Victor Burgin: Between
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First published in 1986 and long out of print, Between charts Burgin’s passage from early conceptual art, via appropriationist works and critiques of mass media imagery to a series of photo-texts informed by psychoanalysis, semiotics, cinema studies and feminism. Interweaving Burgin’s visual work with fragments from interviews, talks and letters, the publication offers(...)
Victor Burgin: Between
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$55.00
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First published in 1986 and long out of print, Between charts Burgin’s passage from early conceptual art, via appropriationist works and critiques of mass media imagery to a series of photo-texts informed by psychoanalysis, semiotics, cinema studies and feminism. Interweaving Burgin’s visual work with fragments from interviews, talks and letters, the publication offers insights into the relation of ‘theory’ to ‘practice’ in a form of art which has undermined the basis of this distinction.
Monographies photo
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Hans Ulrich Obrist has been a staunch supporter of the Los Angeles maestro of Conceptualism John Baldessari from early on in his career. For these conversations, the artist and curator were joined by, among others, the Uruguayan artist and author Alejandro Cesarco, a friend and previous public interlocutor of Baldessari's. Baldessari himself offers readers insight into(...)
Hans Ulrich Obrist & John Baldessari: The conversation series
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Hans Ulrich Obrist has been a staunch supporter of the Los Angeles maestro of Conceptualism John Baldessari from early on in his career. For these conversations, the artist and curator were joined by, among others, the Uruguayan artist and author Alejandro Cesarco, a friend and previous public interlocutor of Baldessari's. Baldessari himself offers readers insight into the motives and semiotics of his multimedia work and his life as an artist, always expressing himself with precision and with wit.
Théorie de l’art
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The greater part of Barthes’s published writings has been available to a French audience since 2002, but now, translator Chris Turner presents a collection of essays, interviews, prefaces, book reviews, and other journalistic material for the first time in English and divided into five themed volumes. Volume four, Signs and Images, gathers pieces related to his central(...)
Signs and images: Writings on art, cinema, and photography
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The greater part of Barthes’s published writings has been available to a French audience since 2002, but now, translator Chris Turner presents a collection of essays, interviews, prefaces, book reviews, and other journalistic material for the first time in English and divided into five themed volumes. Volume four, Signs and Images, gathers pieces related to his central concerns—semiotics, visual culture, art, cinema, and photography—and features essays on Marthe Arnould, Lucien Clergue, Daniel Boudinet, Richard Avedon, Bernard Faucon, and many more.
Théorie de l’art
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xii, 343 pages : illustrations ; 26 cm
London ; New York : Routledge, 1994.
Interpreting objects and collections / edited by Susan M. Pearce.
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xii, 343 pages : illustrations ; 26 cm
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London ; New York : Routledge, 1994.
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Over the years, construction workers seem to have developed a mysterious script made with adhesive tape that is readable by only a few. What do these signs mean? Is this some sort of secret language? Or is there no meaning at all? Are things always as they seem? Visual artist and architect SerraGlia, fascinated by cities and by semiotics, decided to create an artistic and(...)
Signs fiction: seeking a new language
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Over the years, construction workers seem to have developed a mysterious script made with adhesive tape that is readable by only a few. What do these signs mean? Is this some sort of secret language? Or is there no meaning at all? Are things always as they seem? Visual artist and architect SerraGlia, fascinated by cities and by semiotics, decided to create an artistic and slightly ironic visual statement about these found signs. He is not seeking to reveal their absolute truth. Instead, he wants to question our perception of our surroundings.
Ryan McGuiness : works
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Ryan McGinness is an artist whose skate-punk aesthetic incorporates carefully rendered personal iconography, contemporary semiotics, and layered neo-baroque compositions. His works are in multiple mediums and his signature symbols and visual code have influenced an entire generation of graphic designers. This publication is a collection of the artist’s most recent pieces,(...)
Ryan McGuiness : works
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Ryan McGinness is an artist whose skate-punk aesthetic incorporates carefully rendered personal iconography, contemporary semiotics, and layered neo-baroque compositions. His works are in multiple mediums and his signature symbols and visual code have influenced an entire generation of graphic designers. This publication is a collection of the artist’s most recent pieces, including installations, prints, sculpture, and paintings. Each body of work is illustrated and discussed in detail, and the process behind each project is told through the use of sketches, diagrams, details, and photographs. With contributions from David Byrne, Tom Greenwood, Peter Halley, Greg Lindquist and Jonathan T.D. Neil.
