1820 Résultats
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Numéro de la revue Connaissances des Arts Hors-série consacré au travail de Pierre Paulin.
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Numéro de la revue Connaissances des Arts Hors-série consacré au travail de Pierre Paulin.
Titre:
Connaissance des arts, hors série n. 711: Pierre Paulin
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Numéro de la revue Connaissances des Arts Hors-série consacré au travail de Pierre Paulin.
Connaissance des arts, hors série n. 711: Pierre Paulin
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Numéro de la revue Connaissances des Arts Hors-série consacré au travail de Pierre Paulin.
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livres
livres
Publication:
juin 2016
juin 2016
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
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Tight fascia, exhaustion. From the energy spent and drained in the routines of our days—from untangling ourselves from demands and expectations. But energy is also generative. And it emerges in the work of Mariuccia Secol in the textures of presence and absence that the stretching of fabric and skin have in common. Energy also pulses through Marina Vishmidt’s notion of(...)
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Tight fascia, exhaustion. From the energy spent and drained in the routines of our days—from untangling ourselves from demands and expectations. But energy is also generative. And it emerges in the work of Mariuccia Secol in the textures of presence and absence that the stretching of fabric and skin have in common. Energy also pulses through Marina Vishmidt’s notion of(...)
Titre:
Arts of the Working Class #41: Energy
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Tight fascia, exhaustion. From the energy spent and drained in the routines of our days—from untangling ourselves from demands and expectations. But energy is also generative. And it emerges in the work of Mariuccia Secol in the textures of presence and absence that the stretching of fabric and skin have in common. Energy also pulses through Marina Vishmidt’s notion of infrastructural critique—and in her tireless hours of writing, teaching, and collaborating. For both Secol and Vishmidt, energy is everything, and this issue owes its impetus to their shared attention to energy’s rhythms and resistances.
Arts of the Working Class #41: Energy
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Tight fascia, exhaustion. From the energy spent and drained in the routines of our days—from untangling ourselves from demands and expectations. But energy is also generative. And it emerges in the work of Mariuccia Secol in the textures of presence and absence that the stretching of fabric and skin have in common. Energy also pulses through Marina Vishmidt’s notion of infrastructural critique—and in her tireless hours of writing, teaching, and collaborating. For both Secol and Vishmidt, energy is everything, and this issue owes its impetus to their shared attention to energy’s rhythms and resistances.
Classification:
périodiques
périodiques
Publication:
mai 2026
mai 2026
Sujet:
Revues
Revues
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périodiques
périodiques
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Our new editorial cycle, Transformers, begins from the reckoning that transformation in the arts has never been linear. For us at AWC, it flourishes in repetition, meandering, and the subtle work of what often goes unnoticed. Rather than asking what is new, Transformers—not the 2007 blockbuster, but the era it anticipated, a spectacle of war, digitalization, and(...)
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Our new editorial cycle, Transformers, begins from the reckoning that transformation in the arts has never been linear. For us at AWC, it flourishes in repetition, meandering, and the subtle work of what often goes unnoticed. Rather than asking what is new, Transformers—not the 2007 blockbuster, but the era it anticipated, a spectacle of war, digitalization, and(...)
Titre:
Arts of the Working Class #40: Synthetics
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Our new editorial cycle, Transformers, begins from the reckoning that transformation in the arts has never been linear. For us at AWC, it flourishes in repetition, meandering, and the subtle work of what often goes unnoticed. Rather than asking what is new, Transformers—not the 2007 blockbuster, but the era it anticipated, a spectacle of war, digitalization, and profit—attends to what has been quietly shifting as new configurations of power, labor, and life crystallize. The unfolding chronicle of atrocities revealed in the Jeffrey Epstein files exposes how greed underwrites tribalism, and how the dismantling of an already iniquitous globalism has been further engineered to concentrate wealth in the hands of the fewest of the few.
Arts of the Working Class #40: Synthetics
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Our new editorial cycle, Transformers, begins from the reckoning that transformation in the arts has never been linear. For us at AWC, it flourishes in repetition, meandering, and the subtle work of what often goes unnoticed. Rather than asking what is new, Transformers—not the 2007 blockbuster, but the era it anticipated, a spectacle of war, digitalization, and profit—attends to what has been quietly shifting as new configurations of power, labor, and life crystallize. The unfolding chronicle of atrocities revealed in the Jeffrey Epstein files exposes how greed underwrites tribalism, and how the dismantling of an already iniquitous globalism has been further engineered to concentrate wealth in the hands of the fewest of the few.
Classification:
périodiques
périodiques
Publication:
février 2026
février 2026
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
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As this year’s editorial cycle was titled Value Attachment—a poetic and materialist inquiry into how we assign worth to our worlds—the Sumud Flotilla offers a paradigm for what that question truly entails. The Gaza Biennial reasserts, in its own terms, the primacy of relationships as the ground on which politics is built. Not relationships as networks of exchange or(...)
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As this year’s editorial cycle was titled Value Attachment—a poetic and materialist inquiry into how we assign worth to our worlds—the Sumud Flotilla offers a paradigm for what that question truly entails. The Gaza Biennial reasserts, in its own terms, the primacy of relationships as the ground on which politics is built. Not relationships as networks of exchange or(...)
Titre:
Arts of the Working Class #39: Relationships
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As this year’s editorial cycle was titled Value Attachment—a poetic and materialist inquiry into how we assign worth to our worlds—the Sumud Flotilla offers a paradigm for what that question truly entails. The Gaza Biennial reasserts, in its own terms, the primacy of relationships as the ground on which politics is built. Not relationships as networks of exchange or capital, but as infrastructures of mutual dependence and resistance: fragile, chaotic, complex, indispensable. Across the previous four issues in 2025, we have traced how this question recurs across different registers. Now, we turn to Relationships: to sentimental versions and terrains of struggle. Fascism, in its twenty-first-century iterations, thrives not only on nationalism and exclusion but on dismantling relational life: isolating, atomizing, privatizing it until solidarity becomes suspect and empathy itself a form of dissent. Proximity is policed, intimacy is surveilled. Love is reduced to transaction. Care is outsourced. Trust weaponized. Even friendship, the most basic form of political relation, is co-opted as a tool of influence and control.
Arts of the Working Class #39: Relationships
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As this year’s editorial cycle was titled Value Attachment—a poetic and materialist inquiry into how we assign worth to our worlds—the Sumud Flotilla offers a paradigm for what that question truly entails. The Gaza Biennial reasserts, in its own terms, the primacy of relationships as the ground on which politics is built. Not relationships as networks of exchange or capital, but as infrastructures of mutual dependence and resistance: fragile, chaotic, complex, indispensable. Across the previous four issues in 2025, we have traced how this question recurs across different registers. Now, we turn to Relationships: to sentimental versions and terrains of struggle. Fascism, in its twenty-first-century iterations, thrives not only on nationalism and exclusion but on dismantling relational life: isolating, atomizing, privatizing it until solidarity becomes suspect and empathy itself a form of dissent. Proximity is policed, intimacy is surveilled. Love is reduced to transaction. Care is outsourced. Trust weaponized. Even friendship, the most basic form of political relation, is co-opted as a tool of influence and control.
Classification:
périodiques
périodiques
Publication:
novembre 2025
novembre 2025
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
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Issue 38: Choreography inquires into how memories, histories, and rituals transform individuals into groups, words into policies, threads into textures, notes into dances, gestures into positions. Today, choreography thrives not only on stage but through social media, where short videos compress movement into consumable poses—endlessly repeated and algorithmically(...)
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Issue 38: Choreography inquires into how memories, histories, and rituals transform individuals into groups, words into policies, threads into textures, notes into dances, gestures into positions. Today, choreography thrives not only on stage but through social media, where short videos compress movement into consumable poses—endlessly repeated and algorithmically(...)
Titre:
Arts of the Working Class #38: Choreography
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Issue 38: Choreography inquires into how memories, histories, and rituals transform individuals into groups, words into policies, threads into textures, notes into dances, gestures into positions. Today, choreography thrives not only on stage but through social media, where short videos compress movement into consumable poses—endlessly repeated and algorithmically rewarded. Here the body mirrors Mark Fisher’s architecture of capitalist realism: gestures circulate even as they are emptied of meaning, as if there were no alternative but to keep performing. It is a dance of reflexive impotence, where participation feels inevitable and refusal unimaginable.
Arts of the Working Class #38: Choreography
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Issue 38: Choreography inquires into how memories, histories, and rituals transform individuals into groups, words into policies, threads into textures, notes into dances, gestures into positions. Today, choreography thrives not only on stage but through social media, where short videos compress movement into consumable poses—endlessly repeated and algorithmically rewarded. Here the body mirrors Mark Fisher’s architecture of capitalist realism: gestures circulate even as they are emptied of meaning, as if there were no alternative but to keep performing. It is a dance of reflexive impotence, where participation feels inevitable and refusal unimaginable.
Classification:
périodiques
périodiques
Publication:
septembre 2025
septembre 2025
Sujet:
Revues
Revues
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livres
livres
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Résumé:
Avec la collaboration de Frédéric Migayrou; Olivier Cinqualbre; Christian Derouet; Nigel Whiteley; Reyner Banham; Randa Kamel; Bernard Cache; et des notes de lecture par Catherine de Smet, Hugues Fontenas, et Guillemette Morel Journel.
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Avec la collaboration de Frédéric Migayrou; Olivier Cinqualbre; Christian Derouet; Nigel Whiteley; Reyner Banham; Randa Kamel; Bernard Cache; et des notes de lecture par Catherine de Smet, Hugues Fontenas, et Guillemette Morel Journel.
Titre:
Les cahiers du Musée national d'art moderne 82 : architecture
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Avec la collaboration de Frédéric Migayrou; Olivier Cinqualbre; Christian Derouet; Nigel Whiteley; Reyner Banham; Randa Kamel; Bernard Cache; et des notes de lecture par Catherine de Smet, Hugues Fontenas, et Guillemette Morel Journel.
Les cahiers du Musée national d'art moderne 82 : architecture
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Avec la collaboration de Frédéric Migayrou; Olivier Cinqualbre; Christian Derouet; Nigel Whiteley; Reyner Banham; Randa Kamel; Bernard Cache; et des notes de lecture par Catherine de Smet, Hugues Fontenas, et Guillemette Morel Journel.
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livres
livres
Publication:
avril 2003, Paris
avril 2003, Paris
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livres
livres
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This volume is devoted to the Museu d'Art Contemporani de Barcelona designed by American architect Richard Meier. Offering detailed information on every aspect of the project, this publication features a full-page photographic essay by renowned Spanish photographer Aleix Bagué, as well as an in-depth interview with Meier.
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This volume is devoted to the Museu d'Art Contemporani de Barcelona designed by American architect Richard Meier. Offering detailed information on every aspect of the project, this publication features a full-page photographic essay by renowned Spanish photographer Aleix Bagué, as well as an in-depth interview with Meier.
Titre:
Richard Meier: Museu d’Art Contemporani de Barcelona, MACBA
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This volume is devoted to the Museu d'Art Contemporani de Barcelona designed by American architect Richard Meier. Offering detailed information on every aspect of the project, this publication features a full-page photographic essay by renowned Spanish photographer Aleix Bagué, as well as an in-depth interview with Meier.
Richard Meier: Museu d’Art Contemporani de Barcelona, MACBA
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This volume is devoted to the Museu d'Art Contemporani de Barcelona designed by American architect Richard Meier. Offering detailed information on every aspect of the project, this publication features a full-page photographic essay by renowned Spanish photographer Aleix Bagué, as well as an in-depth interview with Meier.
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livres
livres
Publication:
mars 2011
mars 2011
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
périodiques
périodiques
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Trois fois par année, ETC présente d'importants dossiers thématiques qui proposent la discussion, le débat et le fait de confronter des productions artistiques actuelles qui empruntent une trajectoire interdisciplinaire ou transdisciplinaire. La revue présente également un nombre important d'entrevues, de comptes-rendus d'expositions et de résidences de créateurs et de(...)
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Trois fois par année, ETC présente d'importants dossiers thématiques qui proposent la discussion, le débat et le fait de confronter des productions artistiques actuelles qui empruntent une trajectoire interdisciplinaire ou transdisciplinaire. La revue présente également un nombre important d'entrevues, de comptes-rendus d'expositions et de résidences de créateurs et de(...)
Titre:
Etc, revue de l'art actuel, n.93 2011: éphémère
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Trois fois par année, ETC présente d'importants dossiers thématiques qui proposent la discussion, le débat et le fait de confronter des productions artistiques actuelles qui empruntent une trajectoire interdisciplinaire ou transdisciplinaire. La revue présente également un nombre important d'entrevues, de comptes-rendus d'expositions et de résidences de créateurs et de critiques, ainsi que de livres. Ces articles sont aussi bien l'oeuvre d'auteur(e)s canadien(ne)s que de correspondant(e)s de l'étranger.
Etc, revue de l'art actuel, n.93 2011: éphémère
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Trois fois par année, ETC présente d'importants dossiers thématiques qui proposent la discussion, le débat et le fait de confronter des productions artistiques actuelles qui empruntent une trajectoire interdisciplinaire ou transdisciplinaire. La revue présente également un nombre important d'entrevues, de comptes-rendus d'expositions et de résidences de créateurs et de critiques, ainsi que de livres. Ces articles sont aussi bien l'oeuvre d'auteur(e)s canadien(ne)s que de correspondant(e)s de l'étranger.
Classification:
périodiques
périodiques
Publication:
juillet 2011
juillet 2011
Sujet:
Revues
Revues
Classification:
livres
livres
Titre:
Please come to the show
Please come to the show
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David Senior, bibliographer at the Museum of Modern Art Library in New York, selected a wide range of exhibition-related ephemera – invitations, flyers and posters from the 1960s to the present – and presents them here as an historically overlooked but integral aspect of exhibitions. Often the first point of contact between the audience and artist, such items form part of(...)
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David Senior, bibliographer at the Museum of Modern Art Library in New York, selected a wide range of exhibition-related ephemera – invitations, flyers and posters from the 1960s to the present – and presents them here as an historically overlooked but integral aspect of exhibitions. Often the first point of contact between the audience and artist, such items form part of(...)
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Please come to the show
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David Senior, bibliographer at the Museum of Modern Art Library in New York, selected a wide range of exhibition-related ephemera – invitations, flyers and posters from the 1960s to the present – and presents them here as an historically overlooked but integral aspect of exhibitions. Often the first point of contact between the audience and artist, such items form part of an essential lexicon for graphic designers, curators, art historians and anyone interested in the event-based nature of showing art. Filled with full-colour reproductions of numerous examples from the MoMA collection, the book includes new essays and analysis by Angie Keefer, Clive Phillpot and Will Holder, among others.
Please come to the show
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David Senior, bibliographer at the Museum of Modern Art Library in New York, selected a wide range of exhibition-related ephemera – invitations, flyers and posters from the 1960s to the present – and presents them here as an historically overlooked but integral aspect of exhibitions. Often the first point of contact between the audience and artist, such items form part of an essential lexicon for graphic designers, curators, art historians and anyone interested in the event-based nature of showing art. Filled with full-colour reproductions of numerous examples from the MoMA collection, the book includes new essays and analysis by Angie Keefer, Clive Phillpot and Will Holder, among others.
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livres
livres
Publication:
octobre 2014
octobre 2014
Sujet:
Muséologie
Muséologie
Classification:
livres
livres
Titre:
The future of public space
The future of public space
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In this publication Rachel Monroe challenges American preconceptions of the wild, wide-open West by addressing issues of surveillance; the series’ first fictional piece, by China Miéville, covers an under-examined area of public space under the guise of detective fiction; a study of public art by Ben Davis sheds light on the myths and stigmas that have accrued to public(...)
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In this publication Rachel Monroe challenges American preconceptions of the wild, wide-open West by addressing issues of surveillance; the series’ first fictional piece, by China Miéville, covers an under-examined area of public space under the guise of detective fiction; a study of public art by Ben Davis sheds light on the myths and stigmas that have accrued to public(...)
Titre:
The future of public space
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In this publication Rachel Monroe challenges American preconceptions of the wild, wide-open West by addressing issues of surveillance; the series’ first fictional piece, by China Miéville, covers an under-examined area of public space under the guise of detective fiction; a study of public art by Ben Davis sheds light on the myths and stigmas that have accrued to public art, also asking what it can become; Christopher DeWolf shares a sensory navigation trip through a directionless Hong Kong; Michelle Nijhuis writes on the shifting ecologies of national parks; Sarah Fecht explores architecture and social life beyond Earth; while Jaron Lanier meditates on the idea of public space online, linking the prevailing, free-for-all model of the internet with a characteristically American yearning for freedom and repudiation of rules and structure. Also included are examples of public art works by Lawrence Weiner.
The future of public space
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In this publication Rachel Monroe challenges American preconceptions of the wild, wide-open West by addressing issues of surveillance; the series’ first fictional piece, by China Miéville, covers an under-examined area of public space under the guise of detective fiction; a study of public art by Ben Davis sheds light on the myths and stigmas that have accrued to public art, also asking what it can become; Christopher DeWolf shares a sensory navigation trip through a directionless Hong Kong; Michelle Nijhuis writes on the shifting ecologies of national parks; Sarah Fecht explores architecture and social life beyond Earth; while Jaron Lanier meditates on the idea of public space online, linking the prevailing, free-for-all model of the internet with a characteristically American yearning for freedom and repudiation of rules and structure. Also included are examples of public art works by Lawrence Weiner.
Classification:
livres
livres
Publication:
février 2018
février 2018
Sujet:
Théorie de l’architecture
Théorie de l’architecture
