2049 Résultats
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122, AT, Z pages : color illustrations, plans ; 21 cm
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122, AT, Z pages : color illustrations, plans ; 21 cm
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[Israel] : Sinān ʻAbd al-Qādir, ©2007.
[Israel] : Sinān ʻAbd al-Qādir, ©2007.
Titre:
سنان عبد القادر : عمارة التبعية : العرض الاسرائيلي, بيانالي الفن المعماري الدوالي الساؤعة سعو پاولو = סנאן עבדאלקאדר : ארכיטיקטורה של תלות : ההצעה הישראלית הביאנלה השביעית לאדריכלות בסאו פאולו. Sinān ʻAbd al-Qādir : ʻimārat al-tabaʻīyah : al-ʻarḍ al-Isrāʼīlī, Bīyānālī al-Fan al-Miʻmarī al-Dawlīyah al-Sābiʻah Sāw Pāwlū = Senan Abdalḳader : arkiṭeḳṭurah shel talut : ha-hatsaʻah ha-Yiśreʼelit, ha-Biʼenalah ha-benleʼumit ha-sheviʻit le-adrikhalut be-Saʼo Paʼulo.
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122, AT, Z pages : color illustrations, plans ; 21 cm
سنان عبد القادر : عمارة التبعية : العرض الاسرائيلي, بيانالي الفن المعماري الدوالي الساؤعة سعو پاولو = סנאן עבדאלקאדר : ארכיטיקטורה של תלות : ההצעה הישראלית הביאנלה השביעית לאדריכלות בסאו פאולו. Sinān ʻAbd al-Qādir : ʻimārat al-tabaʻīyah : al-ʻarḍ al-Isrāʼīlī, Bīyānālī al-Fan al-Miʻmarī al-Dawlīyah al-Sābiʻah Sāw Pāwlū = Senan Abdalḳader : arkiṭeḳṭurah shel talut : ha-hatsaʻah ha-Yiśreʼelit, ha-Biʼenalah ha-benleʼumit ha-sheviʻit le-adrikhalut be-Saʼo Paʼulo.
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122, AT, Z pages : color illustrations, plans ; 21 cm
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[Israel] : Sinān ʻAbd al-Qādir, ©2007.
[Israel] : Sinān ʻAbd al-Qādir, ©2007.
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livres
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[112] pages : color illustrations ; 35 cm
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[112] pages : color illustrations ; 35 cm
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Bologna [Italy] : Damiani, ©2008.
Bologna [Italy] : Damiani, ©2008.
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The waterfall project / Olivo Barbieri ; [texts, Stefano Boeri, Walter Guadagnini].
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[112] pages : color illustrations ; 35 cm
The waterfall project / Olivo Barbieri ; [texts, Stefano Boeri, Walter Guadagnini].
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[112] pages : color illustrations ; 35 cm
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livres
livres
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Bologna [Italy] : Damiani, ©2008.
Bologna [Italy] : Damiani, ©2008.
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126 pages : illustrations (chiefly color), plans ; 28 cm
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126 pages : illustrations (chiefly color), plans ; 28 cm
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Paris : Éditions du Patrimoine, Centre des monuments nationaux, ©2007.
Paris : Éditions du Patrimoine, Centre des monuments nationaux, ©2007.
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Scènes d'architecture : nouvelles architectures françaises pour le spectacle / [coordination scientifique, Rafaël Magrou ; auteurs, Christine Desmoulins [and others] = Cenas de arquiteturas : novas arquiteturas francesas para o espetáculo / coordenação científica, Rafaël Magrou ; autores Christine Desmoulins [and others] = Staging architecture : new French architecture for performing arts, scientific coordination, Rafaël Magrou ; authors, Christine Desmoulins [and others]].
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126 pages : illustrations (chiefly color), plans ; 28 cm
Scènes d'architecture : nouvelles architectures françaises pour le spectacle / [coordination scientifique, Rafaël Magrou ; auteurs, Christine Desmoulins [and others] = Cenas de arquiteturas : novas arquiteturas francesas para o espetáculo / coordenação científica, Rafaël Magrou ; autores Christine Desmoulins [and others] = Staging architecture : new French architecture for performing arts, scientific coordination, Rafaël Magrou ; authors, Christine Desmoulins [and others]].
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126 pages : illustrations (chiefly color), plans ; 28 cm
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livres
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Paris : Éditions du Patrimoine, Centre des monuments nationaux, ©2007.
Paris : Éditions du Patrimoine, Centre des monuments nationaux, ©2007.
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périodiques
périodiques
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1 online resource (volumes)
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Rio de Janeiro, RJ : IUPERJ, the History of Political and Social Concepts Group, New York : Berhahn Journals
Rio de Janeiro, RJ : IUPERJ, the History of Political and Social Concepts Group, New York : Berhahn Journals
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périodiques
périodiques
Publication:
Rio de Janeiro, RJ : IUPERJ, the History of Political and Social Concepts Group, New York : Berhahn Journals
Rio de Janeiro, RJ : IUPERJ, the History of Political and Social Concepts Group, New York : Berhahn Journals
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livres
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$94.00
(disponible sur commande)
Résumé:
In this sweeping chronicle of guaraná—a glossy-leaved Amazonian vine packed with more caffeine than any other plant—Seth Garfield develops a wide-ranging approach to the history of Brazil itself. The story begins with guaraná as the pre-Columbian cultivar of the Sateré-Mawé people in the Lower Amazon region, where it figured centrally in the Indigenous nation's origin(...)
$94.00
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Résumé:
In this sweeping chronicle of guaraná—a glossy-leaved Amazonian vine packed with more caffeine than any other plant—Seth Garfield develops a wide-ranging approach to the history of Brazil itself. The story begins with guaraná as the pre-Columbian cultivar of the Sateré-Mawé people in the Lower Amazon region, where it figured centrally in the Indigenous nation's origin(...)
Titre:
Guaraná: How Brazil Embraced the World's Most Caffeine-Rich Plant
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$94.00
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In this sweeping chronicle of guaraná—a glossy-leaved Amazonian vine packed with more caffeine than any other plant—Seth Garfield develops a wide-ranging approach to the history of Brazil itself. The story begins with guaraná as the pre-Columbian cultivar of the Sateré-Mawé people in the Lower Amazon region, where it figured centrally in the Indigenous nation's origin stories, dietary regimes, and communal ceremonies. During subsequent centuries of Portuguese colonialism and Brazilian rule, guaraná was reformulated by settlers, scientists, folklorists, food technologists, and marketers. Whether in search of pleasure, profits, professional distinction, or patriotic markers, promoters imparted new meanings to guaraná and found new uses for it. Today, it is the namesake ingredient of a multibillion-dollar soft drink industry and a beloved national symbol. Guaraná’s journey elucidates human impacts on Amazonian ecosystems; the circulation of knowledge, goods, and power; and the promise of modernity in Latin America's largest nation. For Garfield, the beverage's history reveals not only the structuring of inequalities in Brazil but also the mythmaking and ordering of social practices that constitute so-called traditional and modern societies.
Guaraná: How Brazil Embraced the World's Most Caffeine-Rich Plant
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$94.00
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In this sweeping chronicle of guaraná—a glossy-leaved Amazonian vine packed with more caffeine than any other plant—Seth Garfield develops a wide-ranging approach to the history of Brazil itself. The story begins with guaraná as the pre-Columbian cultivar of the Sateré-Mawé people in the Lower Amazon region, where it figured centrally in the Indigenous nation's origin stories, dietary regimes, and communal ceremonies. During subsequent centuries of Portuguese colonialism and Brazilian rule, guaraná was reformulated by settlers, scientists, folklorists, food technologists, and marketers. Whether in search of pleasure, profits, professional distinction, or patriotic markers, promoters imparted new meanings to guaraná and found new uses for it. Today, it is the namesake ingredient of a multibillion-dollar soft drink industry and a beloved national symbol. Guaraná’s journey elucidates human impacts on Amazonian ecosystems; the circulation of knowledge, goods, and power; and the promise of modernity in Latin America's largest nation. For Garfield, the beverage's history reveals not only the structuring of inequalities in Brazil but also the mythmaking and ordering of social practices that constitute so-called traditional and modern societies.
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livres
livres
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juillet 2025
juillet 2025
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Bouffe
Bouffe
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284 pages : illustrations ; 40 cm
Description:
284 pages : illustrations ; 40 cm
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Zurich : Scheidegger & Spiess, 2013.
Zurich : Scheidegger & Spiess, 2013.
Titre:
Common pavilions : the national pavilions in the Giardini of the Venice Biennale in essays and photographs / edited by Diener & Diener Architects, Gabriele Basilico.
