33365 Résultats
Classification:
documents textuels
documents textuels
Titre:
Kenneth Frampton writings M
Kenneth Frampton writings M
Numéro de référence:
AP197.S1.SS9.017
Description:
The box contains drafts, final copies, correspondence and notes for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order for the letter M. The largest portions of the box consist of various articles and drafts for "Megaform as Urban Landscape" and several articles, drafts, correspondence and notes on Richard Meier. Other subjects and architects explored include Christoph Maekler, Fumihiko Maki, Elgin Marbles, Roberto Burle Marx, Robert Maxwell, mediatic representation of architecture, Erich Mendelsohn, Vedran Mimica, modernism and modern architecture and Raphael Moneo.
AP197.S1.SS9.017
Description:
The box contains drafts, final copies, correspondence and notes for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order for the letter M. The largest portions of the box consist of various articles and drafts for "Megaform as Urban Landscape" and several articles, drafts, correspondence and notes on Richard Meier. Other subjects and architects explored include Christoph Maekler, Fumihiko Maki, Elgin Marbles, Roberto Burle Marx, Robert Maxwell, mediatic representation of architecture, Erich Mendelsohn, Vedran Mimica, modernism and modern architecture and Raphael Moneo.
Personnes et institutions:
Date:
circa 1980-2016
circa 1980-2016
Titre:
Kenneth Frampton writings M
Actions:
AP197.S1.SS9.017
Description:
The box contains drafts, final copies, correspondence and notes for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order for the letter M. The largest portions of the box consist of various articles and drafts for "Megaform as Urban Landscape" and several articles, drafts, correspondence and notes on Richard Meier. Other subjects and architects explored include Christoph Maekler, Fumihiko Maki, Elgin Marbles, Roberto Burle Marx, Robert Maxwell, mediatic representation of architecture, Erich Mendelsohn, Vedran Mimica, modernism and modern architecture and Raphael Moneo.
Kenneth Frampton writings M
Actions:
AP197.S1.SS9.017
Description:
The box contains drafts, final copies, correspondence and notes for various articles, interviews, keynote addresses, and lectures by Kenneth Frampton. The materials are organized in alphabetical order for the letter M. The largest portions of the box consist of various articles and drafts for "Megaform as Urban Landscape" and several articles, drafts, correspondence and notes on Richard Meier. Other subjects and architects explored include Christoph Maekler, Fumihiko Maki, Elgin Marbles, Roberto Burle Marx, Robert Maxwell, mediatic representation of architecture, Erich Mendelsohn, Vedran Mimica, modernism and modern architecture and Raphael Moneo.
Classification:
documents textuels
documents textuels
Date:
circa 1980-2016
circa 1980-2016
Personnes et institutions:
Numéro de référence:
PHCON2002:0016:017
Description:
Binder documents correspondence between Anne Alpert's family members during the 1960s and 1970s. Gordon Matta-Clark's letters to his mother during his years as a student at Cornell University in Ithaca, New York and his years as an artist/architect are among those included, as well as letters from his twin brother John Sebastian Matta to various family members. Letters from Roberto Matta and his wife, Malitte Matta, are also found in the binder, along with personal letters addressed to Anne Alpert, miscellaneous memorabilia, and family photographs. Binder contains photographs and textual records.
PHCON2002:0016:017
Description:
Binder documents correspondence between Anne Alpert's family members during the 1960s and 1970s. Gordon Matta-Clark's letters to his mother during his years as a student at Cornell University in Ithaca, New York and his years as an artist/architect are among those included, as well as letters from his twin brother John Sebastian Matta to various family members. Letters from Roberto Matta and his wife, Malitte Matta, are also found in the binder, along with personal letters addressed to Anne Alpert, miscellaneous memorabilia, and family photographs. Binder contains photographs and textual records.
