1751 Résultats
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Perhaps most well known for the iconic sculpture "Cadillac Ranch" and performances like "Media Burn", the radical architecture and media art group Ant Farm created an abundance of works across disciplines — including video, publications, built environments, and performance. Less known are the group’s “time capsule” works made throughout their career, which rejected the(...)
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Perhaps most well known for the iconic sculpture "Cadillac Ranch" and performances like "Media Burn", the radical architecture and media art group Ant Farm created an abundance of works across disciplines — including video, publications, built environments, and performance. Less known are the group’s “time capsule” works made throughout their career, which rejected the(...)
Publication:
mars 2017
mars 2017
Titre:
The present is the form of all life: the time capsules of Ant Farm and LST
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Perhaps most well known for the iconic sculpture "Cadillac Ranch" and performances like "Media Burn", the radical architecture and media art group Ant Farm created an abundance of works across disciplines — including video, publications, built environments, and performance. Less known are the group’s “time capsule” works made throughout their career, which rejected the idea of the time capsule as a reliable means of cultural preservation. Published as a supplement to the exhibition "The Present Is the Form of All Life: The Time Capsules of Ant Farm and LST", this book features essays, an interview with LST, and many never before published or reproduced images of archival material, tracing the time capsule works of Ant Farm and successor group LST from analog archive to digital database.
The present is the form of all life: the time capsules of Ant Farm and LST
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Perhaps most well known for the iconic sculpture "Cadillac Ranch" and performances like "Media Burn", the radical architecture and media art group Ant Farm created an abundance of works across disciplines — including video, publications, built environments, and performance. Less known are the group’s “time capsule” works made throughout their career, which rejected the idea of the time capsule as a reliable means of cultural preservation. Published as a supplement to the exhibition "The Present Is the Form of All Life: The Time Capsules of Ant Farm and LST", this book features essays, an interview with LST, and many never before published or reproduced images of archival material, tracing the time capsule works of Ant Farm and successor group LST from analog archive to digital database.
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livres
livres
Publication:
mars 2017
mars 2017
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livres
livres
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$70.00
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This book explores breathing and the atmosphere as leitmotifs for the design of an inclusive future in a new climate regime, uncovering intertwinements of societal activities with the air and the atmosphere. With this awareness of entanglement, the deeply performative characteristics of the air, atmosphere and climate are foregrounded and can be discovered as central(...)
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This book explores breathing and the atmosphere as leitmotifs for the design of an inclusive future in a new climate regime, uncovering intertwinements of societal activities with the air and the atmosphere. With this awareness of entanglement, the deeply performative characteristics of the air, atmosphere and climate are foregrounded and can be discovered as central(...)
Publication:
janvier 2022
janvier 2022
Titre:
Breathe: investigations into our environmentally tangled future
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This book explores breathing and the atmosphere as leitmotifs for the design of an inclusive future in a new climate regime, uncovering intertwinements of societal activities with the air and the atmosphere. With this awareness of entanglement, the deeply performative characteristics of the air, atmosphere and climate are foregrounded and can be discovered as central agents in the conception and design of our planetary existence.
Breathe: investigations into our environmentally tangled future
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$70.00
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This book explores breathing and the atmosphere as leitmotifs for the design of an inclusive future in a new climate regime, uncovering intertwinements of societal activities with the air and the atmosphere. With this awareness of entanglement, the deeply performative characteristics of the air, atmosphere and climate are foregrounded and can be discovered as central agents in the conception and design of our planetary existence.
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livres
livres
Publication:
janvier 2022
janvier 2022
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livres
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$57.95
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Nomeda and Gediminas Urbonas produce interactive projects exploring the conflicts and contradictions of former Soviet republics and their recent transition to capitalism. Born in Lithuania and now living in Vilnius, these artists use the city as a catalyst and a starting point for their analysis of the various impacts caused by a new economic, social and political model(...)
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Nomeda and Gediminas Urbonas produce interactive projects exploring the conflicts and contradictions of former Soviet republics and their recent transition to capitalism. Born in Lithuania and now living in Vilnius, these artists use the city as a catalyst and a starting point for their analysis of the various impacts caused by a new economic, social and political model(...)
Publication:
mai 2008, Barcelone
mai 2008, Barcelone
Titre:
Nomeda and Gediminas: devices for action
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Nomeda and Gediminas Urbonas produce interactive projects exploring the conflicts and contradictions of former Soviet republics and their recent transition to capitalism. Born in Lithuania and now living in Vilnius, these artists use the city as a catalyst and a starting point for their analysis of the various impacts caused by a new economic, social and political model on different sectors and generations in society. Developping over different stages, their projects are characterised by the key role played by the idea of the archive, the engagement of experts in different fields (design, music, architecture), and the participation of diverse communities and collective actions. This catalogue of their recently held first retrospective documents all their projects up to date, includes two essays by Bartomeu Mari and Lars Bang Larsen, a biography, and a list of works in the exhibition.
Nomeda and Gediminas: devices for action
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Nomeda and Gediminas Urbonas produce interactive projects exploring the conflicts and contradictions of former Soviet republics and their recent transition to capitalism. Born in Lithuania and now living in Vilnius, these artists use the city as a catalyst and a starting point for their analysis of the various impacts caused by a new economic, social and political model on different sectors and generations in society. Developping over different stages, their projects are characterised by the key role played by the idea of the archive, the engagement of experts in different fields (design, music, architecture), and the participation of diverse communities and collective actions. This catalogue of their recently held first retrospective documents all their projects up to date, includes two essays by Bartomeu Mari and Lars Bang Larsen, a biography, and a list of works in the exhibition.
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livres
livres
Publication:
mai 2008, Barcelone
mai 2008, Barcelone
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livres
livres
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$64.95
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The publication is the first comprehensive study of Baruchello’s relationship with the moving image from the sixties on. Produced on the occasion of the exhibition "Gianfranco Baruchello: Cold Cinema". "Film, video e opere 1960-1999", held at La Triennale di Milano in 2014 and 2015, the book opens with a densely packed montage of Baruchello’s own notes, images, and(...)
$64.95
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The publication is the first comprehensive study of Baruchello’s relationship with the moving image from the sixties on. Produced on the occasion of the exhibition "Gianfranco Baruchello: Cold Cinema". "Film, video e opere 1960-1999", held at La Triennale di Milano in 2014 and 2015, the book opens with a densely packed montage of Baruchello’s own notes, images, and(...)
Publication:
avril 2018
avril 2018
Titre:
Gianfranco Baruchello : archive of moving images, 1960-2016
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$64.95
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The publication is the first comprehensive study of Baruchello’s relationship with the moving image from the sixties on. Produced on the occasion of the exhibition "Gianfranco Baruchello: Cold Cinema". "Film, video e opere 1960-1999", held at La Triennale di Milano in 2014 and 2015, the book opens with a densely packed montage of Baruchello’s own notes, images, and documents, presented by means of a medium dear to the artist, photocopies. An essay by Alessandro Rabottini takes us through the rooms of the exhibition at La Triennale di Milano, while a conversation between Baruchello and Massimiliano Gioni highlights some key aspects of his ideas about cinema. Carla Subrizi’s text winds its way through his entire production of films and videos, whereas an essay by Philippe-Alain Michaud examines some of the historical roots of Verifica incerta (1964-65).
Gianfranco Baruchello : archive of moving images, 1960-2016
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$64.95
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The publication is the first comprehensive study of Baruchello’s relationship with the moving image from the sixties on. Produced on the occasion of the exhibition "Gianfranco Baruchello: Cold Cinema". "Film, video e opere 1960-1999", held at La Triennale di Milano in 2014 and 2015, the book opens with a densely packed montage of Baruchello’s own notes, images, and documents, presented by means of a medium dear to the artist, photocopies. An essay by Alessandro Rabottini takes us through the rooms of the exhibition at La Triennale di Milano, while a conversation between Baruchello and Massimiliano Gioni highlights some key aspects of his ideas about cinema. Carla Subrizi’s text winds its way through his entire production of films and videos, whereas an essay by Philippe-Alain Michaud examines some of the historical roots of Verifica incerta (1964-65).
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livres
livres
Publication:
avril 2018
avril 2018
Classification:
livres
livres
Titre:
Exhibiting the moving image
Exhibiting the moving image
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Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The(...)
$39.95
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Résumé:
Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The(...)
Publication:
mars 2016
mars 2016
Titre:
Exhibiting the moving image
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$39.95
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Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The authors analyze multiple modalities of presenting the moving image through historical case studies: the anatomy of video art, expanded cinema, artists’ films and installations, and the moving image in the public sphere. Exploring examples from the 1930s to the present, these contributions address commercial, spectacular or advertising forms of moving images, artists’ performative practices, installations in large museums, exhibitions devoted to projections and festivals of experimental films.
Exhibiting the moving image
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$39.95
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Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The authors analyze multiple modalities of presenting the moving image through historical case studies: the anatomy of video art, expanded cinema, artists’ films and installations, and the moving image in the public sphere. Exploring examples from the 1930s to the present, these contributions address commercial, spectacular or advertising forms of moving images, artists’ performative practices, installations in large museums, exhibitions devoted to projections and festivals of experimental films.
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livres
livres
Publication:
mars 2016
mars 2016
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livres
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$24.00
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« Tshakapesh, le plus petit des grands chasseurs / Anu uet apishissishit kanataut » est un livre jeunesse illustré, de Camille Campeau et Marie Kirouac. Récit traditionnel innu, réinterprétation par Marie Kirouac, illustrations en couleur par Camille Campeau. En français et innu-aimun.
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« Tshakapesh, le plus petit des grands chasseurs / Anu uet apishissishit kanataut » est un livre jeunesse illustré, de Camille Campeau et Marie Kirouac. Récit traditionnel innu, réinterprétation par Marie Kirouac, illustrations en couleur par Camille Campeau. En français et innu-aimun.
Publication:
novembre 2018
novembre 2018
Titre:
Tshakapesh : le plus petit des grands chasseurs / anu uet apishissishit kanataut
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« Tshakapesh, le plus petit des grands chasseurs / Anu uet apishissishit kanataut » est un livre jeunesse illustré, de Camille Campeau et Marie Kirouac. Récit traditionnel innu, réinterprétation par Marie Kirouac, illustrations en couleur par Camille Campeau. En français et innu-aimun.
Tshakapesh : le plus petit des grands chasseurs / anu uet apishissishit kanataut
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« Tshakapesh, le plus petit des grands chasseurs / Anu uet apishissishit kanataut » est un livre jeunesse illustré, de Camille Campeau et Marie Kirouac. Récit traditionnel innu, réinterprétation par Marie Kirouac, illustrations en couleur par Camille Campeau. En français et innu-aimun.
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livres
livres
Publication:
novembre 2018
novembre 2018
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$67.50
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The “home of the future” has long been a topic of fascination in popular culture and an intriguing prospect for designers, and the 20th century offered up countless visions of the future of domestic life, from the aspirational to the radical. Whether it was the dream of the fully mechanized home or the notion that technology might free us from the home altogether, the(...)
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The “home of the future” has long been a topic of fascination in popular culture and an intriguing prospect for designers, and the 20th century offered up countless visions of the future of domestic life, from the aspirational to the radical. Whether it was the dream of the fully mechanized home or the notion that technology might free us from the home altogether, the(...)
Publication:
avril 2019
avril 2019
Titre:
Home futures: living in yesterday's tomorrow
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The “home of the future” has long been a topic of fascination in popular culture and an intriguing prospect for designers, and the 20th century offered up countless visions of the future of domestic life, from the aspirational to the radical. Whether it was the dream of the fully mechanized home or the notion that technology might free us from the home altogether, the domestic realm was a site of endless invention and speculation. But what happened to those visions? Are the smart homes of today and patterns of use in the sharing economy the future that architects and designers once predicted, or has the “home” proved resistant to radical change? "Home Futures: Living in Yesterday’s Tomorrow" explores different approaches to reinventing domestic life, tracing the social and technological developments that have driven change in the home.
Home futures: living in yesterday's tomorrow
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The “home of the future” has long been a topic of fascination in popular culture and an intriguing prospect for designers, and the 20th century offered up countless visions of the future of domestic life, from the aspirational to the radical. Whether it was the dream of the fully mechanized home or the notion that technology might free us from the home altogether, the domestic realm was a site of endless invention and speculation. But what happened to those visions? Are the smart homes of today and patterns of use in the sharing economy the future that architects and designers once predicted, or has the “home” proved resistant to radical change? "Home Futures: Living in Yesterday’s Tomorrow" explores different approaches to reinventing domestic life, tracing the social and technological developments that have driven change in the home.
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livres
livres
Publication:
avril 2019
avril 2019
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livres
livres
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$68.95
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Since the fall of Communism, Russians have struggled to reconcile their social traditions with a flood of Western cultural imports. Contemporary Russian cinema has latched on to the resulting confusion and ambivalence, mining societal upheaval for revolutionary cinematic topics. Yana Hashamova explores this largely uncharted territory in Pride and Panic.
$68.95
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Since the fall of Communism, Russians have struggled to reconcile their social traditions with a flood of Western cultural imports. Contemporary Russian cinema has latched on to the resulting confusion and ambivalence, mining societal upheaval for revolutionary cinematic topics. Yana Hashamova explores this largely uncharted territory in Pride and Panic.
Publication:
mai 2007, Bristol
mai 2007, Bristol
Titre:
Pride & panic: Russian imagination of the west in post-soviet film
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Since the fall of Communism, Russians have struggled to reconcile their social traditions with a flood of Western cultural imports. Contemporary Russian cinema has latched on to the resulting confusion and ambivalence, mining societal upheaval for revolutionary cinematic topics. Yana Hashamova explores this largely uncharted territory in Pride and Panic.
Pride & panic: Russian imagination of the west in post-soviet film
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Since the fall of Communism, Russians have struggled to reconcile their social traditions with a flood of Western cultural imports. Contemporary Russian cinema has latched on to the resulting confusion and ambivalence, mining societal upheaval for revolutionary cinematic topics. Yana Hashamova explores this largely uncharted territory in Pride and Panic.
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livres
livres
Publication:
mai 2007, Bristol
mai 2007, Bristol
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livres
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$108.50
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Spanning 65 years of Ed Ruscha’s remarkable career and mirroring his own cross-disciplinary approach, ''Ed Ruscha / Now then'' features over 250 objects, produced from 1958 to the present, including paintings, drawings, prints, films, photographs, artist’s books and installations. Published to accompany the most comprehensive presentation of the artist’s work to date, and(...)
$108.50
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Spanning 65 years of Ed Ruscha’s remarkable career and mirroring his own cross-disciplinary approach, ''Ed Ruscha / Now then'' features over 250 objects, produced from 1958 to the present, including paintings, drawings, prints, films, photographs, artist’s books and installations. Published to accompany the most comprehensive presentation of the artist’s work to date, and(...)
Publication:
octobre 2023
octobre 2023
Titre:
Ed Ruscha / Now then: A retrospective
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$108.50
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Spanning 65 years of Ed Ruscha’s remarkable career and mirroring his own cross-disciplinary approach, ''Ed Ruscha / Now then'' features over 250 objects, produced from 1958 to the present, including paintings, drawings, prints, films, photographs, artist’s books and installations. Published to accompany the most comprehensive presentation of the artist’s work to date, and his first solo exhibition at the Museum of Modern Art, New York, this richly illustrated catalog highlights Ruscha’s most acclaimed works alongside lesser-known aspects of his practice. Essays by an interdisciplinary group of contributors examine Ruscha’s work under a new light, beyond the categories of Pop and Conceptual art with which he has traditionally been associated, to present fresh perspectives on one of the most influential figures in postwar American art. Taken together, they underscore Ruscha’s singular contributions, including his material exploration of language, experiments with unconventional mediums--nsuch as gunpowder, chocolate or chewing tobacco-- and his groundbreaking self-published books. Supplemented by an illustrated chronology and exhibition history, this publication captures the ceaseless reinvention that has defined his prolific, six-decade career.
Ed Ruscha / Now then: A retrospective
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$108.50
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Spanning 65 years of Ed Ruscha’s remarkable career and mirroring his own cross-disciplinary approach, ''Ed Ruscha / Now then'' features over 250 objects, produced from 1958 to the present, including paintings, drawings, prints, films, photographs, artist’s books and installations. Published to accompany the most comprehensive presentation of the artist’s work to date, and his first solo exhibition at the Museum of Modern Art, New York, this richly illustrated catalog highlights Ruscha’s most acclaimed works alongside lesser-known aspects of his practice. Essays by an interdisciplinary group of contributors examine Ruscha’s work under a new light, beyond the categories of Pop and Conceptual art with which he has traditionally been associated, to present fresh perspectives on one of the most influential figures in postwar American art. Taken together, they underscore Ruscha’s singular contributions, including his material exploration of language, experiments with unconventional mediums--nsuch as gunpowder, chocolate or chewing tobacco-- and his groundbreaking self-published books. Supplemented by an illustrated chronology and exhibition history, this publication captures the ceaseless reinvention that has defined his prolific, six-decade career.
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livres
livres
Publication:
octobre 2023
octobre 2023
Classification:
livres
livres
Prix:
$47.95
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Résumé:
From fashion sketches of smartly dressed Shanghai dandies in the 1920s, to multipanel drawings of refugee urbanites during the war against Japan, to panoramic pictures of anti-American propaganda rallies in the early 1950s, the polymorphic cartoon-style art known as manhua helped define China's modern experience. ''Manhua Modernity'' offers a richly illustrated, deeply(...)
$47.95
(disponible en magasin)
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From fashion sketches of smartly dressed Shanghai dandies in the 1920s, to multipanel drawings of refugee urbanites during the war against Japan, to panoramic pictures of anti-American propaganda rallies in the early 1950s, the polymorphic cartoon-style art known as manhua helped define China's modern experience. ''Manhua Modernity'' offers a richly illustrated, deeply(...)
Publication:
septembre 2025
septembre 2025
Titre:
Manhua modernity: Chinese culture and the pictorial turn
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$47.95
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From fashion sketches of smartly dressed Shanghai dandies in the 1920s, to multipanel drawings of refugee urbanites during the war against Japan, to panoramic pictures of anti-American propaganda rallies in the early 1950s, the polymorphic cartoon-style art known as manhua helped define China's modern experience. ''Manhua Modernity'' offers a richly illustrated, deeply contextualized analysis of these illustrations across the lively pages of popular pictorial magazines that entertained, informed, and mobilized a nation through a half century of political and cultural transformation. In this compelling media history, John Crespi argues that manhua must be understood in the context of the pictorial magazines that hosted them, and in turn these magazines must be seen as important mediators of the modern urban experience. Even as times changed—from interwar-era consumerism to war-time mobilization to Mao-style propaganda—the art form adapted to stay on the cutting edge of both politics and style.
Manhua modernity: Chinese culture and the pictorial turn
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$47.95
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From fashion sketches of smartly dressed Shanghai dandies in the 1920s, to multipanel drawings of refugee urbanites during the war against Japan, to panoramic pictures of anti-American propaganda rallies in the early 1950s, the polymorphic cartoon-style art known as manhua helped define China's modern experience. ''Manhua Modernity'' offers a richly illustrated, deeply contextualized analysis of these illustrations across the lively pages of popular pictorial magazines that entertained, informed, and mobilized a nation through a half century of political and cultural transformation. In this compelling media history, John Crespi argues that manhua must be understood in the context of the pictorial magazines that hosted them, and in turn these magazines must be seen as important mediators of the modern urban experience. Even as times changed—from interwar-era consumerism to war-time mobilization to Mao-style propaganda—the art form adapted to stay on the cutting edge of both politics and style.
Classification:
livres
livres
Publication:
septembre 2025
septembre 2025