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From 1970–1990, architecture experienced a revision as part of the post-modern movement. The critical attitude to the functionalistic Moderne style and the influence of semiotics and philosophical trends, such as phenomenology, on architectural theory led to an increased interest in its history, expression, perception, and context. In addition, architectural heritage and(...)
Re-framing identities: Architecture's turn to history, 1970-1990. East-West central, vol. 3
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From 1970–1990, architecture experienced a revision as part of the post-modern movement. The critical attitude to the functionalistic Moderne style and the influence of semiotics and philosophical trends, such as phenomenology, on architectural theory led to an increased interest in its history, expression, perception, and context. In addition, architectural heritage and the care of architectural monuments gained importance. This development also increasingly challenged the ideologically based division between East and West. Instead of emphasizing the differences, the search was for a joint cultural heritage. The contributions in this volume question terms such as "Moderne" and "post-modern", and show how architecture could again represent local, regional, and national identity.
Théorie de l’architecture
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"Botanical Drift" explores the hermeneutics, historicization, semiotics, and symbiosis of plant diversification, species cultivation, and destruction—past and present, extant and extinct—around the globe. Plant histories are explored as commodities and colonial as well as decolonial devices by significant and diverse feminist, art-historical, and anthropological(...)
Botanical Drift: protagonists of the invasive herbarium
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"Botanical Drift" explores the hermeneutics, historicization, semiotics, and symbiosis of plant diversification, species cultivation, and destruction—past and present, extant and extinct—around the globe. Plant histories are explored as commodities and colonial as well as decolonial devices by significant and diverse feminist, art-historical, and anthropological voices—from Germaine Greer to herman de vries—bringing new perspectives through photo-essays, fiction, performance, and interventions in ecological, film, and translation archives. Reflecting on experimental ecology—the undiscovered, underestimated, and undesired non-European flora and fauna—it challenges perception and inspires potentialities to bring new understandings of the undergrowth of the Kew Gardens botany collection.
Théorie du paysage
Digital media revisited
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Arguing that "first encounters" have already applied traditional theoretical and conceptual frameworks to digital media, the contributors to this book call for "second encounters," or a revisiting. Digital media are not only objects of analysis but also instruments for the development of innovative perspectives on both media and culture. Drawing on insights from literary(...)
Théorie de l’architecture
septembre 2004, Cambridge, Mass.
Digital media revisited
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Arguing that "first encounters" have already applied traditional theoretical and conceptual frameworks to digital media, the contributors to this book call for "second encounters," or a revisiting. Digital media are not only objects of analysis but also instruments for the development of innovative perspectives on both media and culture. Drawing on insights from literary theory, semiotics, philosophy, aesthetics, ethics, media studies, sociology, and education, the contributors construct new positions from which to observe digital media in fresh and meaningful ways. Throughout they explore to what extent interpretation of and experimentation with digital media can inform theory. It also asks how our understanding of digital media can contribute to our understanding of social and cultural change.
Théorie de l’architecture
Grafts: writings on plants
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Taking as his starting point the simple vegetal conception of grafting, Michael Marder guides the reader through his concise and numerous reflections on what could be described as a vegetal philosophy. Grafts are transplants either of a shoot inserted into the trunk of another tree or, surgically, of skin (among other living tissues). They are delicate operations intended(...)
Grafts: writings on plants
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Taking as his starting point the simple vegetal conception of grafting, Michael Marder guides the reader through his concise and numerous reflections on what could be described as a vegetal philosophy. Grafts are transplants either of a shoot inserted into the trunk of another tree or, surgically, of skin (among other living tissues). They are delicate operations intended to preserve, improve, and modify both the grafted materials and the body that receives them. To graft is to create unlikely encounters, hybrid mixes, and novel surfaces. Moving across disciplinary lines, "Grafts" combines the lessons of plant science with the history of philosophy, semiotics, literary compositions, and political theory. Co-authoring some of the texts with other philosophers, plant scientists and artists, Marder allows their insights to be grafted onto his own, and vice versa.