Personnes et institutions:
Date:
1964-1976
1964-1976
Titre:
Gordon Matta-Clark Mother's papers: Family Letters 1964 to 1976
Actions:
PHCON2002:0016:017
Description:
Binder documents correspondence between Anne Alpert's family members during the 1960s and 1970s. Gordon Matta-Clark's letters to his mother during his years as a student at Cornell University in Ithaca, New York and his years as an artist/architect are among those included, as well as letters from his twin brother John Sebastian Matta to various family members. Letters from Roberto Matta and his wife, Malitte Matta, are also found in the binder, along with personal letters addressed to Anne Alpert, miscellaneous memorabilia, and family photographs. Binder contains photographs and textual records.
Gordon Matta-Clark Mother's papers: Family Letters 1964 to 1976
Actions:
PHCON2002:0016:017
Description:
Binder documents correspondence between Anne Alpert's family members during the 1960s and 1970s. Gordon Matta-Clark's letters to his mother during his years as a student at Cornell University in Ithaca, New York and his years as an artist/architect are among those included, as well as letters from his twin brother John Sebastian Matta to various family members. Letters from Roberto Matta and his wife, Malitte Matta, are also found in the binder, along with personal letters addressed to Anne Alpert, miscellaneous memorabilia, and family photographs. Binder contains photographs and textual records.
Date:
1964-1976
1964-1976
Personnes et institutions:
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
AP018.S1.1969.PR01.044
Description:
This is a box of correspondence on possible benefactors, a museum location report, documentation on the opening of Stage I, project summaries and proposals, press kit materials, correspondence with Henry Moore, meeting minutes, design notes and calculations for Areas B and C, correspondence and reports on Phase 3, and drawings of graphics and signs for the gallery. It should be noted that these materials span the scope of multiple Art Gallery of Ontario projects completed by Parkin Architects Planners. They have been left together here to reflect their original order and context.
AP018.S1.1969.PR01.044
Description:
This is a box of correspondence on possible benefactors, a museum location report, documentation on the opening of Stage I, project summaries and proposals, press kit materials, correspondence with Henry Moore, meeting minutes, design notes and calculations for Areas B and C, correspondence and reports on Phase 3, and drawings of graphics and signs for the gallery. It should be noted that these materials span the scope of multiple Art Gallery of Ontario projects completed by Parkin Architects Planners. They have been left together here to reflect their original order and context.
Personnes et institutions:
Date:
1968-1986
1968-1986
Titre:
Project documentation, Henry Moore Sculpture Centre, Art Gallery of Ontario, Stage I Expansion, Toronto
Actions:
AP018.S1.1969.PR01.044
Description:
This is a box of correspondence on possible benefactors, a museum location report, documentation on the opening of Stage I, project summaries and proposals, press kit materials, correspondence with Henry Moore, meeting minutes, design notes and calculations for Areas B and C, correspondence and reports on Phase 3, and drawings of graphics and signs for the gallery. It should be noted that these materials span the scope of multiple Art Gallery of Ontario projects completed by Parkin Architects Planners. They have been left together here to reflect their original order and context.
Project documentation, Henry Moore Sculpture Centre, Art Gallery of Ontario, Stage I Expansion, Toronto
Actions:
AP018.S1.1969.PR01.044
Description:
This is a box of correspondence on possible benefactors, a museum location report, documentation on the opening of Stage I, project summaries and proposals, press kit materials, correspondence with Henry Moore, meeting minutes, design notes and calculations for Areas B and C, correspondence and reports on Phase 3, and drawings of graphics and signs for the gallery. It should be noted that these materials span the scope of multiple Art Gallery of Ontario projects completed by Parkin Architects Planners. They have been left together here to reflect their original order and context.
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
1968-1986
1968-1986
Personnes et institutions:
Classification:
événements
événements
Description:
Le colloque Front to Rear: Architecture and Planning during World War II, tenu à l’Institute of Fine Arts de la New York University, fait le point sur les recherches portant sur une vaste gamme d’activités architecturales, réalisées dans différents lieux géographiques, dans la période comprise entre le bombardement de Guernica en 1937 et celui d’Hiroshima en 1945. La(...)
Le colloque Front to Rear: Architecture and Planning during World War II, tenu à l’Institute of Fine Arts de la New York University, fait le point sur les recherches portant sur une vaste gamme d’activités architecturales, réalisées dans différents lieux géographiques, dans la période comprise entre le bombardement de Guernica en 1937 et celui d’Hiroshima en 1945. La(...)
Localisation:
Institute of Fine Arts, New York University
Institute of Fine Arts, New York University
Date:
7 mars 2009 au 8 mars 2009
7 mars 2009 au 8 mars 2009
Titre:
Front to Rear : Architecture and Planning during World War II
Actions:
Description:
Le colloque Front to Rear: Architecture and Planning during World War II, tenu à l’Institute of Fine Arts de la New York University, fait le point sur les recherches portant sur une vaste gamme d’activités architecturales, réalisées dans différents lieux géographiques, dans la période comprise entre le bombardement de Guernica en 1937 et celui d’Hiroshima en 1945. La(...)
Front to Rear : Architecture and Planning during World War II
Actions:
Description:
Le colloque Front to Rear: Architecture and Planning during World War II, tenu à l’Institute of Fine Arts de la New York University, fait le point sur les recherches portant sur une vaste gamme d’activités architecturales, réalisées dans différents lieux géographiques, dans la période comprise entre le bombardement de Guernica en 1937 et celui d’Hiroshima en 1945. La(...)
Classification:
événements
événements
Date:
7 mars 2009 au
8 mars 2009
7 mars 2009 au
8 mars 2009
Localisation:
Institute of Fine Arts, New York University
Institute of Fine Arts, New York University
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1985.PR02
Description:
This project series documents the Recuperação da Área do Campo di Marte in Giudecca, Italy. While the records were held in the office’s archives this project was assigned the number 34/80. The office assigned the date 1985 to this project. In 1983, the IACP (Istituto Autonomo Case Popolari) initiated an architectural competition to modernize the existing housing and rehabilitate the urban space of Giudecca. The criteria were undefined in order to give the architect flexibility but insisted on respecting Venetian heritage. Álvaro Siza won the competition and selected Aldo Rossi (building completed in 2004), Carlo Aymonino (building completed in 2004), Rafael Moneo (not built) to collaborate on individual buildings. Siza's building was completed in 2016.
AP178.S1.1985.PR02
Description:
This project series documents the Recuperação da Área do Campo di Marte in Giudecca, Italy. While the records were held in the office’s archives this project was assigned the number 34/80. The office assigned the date 1985 to this project. In 1983, the IACP (Istituto Autonomo Case Popolari) initiated an architectural competition to modernize the existing housing and rehabilitate the urban space of Giudecca. The criteria were undefined in order to give the architect flexibility but insisted on respecting Venetian heritage. Álvaro Siza won the competition and selected Aldo Rossi (building completed in 2004), Carlo Aymonino (building completed in 2004), Rafael Moneo (not built) to collaborate on individual buildings. Siza's building was completed in 2016.
Personnes et institutions:
Date:
1984-2012
1984-2012
Titre:
Recuperação da Área do Campo di Marte [Restoration of Campo di Marte], Giudecca, Venice, Italy (1985)
Actions:
AP178.S1.1985.PR02
Description:
This project series documents the Recuperação da Área do Campo di Marte in Giudecca, Italy. While the records were held in the office’s archives this project was assigned the number 34/80. The office assigned the date 1985 to this project. In 1983, the IACP (Istituto Autonomo Case Popolari) initiated an architectural competition to modernize the existing housing and rehabilitate the urban space of Giudecca. The criteria were undefined in order to give the architect flexibility but insisted on respecting Venetian heritage. Álvaro Siza won the competition and selected Aldo Rossi (building completed in 2004), Carlo Aymonino (building completed in 2004), Rafael Moneo (not built) to collaborate on individual buildings. Siza's building was completed in 2016.
