9081 Résultats
Classification:
photographies
photographies
Numéro de référence:
ARCH255851
ARCH255851
Personnes et institutions:
Date:
1967
1967
Classification:
photographies
photographies
Date:
1967
1967
Personnes et institutions:
Actions:
Numéro de référence:
PH1979:0508
Description:
This album depicts photographs, plans, sketches of Stonehenge and texts. Preface is signed by Sir Henry James, 29th May 1867, Southhampton. Album has appendix and List of Books inserted at the end. "Col. Sir Henry James, Director-General of the Ordnance Survey, was a strong believer that photography had to be utilized as a major tool for mapping and survey work and he employed the Royal Engineers for that purpose. Colonel James appears in several of the Stonehenge photographs published by the Ordnance Survey. [...] Stonehenge is the world's most famous, large megalithic stone circle and is usually designated as a site used for religious worship in Neolithic Britain. However, the first use of this locality for documented ritual activity goes back to the Mesolithic and the erection of several large totem poles perhaps as early as 8,000 BC (Stonehenge O). Lunar observations preceded the construction of a causeway c.3200 BC, followed by an earth circle and Heel Stones c.3100 BC (Stonehenge 1a) and the Aubrey Holes (Stonehenge 1b). The Stonehenge site was then abandoned for about 1,000 years when large bluestones quarried in Wales were brought to the site and made into the Double Bluestone Circle with Avenue. 2150 BC (Stonehenge II). Soon thereafter sarsen stones were brought in from Avebury to build the great Sarsen Circle and Trilithon Horseshoe, 2100 BC (Stonehenge IIIz). Bluestones were brought back and added as the Bluestone Circle and Bluestone Horseshoe to the sarsen monument, 1800 BC (Stonehenge IIId). The sacred avenue was extended to the River Avon, 1100 BC (Stonehenge IV), the last phase of megalithic construction at this site. Note that the great stone circle and all construction at the Stonehenge site was completed several hundred years before we can postulate Celtic druids in the vicinity. We can only mention in passing that Stonehenge was embedded within a large ritual complex, where several of the ten megalithic constructions were also monumental in scale. Integration between these structures may not have been well planned in advance, but assuredly was articulated as each was built." Neolithic Britian Online.
PH1979:0508
Description:
This album depicts photographs, plans, sketches of Stonehenge and texts. Preface is signed by Sir Henry James, 29th May 1867, Southhampton. Album has appendix and List of Books inserted at the end. "Col. Sir Henry James, Director-General of the Ordnance Survey, was a strong believer that photography had to be utilized as a major tool for mapping and survey work and he employed the Royal Engineers for that purpose. Colonel James appears in several of the Stonehenge photographs published by the Ordnance Survey. [...] Stonehenge is the world's most famous, large megalithic stone circle and is usually designated as a site used for religious worship in Neolithic Britain. However, the first use of this locality for documented ritual activity goes back to the Mesolithic and the erection of several large totem poles perhaps as early as 8,000 BC (Stonehenge O). Lunar observations preceded the construction of a causeway c.3200 BC, followed by an earth circle and Heel Stones c.3100 BC (Stonehenge 1a) and the Aubrey Holes (Stonehenge 1b). The Stonehenge site was then abandoned for about 1,000 years when large bluestones quarried in Wales were brought to the site and made into the Double Bluestone Circle with Avenue. 2150 BC (Stonehenge II). Soon thereafter sarsen stones were brought in from Avebury to build the great Sarsen Circle and Trilithon Horseshoe, 2100 BC (Stonehenge IIIz). Bluestones were brought back and added as the Bluestone Circle and Bluestone Horseshoe to the sarsen monument, 1800 BC (Stonehenge IIId). The sacred avenue was extended to the River Avon, 1100 BC (Stonehenge IV), the last phase of megalithic construction at this site. Note that the great stone circle and all construction at the Stonehenge site was completed several hundred years before we can postulate Celtic druids in the vicinity. We can only mention in passing that Stonehenge was embedded within a large ritual complex, where several of the ten megalithic constructions were also monumental in scale. Integration between these structures may not have been well planned in advance, but assuredly was articulated as each was built." Neolithic Britian Online.
Personnes et institutions:
Sujet:
sculpture, topographique
sculpture, topographique
Date:
1867
1867
Titre:
Plans and Photographs of Stonehenge, and of Turusachan in the Island of Lewis; with Notes Relating to the Druids and Sketches of Cromlechs in Ireland
Actions:
PH1979:0508
Description:
This album depicts photographs, plans, sketches of Stonehenge and texts. Preface is signed by Sir Henry James, 29th May 1867, Southhampton. Album has appendix and List of Books inserted at the end. "Col. Sir Henry James, Director-General of the Ordnance Survey, was a strong believer that photography had to be utilized as a major tool for mapping and survey work and he employed the Royal Engineers for that purpose. Colonel James appears in several of the Stonehenge photographs published by the Ordnance Survey. [...] Stonehenge is the world's most famous, large megalithic stone circle and is usually designated as a site used for religious worship in Neolithic Britain. However, the first use of this locality for documented ritual activity goes back to the Mesolithic and the erection of several large totem poles perhaps as early as 8,000 BC (Stonehenge O). Lunar observations preceded the construction of a causeway c.3200 BC, followed by an earth circle and Heel Stones c.3100 BC (Stonehenge 1a) and the Aubrey Holes (Stonehenge 1b). The Stonehenge site was then abandoned for about 1,000 years when large bluestones quarried in Wales were brought to the site and made into the Double Bluestone Circle with Avenue. 2150 BC (Stonehenge II). Soon thereafter sarsen stones were brought in from Avebury to build the great Sarsen Circle and Trilithon Horseshoe, 2100 BC (Stonehenge IIIz). Bluestones were brought back and added as the Bluestone Circle and Bluestone Horseshoe to the sarsen monument, 1800 BC (Stonehenge IIId). The sacred avenue was extended to the River Avon, 1100 BC (Stonehenge IV), the last phase of megalithic construction at this site. Note that the great stone circle and all construction at the Stonehenge site was completed several hundred years before we can postulate Celtic druids in the vicinity. We can only mention in passing that Stonehenge was embedded within a large ritual complex, where several of the ten megalithic constructions were also monumental in scale. Integration between these structures may not have been well planned in advance, but assuredly was articulated as each was built." Neolithic Britian Online.
Plans and Photographs of Stonehenge, and of Turusachan in the Island of Lewis; with Notes Relating to the Druids and Sketches of Cromlechs in Ireland
Actions:
PH1979:0508
Description:
This album depicts photographs, plans, sketches of Stonehenge and texts. Preface is signed by Sir Henry James, 29th May 1867, Southhampton. Album has appendix and List of Books inserted at the end. "Col. Sir Henry James, Director-General of the Ordnance Survey, was a strong believer that photography had to be utilized as a major tool for mapping and survey work and he employed the Royal Engineers for that purpose. Colonel James appears in several of the Stonehenge photographs published by the Ordnance Survey. [...] Stonehenge is the world's most famous, large megalithic stone circle and is usually designated as a site used for religious worship in Neolithic Britain. However, the first use of this locality for documented ritual activity goes back to the Mesolithic and the erection of several large totem poles perhaps as early as 8,000 BC (Stonehenge O). Lunar observations preceded the construction of a causeway c.3200 BC, followed by an earth circle and Heel Stones c.3100 BC (Stonehenge 1a) and the Aubrey Holes (Stonehenge 1b). The Stonehenge site was then abandoned for about 1,000 years when large bluestones quarried in Wales were brought to the site and made into the Double Bluestone Circle with Avenue. 2150 BC (Stonehenge II). Soon thereafter sarsen stones were brought in from Avebury to build the great Sarsen Circle and Trilithon Horseshoe, 2100 BC (Stonehenge IIIz). Bluestones were brought back and added as the Bluestone Circle and Bluestone Horseshoe to the sarsen monument, 1800 BC (Stonehenge IIId). The sacred avenue was extended to the River Avon, 1100 BC (Stonehenge IV), the last phase of megalithic construction at this site. Note that the great stone circle and all construction at the Stonehenge site was completed several hundred years before we can postulate Celtic druids in the vicinity. We can only mention in passing that Stonehenge was embedded within a large ritual complex, where several of the ten megalithic constructions were also monumental in scale. Integration between these structures may not have been well planned in advance, but assuredly was articulated as each was built." Neolithic Britian Online.
