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livres
livres
Titre:
Spartacus Chetwynd
Spartacus Chetwynd
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The British artist Spartacus Chetwynd (*1973, lives and works in London) is known for her baroque and surreal performances which, with great humor, bring together multiple image quotations from art history and pop culture. In the tradition of the grotesque she draws on elements from Giotto frescoes, characters from works by Hieronymus Bosch, or Yves Kleins(...)
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The British artist Spartacus Chetwynd (*1973, lives and works in London) is known for her baroque and surreal performances which, with great humor, bring together multiple image quotations from art history and pop culture. In the tradition of the grotesque she draws on elements from Giotto frescoes, characters from works by Hieronymus Bosch, or Yves Kleins(...)
Publication:
octobre 2007, Zurich
octobre 2007, Zurich
Titre:
Spartacus Chetwynd
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The British artist Spartacus Chetwynd (*1973, lives and works in London) is known for her baroque and surreal performances which, with great humor, bring together multiple image quotations from art history and pop culture. In the tradition of the grotesque she draws on elements from Giotto frescoes, characters from works by Hieronymus Bosch, or Yves Kleins "Anthropometries" (1960) together with heavy metal musicians, Michael Jacksons music video "Thriller," or the 1980s television series "The Hulk," and creates a unified whole. As well as performances, Chetwynd, who graduated from the Royal College of Art with an MA in painting, produced a series small canvases under the title "Bat Opera" (2004/2005), which also present quotations from pop culture, but in addition feature more romantic borrowings.
Spartacus Chetwynd
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The British artist Spartacus Chetwynd (*1973, lives and works in London) is known for her baroque and surreal performances which, with great humor, bring together multiple image quotations from art history and pop culture. In the tradition of the grotesque she draws on elements from Giotto frescoes, characters from works by Hieronymus Bosch, or Yves Kleins "Anthropometries" (1960) together with heavy metal musicians, Michael Jacksons music video "Thriller," or the 1980s television series "The Hulk," and creates a unified whole. As well as performances, Chetwynd, who graduated from the Royal College of Art with an MA in painting, produced a series small canvases under the title "Bat Opera" (2004/2005), which also present quotations from pop culture, but in addition feature more romantic borrowings.
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livres
livres
Publication:
octobre 2007, Zurich
octobre 2007, Zurich
Classification:
livres
livres
Titre:
François Morelli
François Morelli
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$100.00
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Le 1700 La Poste présente une exposition solo dédiée à l’artiste montréalais François Morelli. La carrière exceptionnelle de François Morelli se déploie sur quatre décennies, investissant sur plus de six disciplines artistiques à leur manière à travers le temps. Du dessin libre à l’estampe, de l’action publique à la performance et à l’installation in situ, l’œuvre de(...)
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Le 1700 La Poste présente une exposition solo dédiée à l’artiste montréalais François Morelli. La carrière exceptionnelle de François Morelli se déploie sur quatre décennies, investissant sur plus de six disciplines artistiques à leur manière à travers le temps. Du dessin libre à l’estampe, de l’action publique à la performance et à l’installation in situ, l’œuvre de(...)
Publication:
novembre 2017
novembre 2017
Titre:
François Morelli
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$100.00
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Résumé:
Le 1700 La Poste présente une exposition solo dédiée à l’artiste montréalais François Morelli. La carrière exceptionnelle de François Morelli se déploie sur quatre décennies, investissant sur plus de six disciplines artistiques à leur manière à travers le temps. Du dessin libre à l’estampe, de l’action publique à la performance et à l’installation in situ, l’œuvre de François Morelli trouve son fondement dans une pratique quotidienne du dessin, croisée d’une volonté constante d’intervenir dans le tissu social. À travers une démarche très polyvalente, François Morelli s’intéresse aux notions de passage, de migration et de transformation. Il investit le corps comme sujet d’étude tant au niveau personnel qu’au niveau social et historique. L’œuvre traite des frontières entre mémoire collective et mémoire personnelle, des rapports entre le politique et le domestique, entre le tragique et le grotesque.
François Morelli
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$100.00
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Résumé:
Le 1700 La Poste présente une exposition solo dédiée à l’artiste montréalais François Morelli. La carrière exceptionnelle de François Morelli se déploie sur quatre décennies, investissant sur plus de six disciplines artistiques à leur manière à travers le temps. Du dessin libre à l’estampe, de l’action publique à la performance et à l’installation in situ, l’œuvre de François Morelli trouve son fondement dans une pratique quotidienne du dessin, croisée d’une volonté constante d’intervenir dans le tissu social. À travers une démarche très polyvalente, François Morelli s’intéresse aux notions de passage, de migration et de transformation. Il investit le corps comme sujet d’étude tant au niveau personnel qu’au niveau social et historique. L’œuvre traite des frontières entre mémoire collective et mémoire personnelle, des rapports entre le politique et le domestique, entre le tragique et le grotesque.
Classification:
livres
livres
Publication:
novembre 2017
novembre 2017
Classification:
livres
livres
Titre:
Harry Gruyaert : Homeland
Harry Gruyaert : Homeland
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Dans ce livre, Harry Gruyaert nous invite à découvrir son homeland, la Belgique, pays qu’il sillonne depuis plus de soixante ans. Flamand de naissance, Gruyaert sait depuis longtemps que sa terre natale est « un endroit visuellement intéressant dans lequel il se passe des choses incongrues ». Son intuition très subtile de la couleur alliée à sa capacité à retranscrire(...)
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Dans ce livre, Harry Gruyaert nous invite à découvrir son homeland, la Belgique, pays qu’il sillonne depuis plus de soixante ans. Flamand de naissance, Gruyaert sait depuis longtemps que sa terre natale est « un endroit visuellement intéressant dans lequel il se passe des choses incongrues ». Son intuition très subtile de la couleur alliée à sa capacité à retranscrire(...)
Titre:
Harry Gruyaert : Homeland
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$99.95
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Résumé:
Dans ce livre, Harry Gruyaert nous invite à découvrir son homeland, la Belgique, pays qu’il sillonne depuis plus de soixante ans. Flamand de naissance, Gruyaert sait depuis longtemps que sa terre natale est « un endroit visuellement intéressant dans lequel il se passe des choses incongrues ». Son intuition très subtile de la couleur alliée à sa capacité à retranscrire l’essence des lieux sont perceptibles dans ce large corpus d’images à la fois « historiales et épicuriennes » comme le souligne l'écrivain Brice Matthieussent. Sens du grotesque, du sarcasme, banalité, mais aussi émotion et une certaine tendresse s’esquissent au fil d’images de carnaval, de processions religieuses, de cafés-concerts, de petites localités hérissées de maisons en briques... Quatre porfolios d’images en noir et blanc, partie plus méconnue de l'œuvre du photographe, viennent ponctuer, sur un papier différent, cette immersion visuelle de ce voyage au plat pays.
Harry Gruyaert : Homeland
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$99.95
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Résumé:
Dans ce livre, Harry Gruyaert nous invite à découvrir son homeland, la Belgique, pays qu’il sillonne depuis plus de soixante ans. Flamand de naissance, Gruyaert sait depuis longtemps que sa terre natale est « un endroit visuellement intéressant dans lequel il se passe des choses incongrues ». Son intuition très subtile de la couleur alliée à sa capacité à retranscrire l’essence des lieux sont perceptibles dans ce large corpus d’images à la fois « historiales et épicuriennes » comme le souligne l'écrivain Brice Matthieussent. Sens du grotesque, du sarcasme, banalité, mais aussi émotion et une certaine tendresse s’esquissent au fil d’images de carnaval, de processions religieuses, de cafés-concerts, de petites localités hérissées de maisons en briques... Quatre porfolios d’images en noir et blanc, partie plus méconnue de l'œuvre du photographe, viennent ponctuer, sur un papier différent, cette immersion visuelle de ce voyage au plat pays.
Classification:
livres
livres
Publication:
novembre 2024
novembre 2024
Sujet:
Monographies photo
Monographies photo
Classification:
périodiques
périodiques
Titre:
Texte zur kunst 121 : comedy
Texte zur kunst 121 : comedy
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Résumé:
The March issue of Texte zur Kunst, titled ''Comedy,'' investigates the comedic in art while also examining mass-media formats such as TV series and films. Comedy not only offers consolation and comfort by making the tragic seem comic; for the repressed, it also serves as a catalyst, addressing and thematizing repression through jokes, slapstick, or the grotesque.(...)
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Résumé:
The March issue of Texte zur Kunst, titled ''Comedy,'' investigates the comedic in art while also examining mass-media formats such as TV series and films. Comedy not only offers consolation and comfort by making the tragic seem comic; for the repressed, it also serves as a catalyst, addressing and thematizing repression through jokes, slapstick, or the grotesque.(...)
Titre:
Texte zur kunst 121 : comedy
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$30.00
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Résumé:
The March issue of Texte zur Kunst, titled ''Comedy,'' investigates the comedic in art while also examining mass-media formats such as TV series and films. Comedy not only offers consolation and comfort by making the tragic seem comic; for the repressed, it also serves as a catalyst, addressing and thematizing repression through jokes, slapstick, or the grotesque. However, at a time when audiences increasingly demand political commitment and authenticity from art, comedic speech, which is inherently disingenuous, has fallen into disrepute: ironically distanced rhetoric is accused of turning a blind eye to social inequality. Together with Bert Rebhandl, author and co-publisher of the film magazine cargo, the editors conceptualized an issue that examines the role of the joke in art, the psychoanalytic dimension of the comedic, and the limits of satire in the age of Donald Trump.
Texte zur kunst 121 : comedy
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$30.00
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Résumé:
The March issue of Texte zur Kunst, titled ''Comedy,'' investigates the comedic in art while also examining mass-media formats such as TV series and films. Comedy not only offers consolation and comfort by making the tragic seem comic; for the repressed, it also serves as a catalyst, addressing and thematizing repression through jokes, slapstick, or the grotesque. However, at a time when audiences increasingly demand political commitment and authenticity from art, comedic speech, which is inherently disingenuous, has fallen into disrepute: ironically distanced rhetoric is accused of turning a blind eye to social inequality. Together with Bert Rebhandl, author and co-publisher of the film magazine cargo, the editors conceptualized an issue that examines the role of the joke in art, the psychoanalytic dimension of the comedic, and the limits of satire in the age of Donald Trump.
Classification:
périodiques
périodiques
Publication:
mars 2021
mars 2021
Sujet:
Revues
Revues
Classification:
livres
livres
Titre:
Photography and death
Photography and death
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$35.95
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography(...)
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography(...)
Titre:
Photography and death
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$35.95
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The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography and Death reveals the significance of such images, formerly dismissed as disturbing or grotesque, and places them within the context of changing cultural attitudes towards death and loss. Excluding images of death through war, violence, or natural disasters, Audrey Linkman concentrates on photographs of natural deaths within the family. She identifies the range of death-related photographs that have been produced in both Europe and North America since the 1840s and charts changes in their treatment through the decades.
Photography and death
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$35.95
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Résumé:
The idea of photographing the dead is as old as photography itself. For the most part, early death photographs were commissioned or taken by relatives of the deceased and preserved in the home as part of the family collection. Once thought inappropriate and macabre, today these photographs are considered to have a beneficial role in bereavement therapy. Photography and Death reveals the significance of such images, formerly dismissed as disturbing or grotesque, and places them within the context of changing cultural attitudes towards death and loss. Excluding images of death through war, violence, or natural disasters, Audrey Linkman concentrates on photographs of natural deaths within the family. She identifies the range of death-related photographs that have been produced in both Europe and North America since the 1840s and charts changes in their treatment through the decades.
Classification:
livres
livres
Publication:
avril 2011
avril 2011
Sujet:
Théorie de la photographie
Théorie de la photographie
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livres
livres
Titre:
Drawings by Marcel Dzama
Drawings by Marcel Dzama
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Over the past few years Marcel Dzama's drawings have been attracting considerable attention. His odd mutant figures, with their ambiguous relationship to other figures, objects and situations, are infused with a radiant innocence and an idiosyncratic sense of humour far removed from other strategies that have fueled artmaking over the past decade. In this most(...)
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Over the past few years Marcel Dzama's drawings have been attracting considerable attention. His odd mutant figures, with their ambiguous relationship to other figures, objects and situations, are infused with a radiant innocence and an idiosyncratic sense of humour far removed from other strategies that have fueled artmaking over the past decade. In this most(...)
Publication:
janvier 2005, Windsor
janvier 2005, Windsor
Titre:
Drawings by Marcel Dzama
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Résumé:
Over the past few years Marcel Dzama's drawings have been attracting considerable attention. His odd mutant figures, with their ambiguous relationship to other figures, objects and situations, are infused with a radiant innocence and an idiosyncratic sense of humour far removed from other strategies that have fueled artmaking over the past decade. In this most comprehensive publication on Dzama's work to date, Patten examines the seminal evolution of Dzama's idiosyncratic approach to drawing between 1996 and 2001. Referring to Mikhail Bakhtin's concept of grotesque humour and the carnivalesque, he demonstrates how each drawing is an amalgam of allusions to 20th century popular culture. With an introduction by Wayne Baerwaldt, director of the Power Plant. Originally from Winnipeg, Marcel Dzama has had numerous solo exhibitions, notably at the Los Angeles Invitational Biennial, Richard Heller Gallery of Santa Monica and Sies + Hoke of Dusseldorf. He has also exhibited widely as a member of the Royal Art Lodge, most recently at New York's Drawing Room.
Drawings by Marcel Dzama
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Over the past few years Marcel Dzama's drawings have been attracting considerable attention. His odd mutant figures, with their ambiguous relationship to other figures, objects and situations, are infused with a radiant innocence and an idiosyncratic sense of humour far removed from other strategies that have fueled artmaking over the past decade. In this most comprehensive publication on Dzama's work to date, Patten examines the seminal evolution of Dzama's idiosyncratic approach to drawing between 1996 and 2001. Referring to Mikhail Bakhtin's concept of grotesque humour and the carnivalesque, he demonstrates how each drawing is an amalgam of allusions to 20th century popular culture. With an introduction by Wayne Baerwaldt, director of the Power Plant. Originally from Winnipeg, Marcel Dzama has had numerous solo exhibitions, notably at the Los Angeles Invitational Biennial, Richard Heller Gallery of Santa Monica and Sies + Hoke of Dusseldorf. He has also exhibited widely as a member of the Royal Art Lodge, most recently at New York's Drawing Room.
Classification:
livres
livres
Publication:
janvier 2005, Windsor
janvier 2005, Windsor
Classification:
livres
livres
Titre:
Pro Eto: That's What
Pro Eto: That's What
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$26.95
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Vladimir Mayakovsky was one of the towering literary figures of pre- and post-revolutionary Russia, speaking as much to the working man (he often employed the rough talk of the streets and revolutionary rhetoric in his poetry) as to other poets (his creative fascination with sound and form, linguistic metamorphosis and variation made him a sort of 'poet's poet', the(...)
$26.95
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Vladimir Mayakovsky was one of the towering literary figures of pre- and post-revolutionary Russia, speaking as much to the working man (he often employed the rough talk of the streets and revolutionary rhetoric in his poetry) as to other poets (his creative fascination with sound and form, linguistic metamorphosis and variation made him a sort of 'poet's poet', the(...)
Titre:
Pro Eto: That's What
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$26.95
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Vladimir Mayakovsky was one of the towering literary figures of pre- and post-revolutionary Russia, speaking as much to the working man (he often employed the rough talk of the streets and revolutionary rhetoric in his poetry) as to other poets (his creative fascination with sound and form, linguistic metamorphosis and variation made him a sort of 'poet's poet', the doyen, if not the envy, of his contemporaries, Pasternak among them). His poetry, influenced by Whitman and Verhaeren and strangely akin to modern rock poetry in its erotic thrust, bluesy complaints and cries of pain, not to mention its sardonic humour, is at once aggressive, mocking and tender, and often fantastic or grotesque. "Pro Eto - That's What" is a long love poem detailing the pain and suffering inflicted on the poet by his lover and her final rejection of him. But as well as being an agonising parable of separation and betrayal, it is also a political work, highly critical of Lenin's reforms of Soviet Socialism.
Pro Eto: That's What
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$26.95
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Vladimir Mayakovsky was one of the towering literary figures of pre- and post-revolutionary Russia, speaking as much to the working man (he often employed the rough talk of the streets and revolutionary rhetoric in his poetry) as to other poets (his creative fascination with sound and form, linguistic metamorphosis and variation made him a sort of 'poet's poet', the doyen, if not the envy, of his contemporaries, Pasternak among them). His poetry, influenced by Whitman and Verhaeren and strangely akin to modern rock poetry in its erotic thrust, bluesy complaints and cries of pain, not to mention its sardonic humour, is at once aggressive, mocking and tender, and often fantastic or grotesque. "Pro Eto - That's What" is a long love poem detailing the pain and suffering inflicted on the poet by his lover and her final rejection of him. But as well as being an agonising parable of separation and betrayal, it is also a political work, highly critical of Lenin's reforms of Soviet Socialism.
Classification:
livres
livres
Publication:
mai 2009
mai 2009
Sujet:
Littérature et poésie
Littérature et poésie
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livres
livres
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$45.95
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Résumé:
Whatever 'ugliness' is, it remains a problematic category in architectural aesthetics - alternately vilified and appropriated, either to shock or to invert conventions of architecture. This book presents eighteen new essays which rethink ugliness in architecture - from brutalism to eclectic postmodern architectural productions - and together offer a diverse reappraisal(...)
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Résumé:
Whatever 'ugliness' is, it remains a problematic category in architectural aesthetics - alternately vilified and appropriated, either to shock or to invert conventions of architecture. This book presents eighteen new essays which rethink ugliness in architecture - from brutalism to eclectic postmodern architectural productions - and together offer a diverse reappraisal(...)
Titre:
Architecture and ugliness: anti-aesthetics and the ugly in postmodern architecture
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$45.95
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Whatever 'ugliness' is, it remains a problematic category in architectural aesthetics - alternately vilified and appropriated, either to shock or to invert conventions of architecture. This book presents eighteen new essays which rethink ugliness in architecture - from brutalism to eclectic postmodern architectural productions - and together offer a diverse reappraisal of the history and theory of postmodern architecture and design. The essays address both broad theoretical questions on ugliness and postmodern aesthetics, as well as more specific analyses of significant architectural examples dating from the last decades of the twentieth century, addressing the relation between the aesthetic register of ugliness and aesthetic concepts such as brutalism, kitsch, the formless, ad hoc-ism, the monstrous, or the grotesque. "Architecture and ugliness" not only documents the history of a postmodern anti-aesthetic through a diverse set of case studies, it also sheds valuable light on an aesthetic problem which has been largely overlooked in architectural discourse. It is essential reading for all students and scholars with an interest in postmodern architectural history, architectural theory and aesthetics.
Architecture and ugliness: anti-aesthetics and the ugly in postmodern architecture
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$45.95
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Résumé:
Whatever 'ugliness' is, it remains a problematic category in architectural aesthetics - alternately vilified and appropriated, either to shock or to invert conventions of architecture. This book presents eighteen new essays which rethink ugliness in architecture - from brutalism to eclectic postmodern architectural productions - and together offer a diverse reappraisal of the history and theory of postmodern architecture and design. The essays address both broad theoretical questions on ugliness and postmodern aesthetics, as well as more specific analyses of significant architectural examples dating from the last decades of the twentieth century, addressing the relation between the aesthetic register of ugliness and aesthetic concepts such as brutalism, kitsch, the formless, ad hoc-ism, the monstrous, or the grotesque. "Architecture and ugliness" not only documents the history of a postmodern anti-aesthetic through a diverse set of case studies, it also sheds valuable light on an aesthetic problem which has been largely overlooked in architectural discourse. It is essential reading for all students and scholars with an interest in postmodern architectural history, architectural theory and aesthetics.
Classification:
livres
livres
Publication:
mai 2021
mai 2021
Sujet:
Post-modernisme
Post-modernisme
Classification:
livres
livres
Titre:
Archiflop: a guide to the most spectacular failures in the history of modern contemporary architectu
Archiflop: a guide to the most spectacular failures in the history of modern contemporary architectu
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$51.95
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Résumé:
As soon as it leaves the protective environment of drafting boards, specialized computer programs, and sophisticated 3-D models, every architectural project is inevitably forced to face the circumstances of real life. In most cases, it's a relatively painless experience, it nevertheless progresses without major problems – but sometimes things go wrong and it fails(...)
$51.95
(disponible sur commande)
Résumé:
As soon as it leaves the protective environment of drafting boards, specialized computer programs, and sophisticated 3-D models, every architectural project is inevitably forced to face the circumstances of real life. In most cases, it's a relatively painless experience, it nevertheless progresses without major problems – but sometimes things go wrong and it fails(...)
Titre:
Archiflop: a guide to the most spectacular failures in the history of modern contemporary architectu
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$51.95
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Résumé:
As soon as it leaves the protective environment of drafting boards, specialized computer programs, and sophisticated 3-D models, every architectural project is inevitably forced to face the circumstances of real life. In most cases, it's a relatively painless experience, it nevertheless progresses without major problems – but sometimes things go wrong and it fails miserably! What remains are unfulfilled expectations and broken dreams of overly optimistic architects, owners, and clients. With a tongue in cheek approach, this book presents a selection of the most spectacular architectural flops from the 20th century to the present. Each project is described briefly and its circumstances analyzed and extensively documented via photos. The reader is taken to monumental ghost towns in Asia, grotesque remnants of amusement parks, for example in the USA, and a nuclear power plant in Crimea. The author is not aiming to uncover faults and condemn failed projects but rather to contemplate on how difficult and nearly impossible it is to predict the future for any type of endeavor.
Archiflop: a guide to the most spectacular failures in the history of modern contemporary architectu
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Prix:
$51.95
(disponible sur commande)
Résumé:
As soon as it leaves the protective environment of drafting boards, specialized computer programs, and sophisticated 3-D models, every architectural project is inevitably forced to face the circumstances of real life. In most cases, it's a relatively painless experience, it nevertheless progresses without major problems – but sometimes things go wrong and it fails miserably! What remains are unfulfilled expectations and broken dreams of overly optimistic architects, owners, and clients. With a tongue in cheek approach, this book presents a selection of the most spectacular architectural flops from the 20th century to the present. Each project is described briefly and its circumstances analyzed and extensively documented via photos. The reader is taken to monumental ghost towns in Asia, grotesque remnants of amusement parks, for example in the USA, and a nuclear power plant in Crimea. The author is not aiming to uncover faults and condemn failed projects but rather to contemplate on how difficult and nearly impossible it is to predict the future for any type of endeavor.
Classification:
livres
livres
Publication:
octobre 2016
octobre 2016
Sujet:
Architecture contemporaine
Architecture contemporaine
Classification:
livres
livres
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$18.95
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Résumé:
Les artistes dont le travail est évoqué ou cité dans les dessins du Livre noir de l’art conceptuel ne sont pas tous strictement conceptuels, mais il est notable que la plupart de ceux qui l’étaient ne le sont plus. Ces dessins s’adressent à tous ceux qui les envient d’avoir réussi à arrêter et voudraient les imiter. Ils ont pour objectif de donner au lecteur une idée du(...)
$18.95
(disponible en magasin)
Résumé:
Les artistes dont le travail est évoqué ou cité dans les dessins du Livre noir de l’art conceptuel ne sont pas tous strictement conceptuels, mais il est notable que la plupart de ceux qui l’étaient ne le sont plus. Ces dessins s’adressent à tous ceux qui les envient d’avoir réussi à arrêter et voudraient les imiter. Ils ont pour objectif de donner au lecteur une idée du(...)
Titre:
Le livre noir de l'art conceptuel
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(disponible en magasin)
Résumé:
Les artistes dont le travail est évoqué ou cité dans les dessins du Livre noir de l’art conceptuel ne sont pas tous strictement conceptuels, mais il est notable que la plupart de ceux qui l’étaient ne le sont plus. Ces dessins s’adressent à tous ceux qui les envient d’avoir réussi à arrêter et voudraient les imiter. Ils ont pour objectif de donner au lecteur une idée du pétrin dans lequel sont pris les artistes aujourd’hui. Il y a une histoire drôle qui pose la différence entre un type qui tombe du vingtième étage – AAAAAaaa… Paf! – et celui qui tombe du deuxième étage – Paf… aaaAAAAA! L’ordre dans lequel est donné le palindrome a son importance. De même que la deuxième chute n’est grotesque qu’en comparaison avec celle, fatale, qui la précède, les générations d’artistes qui succèdent au grand bazar conceptuel ne peuvent ignorer les questionnements autoréflexifs d’un art retourné sur lui-même. Si certains considèrent cette situation comme une impasse formelle, trop sévèrement prescriptive, et choisissent de faire demi-tour, d’autres s’obstinent, sondant fébrilement les murs à la recherche d’un improbable passage.
Le livre noir de l'art conceptuel
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Prix:
$18.95
(disponible en magasin)
Résumé:
Les artistes dont le travail est évoqué ou cité dans les dessins du Livre noir de l’art conceptuel ne sont pas tous strictement conceptuels, mais il est notable que la plupart de ceux qui l’étaient ne le sont plus. Ces dessins s’adressent à tous ceux qui les envient d’avoir réussi à arrêter et voudraient les imiter. Ils ont pour objectif de donner au lecteur une idée du pétrin dans lequel sont pris les artistes aujourd’hui. Il y a une histoire drôle qui pose la différence entre un type qui tombe du vingtième étage – AAAAAaaa… Paf! – et celui qui tombe du deuxième étage – Paf… aaaAAAAA! L’ordre dans lequel est donné le palindrome a son importance. De même que la deuxième chute n’est grotesque qu’en comparaison avec celle, fatale, qui la précède, les générations d’artistes qui succèdent au grand bazar conceptuel ne peuvent ignorer les questionnements autoréflexifs d’un art retourné sur lui-même. Si certains considèrent cette situation comme une impasse formelle, trop sévèrement prescriptive, et choisissent de faire demi-tour, d’autres s’obstinent, sondant fébrilement les murs à la recherche d’un improbable passage.
Classification:
livres
livres
Publication:
mars 2011
mars 2011