Recuperação da Área do Campo di Marte [Restoration of Campo di Marte], Giudecca, Venice, Italy (1985)
Actions:
AP178.S1.1985.PR02
Description:
This project series documents the Recuperação da Área do Campo di Marte in Giudecca, Italy. While the records were held in the office’s archives this project was assigned the number 34/80. The office assigned the date 1985 to this project. In 1983, the IACP (Istituto Autonomo Case Popolari) initiated an architectural competition to modernize the existing housing and rehabilitate the urban space of Giudecca. The criteria were undefined in order to give the architect flexibility but insisted on respecting Venetian heritage. Álvaro Siza won the competition and selected Aldo Rossi (building completed in 2004), Carlo Aymonino (building completed in 2004), Rafael Moneo (not built) to collaborate on individual buildings. Siza's building was completed in 2016.
Niveau de description archivistique:
Project
Project
Date:
1984-2012
1984-2012
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP206.S1.1987.PR04
Description:
This project series documents a competition entry for new structures and upgrades to the Mysore Dasara Exhibition complex in Mysuru, India in 1987. It should be noted that the previous name of Mysuru was Mysore. The project consisted of upgrades to the existing exhibition grounds to create permanent infrastructure for the annual festivities. The client, Karnataka Exhibition Authority, asked architects to design a general layout for the site including pavilions, administrative offices, restaurants, kiosks, parking, amusements and theatres, among many others. A new entrance gate was also emphasized in the competition guidelines. The project is recorded through drawings of the site, gate and museum dating from around 1987 and correspondence dating from 1987.
AP206.S1.1987.PR04
Description:
This project series documents a competition entry for new structures and upgrades to the Mysore Dasara Exhibition complex in Mysuru, India in 1987. It should be noted that the previous name of Mysuru was Mysore. The project consisted of upgrades to the existing exhibition grounds to create permanent infrastructure for the annual festivities. The client, Karnataka Exhibition Authority, asked architects to design a general layout for the site including pavilions, administrative offices, restaurants, kiosks, parking, amusements and theatres, among many others. A new entrance gate was also emphasized in the competition guidelines. The project is recorded through drawings of the site, gate and museum dating from around 1987 and correspondence dating from 1987.
Personnes et institutions:
Date:
1987
1987
Titre:
Mysore Exhibition complex, Mysuru, India (1987)
Actions:
AP206.S1.1987.PR04
Description:
This project series documents a competition entry for new structures and upgrades to the Mysore Dasara Exhibition complex in Mysuru, India in 1987. It should be noted that the previous name of Mysuru was Mysore. The project consisted of upgrades to the existing exhibition grounds to create permanent infrastructure for the annual festivities. The client, Karnataka Exhibition Authority, asked architects to design a general layout for the site including pavilions, administrative offices, restaurants, kiosks, parking, amusements and theatres, among many others. A new entrance gate was also emphasized in the competition guidelines. The project is recorded through drawings of the site, gate and museum dating from around 1987 and correspondence dating from 1987.
Mysore Exhibition complex, Mysuru, India (1987)
Actions:
AP206.S1.1987.PR04
Description:
This project series documents a competition entry for new structures and upgrades to the Mysore Dasara Exhibition complex in Mysuru, India in 1987. It should be noted that the previous name of Mysuru was Mysore. The project consisted of upgrades to the existing exhibition grounds to create permanent infrastructure for the annual festivities. The client, Karnataka Exhibition Authority, asked architects to design a general layout for the site including pavilions, administrative offices, restaurants, kiosks, parking, amusements and theatres, among many others. A new entrance gate was also emphasized in the competition guidelines. The project is recorded through drawings of the site, gate and museum dating from around 1987 and correspondence dating from 1987.
Niveau de description archivistique:
Project
Project
Date:
1987
1987
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP207.S5
Description:
The series consists of a selection of professional papers from Gianni Pettena’s office. This material was arranged into a series of binders and sorted in chronological order from 1960 to 2018 by Pettena’s office. It includes both analogue and digital materials. These binders document Pettena’s career and activities as an architect, an artist, a critic and a teacher. It includes correspondence, promotional materials, press releases, and press clippings on Pettena’s work and activities, contracts and agreements for exhibitions, publications and academic events. The sub-series also contains a selection of portraits of Pettena from the 1960 to 2018 and various short videos of him. These portraits and videos, in digital formats, were also arranged together by Pettena’s office.
AP207.S5
Description:
The series consists of a selection of professional papers from Gianni Pettena’s office. This material was arranged into a series of binders and sorted in chronological order from 1960 to 2018 by Pettena’s office. It includes both analogue and digital materials. These binders document Pettena’s career and activities as an architect, an artist, a critic and a teacher. It includes correspondence, promotional materials, press releases, and press clippings on Pettena’s work and activities, contracts and agreements for exhibitions, publications and academic events. The sub-series also contains a selection of portraits of Pettena from the 1960 to 2018 and various short videos of him. These portraits and videos, in digital formats, were also arranged together by Pettena’s office.
Personnes et institutions:
Date:
1960-2018
1960-2018
Titre:
Selected professional papers, photographs and videos
Actions:
AP207.S5
Description:
The series consists of a selection of professional papers from Gianni Pettena’s office. This material was arranged into a series of binders and sorted in chronological order from 1960 to 2018 by Pettena’s office. It includes both analogue and digital materials. These binders document Pettena’s career and activities as an architect, an artist, a critic and a teacher. It includes correspondence, promotional materials, press releases, and press clippings on Pettena’s work and activities, contracts and agreements for exhibitions, publications and academic events. The sub-series also contains a selection of portraits of Pettena from the 1960 to 2018 and various short videos of him. These portraits and videos, in digital formats, were also arranged together by Pettena’s office.
Selected professional papers, photographs and videos
Actions:
AP207.S5
Description:
The series consists of a selection of professional papers from Gianni Pettena’s office. This material was arranged into a series of binders and sorted in chronological order from 1960 to 2018 by Pettena’s office. It includes both analogue and digital materials. These binders document Pettena’s career and activities as an architect, an artist, a critic and a teacher. It includes correspondence, promotional materials, press releases, and press clippings on Pettena’s work and activities, contracts and agreements for exhibitions, publications and academic events. The sub-series also contains a selection of portraits of Pettena from the 1960 to 2018 and various short videos of him. These portraits and videos, in digital formats, were also arranged together by Pettena’s office.
Niveau de description archivistique:
Series
Series
Date:
1960-2018
1960-2018
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Audio-Visual Materials
Audio-Visual Materials
Numéro de référence:
AP144.S8
Description:
Series contains audio-visual materials, including audio reels, audiocassettes, a film reel and videocassettes that document Cedric Price's projects, lectures, presentations, gallery talks, and interviews. Audiocassettes also include recordings of lectures presented at the AA, office design chats, conversations with clients (Generator, 1977-78), design notes, and site visits. Series also includes audio-visual materials from other sources, such as BBC radio and television broadcasts, as well as commercially-produced material such as 'Insite: the Video Magazine for Architects' (1986-87). Also included is a set consisting of 24 slides and one audiocassette by Cedric Price, titled 'Technology is the Answer but What Was the Question', (Pidgeon Audio Visual). Material in this series was produced between 1966 and 1987.
AP144.S8
Description:
Series contains audio-visual materials, including audio reels, audiocassettes, a film reel and videocassettes that document Cedric Price's projects, lectures, presentations, gallery talks, and interviews. Audiocassettes also include recordings of lectures presented at the AA, office design chats, conversations with clients (Generator, 1977-78), design notes, and site visits. Series also includes audio-visual materials from other sources, such as BBC radio and television broadcasts, as well as commercially-produced material such as 'Insite: the Video Magazine for Architects' (1986-87). Also included is a set consisting of 24 slides and one audiocassette by Cedric Price, titled 'Technology is the Answer but What Was the Question', (Pidgeon Audio Visual). Material in this series was produced between 1966 and 1987.