Date:
1867
1867
Personnes et institutions:
Sujet:
sculpture, topographique
sculpture, topographique
Classification:
photographies
photographies
Numéro de référence:
ARCH256018
ARCH256018
Personnes et institutions:
Date:
1967
1967
Classification:
photographies
photographies
Date:
1967
1967
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH261077
ARCH261077
Personnes et institutions:
Date:
1967
1967
Classification:
photographies
photographies
Date:
1967
1967
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH255808
ARCH255808
Personnes et institutions:
Date:
1967
1967
Classification:
photographies
photographies
Date:
1967
1967
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH255854
ARCH255854
Personnes et institutions:
Date:
1967
1967
Classification:
photographies
photographies
Date:
1967
1967
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
AP178.S1.1971.PR01.013
Description:
Original file title : Banco Pinto e Sotto Maior Nota : Não digitalizado
AP178.S1.1971.PR01.013
Description:
Original file title : Banco Pinto e Sotto Maior Nota : Não digitalizado
Personnes et institutions:
Date:
1971-1974
1971-1974
Titre:
Photographs of built project, Banco Pinto & Sotto Mayor, Oliveira de Azeméis
Actions:
AP178.S1.1971.PR01.013
Description:
Original file title : Banco Pinto e Sotto Maior Nota : Não digitalizado
Photographs of built project, Banco Pinto & Sotto Mayor, Oliveira de Azeméis
Actions:
AP178.S1.1971.PR01.013
Description:
Original file title : Banco Pinto e Sotto Maior Nota : Não digitalizado
Classification:
photographies
photographies
Date:
1971-1974
1971-1974
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1974:0002:026:001-038
Description:
- This album contains drawings of architectural ornament - mostly highly finished - by Charles and Georges Rohault de Fleury. Although primarily from unidentified sources (DR1974:0002:026:002 - DR1974:0002:026:025, and DR1974:0002:026:038), there are a few drawings with identified sources, and twelve drawings of architectural ornament submitted by Georges to the Concours d'émulation (monthly competitions) held at the École impériale des beaux-arts, Paris. The subject matter of the drawings of architectural ornament from unidentified sources consists of capitals, friezes, festoons, moldings, cartouches, and vegetal and floral ornament. Identified subject matter includes a Composite capital and entablature from the Louvre (DR1974:0002:026:024), details from the Temple of Jupiter Stator, Rome (DR1974:0002:026:007 and DR1974:0002:026:013), and a Corinthian capital from Hôtel Soltykoff, Paris (DR1974:0002:026:038). The drawings for the Concours d'émulation by Georges are numbered "1er" to "12e" and were submitted to concours dating from 16 June 1857 to 22 October 1858 (DR1974:0002:026:026 - DR1974:0002:026:037). An unbound sheet inserted in the front of the album may be a portrait of Charles Rohault de Fleury (DR1974:0002:026:001).
DR1974:0002:026:001-038
Description:
- This album contains drawings of architectural ornament - mostly highly finished - by Charles and Georges Rohault de Fleury. Although primarily from unidentified sources (DR1974:0002:026:002 - DR1974:0002:026:025, and DR1974:0002:026:038), there are a few drawings with identified sources, and twelve drawings of architectural ornament submitted by Georges to the Concours d'émulation (monthly competitions) held at the École impériale des beaux-arts, Paris. The subject matter of the drawings of architectural ornament from unidentified sources consists of capitals, friezes, festoons, moldings, cartouches, and vegetal and floral ornament. Identified subject matter includes a Composite capital and entablature from the Louvre (DR1974:0002:026:024), details from the Temple of Jupiter Stator, Rome (DR1974:0002:026:007 and DR1974:0002:026:013), and a Corinthian capital from Hôtel Soltykoff, Paris (DR1974:0002:026:038). The drawings for the Concours d'émulation by Georges are numbered "1er" to "12e" and were submitted to concours dating from 16 June 1857 to 22 October 1858 (DR1974:0002:026:026 - DR1974:0002:026:037). An unbound sheet inserted in the front of the album may be a portrait of Charles Rohault de Fleury (DR1974:0002:026:001).
Personnes et institutions:
Sujet:
architecture, ornement, portrait, sculpture
architecture, ornement, portrait, sculpture
Date:
1854-1868
1854-1868
Titre:
Album of drawings for architectural ornament and sculpture, including competition drawings submitted to the Concours d'émulation held at the École impériale des beaux-arts, Paris
Actions:
DR1974:0002:026:001-038
Description:
- This album contains drawings of architectural ornament - mostly highly finished - by Charles and Georges Rohault de Fleury. Although primarily from unidentified sources (DR1974:0002:026:002 - DR1974:0002:026:025, and DR1974:0002:026:038), there are a few drawings with identified sources, and twelve drawings of architectural ornament submitted by Georges to the Concours d'émulation (monthly competitions) held at the École impériale des beaux-arts, Paris. The subject matter of the drawings of architectural ornament from unidentified sources consists of capitals, friezes, festoons, moldings, cartouches, and vegetal and floral ornament. Identified subject matter includes a Composite capital and entablature from the Louvre (DR1974:0002:026:024), details from the Temple of Jupiter Stator, Rome (DR1974:0002:026:007 and DR1974:0002:026:013), and a Corinthian capital from Hôtel Soltykoff, Paris (DR1974:0002:026:038). The drawings for the Concours d'émulation by Georges are numbered "1er" to "12e" and were submitted to concours dating from 16 June 1857 to 22 October 1858 (DR1974:0002:026:026 - DR1974:0002:026:037). An unbound sheet inserted in the front of the album may be a portrait of Charles Rohault de Fleury (DR1974:0002:026:001).
Album of drawings for architectural ornament and sculpture, including competition drawings submitted to the Concours d'émulation held at the École impériale des beaux-arts, Paris
Actions:
DR1974:0002:026:001-038
Description:
- This album contains drawings of architectural ornament - mostly highly finished - by Charles and Georges Rohault de Fleury. Although primarily from unidentified sources (DR1974:0002:026:002 - DR1974:0002:026:025, and DR1974:0002:026:038), there are a few drawings with identified sources, and twelve drawings of architectural ornament submitted by Georges to the Concours d'émulation (monthly competitions) held at the École impériale des beaux-arts, Paris. The subject matter of the drawings of architectural ornament from unidentified sources consists of capitals, friezes, festoons, moldings, cartouches, and vegetal and floral ornament. Identified subject matter includes a Composite capital and entablature from the Louvre (DR1974:0002:026:024), details from the Temple of Jupiter Stator, Rome (DR1974:0002:026:007 and DR1974:0002:026:013), and a Corinthian capital from Hôtel Soltykoff, Paris (DR1974:0002:026:038). The drawings for the Concours d'émulation by Georges are numbered "1er" to "12e" and were submitted to concours dating from 16 June 1857 to 22 October 1858 (DR1974:0002:026:026 - DR1974:0002:026:037). An unbound sheet inserted in the front of the album may be a portrait of Charles Rohault de Fleury (DR1974:0002:026:001).
Classification:
dessins
dessins
Date:
1854-1868
1854-1868
Personnes et institutions:
Sujet:
architecture, ornement, portrait, sculpture
architecture, ornement, portrait, sculpture
Niveau de description archivistique:
Projet
Projet
Titre:
Guardiola House
Guardiola House
Numéro de référence:
AP143.S4.D73
Description:
File documents the unexecuted project for Guardiola House, Cádiz, Spain. Material in this file was produced in 1988. File contains conceptual drawings, design development drawings, photographic material, presentation drawings, working drawings, models, and textual records. Drawings by Eisenman include conceptual sketches (DR1994:0147:001-004), and a drawing and final presentation drawing of the transformation process (DR1994:0147:279; DR1994:0147:635). Drawings by Eisenman's office include: samples for serigraphed drawings (DR1994:0147:644-669); drawings for house model construction (DR1994:0147:387-438); and presentation drawings in coloured film on KC5 (DR1994:0147:635-643). A schematic set shows an early scheme for the house: a site and situation plan, two longitudinal sections, floor and roof plans, transverse sections and a section showing construction materials (DR1994:0147:361-367). Four "record blueprint sets" of working drawings are dated between April and May 1988 (DR1994:0147:606-609). Documents include a list of security procedures for Eisenman's office, a schedule for Guardiola House, a report from Static engineering firm, Barcelona, a copy of the Aedes Gallery catalogue on Guardiola House, a filing index and list of the drawings, an address directory, a description of the project, correspondance, and a contract between the architect and client (DR1994:0147:1069-1071). Photographs and photocopies document an early working model of the house which no longer exists (photographs: DR1994:0147:1054-1056; photocopies: DR1994:0147:1056-1067). Miscellaneous drawings in this group include: an incomplete set of blueprints of Alvaro Siza's project for the same site (DR1994:0147:1073); a set of working drawings by Spanish architects for a project in Barcelona which Eisenman referred to when developing this project (DR1994:0147:1074); and Eisenman's designs for a lamp and carpet for Cleto Munari (not part of this project; DR1994:0147:894-1049). Conceptual drawings include plans, site plans, elevations, sections, and axonometrics - mostly black felt-tip pen and/or graphite on white or yellow tracing paper. Design development drawings include plans, site plans, elevations, sections, perspectives and axonometrics - some graphite on tracing vellum; sets - many blueline prints on wove paper; and reprographic copies - some photocopies on tracing vellum or wove paper. Presentation drawings include plans, elevations, and sections - all translucent adhesive coloured film on stats; reprographic copies - all stats; and screen prints on wove paper. Working drawings include plans, site plans, elevations, sections, and details - some pen and black ink on mylar; sets - many coloured pencil on blueline prints on wove paper; and reprographic copies - some photocopies on wove paper. Furniture drawings include plans and elevations for a lamp and carpets - many black felt-tip pen on yellow tracing paper; reprographic copies - mostly photocopies on wove paper; and a manuscript - one typescript on wove paper. Parts of models include - all grey paint on cardboard; photographs of a model; and reprographic copies - all photocopies of photographs of models. Textual records include project files, notes, correspondence, and project files - mostly typescripts on wove paper; sets include copies of drawings - many photocopies on wove paper; and reprographic copies - one photocopy on wove paper. Models include one grey paint on wood and cardboard model.
AP143.S4.D73
Description:
File documents the unexecuted project for Guardiola House, Cádiz, Spain. Material in this file was produced in 1988. File contains conceptual drawings, design development drawings, photographic material, presentation drawings, working drawings, models, and textual records. Drawings by Eisenman include conceptual sketches (DR1994:0147:001-004), and a drawing and final presentation drawing of the transformation process (DR1994:0147:279; DR1994:0147:635). Drawings by Eisenman's office include: samples for serigraphed drawings (DR1994:0147:644-669); drawings for house model construction (DR1994:0147:387-438); and presentation drawings in coloured film on KC5 (DR1994:0147:635-643). A schematic set shows an early scheme for the house: a site and situation plan, two longitudinal sections, floor and roof plans, transverse sections and a section showing construction materials (DR1994:0147:361-367). Four "record blueprint sets" of working drawings are dated between April and May 1988 (DR1994:0147:606-609). Documents include a list of security procedures for Eisenman's office, a schedule for Guardiola House, a report from Static engineering firm, Barcelona, a copy of the Aedes Gallery catalogue on Guardiola House, a filing index and list of the drawings, an address directory, a description of the project, correspondance, and a contract between the architect and client (DR1994:0147:1069-1071). Photographs and photocopies document an early working model of the house which no longer exists (photographs: DR1994:0147:1054-1056; photocopies: DR1994:0147:1056-1067). Miscellaneous drawings in this group include: an incomplete set of blueprints of Alvaro Siza's project for the same site (DR1994:0147:1073); a set of working drawings by Spanish architects for a project in Barcelona which Eisenman referred to when developing this project (DR1994:0147:1074); and Eisenman's designs for a lamp and carpet for Cleto Munari (not part of this project; DR1994:0147:894-1049). Conceptual drawings include plans, site plans, elevations, sections, and axonometrics - mostly black felt-tip pen and/or graphite on white or yellow tracing paper. Design development drawings include plans, site plans, elevations, sections, perspectives and axonometrics - some graphite on tracing vellum; sets - many blueline prints on wove paper; and reprographic copies - some photocopies on tracing vellum or wove paper. Presentation drawings include plans, elevations, and sections - all translucent adhesive coloured film on stats; reprographic copies - all stats; and screen prints on wove paper. Working drawings include plans, site plans, elevations, sections, and details - some pen and black ink on mylar; sets - many coloured pencil on blueline prints on wove paper; and reprographic copies - some photocopies on wove paper. Furniture drawings include plans and elevations for a lamp and carpets - many black felt-tip pen on yellow tracing paper; reprographic copies - mostly photocopies on wove paper; and a manuscript - one typescript on wove paper. Parts of models include - all grey paint on cardboard; photographs of a model; and reprographic copies - all photocopies of photographs of models. Textual records include project files, notes, correspondence, and project files - mostly typescripts on wove paper; sets include copies of drawings - many photocopies on wove paper; and reprographic copies - one photocopy on wove paper. Models include one grey paint on wood and cardboard model.
Personnes et institutions:
Date:
1988
1988
Titre:
Guardiola House
Actions:
AP143.S4.D73
Description:
File documents the unexecuted project for Guardiola House, Cádiz, Spain. Material in this file was produced in 1988. File contains conceptual drawings, design development drawings, photographic material, presentation drawings, working drawings, models, and textual records. Drawings by Eisenman include conceptual sketches (DR1994:0147:001-004), and a drawing and final presentation drawing of the transformation process (DR1994:0147:279; DR1994:0147:635). Drawings by Eisenman's office include: samples for serigraphed drawings (DR1994:0147:644-669); drawings for house model construction (DR1994:0147:387-438); and presentation drawings in coloured film on KC5 (DR1994:0147:635-643). A schematic set shows an early scheme for the house: a site and situation plan, two longitudinal sections, floor and roof plans, transverse sections and a section showing construction materials (DR1994:0147:361-367). Four "record blueprint sets" of working drawings are dated between April and May 1988 (DR1994:0147:606-609). Documents include a list of security procedures for Eisenman's office, a schedule for Guardiola House, a report from Static engineering firm, Barcelona, a copy of the Aedes Gallery catalogue on Guardiola House, a filing index and list of the drawings, an address directory, a description of the project, correspondance, and a contract between the architect and client (DR1994:0147:1069-1071). Photographs and photocopies document an early working model of the house which no longer exists (photographs: DR1994:0147:1054-1056; photocopies: DR1994:0147:1056-1067). Miscellaneous drawings in this group include: an incomplete set of blueprints of Alvaro Siza's project for the same site (DR1994:0147:1073); a set of working drawings by Spanish architects for a project in Barcelona which Eisenman referred to when developing this project (DR1994:0147:1074); and Eisenman's designs for a lamp and carpet for Cleto Munari (not part of this project; DR1994:0147:894-1049). Conceptual drawings include plans, site plans, elevations, sections, and axonometrics - mostly black felt-tip pen and/or graphite on white or yellow tracing paper. Design development drawings include plans, site plans, elevations, sections, perspectives and axonometrics - some graphite on tracing vellum; sets - many blueline prints on wove paper; and reprographic copies - some photocopies on tracing vellum or wove paper. Presentation drawings include plans, elevations, and sections - all translucent adhesive coloured film on stats; reprographic copies - all stats; and screen prints on wove paper. Working drawings include plans, site plans, elevations, sections, and details - some pen and black ink on mylar; sets - many coloured pencil on blueline prints on wove paper; and reprographic copies - some photocopies on wove paper. Furniture drawings include plans and elevations for a lamp and carpets - many black felt-tip pen on yellow tracing paper; reprographic copies - mostly photocopies on wove paper; and a manuscript - one typescript on wove paper. Parts of models include - all grey paint on cardboard; photographs of a model; and reprographic copies - all photocopies of photographs of models. Textual records include project files, notes, correspondence, and project files - mostly typescripts on wove paper; sets include copies of drawings - many photocopies on wove paper; and reprographic copies - one photocopy on wove paper. Models include one grey paint on wood and cardboard model.
Guardiola House
Actions:
AP143.S4.D73
Description:
File documents the unexecuted project for Guardiola House, Cádiz, Spain. Material in this file was produced in 1988. File contains conceptual drawings, design development drawings, photographic material, presentation drawings, working drawings, models, and textual records. Drawings by Eisenman include conceptual sketches (DR1994:0147:001-004), and a drawing and final presentation drawing of the transformation process (DR1994:0147:279; DR1994:0147:635). Drawings by Eisenman's office include: samples for serigraphed drawings (DR1994:0147:644-669); drawings for house model construction (DR1994:0147:387-438); and presentation drawings in coloured film on KC5 (DR1994:0147:635-643). A schematic set shows an early scheme for the house: a site and situation plan, two longitudinal sections, floor and roof plans, transverse sections and a section showing construction materials (DR1994:0147:361-367). Four "record blueprint sets" of working drawings are dated between April and May 1988 (DR1994:0147:606-609). Documents include a list of security procedures for Eisenman's office, a schedule for Guardiola House, a report from Static engineering firm, Barcelona, a copy of the Aedes Gallery catalogue on Guardiola House, a filing index and list of the drawings, an address directory, a description of the project, correspondance, and a contract between the architect and client (DR1994:0147:1069-1071). Photographs and photocopies document an early working model of the house which no longer exists (photographs: DR1994:0147:1054-1056; photocopies: DR1994:0147:1056-1067). Miscellaneous drawings in this group include: an incomplete set of blueprints of Alvaro Siza's project for the same site (DR1994:0147:1073); a set of working drawings by Spanish architects for a project in Barcelona which Eisenman referred to when developing this project (DR1994:0147:1074); and Eisenman's designs for a lamp and carpet for Cleto Munari (not part of this project; DR1994:0147:894-1049). Conceptual drawings include plans, site plans, elevations, sections, and axonometrics - mostly black felt-tip pen and/or graphite on white or yellow tracing paper. Design development drawings include plans, site plans, elevations, sections, perspectives and axonometrics - some graphite on tracing vellum; sets - many blueline prints on wove paper; and reprographic copies - some photocopies on tracing vellum or wove paper. Presentation drawings include plans, elevations, and sections - all translucent adhesive coloured film on stats; reprographic copies - all stats; and screen prints on wove paper. Working drawings include plans, site plans, elevations, sections, and details - some pen and black ink on mylar; sets - many coloured pencil on blueline prints on wove paper; and reprographic copies - some photocopies on wove paper. Furniture drawings include plans and elevations for a lamp and carpets - many black felt-tip pen on yellow tracing paper; reprographic copies - mostly photocopies on wove paper; and a manuscript - one typescript on wove paper. Parts of models include - all grey paint on cardboard; photographs of a model; and reprographic copies - all photocopies of photographs of models. Textual records include project files, notes, correspondence, and project files - mostly typescripts on wove paper; sets include copies of drawings - many photocopies on wove paper; and reprographic copies - one photocopy on wove paper. Models include one grey paint on wood and cardboard model.
Niveau de description archivistique:
File 73
File 73
Date:
1988
1988
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH255882
ARCH255882
Personnes et institutions:
Date:
1967
1967
Classification:
photographies
photographies
Date:
1967
1967
Personnes et institutions:
