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271 pages : illustrations (chiefly color) ; 26 cm
Berlin : Jovis Verlag GmbH, [2012], ©2012
Modernism in-between : the mediatory architectures of Socialist Yugoslavia / text: Vladimir Kulić & Maroje Mrduljas ; photographs: Wolfgang Thaler.
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271 pages : illustrations (chiefly color) ; 26 cm
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Berlin : Jovis Verlag GmbH, [2012], ©2012
$94.95
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Following the liberation and subsequent occupation of Austria at the end of World War II in spring 1945 by the victorious powers Britain, France, the United States, and the Soviet Union, Vienna soon became a central stage for the quickly emerging Cold War. The struggle of differing political systems was also carried out in the field of architecture. Cold War and(...)
Cold war and architecture: the competing forces that reshaped Austria after 1945
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Following the liberation and subsequent occupation of Austria at the end of World War II in spring 1945 by the victorious powers Britain, France, the United States, and the Soviet Union, Vienna soon became a central stage for the quickly emerging Cold War. The struggle of differing political systems was also carried out in the field of architecture. Cold War and Architecture sheds new light on the building activity in postwar Austria and its main protagonists. For the first time, this book explores the lines of architectural debates of the time in the context of the global political and cultural conflict of East vs. West. With its transnational perspective, it changes our view of architectural history and postwar society. During the ten-year occupation period, Austria experienced a transition from authoritarian government to democratic consumer society. Each of the four Allied powers established its own extensive cultural program. Architectural exhibitions became important instruments of such educational schemes with the objective of a new social order. British, American, French, and Soviet cultural policies served as catalysts for ideological convictions.
Modernisme
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Samuel Zipp sheds new light on the rise and fall of New York's urban renewal in the decades after World War II. Focusing on four iconic "Manhattan projects"--the United Nations building, Stuyvesant Town, Lincoln Center, and the great swaths of public housing in East Harlem--Zipp unearths a host of forgotten stories and characters that flesh out the conventional history of(...)
juin 2010
Manhattan projects: The rise and fall of urban renewal in Cold War New York
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Samuel Zipp sheds new light on the rise and fall of New York's urban renewal in the decades after World War II. Focusing on four iconic "Manhattan projects"--the United Nations building, Stuyvesant Town, Lincoln Center, and the great swaths of public housing in East Harlem--Zipp unearths a host of forgotten stories and characters that flesh out the conventional history of urban renewal. He shows how boosters hoped to make Manhattan the capital of modernity and a symbol of American power, but even as the builders executed their plans, a chorus of critics revealed the dark side of those Cold War visions, attacking urban renewal for perpetuating deindustrialization, racial segregation, and class division; for uprooting thousands, and for implanting a new, alienating cityscape. Cold War-era urban renewal was not merely a failed planning ideal, Zipp concludes, but also a crucial phase in the transformation of New York into both a world city and one mired in urban crisis.
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The technological innovation and unprecedented physical growth of the cold war era permeated American life in every aspect and at every scale. From the creation of the military-industrial complex and the beginnings of suburban sprawl to the production of the ballpoint pen and the TV dinner, the artifacts of the period are as numerous and diverse as they are familiar. Over(...)
Théorie de l’architecture
avril 2004, New York
Cold war hothouses : inventing postwar culture, from cockpit to Playboy
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The technological innovation and unprecedented physical growth of the cold war era permeated American life in every aspect and at every scale. From the creation of the military-industrial complex and the beginnings of suburban sprawl to the production of the ballpoint pen and the TV dinner, the artifacts of the period are as numerous and diverse as they are familiar. Over the past half-century, our awe at the advances of postwar society has softened to nostalgia, and our affection for its material culture has clouded our memories of the enormous spatial reorganizations and infrastructural transformations that changed American life forever. "Cold War Hot Houses" casts a clear, even playful, eye on this pivotal time in history, examining topics as diverse as the creation of the interstate highway system and the shopping centre, and the domestication of the national parks as well as the production of such seemingly mundane products as the drive-in theater, aluminum foil, and the king-size bed. The result is a vivid snapshot of American culture that still resonates today.
Théorie de l’architecture
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Castillo closely follows the course of this escalating rivalry between competing consumer cultures through the 1950s, concluding that the Soviet bloc's inability to make good on the claim that it could emulate goods and living standards offered by the West was a contributing factor in communism's eventual demise. Using a mosaic of sources ranging from recently(...)
Cold war on the home front, the soft power of midcentury design
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Castillo closely follows the course of this escalating rivalry between competing consumer cultures through the 1950s, concluding that the Soviet bloc's inability to make good on the claim that it could emulate goods and living standards offered by the West was a contributing factor in communism's eventual demise. Using a mosaic of sources ranging from recently declassified government documents to homemaking journals and popular fiction, this book contributes an engaging new perspective on midcentury modernist style and its political uses at the dawn of the cold war.
Théorie du design
livres
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xxii, 293 pages : illustrations ; 24 cm.
Minneapolis : University of Minnesota Press, [2013]
Designing the creative child : playthings and places in midcentury America / Amy F. Ogata.
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xxii, 293 pages : illustrations ; 24 cm.
livres
Minneapolis : University of Minnesota Press, [2013]
livres
Description:
409 pages : illustrations, maps ; 24 cm.
[Amsterdam] : Amsterdam University Press, 2012.
Shelter City : protecting citizens against air raids / Koos Bosma.
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409 pages : illustrations, maps ; 24 cm.
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[Amsterdam] : Amsterdam University Press, 2012.
livres
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233 pages : illustrations ; 21 cm
Minneapolis : University of Minnesota Press, [2017], ©2017
Curated decay : heritage beyond saving / Caitlin DeSilvey.
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233 pages : illustrations ; 21 cm
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Minneapolis : University of Minnesota Press, [2017], ©2017
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$45.00
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In this publication, Pamela Lee traces the complex encounters between Cold War think tanks and the art of that era. Lee shows how the approaches and methods of think tanks—including systems theory, operations research, and cybernetics—paved the way for a peculiar genre of midcentury modernism and set the terms for contemporary neoliberalism. Lee casts these shadowy(...)
Think tank aesthetics: mid-century modernism, the cold war, and the neoliberal present
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In this publication, Pamela Lee traces the complex encounters between Cold War think tanks and the art of that era. Lee shows how the approaches and methods of think tanks—including systems theory, operations research, and cybernetics—paved the way for a peculiar genre of midcentury modernism and set the terms for contemporary neoliberalism. Lee casts these shadowy institutions as sites of radical creativity and interdisciplinary practice in the service of defense strategy. Describing the distinctive aesthetics that emerged from such institutions as the RAND Corporation, she maps the multiple and overlapping networks that connected nuclear strategists, mathematicians, economists, anthropologists, artists, designers, and art historians.
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avril 2020
Théorie de l’architecture
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Dr. Strangelove, Dr. Strangelove / Kristan Horton ; [curated by Emelie Chhangur and Philip Monk].
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[102] p. : ill. ; 18 x 32 cm.
Toronto : Art Gallery of York University, 2007.
Dr. Strangelove, Dr. Strangelove / Kristan Horton ; [curated by Emelie Chhangur and Philip Monk].
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[102] p. : ill. ; 18 x 32 cm.
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Toronto : Art Gallery of York University, 2007.