Personnes et institutions:
Date:
1966-1987
1966-1987
Titre:
Audio-Visual Materials
Actions:
AP144.S8
Description:
Series contains audio-visual materials, including audio reels, audiocassettes, a film reel and videocassettes that document Cedric Price's projects, lectures, presentations, gallery talks, and interviews. Audiocassettes also include recordings of lectures presented at the AA, office design chats, conversations with clients (Generator, 1977-78), design notes, and site visits. Series also includes audio-visual materials from other sources, such as BBC radio and television broadcasts, as well as commercially-produced material such as 'Insite: the Video Magazine for Architects' (1986-87). Also included is a set consisting of 24 slides and one audiocassette by Cedric Price, titled 'Technology is the Answer but What Was the Question', (Pidgeon Audio Visual). Material in this series was produced between 1966 and 1987.
Audio-Visual Materials
Actions:
AP144.S8
Description:
Series contains audio-visual materials, including audio reels, audiocassettes, a film reel and videocassettes that document Cedric Price's projects, lectures, presentations, gallery talks, and interviews. Audiocassettes also include recordings of lectures presented at the AA, office design chats, conversations with clients (Generator, 1977-78), design notes, and site visits. Series also includes audio-visual materials from other sources, such as BBC radio and television broadcasts, as well as commercially-produced material such as 'Insite: the Video Magazine for Architects' (1986-87). Also included is a set consisting of 24 slides and one audiocassette by Cedric Price, titled 'Technology is the Answer but What Was the Question', (Pidgeon Audio Visual). Material in this series was produced between 1966 and 1987.
Niveau de description archivistique:
Series
Series
Date:
1966-1987
1966-1987
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP137.D2
Description:
File documents Place Ville Marie, Montréal, Québec, a large urban development project consisting of an open plaza, a 43-storey cruciform-shaped aluminum-clad office tower (Royal Bank of Canada Building), an underground pedestrian walkway with shopping promenades and cinemas, and two smaller commercial / office buildings that bordered the plaza - a 3-storey building on Cathcart St. and a 13-storey building fronting Mansfield St. File contains design development, working, and shop drawings, and a presentation panel produced between 1958-64. The design development drawings include drawings from the I.M. Pei office in New York (indicated by N.Y. after the drawing number), and the office of the Montreal architects (indicated by an M after the drawing number).
AP137.D2
Description:
File documents Place Ville Marie, Montréal, Québec, a large urban development project consisting of an open plaza, a 43-storey cruciform-shaped aluminum-clad office tower (Royal Bank of Canada Building), an underground pedestrian walkway with shopping promenades and cinemas, and two smaller commercial / office buildings that bordered the plaza - a 3-storey building on Cathcart St. and a 13-storey building fronting Mansfield St. File contains design development, working, and shop drawings, and a presentation panel produced between 1958-64. The design development drawings include drawings from the I.M. Pei office in New York (indicated by N.Y. after the drawing number), and the office of the Montreal architects (indicated by an M after the drawing number).
Personnes et institutions:
Date:
1958-1964
1958-1964
Titre:
Place Ville Marie
Actions:
AP137.D2
Description:
File documents Place Ville Marie, Montréal, Québec, a large urban development project consisting of an open plaza, a 43-storey cruciform-shaped aluminum-clad office tower (Royal Bank of Canada Building), an underground pedestrian walkway with shopping promenades and cinemas, and two smaller commercial / office buildings that bordered the plaza - a 3-storey building on Cathcart St. and a 13-storey building fronting Mansfield St. File contains design development, working, and shop drawings, and a presentation panel produced between 1958-64. The design development drawings include drawings from the I.M. Pei office in New York (indicated by N.Y. after the drawing number), and the office of the Montreal architects (indicated by an M after the drawing number).
Place Ville Marie
Actions:
AP137.D2
Description:
File documents Place Ville Marie, Montréal, Québec, a large urban development project consisting of an open plaza, a 43-storey cruciform-shaped aluminum-clad office tower (Royal Bank of Canada Building), an underground pedestrian walkway with shopping promenades and cinemas, and two smaller commercial / office buildings that bordered the plaza - a 3-storey building on Cathcart St. and a 13-storey building fronting Mansfield St. File contains design development, working, and shop drawings, and a presentation panel produced between 1958-64. The design development drawings include drawings from the I.M. Pei office in New York (indicated by N.Y. after the drawing number), and the office of the Montreal architects (indicated by an M after the drawing number).
Niveau de description archivistique:
File 2
File 2
Date:
1958-1964
1958-1964
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1942.PR1
Description:
Dissatisfied with the original plans by architect Van Nieuwenhuyzen for the construction of the Spaarbank, the Rotterdam Town Plan Advisory Bureau commissioned Oud to instead design the bank in 1942 with Van Nieuwenhuyzen acting as adviser. Oud presented his original design in 1942: it featured a five-storey building with a facade of glazed brick, a frosted glass ceiling in the main hall and chromium- and metal- plated window frames. Oud limited his use of decorations in his revised plan, assigning artist, Aart van den IJssel, to create symbolic animal sculptures. Oud also designed some of its furniture (Taverne et al. 2001, 437-439). Project series includes photographs of the furniture for the Spaarbank as well as plans.
CI005.S1.1942.PR1
Description:
Dissatisfied with the original plans by architect Van Nieuwenhuyzen for the construction of the Spaarbank, the Rotterdam Town Plan Advisory Bureau commissioned Oud to instead design the bank in 1942 with Van Nieuwenhuyzen acting as adviser. Oud presented his original design in 1942: it featured a five-storey building with a facade of glazed brick, a frosted glass ceiling in the main hall and chromium- and metal- plated window frames. Oud limited his use of decorations in his revised plan, assigning artist, Aart van den IJssel, to create symbolic animal sculptures. Oud also designed some of its furniture (Taverne et al. 2001, 437-439). Project series includes photographs of the furniture for the Spaarbank as well as plans.
Personnes et institutions:
Date:
1942-1957
1942-1957
Titre:
The Spaarbank (Central Savings Bank), Rotterdam, Netherlands (1942-1957)
Actions:
CI005.S1.1942.PR1
Description:
Dissatisfied with the original plans by architect Van Nieuwenhuyzen for the construction of the Spaarbank, the Rotterdam Town Plan Advisory Bureau commissioned Oud to instead design the bank in 1942 with Van Nieuwenhuyzen acting as adviser. Oud presented his original design in 1942: it featured a five-storey building with a facade of glazed brick, a frosted glass ceiling in the main hall and chromium- and metal- plated window frames. Oud limited his use of decorations in his revised plan, assigning artist, Aart van den IJssel, to create symbolic animal sculptures. Oud also designed some of its furniture (Taverne et al. 2001, 437-439). Project series includes photographs of the furniture for the Spaarbank as well as plans.
The Spaarbank (Central Savings Bank), Rotterdam, Netherlands (1942-1957)
Actions:
CI005.S1.1942.PR1
Description:
Dissatisfied with the original plans by architect Van Nieuwenhuyzen for the construction of the Spaarbank, the Rotterdam Town Plan Advisory Bureau commissioned Oud to instead design the bank in 1942 with Van Nieuwenhuyzen acting as adviser. Oud presented his original design in 1942: it featured a five-storey building with a facade of glazed brick, a frosted glass ceiling in the main hall and chromium- and metal- plated window frames. Oud limited his use of decorations in his revised plan, assigning artist, Aart van den IJssel, to create symbolic animal sculptures. Oud also designed some of its furniture (Taverne et al. 2001, 437-439). Project series includes photographs of the furniture for the Spaarbank as well as plans.
Niveau de description archivistique:
project
project
Date:
1942-1957
1942-1957
Personnes et institutions:
