10586 Résultats
Classification:
graphique
graphique
Numéro de référence:
ARCH285162
Description:
Collage prepared by collaborators at the Architects' Office in Chandigarh for Pierre Jeanneret on the occasion of his sixtieth birthday.
ARCH285162
Description:
Collage prepared by collaborators at the Architects' Office in Chandigarh for Pierre Jeanneret on the occasion of his sixtieth birthday.
Personnes et institutions:
Date:
1956
1956
Titre:
Collage for Pierre Jeanneret's 60th birthday
Actions:
ARCH285162
Description:
Collage prepared by collaborators at the Architects' Office in Chandigarh for Pierre Jeanneret on the occasion of his sixtieth birthday.
Collage for Pierre Jeanneret's 60th birthday
Actions:
ARCH285162
Description:
Collage prepared by collaborators at the Architects' Office in Chandigarh for Pierre Jeanneret on the occasion of his sixtieth birthday.
Classification:
graphique
graphique
Date:
1956
1956
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Peter Carter
Fonds Peter Carter
Numéro de référence:
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
Personnes et institutions:
Date:
1943-1996
1943-1996
Titre:
Fonds Peter Carter
Actions:
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
Fonds Peter Carter
Actions:
AP047
Résumé:
The Peter Carter fonds, 1943-1996, documents the professional career of architect Peter Carter. The largest portion of the archive corresponds to projects Carter completed as principal of the office, Peter Carter Architect (1974-96). Materials in this fonds consist of 7263 drawings (including reprographic copies), 2007 photographic materials, approximately 65 panels, 3 l.m. of textual records, 26 models, 1 enclosing unit, 1 carpet sample, 1 graphic design layout for stationery letterhead, 1 brown oak sample, 1 window sample, 1 sign, 1 carioca stone, 1 travertine block and 1 grey carpet tile.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1943-1996
1943-1996
Personnes et institutions:
Classification:
photographies
photographies
Numéro de référence:
ARCH268351
Description:
Album containing a compilation of birthday cards prepared by collaborators at the Architects' Office in Chandigarh for Pierre Jeanneret on the occasion of his sixty-first birthday.
ARCH268351
Description:
Album containing a compilation of birthday cards prepared by collaborators at the Architects' Office in Chandigarh for Pierre Jeanneret on the occasion of his sixty-first birthday.
Personnes et institutions:
Date:
1957
1957
Titre:
Album for Pierre Jeanneret’s 61st birthday
Actions:
ARCH268351
Description:
Album containing a compilation of birthday cards prepared by collaborators at the Architects' Office in Chandigarh for Pierre Jeanneret on the occasion of his sixty-first birthday.
Album for Pierre Jeanneret’s 61st birthday
Actions:
ARCH268351
Description:
Album containing a compilation of birthday cards prepared by collaborators at the Architects' Office in Chandigarh for Pierre Jeanneret on the occasion of his sixty-first birthday.
Classification:
photographies
photographies
Date:
1957
1957
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Gene Summers
Fonds Gene Summers
Numéro de référence:
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
Personnes et institutions:
Date:
1957 - 2004
1957 - 2004
Titre:
Fonds Gene Summers
Actions:
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
Fonds Gene Summers
Actions:
AP114
Résumé:
The Gene Summers fonds documents primarily the later part of Gene Summers' career as an architect, developer, artist and art collector. Summer's early work with the Office of Mies van der Rohe and C.F. Murphy Associates is summarily represented by notes, sketches and photographs.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1957 - 2004
1957 - 2004
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Myron Goldsmith
Fonds Myron Goldsmith
Numéro de référence:
AP032
Résumé:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
AP032
Résumé:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
Personnes et institutions:
Date:
1933-1996
1933-1996
Titre:
Fonds Myron Goldsmith
Actions:
AP032
Résumé:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
Fonds Myron Goldsmith
Actions:
AP032
Résumé:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1933-1996
1933-1996
Personnes et institutions:
Classification:
livres
livres
Numéro de référence:
ARCH266098
Description:
Prepared for the Office des autoroutes du Québec.
ARCH266098
Description:
Prepared for the Office des autoroutes du Québec.
Personnes et institutions:
Titre:
Preliminary studies for the Relais au parc récréatif de l’Autoroute des Laurentides project, in Québec.
