33365 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1999.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the proposed Commonwealth Square of the Art Gallery of Hamilton, on Main Street West in Hamilton, Ontario. Oberlander worked on this project in 1999-2002 while the architectural firm Kuwabara, Payne, McKenna, Blumberg Architects was in charge of the building's renovations. The building was completed in 2005, but Oberlander's proposal for the landscaping redesign of Commonwealth Square was not realized. Oberlander's first proposal consisted in adding an oval-shaped mounded lawn in the centre of a paved plaza situated between the art gallery and Main Street West. A second proposal also documented in this project series included two curved access ramps leading to a terrace next to the building with trees planting at the far edge of the plaza and along the street and the underground parking entrance. The project series contains design development drawings for Oberlander's landscaping, such as sketches, sections, landscape plans and renderings. The project series also includes renderings and working drawings for the building by KPMB architectural firm, and building plans for the existing building used as reference. The project is also documented through correspondence, including with clients, architects and consultants, Oberlander's concept notes, documents related to the plant selection, financial documents, documentation on the art gallery, and press clippings and articles on the project. It also comprises photographs of the existing landscaping on Main Street West plaza, including the Irving Zucker Sculpture Court.
AP075.S1.1999.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the proposed Commonwealth Square of the Art Gallery of Hamilton, on Main Street West in Hamilton, Ontario. Oberlander worked on this project in 1999-2002 while the architectural firm Kuwabara, Payne, McKenna, Blumberg Architects was in charge of the building's renovations. The building was completed in 2005, but Oberlander's proposal for the landscaping redesign of Commonwealth Square was not realized. Oberlander's first proposal consisted in adding an oval-shaped mounded lawn in the centre of a paved plaza situated between the art gallery and Main Street West. A second proposal also documented in this project series included two curved access ramps leading to a terrace next to the building with trees planting at the far edge of the plaza and along the street and the underground parking entrance. The project series contains design development drawings for Oberlander's landscaping, such as sketches, sections, landscape plans and renderings. The project series also includes renderings and working drawings for the building by KPMB architectural firm, and building plans for the existing building used as reference. The project is also documented through correspondence, including with clients, architects and consultants, Oberlander's concept notes, documents related to the plant selection, financial documents, documentation on the art gallery, and press clippings and articles on the project. It also comprises photographs of the existing landscaping on Main Street West plaza, including the Irving Zucker Sculpture Court.
Personnes et institutions:
Date:
1974-2002
1974-2002
Titre:
Commonwealth Square, Art Gallery of Hamilton, Ontario (1999)
Actions:
AP075.S1.1999.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the proposed Commonwealth Square of the Art Gallery of Hamilton, on Main Street West in Hamilton, Ontario. Oberlander worked on this project in 1999-2002 while the architectural firm Kuwabara, Payne, McKenna, Blumberg Architects was in charge of the building's renovations. The building was completed in 2005, but Oberlander's proposal for the landscaping redesign of Commonwealth Square was not realized. Oberlander's first proposal consisted in adding an oval-shaped mounded lawn in the centre of a paved plaza situated between the art gallery and Main Street West. A second proposal also documented in this project series included two curved access ramps leading to a terrace next to the building with trees planting at the far edge of the plaza and along the street and the underground parking entrance. The project series contains design development drawings for Oberlander's landscaping, such as sketches, sections, landscape plans and renderings. The project series also includes renderings and working drawings for the building by KPMB architectural firm, and building plans for the existing building used as reference. The project is also documented through correspondence, including with clients, architects and consultants, Oberlander's concept notes, documents related to the plant selection, financial documents, documentation on the art gallery, and press clippings and articles on the project. It also comprises photographs of the existing landscaping on Main Street West plaza, including the Irving Zucker Sculpture Court.
Commonwealth Square, Art Gallery of Hamilton, Ontario (1999)
Actions:
AP075.S1.1999.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the proposed Commonwealth Square of the Art Gallery of Hamilton, on Main Street West in Hamilton, Ontario. Oberlander worked on this project in 1999-2002 while the architectural firm Kuwabara, Payne, McKenna, Blumberg Architects was in charge of the building's renovations. The building was completed in 2005, but Oberlander's proposal for the landscaping redesign of Commonwealth Square was not realized. Oberlander's first proposal consisted in adding an oval-shaped mounded lawn in the centre of a paved plaza situated between the art gallery and Main Street West. A second proposal also documented in this project series included two curved access ramps leading to a terrace next to the building with trees planting at the far edge of the plaza and along the street and the underground parking entrance. The project series contains design development drawings for Oberlander's landscaping, such as sketches, sections, landscape plans and renderings. The project series also includes renderings and working drawings for the building by KPMB architectural firm, and building plans for the existing building used as reference. The project is also documented through correspondence, including with clients, architects and consultants, Oberlander's concept notes, documents related to the plant selection, financial documents, documentation on the art gallery, and press clippings and articles on the project. It also comprises photographs of the existing landscaping on Main Street West plaza, including the Irving Zucker Sculpture Court.
Niveau de description archivistique:
Project
Project
Date:
1974-2002
1974-2002
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1987:0358
Description:
- This drawing shows the lower right corner of the airport, including amphibian landing, station, part of the hangars, parking lot and underground viaduct. The circulation pattern of taxiing airplanes is indicated, as is the route to be followed by automobiles leaving the highway and entering the parking lot. This drawing is part of a series of eight drawings in which the architect works out the circulation pattern of airplanes (DR1987:0347 - DR1987:0349, DR1987:0352 - DR1987:0354, DR1987:0358 and DR1987:0390). This may be the most advanced of this group, that is, the most closely resembling the version represented in the submitted competition drawings (DR1987:0359 - DR1987:0360).
DR1987:0358
Description:
- This drawing shows the lower right corner of the airport, including amphibian landing, station, part of the hangars, parking lot and underground viaduct. The circulation pattern of taxiing airplanes is indicated, as is the route to be followed by automobiles leaving the highway and entering the parking lot. This drawing is part of a series of eight drawings in which the architect works out the circulation pattern of airplanes (DR1987:0347 - DR1987:0349, DR1987:0352 - DR1987:0354, DR1987:0358 and DR1987:0390). This may be the most advanced of this group, that is, the most closely resembling the version represented in the submitted competition drawings (DR1987:0359 - DR1987:0360).
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1929
1929
Titre:
Lehigh Airports Competition Entry: Detail for airport plan showing airplane and automobile circulation patterns
Actions:
DR1987:0358
Description:
- This drawing shows the lower right corner of the airport, including amphibian landing, station, part of the hangars, parking lot and underground viaduct. The circulation pattern of taxiing airplanes is indicated, as is the route to be followed by automobiles leaving the highway and entering the parking lot. This drawing is part of a series of eight drawings in which the architect works out the circulation pattern of airplanes (DR1987:0347 - DR1987:0349, DR1987:0352 - DR1987:0354, DR1987:0358 and DR1987:0390). This may be the most advanced of this group, that is, the most closely resembling the version represented in the submitted competition drawings (DR1987:0359 - DR1987:0360).
Lehigh Airports Competition Entry: Detail for airport plan showing airplane and automobile circulation patterns
Actions:
DR1987:0358
Description:
- This drawing shows the lower right corner of the airport, including amphibian landing, station, part of the hangars, parking lot and underground viaduct. The circulation pattern of taxiing airplanes is indicated, as is the route to be followed by automobiles leaving the highway and entering the parking lot. This drawing is part of a series of eight drawings in which the architect works out the circulation pattern of airplanes (DR1987:0347 - DR1987:0349, DR1987:0352 - DR1987:0354, DR1987:0358 and DR1987:0390). This may be the most advanced of this group, that is, the most closely resembling the version represented in the submitted competition drawings (DR1987:0359 - DR1987:0360).
Classification:
dessins
dessins
Date:
1929
1929
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1979:0162.01:001-015
Description:
Album has title page titled as follows: Le/Nouvel Opéra/de Paris/Bronzes/Candélabres/Lustres/Torchères - Appliques - Lampadaires/par/Charles Garnier/Architecte, Membre de L'Institut/D & Cie./Paris/Librairie Générale de l'Architecture et des Travaux Publics/Ducher et Cie/Éditeurs/51, rue des Écoles, 51/1875 The album comprises a list of plates (Table des planches): Lustres 1. - Grand foyer 2. - Salle 3. - Foyer de la danse Torchères 4. - Balustrades extérieures (H. Chabaud, statuaire) 5. - Balustrades extérieures (H. Chabaud, statuaire) Candélabres 6. - Grand vestibule d'entrée 7. - Perron extérieur 8. - Trottoir extérieur 9. - Descente à couvert 10. - Rampe douce du pavillon du chef de l'État 11. - Loggia 12. - Grand escalier. - Sur les consoles 13. - Au-dessous des voûtes rampantes 14. - Petit salon du foyer. - Sur les meubles 15. - Escaliers secondaires. - Sur les gaînes
PH1979:0162.01:001-015
Description:
Album has title page titled as follows: Le/Nouvel Opéra/de Paris/Bronzes/Candélabres/Lustres/Torchères - Appliques - Lampadaires/par/Charles Garnier/Architecte, Membre de L'Institut/D & Cie./Paris/Librairie Générale de l'Architecture et des Travaux Publics/Ducher et Cie/Éditeurs/51, rue des Écoles, 51/1875 The album comprises a list of plates (Table des planches): Lustres 1. - Grand foyer 2. - Salle 3. - Foyer de la danse Torchères 4. - Balustrades extérieures (H. Chabaud, statuaire) 5. - Balustrades extérieures (H. Chabaud, statuaire) Candélabres 6. - Grand vestibule d'entrée 7. - Perron extérieur 8. - Trottoir extérieur 9. - Descente à couvert 10. - Rampe douce du pavillon du chef de l'État 11. - Loggia 12. - Grand escalier. - Sur les consoles 13. - Au-dessous des voûtes rampantes 14. - Petit salon du foyer. - Sur les meubles 15. - Escaliers secondaires. - Sur les gaînes
Personnes et institutions:
Date:
published 1875
published 1875
Titre:
Album titled "Le nouvel Opéra de Paris: Bronzes, candélabres, lustres, torchères, appliques, lampadaires par Charles Garnier"
Actions:
PH1979:0162.01:001-015
Description:
Album has title page titled as follows: Le/Nouvel Opéra/de Paris/Bronzes/Candélabres/Lustres/Torchères - Appliques - Lampadaires/par/Charles Garnier/Architecte, Membre de L'Institut/D & Cie./Paris/Librairie Générale de l'Architecture et des Travaux Publics/Ducher et Cie/Éditeurs/51, rue des Écoles, 51/1875 The album comprises a list of plates (Table des planches): Lustres 1. - Grand foyer 2. - Salle 3. - Foyer de la danse Torchères 4. - Balustrades extérieures (H. Chabaud, statuaire) 5. - Balustrades extérieures (H. Chabaud, statuaire) Candélabres 6. - Grand vestibule d'entrée 7. - Perron extérieur 8. - Trottoir extérieur 9. - Descente à couvert 10. - Rampe douce du pavillon du chef de l'État 11. - Loggia 12. - Grand escalier. - Sur les consoles 13. - Au-dessous des voûtes rampantes 14. - Petit salon du foyer. - Sur les meubles 15. - Escaliers secondaires. - Sur les gaînes
Album titled "Le nouvel Opéra de Paris: Bronzes, candélabres, lustres, torchères, appliques, lampadaires par Charles Garnier"
Actions:
PH1979:0162.01:001-015
Description:
Album has title page titled as follows: Le/Nouvel Opéra/de Paris/Bronzes/Candélabres/Lustres/Torchères - Appliques - Lampadaires/par/Charles Garnier/Architecte, Membre de L'Institut/D & Cie./Paris/Librairie Générale de l'Architecture et des Travaux Publics/Ducher et Cie/Éditeurs/51, rue des Écoles, 51/1875 The album comprises a list of plates (Table des planches): Lustres 1. - Grand foyer 2. - Salle 3. - Foyer de la danse Torchères 4. - Balustrades extérieures (H. Chabaud, statuaire) 5. - Balustrades extérieures (H. Chabaud, statuaire) Candélabres 6. - Grand vestibule d'entrée 7. - Perron extérieur 8. - Trottoir extérieur 9. - Descente à couvert 10. - Rampe douce du pavillon du chef de l'État 11. - Loggia 12. - Grand escalier. - Sur les consoles 13. - Au-dessous des voûtes rampantes 14. - Petit salon du foyer. - Sur les meubles 15. - Escaliers secondaires. - Sur les gaînes
Classification:
photographies
photographies
Date:
published 1875
published 1875
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1996:0002
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France"). - The sliding wall, shown on the left, can be used to partially enclose the terrace ("Village d'artistes sur la Côte d'Azur", p. 83).
DR1996:0002
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France"). - The sliding wall, shown on the left, can be used to partially enclose the terrace ("Village d'artistes sur la Côte d'Azur", p. 83).
Personnes et institutions:
Sujet:
design d'intérieur
design d'intérieur
Date:
1953
1953
Titre:
Perspective for a guest villa showing the terrace, Village Polychrome, near Biot, France
Actions:
DR1996:0002
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France"). - The sliding wall, shown on the left, can be used to partially enclose the terrace ("Village d'artistes sur la Côte d'Azur", p. 83).
Perspective for a guest villa showing the terrace, Village Polychrome, near Biot, France
Actions:
DR1996:0002
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France"). - The sliding wall, shown on the left, can be used to partially enclose the terrace ("Village d'artistes sur la Côte d'Azur", p. 83).
Classification:
dessins
dessins
Date:
1953
1953
Personnes et institutions:
Sujet:
design d'intérieur
design d'intérieur
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1996:0011
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France"). - The sliding wall, shown on the left, can be used to partially enclose the terrace ("Village d'artistes sur la Côte d'Azur", p. 83).
DR1996:0011
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France"). - The sliding wall, shown on the left, can be used to partially enclose the terrace ("Village d'artistes sur la Côte d'Azur", p. 83).
Personnes et institutions:
Sujet:
design d'intérieur
design d'intérieur
Date:
1952-1953
1952-1953
Titre:
Perspective for a guest villa showing the terrace, Village Polychrome, near Biot, France
Actions:
DR1996:0011
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France"). - The sliding wall, shown on the left, can be used to partially enclose the terrace ("Village d'artistes sur la Côte d'Azur", p. 83).
Perspective for a guest villa showing the terrace, Village Polychrome, near Biot, France
Actions:
DR1996:0011
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France"). - The sliding wall, shown on the left, can be used to partially enclose the terrace ("Village d'artistes sur la Côte d'Azur", p. 83).
Classification:
dessins
dessins
Date:
1952-1953
1952-1953
Personnes et institutions:
Sujet:
design d'intérieur
design d'intérieur
Classification:
oeuvres d'art
oeuvres d'art
Actions:
Numéro de référence:
DR1987:0343
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this column looks more like a variation on the composite order. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
DR1987:0343
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this column looks more like a variation on the composite order. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1543
1543
Titre:
Design for the capital and base of a column
Actions:
DR1987:0343
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this column looks more like a variation on the composite order. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
Design for the capital and base of a column
Actions:
DR1987:0343
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this column looks more like a variation on the composite order. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
Classification:
oeuvres d'art
oeuvres d'art
Date:
1543
1543
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
oeuvres d'art
oeuvres d'art
Actions:
Numéro de référence:
DR1987:0344
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this looks more like a variation on the composite order. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
DR1987:0344
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this looks more like a variation on the composite order. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1545
1545
Titre:
Design for the capital and base of a column
Actions:
DR1987:0344
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this looks more like a variation on the composite order. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
Design for the capital and base of a column
Actions:
DR1987:0344
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this looks more like a variation on the composite order. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
Classification:
oeuvres d'art
oeuvres d'art
Date:
1545
1545
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
oeuvres d'art
oeuvres d'art
Actions:
Numéro de référence:
DR1987:0345
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this is not one of the traditional orders of architecture. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
DR1987:0345
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this is not one of the traditional orders of architecture. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1545
1545
Titre:
Design for the capital and base of a column
Actions:
DR1987:0345
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this is not one of the traditional orders of architecture. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
Design for the capital and base of a column
Actions:
DR1987:0345
Description:
- This engraving depicts a design for an order of architecture showing the capital and the base. Although the inscriptions refer to "This engraving depicts a dORICA[E]", this is not one of the traditional orders of architecture. - This print is one of a set of four prints of capitals and bases which were engraved by Hans Sebald Beham. Patricia Condon suggests that these prints were made for a general audience rather than for architects ('Ornament and Architecture', 29). Three of the prints in the CCA collection are from the collection of the Ducs d'Arenburg, while the provenance of the fourth print, DR1987:0342, is unknown.
Classification:
oeuvres d'art
oeuvres d'art
Date:
1545
1545
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
photographies
photographies
Numéro de référence:
ARCH269550
Description:
Group consists of photographs of various buildings in Chandigarh, India, including a photograph of the Shop-Cum-Flats II in sector 22, the Hospital for animals by Jeet Malhotra near Chandigarh and the Servants quarters attached to the Chandigarh Club in an unidentified sector by Jeet Malhotra. There group also includes photographs of the Museum and Art Gallery (in construction) by Le Corbusier in sector 10, photographs of the Architects office in sector 19 and photographs of the Medical Research Institute (Post Graduate Institute for Medical Research) in sector 12.
ARCH269550
Description:
Group consists of photographs of various buildings in Chandigarh, India, including a photograph of the Shop-Cum-Flats II in sector 22, the Hospital for animals by Jeet Malhotra near Chandigarh and the Servants quarters attached to the Chandigarh Club in an unidentified sector by Jeet Malhotra. There group also includes photographs of the Museum and Art Gallery (in construction) by Le Corbusier in sector 10, photographs of the Architects office in sector 19 and photographs of the Medical Research Institute (Post Graduate Institute for Medical Research) in sector 12.
Personnes et institutions:
Date:
ca. 1955-1965
ca. 1955-1965
Titre:
Photographs of various buildings in Chandigarh, India
Actions:
ARCH269550
Description:
Group consists of photographs of various buildings in Chandigarh, India, including a photograph of the Shop-Cum-Flats II in sector 22, the Hospital for animals by Jeet Malhotra near Chandigarh and the Servants quarters attached to the Chandigarh Club in an unidentified sector by Jeet Malhotra. There group also includes photographs of the Museum and Art Gallery (in construction) by Le Corbusier in sector 10, photographs of the Architects office in sector 19 and photographs of the Medical Research Institute (Post Graduate Institute for Medical Research) in sector 12.
Photographs of various buildings in Chandigarh, India
Actions:
ARCH269550
Description:
Group consists of photographs of various buildings in Chandigarh, India, including a photograph of the Shop-Cum-Flats II in sector 22, the Hospital for animals by Jeet Malhotra near Chandigarh and the Servants quarters attached to the Chandigarh Club in an unidentified sector by Jeet Malhotra. There group also includes photographs of the Museum and Art Gallery (in construction) by Le Corbusier in sector 10, photographs of the Architects office in sector 19 and photographs of the Medical Research Institute (Post Graduate Institute for Medical Research) in sector 12.
Classification:
photographies
photographies
Date:
ca. 1955-1965
ca. 1955-1965
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH268038
Description:
Texts by various authors pertaining to Chandigarh, India. Texts by architect Jean Preveral, Thibhuvan Nath, Gopal Krishan, and S.K. Agarwal, including reprints of the following articles: - Krishan, G. (1963, January-March). “Spatial analysis of vegetable supply / of a planned city – Chandigarh.” The Indian Geographical Journal, 38(1), 1-15. - Krishan, G. and Agarwal, S.K (1970). “Umland of a planned city: Chandigarh.” The National Geographic Journal of India, 16(1), 31-46. - Krishan, G. and Agarwal, S.K. (1973, June). “Commercial pattern of a planned city: / Chandigarh.” The National Geographic Journal of India, 19(2), 83-91.
ARCH268038
Description:
Texts by various authors pertaining to Chandigarh, India. Texts by architect Jean Preveral, Thibhuvan Nath, Gopal Krishan, and S.K. Agarwal, including reprints of the following articles: - Krishan, G. (1963, January-March). “Spatial analysis of vegetable supply / of a planned city – Chandigarh.” The Indian Geographical Journal, 38(1), 1-15. - Krishan, G. and Agarwal, S.K (1970). “Umland of a planned city: Chandigarh.” The National Geographic Journal of India, 16(1), 31-46. - Krishan, G. and Agarwal, S.K. (1973, June). “Commercial pattern of a planned city: / Chandigarh.” The National Geographic Journal of India, 19(2), 83-91.
Personnes et institutions:
Date:
1963-1973
1963-1973
Titre:
Texts by various authors pertaining to Chandigarh, India
Actions:
ARCH268038
Description:
Texts by various authors pertaining to Chandigarh, India. Texts by architect Jean Preveral, Thibhuvan Nath, Gopal Krishan, and S.K. Agarwal, including reprints of the following articles: - Krishan, G. (1963, January-March). “Spatial analysis of vegetable supply / of a planned city – Chandigarh.” The Indian Geographical Journal, 38(1), 1-15. - Krishan, G. and Agarwal, S.K (1970). “Umland of a planned city: Chandigarh.” The National Geographic Journal of India, 16(1), 31-46. - Krishan, G. and Agarwal, S.K. (1973, June). “Commercial pattern of a planned city: / Chandigarh.” The National Geographic Journal of India, 19(2), 83-91.
Texts by various authors pertaining to Chandigarh, India
Actions:
ARCH268038
Description:
Texts by various authors pertaining to Chandigarh, India. Texts by architect Jean Preveral, Thibhuvan Nath, Gopal Krishan, and S.K. Agarwal, including reprints of the following articles: - Krishan, G. (1963, January-March). “Spatial analysis of vegetable supply / of a planned city – Chandigarh.” The Indian Geographical Journal, 38(1), 1-15. - Krishan, G. and Agarwal, S.K (1970). “Umland of a planned city: Chandigarh.” The National Geographic Journal of India, 16(1), 31-46. - Krishan, G. and Agarwal, S.K. (1973, June). “Commercial pattern of a planned city: / Chandigarh.” The National Geographic Journal of India, 19(2), 83-91.
Classification:
documents textuels
documents textuels
Date:
1963-1973
1963-1973
Personnes et institutions:
