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"Last Landscapes" is an exploration of the cult and celebration of death, loss and memory. It traces the history and design of burial places throughout Europe and the USA, ranging from the picturesque tradition of the village churchyard to tightly packed ‘cities of the dead’, such as the Jewish Cemetery in Prague and Père Lachaise in Paris. Other landscapes that feature(...)
Last landscapes : the architecture of the cemetery in the west
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"Last Landscapes" is an exploration of the cult and celebration of death, loss and memory. It traces the history and design of burial places throughout Europe and the USA, ranging from the picturesque tradition of the village churchyard to tightly packed ‘cities of the dead’, such as the Jewish Cemetery in Prague and Père Lachaise in Paris. Other landscapes that feature in this book include the war cemeteries of northern France, Viking burial islands in central Sweden, Etruscan tombs and early Christian catacombs in Italy, the 17th-century Portuguese–Jewish cemetery 'Beth Haim' at Ouderkerk in the Netherlands, Forest Lawns in California, Derek Jarman’s garden in Kent and the Stockholm Woodland Cemetery. It is a fact that architecture ‘began with the tomb', yet, as Ken Worpole shows us in Last Landscapes, many historic cemeteries have been demolished or abandoned in recent times (notably the case with Jewish cemeteries in Eastern Europe), and there has been an increasing loss of inscription and memorialization in the modern urban cemetery. Too often cemeteries today are both poorly designed and physically and culturally marginalized. Worse, cremation denies a full architectural response to the mystery and solemnity of death. The author explores how modes of disposal – burial, cremation, inhumation in mausoleums and wall tombs – vary across Europe and North America, according to religious and other cultural influences. And Last Landscapes raises profound questions as to how, in an age of mass cremation, architects and landscape designers might create meaningful structures and settings in the absence of a body, since for most of history the human body itself has provided the fundamental structural scale. This evocative book also contemplates other forms of memorialization within modern societies, from sculptures to parks, most notably the extraordinary Duisberg Park, set in a former giant steelworks in Germany’s Ruhr Valley.
Jardins
$70.00
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"Embodied figures in a landscape", volume 9 in the landscape review "Pages paysages", features a critical investigation into the relationship between the body and space, laying particular emphasis on actions and interventions. Projects from France, Italy, England, USA, Germany, and Japan are presented, highlighting the new possibilities and solutions in the area of(...)
Jardins
septembre 2002, Versailles / Basel
Pages paysages no. 9 : embodied figures in a landscape
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"Embodied figures in a landscape", volume 9 in the landscape review "Pages paysages", features a critical investigation into the relationship between the body and space, laying particular emphasis on actions and interventions. Projects from France, Italy, England, USA, Germany, and Japan are presented, highlighting the new possibilities and solutions in the area of international landscape architecture, such as the theatrical interventions of a French dance company with their swaying bodies, which contribute to enlivening public places.
Jardins
$55.00
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In 'Picture Summer on Kodak Film', a poem by two sisters echoes across Fulford’s photographs, comprised of recurring motifs: time, test strips, refracted light, rainbow colour, and distortion through shadows. Characters and places are repeated in kaleidoscopic compositions throughout this vivid sequence. Though taken across the world (in Canada, Italy, Japan, Mexico,(...)
Jason Fulford: Picture summer on Kodak film
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In 'Picture Summer on Kodak Film', a poem by two sisters echoes across Fulford’s photographs, comprised of recurring motifs: time, test strips, refracted light, rainbow colour, and distortion through shadows. Characters and places are repeated in kaleidoscopic compositions throughout this vivid sequence. Though taken across the world (in Canada, Italy, Japan, Mexico, Nepal, Thailand, USA and Vietnam), these photographs come together to create a singular visual language: one bright, timeless, fictional place. A place imbued with the unexpected beauty, humor and meaning, that one has come to expect from Jason Fulford.
Monographies photo
A+U 499
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This issue of a+u features projects of a small and sustainable nature. From the passive house in Bessancourt, France, by Karawitz Architecture and a solar house in the Aosta Valley, Italy, by Studio ALBORI, to TYIN tegnestue Architects’ Safe Haven Library and Bathhouse in Thailand and Virginia Tech Center’s ‘Lumenhaus’ in Blacksburg, Virginia, USA, the global range of(...)
A+U 499
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This issue of a+u features projects of a small and sustainable nature. From the passive house in Bessancourt, France, by Karawitz Architecture and a solar house in the Aosta Valley, Italy, by Studio ALBORI, to TYIN tegnestue Architects’ Safe Haven Library and Bathhouse in Thailand and Virginia Tech Center’s ‘Lumenhaus’ in Blacksburg, Virginia, USA, the global range of projects herein are all examples of how architecture can contribute to realizing a sustainable society in the future. Also included is an essay on the C2C (‘cradle to cradle’) concept, as investigated by the Belgian research collective Rotor.
Revues
livres
Domus volume 2 1940-1949
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1940-1949: Destruction and Reconstruction. This volume covers the 1940s, when fascism came to a climax and World War II led to the extensive destruction of Europe. But the second half of this decade was also a time of reconstruction, democratization, and the related search for new social values. Unlike in Nazi Germany, in fascist Italy Modernism was able to advance in(...)
Domus volume 2 1940-1949
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1940-1949: Destruction and Reconstruction. This volume covers the 1940s, when fascism came to a climax and World War II led to the extensive destruction of Europe. But the second half of this decade was also a time of reconstruction, democratization, and the related search for new social values. Unlike in Nazi Germany, in fascist Italy Modernism was able to advance in architecture and design - as proved impressively by the buildings and designs by Carlo Mollino, Gian Luigi Banfi, Franco Albini, and Giuseppe Terragni that are documented herein. After the war, Organic Design emerged alongside the International style. This edition reflects upon the economic, social, and cultural problems of the time, but also shows how the force of the avant-garde continued to thrive in Italy, Switzerland, Scandinavia and the USA. Reports and features on modern industrial design and furniture, as well as domestic and business interiors stand side by side with articles about novel prefabricated houses
livres
octobre 2008
Design d’intérieur
Ando Tadao
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Philippe Starck describes him as a "mystic in a country which is no longer mystic." Drew Philip calls his buildings "land art" that "struggle to emerge from the earth." He is the only architect to have won the discipline`s four most prestigious prizes: the Pritzker, Carlsberg, Praemium Imperiale, and Kyoto Prize. His name is Tadao Ando, and he is one of the world`s(...)
Architecture, monographies
janvier 1900, Hong Kong, Köln, London, Los Angeles, Madrid
Ando Tadao
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Philippe Starck describes him as a "mystic in a country which is no longer mystic." Drew Philip calls his buildings "land art" that "struggle to emerge from the earth." He is the only architect to have won the discipline`s four most prestigious prizes: the Pritzker, Carlsberg, Praemium Imperiale, and Kyoto Prize. His name is Tadao Ando, and he is one of the world`s greatest living architects. Combining influences from Japanese tradition with the best of Modernism, Ando has developed a completely unique building aesthetic that makes use of concrete, wood, water, light, space, and nature in a way that has never been witnessed elsewhere in architecture. This book provides the perfect introduction to Ando`s work, including private homes, churches, museums, apartment complexes, and cultural spaces throughout Japan, and in France, Italy, Spain, and the USA.
Architecture, monographies
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Spanning four continents and six countries, this book introduces "new art landscapes" that fuse architecture, the reuse of found structures, environmentalism, and artistic experimentation. Through words and pictures, readers explore six institutions--Olympic Sculpture Park, Seattle, USA; Raketenstation Hombroich, near Neuss, Germany; Benesse Art Site in Naoshima, Japan;(...)
White cube, green maze: new art landscapes
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Spanning four continents and six countries, this book introduces "new art landscapes" that fuse architecture, the reuse of found structures, environmentalism, and artistic experimentation. Through words and pictures, readers explore six institutions--Olympic Sculpture Park, Seattle, USA; Raketenstation Hombroich, near Neuss, Germany; Benesse Art Site in Naoshima, Japan; Inhotim, near Belo Horizonte, Brazil; Jardin Botanico, Culiacan, Mexico; and Grand Traiano Art Complex, Grottaferrata, Italy--dedicated to the experience of culture and nature. Integrating vegetation and non-linear sequences of spaces, the sites offer multiple experiences enticing the visitor to circulate between and within buildings. The sites are depicted with architects' plans and sketches, historical photographs, and maquettes and sketches by key installation artists. Raymund Ryan's essay discusses important historical precedents and considers the defining characteristics of "new art landscapes" through descriptions of each of the projects. Brian O'Doherty offers an artist's critical perspective, while Marc Treib situates the projects in the history of landscape design Architects under consideration include such established masters as Tadao Ando and Alvaro Siza Vieira as well as emerging practices such as Tatiana Bilbao and Johnston Marklee.
Jardins
livres
Cities in transition
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***ÉPUISÉE / OUT OF PRINT*** "Cities in transition" deals with the effects of globalization and internationalization in relation to urbanism and critical assessment in contemporary theory. The book brings together internationally known authors from many countries including England, the USA, Germany, Greece, Italy, Japan and the Netherlands. A diversity of critical(...)
Théorie de l’urbanisme
mars 2001, Rotterdam
Cities in transition
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***ÉPUISÉE / OUT OF PRINT*** "Cities in transition" deals with the effects of globalization and internationalization in relation to urbanism and critical assessment in contemporary theory. The book brings together internationally known authors from many countries including England, the USA, Germany, Greece, Italy, Japan and the Netherlands. A diversity of critical positions on spatial and social questions is discussed on an international level. The theme of globalization is queried concerning the relation of urban and port developments in Tokyo's Bay Area and in Rotterdam. Cities have historically allowed the coming about of national economies, politics and societies we can think of as centralized. In several contributions this aspect is examined from the viewpoint of the flâneur, a creature of the metropolis, Parisian above all. As for their present day economic function, cities provide agglomeration economies, with a massive concentration of information on the latest developments. The book argues for a new reflexivity related to both economic and cultural understanding of our world. Cities in Transition is the third volume in the "Stylos critical landscape" series, issued by the Faculty of architecture of Delft university of technology.
livres
mars 2001, Rotterdam
Théorie de l’urbanisme
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The world of design is in confusion. The market suffers from a surplus of products, designers and companies, the majority of which are imitations and epigones that constantly supplant each other. Distinctions between separate disciplines are becoming increasingly blurred, labels merge with one another and design studios go bankrupt. Old and new values clash. The world(...)
Bright minds, beautiful ideas : parallel thoughts in different times
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The world of design is in confusion. The market suffers from a surplus of products, designers and companies, the majority of which are imitations and epigones that constantly supplant each other. Distinctions between separate disciplines are becoming increasingly blurred, labels merge with one another and design studios go bankrupt. Old and new values clash. The world economy has been plunged into recession while interest for local aspects is on the rise. High time for a rethink on the role of the designer and the meaning of design. What is an actual and true contemporary attitude to design - what is contemporary design? These are questions posed by "Bright Minds, Beautiful Ideas" , an inspiring and brainstorming book that through the imagination and handiwork of four innovative and influential designers, sketches a perspective for today (and possibly the future). Despite differences in background and the date of their oeuvre, Bruno Munari (Italy 1907-1998), Charles and Ray Eames (USA 1907-1978 and 1912-1988), Martí Guixé (Spain 1964) and Jurgen Bey (the Netherlands 1965), share a number of characteristics that are of fundamental importance for design. They question everything and are capable of coupling fantasy, playfulness and investigation with vision. They link culture to economy and science and match curiosity and openness with social commitment and action. Their work and vision are timeless and yet contemporary. "Bright Minds, Beautiful Ideas" is a vital book that gives a sparkling singular perspective of roles, values and functions of designers and design.
Design d’intérieur