9079 Résultats
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1988:0401
Description:
- This reprographic copy shows a design for a plaster frieze for the ceiling ribs in the showrooms of Electric House, Battersea Borough. The design includes lightbulbs, electrical cords, and swags. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
DR1988:0401
Description:
- This reprographic copy shows a design for a plaster frieze for the ceiling ribs in the showrooms of Electric House, Battersea Borough. The design includes lightbulbs, electrical cords, and swags. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Personnes et institutions:
Sujet:
design d'intérieur
design d'intérieur
Date:
printed November 1926
printed November 1926
Titre:
Detail for the plaster frieze on showroom ceiling ribs, Electric House, Battersea Borough
Actions:
DR1988:0401
Description:
- This reprographic copy shows a design for a plaster frieze for the ceiling ribs in the showrooms of Electric House, Battersea Borough. The design includes lightbulbs, electrical cords, and swags. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Detail for the plaster frieze on showroom ceiling ribs, Electric House, Battersea Borough
Actions:
DR1988:0401
Description:
- This reprographic copy shows a design for a plaster frieze for the ceiling ribs in the showrooms of Electric House, Battersea Borough. The design includes lightbulbs, electrical cords, and swags. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Classification:
dessins
dessins
Date:
printed November 1926
printed November 1926
Personnes et institutions:
Sujet:
design d'intérieur
design d'intérieur
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Une architecture des humeurs
Une architecture des humeurs
Numéro de référence:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Personnes et institutions:
Date:
2008-2011
2008-2011
Titre:
Une architecture des humeurs
Actions:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Une architecture des humeurs
Actions:
AP193.S4
Description:
Series 4, Une architecture des humeurs, 2008-2011, documents the conception and the presentation of exhibition and project Une architecture des humeurs. Presented at Le laboratoire art gallery in Paris between January and May 2010, Une architecture des humeurs is a conceptual, unbuilt, residential urban structure based on a potential future in which contemporary science reads human physiology and chemical balance. The idea is to acquire a chemistry of the “humors”, or the moods and temperament, of future purchasers. Taken as input, the information generates a diversity of habitable morphologies and relationships between them. With this process, the project attempts to make palpable and graspable, through technologies, the emotions of the participants captured via the chemistry of their body. The goal is to gather information on their capacity of adaptation, their level of sympathy and empathy while confronted to a situation or an environment. This information is then analyzed by computational, mathematical, and machinist procedures. This leads to the design and production of an urban structure submitted to the improbable and uncertain protocols produced by emotions, also creating aggregations and layouts that rearticulate the links between the individual and the collective. These structures are calculated following simultaneously incremental and recursive structural optimization protocols resulting in the physicality and morphology of architecture. The layout of the residential units and the structural trajectories are conceived and developed as posterior to the constructs supporting social life and not as an a priori. The structure of each components of the urban structure is generated by a secretion and weaving machine called Viab02. The machine is the second prototype of VIAB which was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. With a process similar to contour crafting, the machine produces bio-cement, a mix between cement and bio-resin, giving form to the adapted residential structures. The records consist largely of images detailing the creative process of the firm, photographs of the exhibition, and 3D models. It also contains animated renderings representing the machine in action and sequences of the construction of the building or the structure. The records include a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S2 contains updated previous version of the VIAB machine
Niveau de description archivistique:
Series
Series
Date:
2008-2011
2008-2011
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH256319
ARCH256319
Personnes et institutions:
Date:
1967?
1967?
Classification:
photographies
photographies
Date:
1967?
1967?
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH261970
ARCH261970
Personnes et institutions:
Date:
1967?
1967?
Classification:
photographies
photographies
Date:
1967?
1967?
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH261971
ARCH261971
Personnes et institutions:
Date:
1967?
1967?
Classification:
photographies
photographies
Date:
1967?
1967?
