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415 pages : illustrations, maps ; 23 cm
Milano : Humboldt Books ; Amsterdam : International Foundation Manifesrta, [2018], ©2018
Manifesta 12 - Palermo Atlas : a project / by OMA - Ippolito Pestellini Laparelli ; with Martina Motta, Giacomo Ardesio, Giulio Margheri, Paul Cournet, Marcello Carpino ; critical essays: Nora Akawi, Giuseppe Barbera, Marina Otero Verzier, Giorgio Vasta.
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415 pages : illustrations, maps ; 23 cm
livres
Milano : Humboldt Books ; Amsterdam : International Foundation Manifesrta, [2018], ©2018
$74.00
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What does the ideal capital look like? Photographer Nick Hannes traveled to six countries – Egypt, Korea, Nigeria, Kazakhstan, Indonesia and Brazil – that have recently built a new capital or are in the process of doing so. Each and every one of them is a typical example of what Rem Koolhaas calls the Generic City: a planned city without historical layers, local identity,(...)
Nick Hannes.New Capital: Building cities from scratch
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What does the ideal capital look like? Photographer Nick Hannes traveled to six countries – Egypt, Korea, Nigeria, Kazakhstan, Indonesia and Brazil – that have recently built a new capital or are in the process of doing so. Each and every one of them is a typical example of what Rem Koolhaas calls the Generic City: a planned city without historical layers, local identity, or its own character. As a visual sociologist with a sharp eye for detail, Hannes searches for the human dimension in a setting full of spectacular architecture and pompous prestige projects. "New Capital" is a critical reflection on unbridled neoliberal urban development and its social and ecological consequences, but is also peppered with subtle humor and surprising coincidences. Meandering between pride and sadness, "New Capital" shows how utopia and dystopia are sometimes surprisingly close.
Monographies photo
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''Citizens of photography'' explores how photography offers access to forms of citizenship beyond those available through ordinary politics. Through contemporary ethnographic investigations of photographic practice in Nicaragua, Nigeria, Greece, India, Nepal, Sri Lanka, Bangladesh, and Cambodia, the PhotoDemos Collective traces the resonances between political(...)
Théorie de la photographie
septembre 2023
Citizens of photography: The camera and the political imagination
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''Citizens of photography'' explores how photography offers access to forms of citizenship beyond those available through ordinary politics. Through contemporary ethnographic investigations of photographic practice in Nicaragua, Nigeria, Greece, India, Nepal, Sri Lanka, Bangladesh, and Cambodia, the PhotoDemos Collective traces the resonances between political representation and photographic representation. The authors emphasize photography as lived practice and how photography’s performative, transformative, and transgressive possibilities facilitate the articulation of new identities. They analyze photography ranging from family albums and social media to state and public archives, showing how it points to new destinations in the context of social movements, the aftermath of atrocity and civil war, and the legacies of past injustices. By foregrounding photography’s open-ended and contingent nature and its ability to subvert and reconfigure conventional political identifications, this volume demonstrates that as much as photography looks to the past, it points to the future, acting in advance of social reality.
Théorie de la photographie
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Un panorama des mutations des trente dernières années, depuis l’entrée de l’Inde dans la globalisation et la libéralisation de son économie. Aujourd’hui, plus de la moitié de la population mondiale vit en ville et le taux d’urbanisation atteindra 68% en 2050. Les pays émergents joueront un rôle majeur dans ce futur d’une urbanisation généralisée mais c’est l’Inde qui(...)
Quand l'Inde s'urbanise : services essentiels et paradoxes d'un urbanisme bricolé
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Un panorama des mutations des trente dernières années, depuis l’entrée de l’Inde dans la globalisation et la libéralisation de son économie. Aujourd’hui, plus de la moitié de la population mondiale vit en ville et le taux d’urbanisation atteindra 68% en 2050. Les pays émergents joueront un rôle majeur dans ce futur d’une urbanisation généralisée mais c’est l’Inde qui contribuera le plus à cette croissance, devant la Chine et le Nigeria. À cette date, le nombre d’habitants dans les villes indiennes sera de 800 millions, contre 377 millions en 2011, soit une fois et demie la population totale de l’Europe. Ces chiffres sont vertigineux et rendent nécessaire une appréhension fine de ce qu’est la transition urbaine de l’Inde. Trois grandes lignes de force structurent cet ouvrage : la nature du processus d’urbanisation, les effets de libéralisation économique sur les villes indiennes et la persistance de très fortes inégalités.
Théorie de l’urbanisme
livres
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255 pages : illustrations (chiefly color), portraits (some color) ; 28 cm
Munich ; London ; New York : Prestel, [2021], ©2021
Raising the roof : women architects who broke through the glass ceiling / Agata Toromanoff.
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255 pages : illustrations (chiefly color), portraits (some color) ; 28 cm
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Munich ; London ; New York : Prestel, [2021], ©2021
$34.00
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In November 2022, the first annual Alchemy Lecture took place at York University in Toronto, bringing four deep and agile writers from different geographies and disciplines into vibrant conversation on a topic of urgent relevance: humans and borders. Now, in these pages, that conversation is captured and expanded in insightful, passionate ways. Architect, artist, and(...)
Borders, human itineraries, and all our relation. The alchemy lecture
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In November 2022, the first annual Alchemy Lecture took place at York University in Toronto, bringing four deep and agile writers from different geographies and disciplines into vibrant conversation on a topic of urgent relevance: humans and borders. Now, in these pages, that conversation is captured and expanded in insightful, passionate ways. Architect, artist, and urban theorist Dele Adeyemo (UK/Nigeria) calls attention to the complexity of Black infrastructures, questioning how “the environments that surround us condition the possibility of our being.” Poet Natalie Diaz (US/Mojave/Akimel O’otham) writes: “Like story, migration is the sensual movement of knowledge,” and asks, “What is the language we need to live right now?” Philosopher Nadia Yala Kisukidi (France) suggests there is no diasporic life “without the dynamics of fabulation, where we pass down, from generation to generation, the stories of our ancestors who walked barefoot for many months.” And cultural theorist Rinaldo Walcott (Canada) asks us to consider inheritances beyond white supremacist logics: “What might it mean to live a life, if we can’t risk desiring and working towards utopia?”
Social
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In this volume, Ayala Levin charts the settler colonial imagination and practices that undergirded Israeli architectural development aid in Africa. Focusing on the ''golden age'' of Israel’s diplomatic relations in and throughout the continent from 1958 to 1973, Levin finds that Israel positioned itself as a developing-nation alternative in the competition over aid and(...)
Architecture and development: Israeli construction in sub-saharan Africa 1958-1973
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In this volume, Ayala Levin charts the settler colonial imagination and practices that undergirded Israeli architectural development aid in Africa. Focusing on the ''golden age'' of Israel’s diplomatic relations in and throughout the continent from 1958 to 1973, Levin finds that Israel positioned itself as a developing-nation alternative in the competition over aid and influence between global North and global South. In analyses of the design and construction of prestigious governmental projects in Nigeria, Sierra Leone, and Ethiopia, Levin details how architects, planners, and a trade union--owned construction company staged Israel as a new center of nonaligned expertise. These actors and professionals paradoxically capitalized on their settler colonial experience in Palestine, refashioning it as an alternative to Western colonial expertise. Levin traces how Israel became involved in the modernization of governance, education, and agriculture in Africa, as well as how African leaders chose to work with Israel to forge new South-South connections. In so doing, she offers new ways of understanding the role of architecture as a vehicle of postcolonial development and in the mobilization of development resources.
Fairy tale architecture
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Little Red Riding Hood, Baba Yaga, Rapunzel, Jack and the Beanstalk, The Snow Queen: these and more than fifteen other stories designed by Bernheimer Architecture, Snøhetta, Rural Studio, LEVENBETTS, and LTL Architects and many other international vanguards have created stunning works for this groundbreaking collection of architectural fairy tales. Story by story, Andrew(...)
Théorie de l’architecture
décembre 2020
Fairy tale architecture
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Little Red Riding Hood, Baba Yaga, Rapunzel, Jack and the Beanstalk, The Snow Queen: these and more than fifteen other stories designed by Bernheimer Architecture, Snøhetta, Rural Studio, LEVENBETTS, and LTL Architects and many other international vanguards have created stunning works for this groundbreaking collection of architectural fairy tales. Story by story, Andrew Bernheimer and Kate Bernheimer- a brother and sister team as in an old fairy tale- have built the ultimate home for lovers of fiction and design. Snow girls and spinning houses. Paper capes and engineered hair braids. Resin bee hives and infinite libraries. Here are futuristic structures made from traditional stories, inspired by everything from Hans Christian Andersen’s The Snow Queen and The Little Match Girl to the Brothers Grimm’s Rapunzel and The Juniper Tree to fairy tales by Jorge Luis Borges and Joy Williams and from China, Japan, Russia, Nigeria, and Mexico. A desire for story and shelter counts as among our most ancient instincts, and this dual desire continues to inspire our most imaginative architects and authors today. ''Fairy Tale Architecture'' invites the reader into a space of wonder, into a new form that will endure ever after.
Théorie de l’architecture
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We are living in the Anthropocene—an era of dramatic and violent climate change featuring warming oceans, melting icecaps, extreme weather events, habitat loss, species extinction, and more. What will life be like in a climate-changed world? In ''Tomorrow’s parties,'' science fiction authors speculate how we might be able to live and even thrive through the advancing(...)
Tomorrow's parties: Life in the Anthropocene
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We are living in the Anthropocene—an era of dramatic and violent climate change featuring warming oceans, melting icecaps, extreme weather events, habitat loss, species extinction, and more. What will life be like in a climate-changed world? In ''Tomorrow’s parties,'' science fiction authors speculate how we might be able to live and even thrive through the advancing Anthropocene. In ten original stories by writers from around the world, an interview with celebrated writer Kim Stanley Robinson, and a series of intricate and elegant artworks by Sean Bodley, ''Tomorrow’s parties'' takes rational optimism as a moral imperative, or at least a pragmatic alternative to despair. In these stories—by writers from the United Kingdom, the United States, Nigeria, China, Bangladesh, and Australia—a young man steals from delivery drones; a political community lives on an island made of ocean-borne plastic waste; and a climate change denier tries to unmask ''crisis actors.'' Climate-changed life also has its pleasures and epiphanies, as when a father in Africa works to make his son’s dreams of ''Viking adventure'' a reality, and an IT professional dispatched to a distant village encounters a marvelous predigital fungal network. Contributors include Pascall Prize for Criticism winner James Bradley, Hugo Award winners Greg Egan and Sarah Gailey, Philip K Dick Award winner Meg Elison, and New York Times bestselling author Daryl Gregory.
Littérature et poésie
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Moving the critical debate about photography away from its current Euro-American centre of gravity, "Photography’s Other Histories" breaks with the notion that photographic history is best seen as the explosion of a Western technology advanced by the work of singular individuals. This collection presents a different account, describing photography as a globally(...)
Théorie de la photographie
mars 2003, Durham, N.C.
Photography's other histories
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Moving the critical debate about photography away from its current Euro-American centre of gravity, "Photography’s Other Histories" breaks with the notion that photographic history is best seen as the explosion of a Western technology advanced by the work of singular individuals. This collection presents a different account, describing photography as a globally disseminated and locally appropriated medium. Essays firmly grounded in photographic practice — in the actual making of pictures — suggest the extraordinary diversity of nonwestern photography "Photography’s Other Histories" explores from a variety of geographic, cultural, and historic perspectives the role of photography in raising historical consciousness. It includes two first-person pieces by indigenous Australians and one by a Seminole/Muskogee/Diné artist. Some of the essays analyze representations of colonial subjects—from the limited ways Westerners have depicted Navajos to Japanese photos recording the occupation of Manchuria and from the changing nature of the "contract" between Aboriginal subjects and photographers to the surprising range of cultural influences evident in the photographs colonialist F. R. Barton took in New Guinea in the late 1800s and early 1900s. Focusing on photographic self-fashioning and the development of vernacular modernisms, other essays highlight the visionary quality of much popular photography. Case studies centered in early-twentieth-century Peru and contemporary India, Kenya, and Nigeria chronicle the diverse practices that have flourished in postcolonial societies. "Photography’s Other Histories" recasts popular photography around the world, as not simply reproducing culture but creating it.
Théorie de la photographie