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284 pages : illustrations ; 40 cm
Common pavilions : the national pavilions in the Giardini of the Venice Biennale in essays and photographs / edited by Diener & Diener Architects, Gabriele Basilico.
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284 pages : illustrations ; 40 cm
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Zurich : Scheidegger & Spiess, 2013.
Zurich : Scheidegger & Spiess, 2013.
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$44.95
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Résumé:
Brazilian avant-garde artists of the postwar era worked from a fundamental but productive out-of-jointness. They were modernist but distant from modernism. Europeans and North Americans may feel a similar displacement when viewing Brazilian avant-garde art; the unexpected familiarity of the works serves to make them unfamiliar. In Constructing an Avant-Garde, Sérgio(...)
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Brazilian avant-garde artists of the postwar era worked from a fundamental but productive out-of-jointness. They were modernist but distant from modernism. Europeans and North Americans may feel a similar displacement when viewing Brazilian avant-garde art; the unexpected familiarity of the works serves to make them unfamiliar. In Constructing an Avant-Garde, Sérgio(...)
Titre:
Constructing an avant-garde: art in Brazil 1949-1979
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Brazilian avant-garde artists of the postwar era worked from a fundamental but productive out-of-jointness. They were modernist but distant from modernism. Europeans and North Americans may feel a similar displacement when viewing Brazilian avant-garde art; the unexpected familiarity of the works serves to make them unfamiliar. In Constructing an Avant-Garde, Sérgio Martins seizes on this uncanny obliqueness and uses it as the basis for a reconfigured account of the history of Brazil's avant-garde. His discussion covers not only widely renowned artists and groups, but also important artists and critics who are less well known outside Brazil.
Constructing an avant-garde: art in Brazil 1949-1979
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Brazilian avant-garde artists of the postwar era worked from a fundamental but productive out-of-jointness. They were modernist but distant from modernism. Europeans and North Americans may feel a similar displacement when viewing Brazilian avant-garde art; the unexpected familiarity of the works serves to make them unfamiliar. In Constructing an Avant-Garde, Sérgio Martins seizes on this uncanny obliqueness and uses it as the basis for a reconfigured account of the history of Brazil's avant-garde. His discussion covers not only widely renowned artists and groups, but also important artists and critics who are less well known outside Brazil.
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livres
livres
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octobre 2013
octobre 2013
Sujet:
Théorie de l’art
Théorie de l’art
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[112] pages : color illustrations ; 28 cm
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[112] pages : color illustrations ; 28 cm
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Paris : Somogy éditions d'art, [2015]
Paris : Somogy éditions d'art, [2015]
Titre:
Urban utopias, villes rêvées, villes habitées : La Grande Motte, Brasília, Chandigarh / Stéphane Herbert, Carole Lenfant.
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[112] pages : color illustrations ; 28 cm
Urban utopias, villes rêvées, villes habitées : La Grande Motte, Brasília, Chandigarh / Stéphane Herbert, Carole Lenfant.
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[112] pages : color illustrations ; 28 cm
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Paris : Somogy éditions d'art, [2015]
Paris : Somogy éditions d'art, [2015]
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périodiques
périodiques
Titre:
Rodriguésia.
Rodriguésia.
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1 online resource (no.) illustrations
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Rio de Janeiro, Instituto Brasileiro de Desenvolvimento Florestal, Ministério da Agricultura.
Rio de Janeiro, Instituto Brasileiro de Desenvolvimento Florestal, Ministério da Agricultura.
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périodiques
périodiques
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Rio de Janeiro, Instituto Brasileiro de Desenvolvimento Florestal, Ministério da Agricultura.
Rio de Janeiro, Instituto Brasileiro de Desenvolvimento Florestal, Ministério da Agricultura.
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graphique
graphique
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1 print (poster) : col. ; 62 x 40 cm.
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1 print (poster) : col. ; 62 x 40 cm.
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[Brasília : DOCOMOMO, 2000]
[Brasília : DOCOMOMO, 2000]
Titre:
Sixth international DOCOMOMO conference : the modern city facing the future.
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1 print (poster) : col. ; 62 x 40 cm.
Sixth international DOCOMOMO conference : the modern city facing the future.
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1 print (poster) : col. ; 62 x 40 cm.
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graphique
graphique
Publication:
[Brasília : DOCOMOMO, 2000]
[Brasília : DOCOMOMO, 2000]
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