Personnes et institutions:
Classification:
dessins
dessins
Titre:
Design for a Stage Set
Design for a Stage Set
Actions:
Numéro de référence:
DR1987:0070
Description:
- This drawing is typical of Desprez's designs for flat-wing stage sets. Flanking what would have been a large painted canvas set at the back of the stage (here decorated with antique buildings on the slope of a hill) are two rows of façades receding into the distance. These buildings were painted on a series of wooden wings placed in grooves or runners at intervals on each side of the stage. In more elaborate theatres, the wings attached directly to machinery housed below the stage. The wings could be moved easily in these runners, either manually or mechanically, thus facilitating swift changed of scenery. Desprez's use of the flat wing system may still be seen, in a number of stage sets, executed after his designs, that survive in the theatre in Drottingholm (see plates IX and X in M. Baur-Heinhold, 'Teatro Barocco', Munich, 1971)
DR1987:0070
Description:
- This drawing is typical of Desprez's designs for flat-wing stage sets. Flanking what would have been a large painted canvas set at the back of the stage (here decorated with antique buildings on the slope of a hill) are two rows of façades receding into the distance. These buildings were painted on a series of wooden wings placed in grooves or runners at intervals on each side of the stage. In more elaborate theatres, the wings attached directly to machinery housed below the stage. The wings could be moved easily in these runners, either manually or mechanically, thus facilitating swift changed of scenery. Desprez's use of the flat wing system may still be seen, in a number of stage sets, executed after his designs, that survive in the theatre in Drottingholm (see plates IX and X in M. Baur-Heinhold, 'Teatro Barocco', Munich, 1971)
Personnes et institutions:
Sujet:
design de théâtre
design de théâtre
Date:
late 18th century
late 18th century
Titre:
Design for a Stage Set
Actions:
DR1987:0070
Description:
- This drawing is typical of Desprez's designs for flat-wing stage sets. Flanking what would have been a large painted canvas set at the back of the stage (here decorated with antique buildings on the slope of a hill) are two rows of façades receding into the distance. These buildings were painted on a series of wooden wings placed in grooves or runners at intervals on each side of the stage. In more elaborate theatres, the wings attached directly to machinery housed below the stage. The wings could be moved easily in these runners, either manually or mechanically, thus facilitating swift changed of scenery. Desprez's use of the flat wing system may still be seen, in a number of stage sets, executed after his designs, that survive in the theatre in Drottingholm (see plates IX and X in M. Baur-Heinhold, 'Teatro Barocco', Munich, 1971)
Design for a Stage Set
Actions:
DR1987:0070
Description:
- This drawing is typical of Desprez's designs for flat-wing stage sets. Flanking what would have been a large painted canvas set at the back of the stage (here decorated with antique buildings on the slope of a hill) are two rows of façades receding into the distance. These buildings were painted on a series of wooden wings placed in grooves or runners at intervals on each side of the stage. In more elaborate theatres, the wings attached directly to machinery housed below the stage. The wings could be moved easily in these runners, either manually or mechanically, thus facilitating swift changed of scenery. Desprez's use of the flat wing system may still be seen, in a number of stage sets, executed after his designs, that survive in the theatre in Drottingholm (see plates IX and X in M. Baur-Heinhold, 'Teatro Barocco', Munich, 1971)
Classification:
dessins
dessins
Date:
late 18th century
late 18th century
Personnes et institutions:
Sujet:
design de théâtre
design de théâtre
Classification:
événements
événements
Titre:
L'enseignement de… São Paulo
L'enseignement de… São Paulo
Actions:
Description:
Angelo Bucci, architecte et professeur à l’Université de São Paulo au Brésil, aborde les questions de la violence et de l’environnement en évolution à São Paulo, en quête de nouvelles formes urbaines. À São Paulo, la violence peut être vue comme gâchant l’expérience de la ville et, par conséquent, sapant la raison d’être du travail de l’architecte. La conférence porte sur(...)
Angelo Bucci, architecte et professeur à l’Université de São Paulo au Brésil, aborde les questions de la violence et de l’environnement en évolution à São Paulo, en quête de nouvelles formes urbaines. À São Paulo, la violence peut être vue comme gâchant l’expérience de la ville et, par conséquent, sapant la raison d’être du travail de l’architecte. La conférence porte sur(...)
Date:
22 avril 2010
22 avril 2010
Titre:
L'enseignement de… São Paulo
Actions:
Description:
Angelo Bucci, architecte et professeur à l’Université de São Paulo au Brésil, aborde les questions de la violence et de l’environnement en évolution à São Paulo, en quête de nouvelles formes urbaines. À São Paulo, la violence peut être vue comme gâchant l’expérience de la ville et, par conséquent, sapant la raison d’être du travail de l’architecte. La conférence porte sur(...)
L'enseignement de… São Paulo
Actions:
Description:
Angelo Bucci, architecte et professeur à l’Université de São Paulo au Brésil, aborde les questions de la violence et de l’environnement en évolution à São Paulo, en quête de nouvelles formes urbaines. À São Paulo, la violence peut être vue comme gâchant l’expérience de la ville et, par conséquent, sapant la raison d’être du travail de l’architecte. La conférence porte sur(...)
Classification:
événements
événements
Date:
22 avril 2010
22 avril 2010
Numéro de référence:
ARCH273864
Description:
Awards and Honours to Arthur Erickson and Erickson/Massey Architects: - AIBC Western Homes and Living 1960 Special award for for distinguished house design, house at Comox, B.C. - Canadian Wood Design Awards, certificate of Merit for the Baldwin Residence, Vancouver, B.C. (1965) - Vancouver Citation Buildings 1965 Award, to Erickson/Massey Architects for the Laxton Residence, West Vancouver, B.C. - The Molson Prize of the Canada Council, to Arthur Erickson (16 October 1967) - Prestressed Concrete Institute 1966 Award, to Erickson/Massey Architects for the Central Mall and Transportation Centre, Simon Fraser University, the 1972 Award for the University of Lethbridge, the 1977 Award for the Water Tower and B.C. Hydro & Power Authority Communications Centre, Simon Fraser University. - 1967 National Design Award, Centennial Award for Residencial Design, The Canadian Housing Design Council, awarded to Erickson/Massey Architects and Ian Davidson MMRAIC for Town Houses, Point Grey Road, Vancouver, B.C. - Certificate of Academician, Royal Academy of the Arts, awarded to Arthur Erickson (7 December 1968) - Letter from Prime Minister Pierre Elliot Trudeau (1 September 1970) - 1970 Massey Medal, Massey Foundation, to Erickson/Massey Architects for Man and the Community and Man and His Health, theme building, Expo '67 - Award of Excellence, 1970 Canadian Architect Yearbook, to Erickson/Massey Architects for Elementary School, Southeast Sector, Vancouver, B.C. - 1971 Award for Residential Design, The Canadian Housing design Council, awarded to Erickson/Massey Architects for the Nelson Towers, Nelson, B.C. and for the Catton Residence, Vancouver, B.C. - Doctor of Engineering, Honoris Causa, Nova Scotia Technical College, awarded to Arthur Erickson (5 May 1971) - First Honour Award, American Public Power Assosication, to Erickson/Massey Planners for Burnaby Mountain System Control Center (16 May 1973) - 1974 Award for Residential Design, The Canadian Housing Design Council, for The Eppich house, West Vancouver, B.C. - Citizen of the Age of Enlightenment Award, The Ministry of Development of Consciousness, to Arthur Erickson (1976) - Honorary Fellowship, The Royal Incorporation of Architects in Scotland, to Arthur Erickson (1987) - Master of Architecture, Honoris Causa, The Frank Lloyd Wright School of Architecture to Arthur Erickson (8 June 2001) - Honorary Fellowship of the Royal Institute of British Architects (16 May 2001) - Citation Award, The Wood Design Awards 2004, to Arthur Erickson Architectural Corp and Nick Milkovich Architects for the Canopy Collonade. - 2007 "Prix du XXe siecle," The Roayl Architectural Institute of Canada, to Erickson/Massey Architects for Smith House 2. - University of Toronto Honour awarded to Arthur Erickson (30 October 2008) - Arthur Erickson, Honorary Member, The Architectural Institute of British Columbia.
ARCH273864
Description:
Awards and Honours to Arthur Erickson and Erickson/Massey Architects: - AIBC Western Homes and Living 1960 Special award for for distinguished house design, house at Comox, B.C. - Canadian Wood Design Awards, certificate of Merit for the Baldwin Residence, Vancouver, B.C. (1965) - Vancouver Citation Buildings 1965 Award, to Erickson/Massey Architects for the Laxton Residence, West Vancouver, B.C. - The Molson Prize of the Canada Council, to Arthur Erickson (16 October 1967) - Prestressed Concrete Institute 1966 Award, to Erickson/Massey Architects for the Central Mall and Transportation Centre, Simon Fraser University, the 1972 Award for the University of Lethbridge, the 1977 Award for the Water Tower and B.C. Hydro & Power Authority Communications Centre, Simon Fraser University. - 1967 National Design Award, Centennial Award for Residencial Design, The Canadian Housing Design Council, awarded to Erickson/Massey Architects and Ian Davidson MMRAIC for Town Houses, Point Grey Road, Vancouver, B.C. - Certificate of Academician, Royal Academy of the Arts, awarded to Arthur Erickson (7 December 1968) - Letter from Prime Minister Pierre Elliot Trudeau (1 September 1970) - 1970 Massey Medal, Massey Foundation, to Erickson/Massey Architects for Man and the Community and Man and His Health, theme building, Expo '67 - Award of Excellence, 1970 Canadian Architect Yearbook, to Erickson/Massey Architects for Elementary School, Southeast Sector, Vancouver, B.C. - 1971 Award for Residential Design, The Canadian Housing design Council, awarded to Erickson/Massey Architects for the Nelson Towers, Nelson, B.C. and for the Catton Residence, Vancouver, B.C. - Doctor of Engineering, Honoris Causa, Nova Scotia Technical College, awarded to Arthur Erickson (5 May 1971) - First Honour Award, American Public Power Assosication, to Erickson/Massey Planners for Burnaby Mountain System Control Center (16 May 1973) - 1974 Award for Residential Design, The Canadian Housing Design Council, for The Eppich house, West Vancouver, B.C. - Citizen of the Age of Enlightenment Award, The Ministry of Development of Consciousness, to Arthur Erickson (1976) - Honorary Fellowship, The Royal Incorporation of Architects in Scotland, to Arthur Erickson (1987) - Master of Architecture, Honoris Causa, The Frank Lloyd Wright School of Architecture to Arthur Erickson (8 June 2001) - Honorary Fellowship of the Royal Institute of British Architects (16 May 2001) - Citation Award, The Wood Design Awards 2004, to Arthur Erickson Architectural Corp and Nick Milkovich Architects for the Canopy Collonade. - 2007 "Prix du XXe siecle," The Roayl Architectural Institute of Canada, to Erickson/Massey Architects for Smith House 2. - University of Toronto Honour awarded to Arthur Erickson (30 October 2008) - Arthur Erickson, Honorary Member, The Architectural Institute of British Columbia.
Personnes et institutions:
Date:
1960-2008
1960-2008
Titre:
Various awards and Honours to Arthur Erickson and Erickson/Massey Architects
Actions:
ARCH273864
Description:
Awards and Honours to Arthur Erickson and Erickson/Massey Architects: - AIBC Western Homes and Living 1960 Special award for for distinguished house design, house at Comox, B.C. - Canadian Wood Design Awards, certificate of Merit for the Baldwin Residence, Vancouver, B.C. (1965) - Vancouver Citation Buildings 1965 Award, to Erickson/Massey Architects for the Laxton Residence, West Vancouver, B.C. - The Molson Prize of the Canada Council, to Arthur Erickson (16 October 1967) - Prestressed Concrete Institute 1966 Award, to Erickson/Massey Architects for the Central Mall and Transportation Centre, Simon Fraser University, the 1972 Award for the University of Lethbridge, the 1977 Award for the Water Tower and B.C. Hydro & Power Authority Communications Centre, Simon Fraser University. - 1967 National Design Award, Centennial Award for Residencial Design, The Canadian Housing Design Council, awarded to Erickson/Massey Architects and Ian Davidson MMRAIC for Town Houses, Point Grey Road, Vancouver, B.C. - Certificate of Academician, Royal Academy of the Arts, awarded to Arthur Erickson (7 December 1968) - Letter from Prime Minister Pierre Elliot Trudeau (1 September 1970) - 1970 Massey Medal, Massey Foundation, to Erickson/Massey Architects for Man and the Community and Man and His Health, theme building, Expo '67 - Award of Excellence, 1970 Canadian Architect Yearbook, to Erickson/Massey Architects for Elementary School, Southeast Sector, Vancouver, B.C. - 1971 Award for Residential Design, The Canadian Housing design Council, awarded to Erickson/Massey Architects for the Nelson Towers, Nelson, B.C. and for the Catton Residence, Vancouver, B.C. - Doctor of Engineering, Honoris Causa, Nova Scotia Technical College, awarded to Arthur Erickson (5 May 1971) - First Honour Award, American Public Power Assosication, to Erickson/Massey Planners for Burnaby Mountain System Control Center (16 May 1973) - 1974 Award for Residential Design, The Canadian Housing Design Council, for The Eppich house, West Vancouver, B.C. - Citizen of the Age of Enlightenment Award, The Ministry of Development of Consciousness, to Arthur Erickson (1976) - Honorary Fellowship, The Royal Incorporation of Architects in Scotland, to Arthur Erickson (1987) - Master of Architecture, Honoris Causa, The Frank Lloyd Wright School of Architecture to Arthur Erickson (8 June 2001) - Honorary Fellowship of the Royal Institute of British Architects (16 May 2001) - Citation Award, The Wood Design Awards 2004, to Arthur Erickson Architectural Corp and Nick Milkovich Architects for the Canopy Collonade. - 2007 "Prix du XXe siecle," The Roayl Architectural Institute of Canada, to Erickson/Massey Architects for Smith House 2. - University of Toronto Honour awarded to Arthur Erickson (30 October 2008) - Arthur Erickson, Honorary Member, The Architectural Institute of British Columbia.
Various awards and Honours to Arthur Erickson and Erickson/Massey Architects
Actions:
ARCH273864
Description:
Awards and Honours to Arthur Erickson and Erickson/Massey Architects: - AIBC Western Homes and Living 1960 Special award for for distinguished house design, house at Comox, B.C. - Canadian Wood Design Awards, certificate of Merit for the Baldwin Residence, Vancouver, B.C. (1965) - Vancouver Citation Buildings 1965 Award, to Erickson/Massey Architects for the Laxton Residence, West Vancouver, B.C. - The Molson Prize of the Canada Council, to Arthur Erickson (16 October 1967) - Prestressed Concrete Institute 1966 Award, to Erickson/Massey Architects for the Central Mall and Transportation Centre, Simon Fraser University, the 1972 Award for the University of Lethbridge, the 1977 Award for the Water Tower and B.C. Hydro & Power Authority Communications Centre, Simon Fraser University. - 1967 National Design Award, Centennial Award for Residencial Design, The Canadian Housing Design Council, awarded to Erickson/Massey Architects and Ian Davidson MMRAIC for Town Houses, Point Grey Road, Vancouver, B.C. - Certificate of Academician, Royal Academy of the Arts, awarded to Arthur Erickson (7 December 1968) - Letter from Prime Minister Pierre Elliot Trudeau (1 September 1970) - 1970 Massey Medal, Massey Foundation, to Erickson/Massey Architects for Man and the Community and Man and His Health, theme building, Expo '67 - Award of Excellence, 1970 Canadian Architect Yearbook, to Erickson/Massey Architects for Elementary School, Southeast Sector, Vancouver, B.C. - 1971 Award for Residential Design, The Canadian Housing design Council, awarded to Erickson/Massey Architects for the Nelson Towers, Nelson, B.C. and for the Catton Residence, Vancouver, B.C. - Doctor of Engineering, Honoris Causa, Nova Scotia Technical College, awarded to Arthur Erickson (5 May 1971) - First Honour Award, American Public Power Assosication, to Erickson/Massey Planners for Burnaby Mountain System Control Center (16 May 1973) - 1974 Award for Residential Design, The Canadian Housing Design Council, for The Eppich house, West Vancouver, B.C. - Citizen of the Age of Enlightenment Award, The Ministry of Development of Consciousness, to Arthur Erickson (1976) - Honorary Fellowship, The Royal Incorporation of Architects in Scotland, to Arthur Erickson (1987) - Master of Architecture, Honoris Causa, The Frank Lloyd Wright School of Architecture to Arthur Erickson (8 June 2001) - Honorary Fellowship of the Royal Institute of British Architects (16 May 2001) - Citation Award, The Wood Design Awards 2004, to Arthur Erickson Architectural Corp and Nick Milkovich Architects for the Canopy Collonade. - 2007 "Prix du XXe siecle," The Roayl Architectural Institute of Canada, to Erickson/Massey Architects for Smith House 2. - University of Toronto Honour awarded to Arthur Erickson (30 October 2008) - Arthur Erickson, Honorary Member, The Architectural Institute of British Columbia.
Date:
1960-2008
1960-2008
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH256496
ARCH256496
Personnes et institutions:
Date:
1967
1967
Classification:
photographies
photographies
Date:
1967
1967
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Les enseignements de Bernard Rudofsky est la première rétrospective qui examine la vie et l’œuvre de l’architecte, designer et critique controversé, dont les constructions, les expositions et les concepts de mode ont remis en question les idées mêmes de confort et de culture dans le monde occidental. L’exposition jette un regard sur la diversité des contributions d’un(...)
Les enseignements de Bernard Rudofsky est la première rétrospective qui examine la vie et l’œuvre de l’architecte, designer et critique controversé, dont les constructions, les expositions et les concepts de mode ont remis en question les idées mêmes de confort et de culture dans le monde occidental. L’exposition jette un regard sur la diversité des contributions d’un(...)
Localisation:
Salles principales
Salles principales
Date:
4 juillet 2007 au 30 septembre 2007
4 juillet 2007 au 30 septembre 2007
Titre:
Les enseignements de Bernard Rudofsky
Actions:
Description:
Les enseignements de Bernard Rudofsky est la première rétrospective qui examine la vie et l’œuvre de l’architecte, designer et critique controversé, dont les constructions, les expositions et les concepts de mode ont remis en question les idées mêmes de confort et de culture dans le monde occidental. L’exposition jette un regard sur la diversité des contributions d’un(...)
Les enseignements de Bernard Rudofsky
Actions:
Description:
Les enseignements de Bernard Rudofsky est la première rétrospective qui examine la vie et l’œuvre de l’architecte, designer et critique controversé, dont les constructions, les expositions et les concepts de mode ont remis en question les idées mêmes de confort et de culture dans le monde occidental. L’exposition jette un regard sur la diversité des contributions d’un(...)
Classification:
expositions
expositions
Date:
4 juillet 2007 au
30 septembre 2007
4 juillet 2007 au
30 septembre 2007
Localisation:
Salles principales
Salles principales
