and textual records dating from 1976-1989. The drawings consist largely of structural and construction drawings for the project. Some drawings in this project series were prepared by Public Works Canada. The textual records for this project include specifications, financial records, change order documentation, correspondence, interoffice letters, documentation on the competition controversy and competition reports. The textual records also focus heavily on a dispute between Parkin/Safdie and the client regarding the architects' professional fees.
Niveau de description archivistique:
Project
Project
Date:
1976-1989
1976-1989
Personnes et institutions:
Classification:
expositions
expositions
Description:
Richard Pare – Tadao Ando : les couleurs de la lumière examine le rapport entre le travail de l’architecte japonais Tadao Ando, un des principaux partisans du nouveau sens poétique dans l’architecture de notre époque, et les œuvres du photographe britannique Richard Pare, qui a été parmi les premiers à étudier la question du rôle de la photographie dans la représentation(...)
Richard Pare – Tadao Ando : les couleurs de la lumière examine le rapport entre le travail de l’architecte japonais Tadao Ando, un des principaux partisans du nouveau sens poétique dans l’architecture de notre époque, et les œuvres du photographe britannique Richard Pare, qui a été parmi les premiers à étudier la question du rôle de la photographie dans la représentation(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
26 mars 1997 au 1 juin 1997
26 mars 1997 au 1 juin 1997
Titre:
Richard Pare – Tadao Ando : les couleurs de la lumière
Actions:
Description:
Richard Pare – Tadao Ando : les couleurs de la lumière examine le rapport entre le travail de l’architecte japonais Tadao Ando, un des principaux partisans du nouveau sens poétique dans l’architecture de notre époque, et les œuvres du photographe britannique Richard Pare, qui a été parmi les premiers à étudier la question du rôle de la photographie dans la représentation(...)
Richard Pare – Tadao Ando : les couleurs de la lumière
Actions:
Description:
Richard Pare – Tadao Ando : les couleurs de la lumière examine le rapport entre le travail de l’architecte japonais Tadao Ando, un des principaux partisans du nouveau sens poétique dans l’architecture de notre époque, et les œuvres du photographe britannique Richard Pare, qui a été parmi les premiers à étudier la question du rôle de la photographie dans la représentation(...)
Classification:
expositions
expositions
Date:
26 mars 1997 au
1 juin 1997
26 mars 1997 au
1 juin 1997
Localisation:
Salle octogonale
Salle octogonale
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1972.PR02
Description:
Project series documents Poli's design and development work on the Supersurface project created with Superstudio in 1972. Part of Superstudio's project, "Five Fundamental Acts: Life, Education, Ceremony, Love and Death", included films created on each theme, Supersurface was the first in the series ("Life"), and was shown at the 1972 exhibition "Italy: The New Domestic Landscape, Achievements and Problems in Italian Design" at the Museum of Modern Art (MoMA) in New York. The final film had a running time of 15 minutes and was shot in colour on 16 mm film. Material predominantly includes project drawings, collages and sketches, along with a textual and drawn storyboard for the film. The storyboard was sent in a folder made by Poli, which has been retained as part of the fonds. Material in the folder has been kept in the order in which Poli transferred it. Of note are also 3 larger drawings, one of which is a collage of photos featuring Poli, and another is an immense brightly-coloured collage of a young woman on the edge of a sea with a machine floating beaming down on her. These drawings have been signed Alessandro Poli-Superstudio. Also included is a copy of "L'Espresso" magazine dated 4 June 1972 (no. 23), featuring Umberto Eco's article "Dal cucchiaio alla città".
AP148.S1.1972.PR02
Description:
Project series documents Poli's design and development work on the Supersurface project created with Superstudio in 1972. Part of Superstudio's project, "Five Fundamental Acts: Life, Education, Ceremony, Love and Death", included films created on each theme, Supersurface was the first in the series ("Life"), and was shown at the 1972 exhibition "Italy: The New Domestic Landscape, Achievements and Problems in Italian Design" at the Museum of Modern Art (MoMA) in New York. The final film had a running time of 15 minutes and was shot in colour on 16 mm film. Material predominantly includes project drawings, collages and sketches, along with a textual and drawn storyboard for the film. The storyboard was sent in a folder made by Poli, which has been retained as part of the fonds. Material in the folder has been kept in the order in which Poli transferred it. Of note are also 3 larger drawings, one of which is a collage of photos featuring Poli, and another is an immense brightly-coloured collage of a young woman on the edge of a sea with a machine floating beaming down on her. These drawings have been signed Alessandro Poli-Superstudio. Also included is a copy of "L'Espresso" magazine dated 4 June 1972 (no. 23), featuring Umberto Eco's article "Dal cucchiaio alla città".
Personnes et institutions:
Date:
1971-1972
1971-1972
Titre:
Supersuperficie [Supersurface] (1972)
Actions:
AP148.S1.1972.PR02
Description:
Project series documents Poli's design and development work on the Supersurface project created with Superstudio in 1972. Part of Superstudio's project, "Five Fundamental Acts: Life, Education, Ceremony, Love and Death", included films created on each theme, Supersurface was the first in the series ("Life"), and was shown at the 1972 exhibition "Italy: The New Domestic Landscape, Achievements and Problems in Italian Design" at the Museum of Modern Art (MoMA) in New York. The final film had a running time of 15 minutes and was shot in colour on 16 mm film. Material predominantly includes project drawings, collages and sketches, along with a textual and drawn storyboard for the film. The storyboard was sent in a folder made by Poli, which has been retained as part of the fonds. Material in the folder has been kept in the order in which Poli transferred it. Of note are also 3 larger drawings, one of which is a collage of photos featuring Poli, and another is an immense brightly-coloured collage of a young woman on the edge of a sea with a machine floating beaming down on her. These drawings have been signed Alessandro Poli-Superstudio. Also included is a copy of "L'Espresso" magazine dated 4 June 1972 (no. 23), featuring Umberto Eco's article "Dal cucchiaio alla città".
Supersuperficie [Supersurface] (1972)
Actions:
AP148.S1.1972.PR02
Description:
Project series documents Poli's design and development work on the Supersurface project created with Superstudio in 1972. Part of Superstudio's project, "Five Fundamental Acts: Life, Education, Ceremony, Love and Death", included films created on each theme, Supersurface was the first in the series ("Life"), and was shown at the 1972 exhibition "Italy: The New Domestic Landscape, Achievements and Problems in Italian Design" at the Museum of Modern Art (MoMA) in New York. The final film had a running time of 15 minutes and was shot in colour on 16 mm film. Material predominantly includes project drawings, collages and sketches, along with a textual and drawn storyboard for the film. The storyboard was sent in a folder made by Poli, which has been retained as part of the fonds. Material in the folder has been kept in the order in which Poli transferred it. Of note are also 3 larger drawings, one of which is a collage of photos featuring Poli, and another is an immense brightly-coloured collage of a young woman on the edge of a sea with a machine floating beaming down on her. These drawings have been signed Alessandro Poli-Superstudio. Also included is a copy of "L'Espresso" magazine dated 4 June 1972 (no. 23), featuring Umberto Eco's article "Dal cucchiaio alla città".
Niveau de description archivistique:
Project
Project
Date:
1971-1972
1971-1972
Personnes et institutions:
