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Open File 2012
Open File 2012
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Open File 2012
Open File 2012
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vidéo
vidéo
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Unmet Needs
Unmet Needs
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1 online resource (1 video file)
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Storefront for Art and Architecture 2020
Storefront for Art and Architecture 2020
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vidéo
vidéo
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Storefront for Art and Architecture 2020
Storefront for Art and Architecture 2020
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1 online resource
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[Place of publication not identified] : Printed Matter, 2012.
[Place of publication not identified] : Printed Matter, 2012.
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The Zone: : Desire and Disaster in the Contemporary Palestinian Landscape.
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1 online resource
The Zone: : Desire and Disaster in the Contemporary Palestinian Landscape.
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1 online resource
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[Place of publication not identified] : Printed Matter, 2012.
[Place of publication not identified] : Printed Matter, 2012.
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$55.00
(disponible sur commande)
Résumé:
Built between 1957 and 1958, Le Corbusier’s Unité d’habitation in Berlin stands as an exceptional work of postwar architecture in Berlin. Although it follows the basic concept of a “vertical village” as envisioned by the architect, the gigantic block, containing 530 apartments, clearly differs from the Marseille original. However, as a result of modifications required by(...)
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Built between 1957 and 1958, Le Corbusier’s Unité d’habitation in Berlin stands as an exceptional work of postwar architecture in Berlin. Although it follows the basic concept of a “vertical village” as envisioned by the architect, the gigantic block, containing 530 apartments, clearly differs from the Marseille original. However, as a result of modifications required by(...)
Titre:
Le Corbusier: unité d'habitation, Typ Berlin: construction and context
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Built between 1957 and 1958, Le Corbusier’s Unité d’habitation in Berlin stands as an exceptional work of postwar architecture in Berlin. Although it follows the basic concept of a “vertical village” as envisioned by the architect, the gigantic block, containing 530 apartments, clearly differs from the Marseille original. However, as a result of modifications required by the client, the construction occupies the position of an outsider in Le Corbusier’s oeuvre. Authors from the fields of architecture, urbanism, art history and cultural studies precisely set out the genesis of the listed building for the first time. In addition, they investigate the development of the Unité d’habitation model, and the Berlin variant’s unique color concept, and carry out a comparison with the four typologically related buildings in France. In looking at the significance, ingenuity and creative impact of Le Corbusier’s unique creation in Berlin, the so-called Corbusierhaus, the publication fills a gap in the literature on postwar modernism and the architect’s body of work.
Le Corbusier: unité d'habitation, Typ Berlin: construction and context
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Built between 1957 and 1958, Le Corbusier’s Unité d’habitation in Berlin stands as an exceptional work of postwar architecture in Berlin. Although it follows the basic concept of a “vertical village” as envisioned by the architect, the gigantic block, containing 530 apartments, clearly differs from the Marseille original. However, as a result of modifications required by the client, the construction occupies the position of an outsider in Le Corbusier’s oeuvre. Authors from the fields of architecture, urbanism, art history and cultural studies precisely set out the genesis of the listed building for the first time. In addition, they investigate the development of the Unité d’habitation model, and the Berlin variant’s unique color concept, and carry out a comparison with the four typologically related buildings in France. In looking at the significance, ingenuity and creative impact of Le Corbusier’s unique creation in Berlin, the so-called Corbusierhaus, the publication fills a gap in the literature on postwar modernism and the architect’s body of work.
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septembre 2019
septembre 2019
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Architecture, monographies
Architecture, monographies
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xiv, 296 pages : illustrations ; 22 cm
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xiv, 296 pages : illustrations ; 22 cm
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London ; New York : Routledge/Taylor & Francis Group, 2014., ©2014
London ; New York : Routledge/Taylor & Francis Group, 2014., ©2014
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Masterplanning the adaptive city : computational urbanism in the twenty-first century / edited by Tom Verebes.
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xiv, 296 pages : illustrations ; 22 cm
Masterplanning the adaptive city : computational urbanism in the twenty-first century / edited by Tom Verebes.
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xiv, 296 pages : illustrations ; 22 cm
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London ; New York : Routledge/Taylor & Francis Group, 2014., ©2014
London ; New York : Routledge/Taylor & Francis Group, 2014., ©2014
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livres
livres
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$90.00
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"Things as they are" presents the story of photojournalism over fifty years, from 1955 until today. It takes us from the golden era of the illustrated press—the heyday of Life magazine and Picture Post, and the moment of the Museum of Modern Art’s defining Family of Man exhibition—to the explosion of digital media in the twenty-first century. This history is told through(...)
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"Things as they are" presents the story of photojournalism over fifty years, from 1955 until today. It takes us from the golden era of the illustrated press—the heyday of Life magazine and Picture Post, and the moment of the Museum of Modern Art’s defining Family of Man exhibition—to the explosion of digital media in the twenty-first century. This history is told through(...)
Publication:
mars 2006, New York
mars 2006, New York
Titre:
Things as they are : photojournalism in context since 1955
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$90.00
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"Things as they are" presents the story of photojournalism over fifty years, from 1955 until today. It takes us from the golden era of the illustrated press—the heyday of Life magazine and Picture Post, and the moment of the Museum of Modern Art’s defining Family of Man exhibition—to the explosion of digital media in the twenty-first century. This history is told through the presentation of 125 photojournalism features shot and published throughout the world. These stories are presented in context—shown on the pages of newspapers and magazines, as the public originally experienced them. In this way, "Things as they are" reveals how the events of the world, the art of photographers, and the interests of publishers and the press converged on the printed page. It traces how photojournalism has developed over time alongside changing technology, media, fashions in photography—and a changing world. It includes photo-essays by photographers such as W. Eugene Smith, Sebastião Salgado, Mary Ellen Mark, and James Nachtwey, each accompanied by commentary. An international panel of one hundred photographers, editors, art directors, historians, and magazine collectors has made the final selections for the book. They have chosen stories that exemplify the highest quality of work published around the world during each period as well as stories that have played a key role in shaping the history of photojournalism itself, demonstrating important innovations in photography and in publishing. The book includes a preface by Michiel Munneke, director of World Press Photo; a foreword by Christian Caujolle, curator and founder of Agence Vu Press; an introduction by Mary Panzer that considers the past, present, and future of photojournalism; and a timeline of the period illustrated with iconic winners of the annual World Press Photo awards.
Things as they are : photojournalism in context since 1955
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$90.00
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"Things as they are" presents the story of photojournalism over fifty years, from 1955 until today. It takes us from the golden era of the illustrated press—the heyday of Life magazine and Picture Post, and the moment of the Museum of Modern Art’s defining Family of Man exhibition—to the explosion of digital media in the twenty-first century. This history is told through the presentation of 125 photojournalism features shot and published throughout the world. These stories are presented in context—shown on the pages of newspapers and magazines, as the public originally experienced them. In this way, "Things as they are" reveals how the events of the world, the art of photographers, and the interests of publishers and the press converged on the printed page. It traces how photojournalism has developed over time alongside changing technology, media, fashions in photography—and a changing world. It includes photo-essays by photographers such as W. Eugene Smith, Sebastião Salgado, Mary Ellen Mark, and James Nachtwey, each accompanied by commentary. An international panel of one hundred photographers, editors, art directors, historians, and magazine collectors has made the final selections for the book. They have chosen stories that exemplify the highest quality of work published around the world during each period as well as stories that have played a key role in shaping the history of photojournalism itself, demonstrating important innovations in photography and in publishing. The book includes a preface by Michiel Munneke, director of World Press Photo; a foreword by Christian Caujolle, curator and founder of Agence Vu Press; an introduction by Mary Panzer that considers the past, present, and future of photojournalism; and a timeline of the period illustrated with iconic winners of the annual World Press Photo awards.
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mars 2006, New York
mars 2006, New York
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215 pages : illustrations (black and white) ; 24 cm
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215 pages : illustrations (black and white) ; 24 cm
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United Kingdom : Wordcatcher Publishing, 2019.
United Kingdom : Wordcatcher Publishing, 2019.
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History, design, and legacy : architectural prizes and medals : an academic investigation of the Royal Institute of British Architects' royal gold medal / submitted by Elizabeth Ann Walder MA now writing as Liz Walder.
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215 pages : illustrations (black and white) ; 24 cm
History, design, and legacy : architectural prizes and medals : an academic investigation of the Royal Institute of British Architects' royal gold medal / submitted by Elizabeth Ann Walder MA now writing as Liz Walder.
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215 pages : illustrations (black and white) ; 24 cm
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United Kingdom : Wordcatcher Publishing, 2019.
United Kingdom : Wordcatcher Publishing, 2019.
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247 pages : illustrations (some color) ; 24 cm.
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247 pages : illustrations (some color) ; 24 cm.
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Sevilla : Editorial Universidad de Sevilla, 2015.
Sevilla : Editorial Universidad de Sevilla, 2015.
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Arquitectura dispuesta : preposiciones cotidianas = Architecture set : everyday life prepositions / Marta Pelegrín, Fernando Pérez, eds.
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247 pages : illustrations (some color) ; 24 cm.
Arquitectura dispuesta : preposiciones cotidianas = Architecture set : everyday life prepositions / Marta Pelegrín, Fernando Pérez, eds.
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247 pages : illustrations (some color) ; 24 cm.
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livres
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Sevilla : Editorial Universidad de Sevilla, 2015.
Sevilla : Editorial Universidad de Sevilla, 2015.
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2 volumes : illustrations (some color) ; 21 cm
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2 volumes : illustrations (some color) ; 21 cm
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Cambridge, MA : SA+P Press, [2013]
Cambridge, MA : SA+P Press, [2013]
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Objects by architects / curated by Sarah Hirschman.
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2 volumes : illustrations (some color) ; 21 cm
Objects by architects / curated by Sarah Hirschman.
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2 volumes : illustrations (some color) ; 21 cm
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livres
livres
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Cambridge, MA : SA+P Press, [2013]
Cambridge, MA : SA+P Press, [2013]
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vidéo
vidéo
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Video recording (master): 1 videocassette (Mini-DV) : sound, color ; 1/4 in., Video recording (consultation copy): 1 videodisc (DVD-R) (60 min.) : sound, color ; 4 3/4...
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Video recording (master): 1 videocassette (Mini-DV) : sound, color ; 1/4 in., Video recording (consultation copy): 1 videodisc (DVD-R) (60 min.) : sound, color ; 4 3/4...
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Jon Naar in conversation with Pierre-Édouard Latouche, 2007 May 1.
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Video recording (master): 1 videocassette (Mini-DV) : sound, color ; 1/4 in., Video recording (consultation copy): 1 videodisc (DVD-R) (60 min.) : sound, color ; 4 3/4...
Jon Naar in conversation with Pierre-Édouard Latouche, 2007 May 1.
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Video recording (master): 1 videocassette (Mini-DV) : sound, color ; 1/4 in., Video recording (consultation copy): 1 videodisc (DVD-R) (60 min.) : sound, color ; 4 3/4...
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vidéo
vidéo
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