1751 Résultats
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Titre:
Lewis Baltz
Lewis Baltz
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A protagonist of the New Topographics movement, Lewis Baltz (born 1945) not only revived American landscape photography, but also revolutionized the photographic pictorial language of the 1970s. This volume reproduces such series as The Tract Houses (1969–71), Maryland (1976), Nevada (1977), Park City (1978–80), San Quentin Point (1981–83), The Canadian Series (1985),(...)
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Résumé:
A protagonist of the New Topographics movement, Lewis Baltz (born 1945) not only revived American landscape photography, but also revolutionized the photographic pictorial language of the 1970s. This volume reproduces such series as The Tract Houses (1969–71), Maryland (1976), Nevada (1977), Park City (1978–80), San Quentin Point (1981–83), The Canadian Series (1985),(...)
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Lewis Baltz
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A protagonist of the New Topographics movement, Lewis Baltz (born 1945) not only revived American landscape photography, but also revolutionized the photographic pictorial language of the 1970s. This volume reproduces such series as The Tract Houses (1969–71), Maryland (1976), Nevada (1977), Park City (1978–80), San Quentin Point (1981–83), The Canadian Series (1985), Candlestick Point (1987–89), Sites of Technology (1989–91) and several others. Essays contextualize Baltz’s work in the larger art and photography climate of the 1970s, and discuss his application of cinematic strategies to photography.
Lewis Baltz
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A protagonist of the New Topographics movement, Lewis Baltz (born 1945) not only revived American landscape photography, but also revolutionized the photographic pictorial language of the 1970s. This volume reproduces such series as The Tract Houses (1969–71), Maryland (1976), Nevada (1977), Park City (1978–80), San Quentin Point (1981–83), The Canadian Series (1985), Candlestick Point (1987–89), Sites of Technology (1989–91) and several others. Essays contextualize Baltz’s work in the larger art and photography climate of the 1970s, and discuss his application of cinematic strategies to photography.
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livres
livres
Publication:
janvier 2013
janvier 2013
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livres
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$38.95
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Le Séminaire de Conception Architecturale Numérique (SCAN) est une conférence francophone qui rassemble des chercheurs autour de questionnements portant sur les implications du numérique en conception architecturale. Après avoir rassemblé ces chercheurs en 2005, 2007, 2009 et 2010 sur les thèmes de l'esquisse numérique, de l’image numérique, des approches(...)
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Le Séminaire de Conception Architecturale Numérique (SCAN) est une conférence francophone qui rassemble des chercheurs autour de questionnements portant sur les implications du numérique en conception architecturale. Après avoir rassemblé ces chercheurs en 2005, 2007, 2009 et 2010 sur les thèmes de l'esquisse numérique, de l’image numérique, des approches(...)
Publication:
janvier 2013
janvier 2013
Titre:
Complexité(s) des modèles de l'architecture numérique
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Le Séminaire de Conception Architecturale Numérique (SCAN) est une conférence francophone qui rassemble des chercheurs autour de questionnements portant sur les implications du numérique en conception architecturale. Après avoir rassemblé ces chercheurs en 2005, 2007, 2009 et 2010 sur les thèmes de l'esquisse numérique, de l’image numérique, des approches environnementales et des espaces collaboratifs, SCAN’12 invite à réfléchir à la question des complexité(s) des modèles de l’architecture numérique.
Complexité(s) des modèles de l'architecture numérique
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Le Séminaire de Conception Architecturale Numérique (SCAN) est une conférence francophone qui rassemble des chercheurs autour de questionnements portant sur les implications du numérique en conception architecturale. Après avoir rassemblé ces chercheurs en 2005, 2007, 2009 et 2010 sur les thèmes de l'esquisse numérique, de l’image numérique, des approches environnementales et des espaces collaboratifs, SCAN’12 invite à réfléchir à la question des complexité(s) des modèles de l’architecture numérique.
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livres
livres
Publication:
janvier 2013
janvier 2013
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livres
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In this reassessment of postmodern architecture at the end of the twentieth century, Emmanuel Petit addresses the role of irony and finds a vitality and depth of dialectics largely ignored by historical critiques. A look at five individual architects - Peter Eisenman, Arata Isozaki, Rem Koolhaas, Stanley Tigerman, and Robert Venturi - reveals the beginning of a(...)
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In this reassessment of postmodern architecture at the end of the twentieth century, Emmanuel Petit addresses the role of irony and finds a vitality and depth of dialectics largely ignored by historical critiques. A look at five individual architects - Peter Eisenman, Arata Isozaki, Rem Koolhaas, Stanley Tigerman, and Robert Venturi - reveals the beginning of a(...)
Publication:
avril 2013
avril 2013
Titre:
Irony : or, the self-critical opacity of postmodern architecture
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In this reassessment of postmodern architecture at the end of the twentieth century, Emmanuel Petit addresses the role of irony and finds a vitality and depth of dialectics largely ignored by historical critiques. A look at five individual architects - Peter Eisenman, Arata Isozaki, Rem Koolhaas, Stanley Tigerman, and Robert Venturi - reveals the beginning of a phenomenology of irony in architecture.
Irony : or, the self-critical opacity of postmodern architecture
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Résumé:
In this reassessment of postmodern architecture at the end of the twentieth century, Emmanuel Petit addresses the role of irony and finds a vitality and depth of dialectics largely ignored by historical critiques. A look at five individual architects - Peter Eisenman, Arata Isozaki, Rem Koolhaas, Stanley Tigerman, and Robert Venturi - reveals the beginning of a phenomenology of irony in architecture.
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livres
Publication:
avril 2013
avril 2013
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livres
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$29.95
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This anthology provides a much-needed contextual grounding for documentary art. It explores the roots of documentary in modernism and its critique under postmodernism; surveys current theoretical thinking about documentary; and examines a wide range of work by artists within, around, or against documentary through their own writings and interviews.
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This anthology provides a much-needed contextual grounding for documentary art. It explores the roots of documentary in modernism and its critique under postmodernism; surveys current theoretical thinking about documentary; and examines a wide range of work by artists within, around, or against documentary through their own writings and interviews.
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Documentary (Documents of contemporary art series)
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This anthology provides a much-needed contextual grounding for documentary art. It explores the roots of documentary in modernism and its critique under postmodernism; surveys current theoretical thinking about documentary; and examines a wide range of work by artists within, around, or against documentary through their own writings and interviews.
Documentary (Documents of contemporary art series)
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This anthology provides a much-needed contextual grounding for documentary art. It explores the roots of documentary in modernism and its critique under postmodernism; surveys current theoretical thinking about documentary; and examines a wide range of work by artists within, around, or against documentary through their own writings and interviews.
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livres
livres
Publication:
mars 2013
mars 2013
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livres
livres
Titre:
Science, industrie et art
Science, industrie et art
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Gottfried Semper (1803-1879) est considéré comme l'un des grands théoriciens de l'architecture, aux côtés de ses contemporains Viollet-le-Duc et Ruskin. Ses écrits ont été déterminants dans le développement de la réflexion moderne sur l'ornement, les arts appliqués et la notion de style. Dans cet essai, il tente de dégager les leçons de l'événement qu'a constitué, sous(...)
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Gottfried Semper (1803-1879) est considéré comme l'un des grands théoriciens de l'architecture, aux côtés de ses contemporains Viollet-le-Duc et Ruskin. Ses écrits ont été déterminants dans le développement de la réflexion moderne sur l'ornement, les arts appliqués et la notion de style. Dans cet essai, il tente de dégager les leçons de l'événement qu'a constitué, sous(...)
Publication:
janvier 2013
janvier 2013
Titre:
Science, industrie et art
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Gottfried Semper (1803-1879) est considéré comme l'un des grands théoriciens de l'architecture, aux côtés de ses contemporains Viollet-le-Duc et Ruskin. Ses écrits ont été déterminants dans le développement de la réflexion moderne sur l'ornement, les arts appliqués et la notion de style. Dans cet essai, il tente de dégager les leçons de l'événement qu'a constitué, sous les voûtes immenses du Crystal Palace, la Grande Exposition de Londres en 1851.
Science, industrie et art
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Gottfried Semper (1803-1879) est considéré comme l'un des grands théoriciens de l'architecture, aux côtés de ses contemporains Viollet-le-Duc et Ruskin. Ses écrits ont été déterminants dans le développement de la réflexion moderne sur l'ornement, les arts appliqués et la notion de style. Dans cet essai, il tente de dégager les leçons de l'événement qu'a constitué, sous les voûtes immenses du Crystal Palace, la Grande Exposition de Londres en 1851.
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livres
livres
Publication:
janvier 2013
janvier 2013
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livres
livres
Titre:
On art and life
On art and life
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John Ruskin's insights into the need for individual artistic freedom, and his disdain for the mass - production art of the Victorian era, radically altered society's perception of creative design and remain powerfully relevant to our ideas of beauty today.
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Résumé:
John Ruskin's insights into the need for individual artistic freedom, and his disdain for the mass - production art of the Victorian era, radically altered society's perception of creative design and remain powerfully relevant to our ideas of beauty today.
Titre:
On art and life
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$9.99
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Résumé:
John Ruskin's insights into the need for individual artistic freedom, and his disdain for the mass - production art of the Victorian era, radically altered society's perception of creative design and remain powerfully relevant to our ideas of beauty today.
On art and life
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$9.99
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John Ruskin's insights into the need for individual artistic freedom, and his disdain for the mass - production art of the Victorian era, radically altered society's perception of creative design and remain powerfully relevant to our ideas of beauty today.
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livres
livres
Publication:
mars 2013
mars 2013
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livres
livres
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$66.95
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Résumé:
The editors of this volume work in four different disciplines — conceptual development, interactive design, visual communication, and digital media — and they provide a multifaceted overview of how designers can respond to the challenges posed by interactive digital technology.
$66.95
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The editors of this volume work in four different disciplines — conceptual development, interactive design, visual communication, and digital media — and they provide a multifaceted overview of how designers can respond to the challenges posed by interactive digital technology.
Publication:
avril 2013
avril 2013
Titre:
The digital turn : design in the era of interactive technologies
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$66.95
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The editors of this volume work in four different disciplines — conceptual development, interactive design, visual communication, and digital media — and they provide a multifaceted overview of how designers can respond to the challenges posed by interactive digital technology.
The digital turn : design in the era of interactive technologies
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$66.95
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The editors of this volume work in four different disciplines — conceptual development, interactive design, visual communication, and digital media — and they provide a multifaceted overview of how designers can respond to the challenges posed by interactive digital technology.
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livres
livres
Publication:
avril 2013
avril 2013
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livres
livres
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$81.10
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Résumé:
Architecture in Formation is a digital architecture manual that bridges multiple relationships between theory and practice, proposing a vital resource to structure the upcoming second digital revolution. Sixteen essays from practitioners, historians and theorists look at how information processing informs and is informed by architecture. Twenty-nine experimental projects(...)
$81.10
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Architecture in Formation is a digital architecture manual that bridges multiple relationships between theory and practice, proposing a vital resource to structure the upcoming second digital revolution. Sixteen essays from practitioners, historians and theorists look at how information processing informs and is informed by architecture. Twenty-nine experimental projects(...)
Publication:
septembre 2013
septembre 2013
Titre:
Architecture in formation : on the nature of information in digital architecture
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$81.10
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Architecture in Formation is a digital architecture manual that bridges multiple relationships between theory and practice, proposing a vital resource to structure the upcoming second digital revolution. Sixteen essays from practitioners, historians and theorists look at how information processing informs and is informed by architecture. Twenty-nine experimental projects propose radical means to inform the new upcoming digital architecture.
Architecture in formation : on the nature of information in digital architecture
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$81.10
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Architecture in Formation is a digital architecture manual that bridges multiple relationships between theory and practice, proposing a vital resource to structure the upcoming second digital revolution. Sixteen essays from practitioners, historians and theorists look at how information processing informs and is informed by architecture. Twenty-nine experimental projects propose radical means to inform the new upcoming digital architecture.
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livres
livres
Publication:
septembre 2013
septembre 2013
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livres
Titre:
Takashi Homma: 20 Postcards
Takashi Homma: 20 Postcards
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Twenty postcards by Japanese photographer Takashi Homma.
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Twenty postcards by Japanese photographer Takashi Homma.
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Takashi Homma: 20 Postcards
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Twenty postcards by Japanese photographer Takashi Homma.
Takashi Homma: 20 Postcards
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Twenty postcards by Japanese photographer Takashi Homma.
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livres
livres
Publication:
octobre 2013
octobre 2013
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livres
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$30.00
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Résumé:
The Sierra Club's twenty-ninth annual outing or 'High Trip' was Ansel Adams's first as official photographer. It was during this expedition to the Canadian Rockies in 1928 that Ansel began to find his voice as a photographer. In this publication, we discover images of celebrated natural sites including Mount Robson, Amethyst Lake, Drawbridge Peak, and Bennington Glacier(...)
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Résumé:
The Sierra Club's twenty-ninth annual outing or 'High Trip' was Ansel Adams's first as official photographer. It was during this expedition to the Canadian Rockies in 1928 that Ansel began to find his voice as a photographer. In this publication, we discover images of celebrated natural sites including Mount Robson, Amethyst Lake, Drawbridge Peak, and Bennington Glacier(...)
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Ansel Adams in the Canadian Rockies
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The Sierra Club's twenty-ninth annual outing or 'High Trip' was Ansel Adams's first as official photographer. It was during this expedition to the Canadian Rockies in 1928 that Ansel began to find his voice as a photographer. In this publication, we discover images of celebrated natural sites including Mount Robson, Amethyst Lake, Drawbridge Peak, and Bennington Glacier that foreshadow the majestic mountain vistas for which Adams would become renowned.
Ansel Adams in the Canadian Rockies
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The Sierra Club's twenty-ninth annual outing or 'High Trip' was Ansel Adams's first as official photographer. It was during this expedition to the Canadian Rockies in 1928 that Ansel began to find his voice as a photographer. In this publication, we discover images of celebrated natural sites including Mount Robson, Amethyst Lake, Drawbridge Peak, and Bennington Glacier that foreshadow the majestic mountain vistas for which Adams would become renowned.
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livres
livres
Publication:
février 2014
février 2014