Actions:
ARCH266098
Description:
Prepared for the Office des autoroutes du Québec.
Preliminary studies for the Relais au parc récréatif de l’Autoroute des Laurentides project, in Québec.
Actions:
ARCH266098
Description:
Prepared for the Office des autoroutes du Québec.
Classification:
livres
livres
Personnes et institutions:
Classification:
livres
livres
Numéro de référence:
ARCH267333
Description:
Prepared by the consulting-engineer firm Bélanger, Wolfe & Associates for the Office des autoroutes du Québec.
ARCH267333
Description:
Prepared by the consulting-engineer firm Bélanger, Wolfe & Associates for the Office des autoroutes du Québec.
Personnes et institutions:
Date:
1963
1963
Titre:
Rapport preliminaire
Actions:
ARCH267333
Description:
Prepared by the consulting-engineer firm Bélanger, Wolfe & Associates for the Office des autoroutes du Québec.
Rapport preliminaire
Actions:
ARCH267333
Description:
Prepared by the consulting-engineer firm Bélanger, Wolfe & Associates for the Office des autoroutes du Québec.
Classification:
livres
livres
Date:
1963
1963
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Quel rôle l’histoire a-t-elle à jouer dans la pratique architecturale contemporaine? Plutôt que d’adopter une position postmoderne ou d’évoquer des débats anciens et des formes architecturales historiques, Go Hasegawa, Kersten Geers et David Van Severen abordent dans leur travail les problématiques actuelles dans un esprit de dialogue avec l’histoire. Même si les(...)
Quel rôle l’histoire a-t-elle à jouer dans la pratique architecturale contemporaine? Plutôt que d’adopter une position postmoderne ou d’évoquer des débats anciens et des formes architecturales historiques, Go Hasegawa, Kersten Geers et David Van Severen abordent dans leur travail les problématiques actuelles dans un esprit de dialogue avec l’histoire. Même si les(...)
Localisation:
Salles principales Mot(s)-clé(s):
L’histoire, par ailleurs, Go Hasegawa, Kersten Geers, David Van Severen, Office, KGDVS, Bas Princen
Salles principales Mot(s)-clé(s):
L’histoire, par ailleurs, Go Hasegawa, Kersten Geers, David Van Severen, Office, KGDVS, Bas Princen
Date:
10 mai 2017 au 15 octobre 2017
10 mai 2017 au 15 octobre 2017
Titre:
L’histoire, par ailleurs : Go Hasegawa, Kersten Geers, David Van Severen
Actions:
Description:
Quel rôle l’histoire a-t-elle à jouer dans la pratique architecturale contemporaine? Plutôt que d’adopter une position postmoderne ou d’évoquer des débats anciens et des formes architecturales historiques, Go Hasegawa, Kersten Geers et David Van Severen abordent dans leur travail les problématiques actuelles dans un esprit de dialogue avec l’histoire. Même si les(...)
L’histoire, par ailleurs : Go Hasegawa, Kersten Geers, David Van Severen
Actions:
Description:
Quel rôle l’histoire a-t-elle à jouer dans la pratique architecturale contemporaine? Plutôt que d’adopter une position postmoderne ou d’évoquer des débats anciens et des formes architecturales historiques, Go Hasegawa, Kersten Geers et David Van Severen abordent dans leur travail les problématiques actuelles dans un esprit de dialogue avec l’histoire. Même si les(...)
Classification:
expositions
expositions
Date:
10 mai 2017 au
15 octobre 2017
10 mai 2017 au
15 octobre 2017
Localisation:
Salles principales Mot(s)-clé(s):
L’histoire, par ailleurs, Go Hasegawa, Kersten Geers, David Van Severen, Office, KGDVS, Bas Princen
Salles principales Mot(s)-clé(s):
L’histoire, par ailleurs, Go Hasegawa, Kersten Geers, David Van Severen, Office, KGDVS, Bas Princen
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP179.S1
Description:
Series 1, Casa La Roca, Caracas, Venezuela, 1995 – 2001, documents the development of a project (unrealized) for a residential home situated among the hills at the southern edge of Caracas. The majority of records were produced between 1995 and 1997. The series consists of sketches, drawings and reprographic copies for the conceptual and design development phases of the project, a wood model and model pieces, photographs of the site, and textual records including correspondence and zoning records. The series also contains an oversized banner printed with an image of the model that was featured in the Fabrications exhibition at the Museum of Modern Art, New York, in 1998, as well as plans for the show. The digital material in this series consists of an animated rendering of the brick patio wall and photographs of the physical drawings and the model for Casa La Roca. The name of the project, Casa la Roca (in English, “the rock house”), is derived from a large mass of rock that occupies the back of the property. The design utilizes the presence of the rock, in combination with sliding glass doors and windows, to create an “outdoor room” that functions both as a living space and back yard. The design also incorporates the nature of the site through the use of materials such as terracotta block, brick, and tile.
AP179.S1
Description:
Series 1, Casa La Roca, Caracas, Venezuela, 1995 – 2001, documents the development of a project (unrealized) for a residential home situated among the hills at the southern edge of Caracas. The majority of records were produced between 1995 and 1997. The series consists of sketches, drawings and reprographic copies for the conceptual and design development phases of the project, a wood model and model pieces, photographs of the site, and textual records including correspondence and zoning records. The series also contains an oversized banner printed with an image of the model that was featured in the Fabrications exhibition at the Museum of Modern Art, New York, in 1998, as well as plans for the show. The digital material in this series consists of an animated rendering of the brick patio wall and photographs of the physical drawings and the model for Casa La Roca. The name of the project, Casa la Roca (in English, “the rock house”), is derived from a large mass of rock that occupies the back of the property. The design utilizes the presence of the rock, in combination with sliding glass doors and windows, to create an “outdoor room” that functions both as a living space and back yard. The design also incorporates the nature of the site through the use of materials such as terracotta block, brick, and tile.
Personnes et institutions:
Date:
1995 - 2001
1995 - 2001
Titre:
Casa La Roca, Caracas, Venezuela (1995 - 2001)
Actions:
AP179.S1
Description:
Series 1, Casa La Roca, Caracas, Venezuela, 1995 – 2001, documents the development of a project (unrealized) for a residential home situated among the hills at the southern edge of Caracas. The majority of records were produced between 1995 and 1997. The series consists of sketches, drawings and reprographic copies for the conceptual and design development phases of the project, a wood model and model pieces, photographs of the site, and textual records including correspondence and zoning records. The series also contains an oversized banner printed with an image of the model that was featured in the Fabrications exhibition at the Museum of Modern Art, New York, in 1998, as well as plans for the show. The digital material in this series consists of an animated rendering of the brick patio wall and photographs of the physical drawings and the model for Casa La Roca. The name of the project, Casa la Roca (in English, “the rock house”), is derived from a large mass of rock that occupies the back of the property. The design utilizes the presence of the rock, in combination with sliding glass doors and windows, to create an “outdoor room” that functions both as a living space and back yard. The design also incorporates the nature of the site through the use of materials such as terracotta block, brick, and tile.
Casa La Roca, Caracas, Venezuela (1995 - 2001)
Actions:
AP179.S1
Description:
Series 1, Casa La Roca, Caracas, Venezuela, 1995 – 2001, documents the development of a project (unrealized) for a residential home situated among the hills at the southern edge of Caracas. The majority of records were produced between 1995 and 1997. The series consists of sketches, drawings and reprographic copies for the conceptual and design development phases of the project, a wood model and model pieces, photographs of the site, and textual records including correspondence and zoning records. The series also contains an oversized banner printed with an image of the model that was featured in the Fabrications exhibition at the Museum of Modern Art, New York, in 1998, as well as plans for the show. The digital material in this series consists of an animated rendering of the brick patio wall and photographs of the physical drawings and the model for Casa La Roca. The name of the project, Casa la Roca (in English, “the rock house”), is derived from a large mass of rock that occupies the back of the property. The design utilizes the presence of the rock, in combination with sliding glass doors and windows, to create an “outdoor room” that functions both as a living space and back yard. The design also incorporates the nature of the site through the use of materials such as terracotta block, brick, and tile.
Niveau de description archivistique:
Series
Series
Date:
1995 - 2001
1995 - 2001
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Personnes et institutions:
Date:
2000 - 2007
2000 - 2007
Titre:
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Niveau de description archivistique:
Series
Series
Date:
2000 - 2007
2000 - 2007
Personnes et institutions:
