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With even more entries and more vocabulary words, this second edition of Pevsner’s Architectural Glossary covers the complete range of technical terms used in the storied guides. Pevsner’s famous designations E. E. and Perp. are among the terms clearly explained in this informative glossary drawn from the vocabulary of the Buildings of England, Scotland, Wales, and(...)
Pevsner's architectural glossary
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With even more entries and more vocabulary words, this second edition of Pevsner’s Architectural Glossary covers the complete range of technical terms used in the storied guides. Pevsner’s famous designations E. E. and Perp. are among the terms clearly explained in this informative glossary drawn from the vocabulary of the Buildings of England, Scotland, Wales, and Ireland volumes. Anyone who has wondered how a headstop relates to a hoodmould or what a squich looks like will find their understanding and enjoyment of architecture enhanced by knowledge of its components, styles, and ornament. This clear and practical primer to looking at all the elements of buildings will enliven any architectural exploration.
Dictionnaires
François Morellet
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This in-depth exploration of celebrated French artist François Morellet (1926–2016) showcases his diverse oeuvre, famous for infusing systematic and rigorous experimentation with humor and playfulness. Morellet’s interest in kinetic and optical effects spurred work that engages viewers’ perception and participation, ensuring an element of chance within his predetermined(...)
novembre 2019
François Morellet
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This in-depth exploration of celebrated French artist François Morellet (1926–2016) showcases his diverse oeuvre, famous for infusing systematic and rigorous experimentation with humor and playfulness. Morellet’s interest in kinetic and optical effects spurred work that engages viewers’ perception and participation, ensuring an element of chance within his predetermined systems and challenging the convention of the artistic genius. This book features new scholarship by an international group of renowned art historians and curators. Essays explore topics such as the conceptual stakes of Morellet’s practice, the influence of Brazilian geometric abstraction and the Islamic decorative tradition, and the role of humor in his work.
Alan Sekula: Fish story
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Completed between 1989 and 1995, ''Fish Story'' saw Allan Sekula's career-long pursuit of a contemporary 'critical realism' reach its most complex articulation. ''Fish Story'' reconstructed a realist model of photographic representation, while taking a critical stance towards traditional documentary photography. It also marked Sekula's ?rst sustained exploration of the(...)
Alan Sekula: Fish story
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Completed between 1989 and 1995, ''Fish Story'' saw Allan Sekula's career-long pursuit of a contemporary 'critical realism' reach its most complex articulation. ''Fish Story'' reconstructed a realist model of photographic representation, while taking a critical stance towards traditional documentary photography. It also marked Sekula's ?rst sustained exploration of the ocean as a key space of globalisation. A key issue in ''Fish Story'' is the connection between containerized cargo movement and the growing internationalization of the world industrial economy, with its effects on the actual social space of ports. This new edition of the long out-of-print seminal publication includes a new introduction by Professor Laleh Khalili (SOAS University).
Monographies photo
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Cette gare et les rails me font penser à une pellicule de film, un long ruban nous relie à Clermont-Ferrand et à Saint-Etienne, les horaires sont affichés ; nous sommes aussi reliés à des souvenirs, à ce film de Sydney Pollack Propriété interdite. Enfin, presque, il manque Natalie Wood marchant en équilibre sur un rail... Ces Changements à vue sont le fruit de la(...)
Théorie de l’urbanisme
décembre 2015
Changements à vue: voyage à Saint-Etienne
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Cette gare et les rails me font penser à une pellicule de film, un long ruban nous relie à Clermont-Ferrand et à Saint-Etienne, les horaires sont affichés ; nous sommes aussi reliés à des souvenirs, à ce film de Sydney Pollack Propriété interdite. Enfin, presque, il manque Natalie Wood marchant en équilibre sur un rail... Ces Changements à vue sont le fruit de la rencontre entre Jean-Christophe Bailly et Alexandre Chemetoff. Une exploration de Saint-Etienne et de ses environs en structure le mouvement. Le paysage urbain et la nature, en perpétuel bouleversement, ont toujours été au coeur de leurs métiers et de leurs passions
Théorie de l’urbanisme
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'From Gardens Where We Feel Secure' is gardener and writer Susanna Grant's exploration of her thinking on history, value and meaning of nature in the city. Examining the premise that naming species allows us to expand our understanding, our interest, our ways of looking at the world around us, and the idea of plant-blindness-our tendency not to see what we can't name in(...)
From gardens where we feel secure
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'From Gardens Where We Feel Secure' is gardener and writer Susanna Grant's exploration of her thinking on history, value and meaning of nature in the city. Examining the premise that naming species allows us to expand our understanding, our interest, our ways of looking at the world around us, and the idea of plant-blindness-our tendency not to see what we can't name in the nature that surrounds us-she throws a spotlight on five of her favourite wildflowers with accompanying images by photographer Rowan Spray. These stories are interspersed with reflections on Grant's own countryside childhood and her work in London's community gardens.
Théorie du paysage
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On its surface, the work of Regina Gimenez involves an aesthetic exploration of geometry and colour. Yet it is forged from the observation of what can be described as “subaltern” teaching forms, reflecting an interest in what she calls “popular knowledge”: teaching models based not so much on the established canons but on fictitious registers and domestic resources. This(...)
Regina Gimenez: Towards the sun
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On its surface, the work of Regina Gimenez involves an aesthetic exploration of geometry and colour. Yet it is forged from the observation of what can be described as “subaltern” teaching forms, reflecting an interest in what she calls “popular knowledge”: teaching models based not so much on the established canons but on fictitious registers and domestic resources. This exhibition catalogue delves into the dialogue created between Gimenez and a specific work by Sonia Delaunay (1885–1979), ‘Costume de Sport’, a watercolour which she produced in 1925. As this stimulative meeting shows, Delaunay’s work is and always has been a reference for that of Gimenez.
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The work of Marshall Brown, an architect and artist, demonstrates the power of collage as an architectural medium. In Brown’s view, collage changes the terms of architectural authorship and challenges outdated definitions of originality. Published in conjunction with the exhibition at the Santa Barbara Museum of Art, the book features some forty collages by Marshall(...)
Marshall Brown: The architecture of collage
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The work of Marshall Brown, an architect and artist, demonstrates the power of collage as an architectural medium. In Brown’s view, collage changes the terms of architectural authorship and challenges outdated definitions of originality. Published in conjunction with the exhibition at the Santa Barbara Museum of Art, the book features some forty collages by Marshall Brown. The full-color plates are supplemented with essays by critic and curator Aaron Betsky, scholar of art history and archaeology Anna Arabindan-Kesson, Santa Barbara Museum of Art’s curator James Glisson, and Marshall Brown that outline the conceptual foundations of Brown’s intriguing exploration of an intersection of architecture and art.
Architecture, monographies
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How do we think?” N. Katherine Hayles poses this question at the beginning of this bracing exploration of the idea that we think through, with, and alongside media. As the age of print passes and new technologies appear every day, this proposition has become far more complicated, particularly for the traditionally print-based disciplines in the humanities and qualitative(...)
How we think : digital media and contemporary technogenesis
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How do we think?” N. Katherine Hayles poses this question at the beginning of this bracing exploration of the idea that we think through, with, and alongside media. As the age of print passes and new technologies appear every day, this proposition has become far more complicated, particularly for the traditionally print-based disciplines in the humanities and qualitative social sciences. With a rift growing between digital scholarship and its print-based counterpart, Hayles argues for contemporary technogenesis — the belief that humans and technics are coevolving — and advocates for what she calls comparative media studies, a new approach to locating digital work within print traditions and vice versa.
Épistémologie et réseau
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Atelier Bow-Wow is known for their small housing designs within the dense urban areas of Tokyo. But besides these, they have been also working on urban and public spaces. It first started as an urban research project, which resulted in the publication Made in Tokyo, the exploration of the hybrid urban environment, and Pet Architecture Guidebook, a typological study of(...)
Public space by Atelier Bow Wow, Tokyo: in the state of spatial practice
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Atelier Bow-Wow is known for their small housing designs within the dense urban areas of Tokyo. But besides these, they have been also working on urban and public spaces. It first started as an urban research project, which resulted in the publication Made in Tokyo, the exploration of the hybrid urban environment, and Pet Architecture Guidebook, a typological study of extremely tiny buildings, which illustrate the spatial practice in the course of rapid urban transformation. Public Space by Atelier Bow-Wow, presents the works and thoughts of Atelier Bow-Wow on public space, focusing on the following projects: Miyashita Park, Kitamoto KAO and BMW Guggenheim Lab.
Architecture, monographies
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A rare exploration of the racial and class politics of architecture, Little White Houses examines how postwar media representations associated the ordinary single-family house with middle-class whites to the exclusion of others, creating a powerful and invidious cultural iconography that continues to resonate today. Drawing from popular and trade magazines, floor plans(...)
Little white houses : how the postwar home constructed race in America
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A rare exploration of the racial and class politics of architecture, Little White Houses examines how postwar media representations associated the ordinary single-family house with middle-class whites to the exclusion of others, creating a powerful and invidious cultural iconography that continues to resonate today. Drawing from popular and trade magazines, floor plans and architectural drawings, television programs, advertisements, and beyond, Dianne Harris shows how the depiction of houses and their interiors, furnishings, and landscapes shaped and reinforced the ways in which Americans perceived white, middle-class identities and helped support a housing market already defined by racial segregation and deep economic inequalities.
Théorie de l’architecture