ARCH276922
Description:
Group contains framed certificates and a plate award . Includes The Greater Vancouver Chapter of the Architectural Institute of British Columbia Awards of Merit for the Graham Residence (1966) and Simon Fraser University (1966); Arthur Erickson's membership certificate to the Ontario Association of Architects (1969); Governor General's Media for Robson Square (1982); Certificate from the Royal Architectural Insitute of Canada acknowledging Arthur Erickson's contribution to the Festiable of Architecture (Montreal, June 19-21, 1997); Vancouver Arts Awards honouring achievement and promise of Arthur Erickson (2004); The President's 40th Anniversary Award for Simon Fraser University Campus (June 9, 2006).
1966-2006
Various certificates and awards
Actions:
ARCH276922
Description:
Group contains framed certificates and a plate award . Includes The Greater Vancouver Chapter of the Architectural Institute of British Columbia Awards of Merit for the Graham Residence (1966) and Simon Fraser University (1966); Arthur Erickson's membership certificate to the Ontario Association of Architects (1969); Governor General's Media for Robson Square (1982); Certificate from the Royal Architectural Insitute of Canada acknowledging Arthur Erickson's contribution to the Festiable of Architecture (Montreal, June 19-21, 1997); Vancouver Arts Awards honouring achievement and promise of Arthur Erickson (2004); The President's 40th Anniversary Award for Simon Fraser University Campus (June 9, 2006).
1966-2006
dessins, photographies
DR2012:0012:069:002
Description:
Portfolio containing documents in English (predominant) and French, including conceptual drawings, photographic prints, reference materials, reprographic copies of artworks and architectural drawings (including elevations, sections, site plans), and a map related to the following projects: - Mont-Royal Metro Station (6 reprographic copies); - Canadian Government pavillion, World Expo, Osaka Japan (4 reprographic copies); - Unknown project(s); - Curé Grenier School, Notre-Dame des Laurentides, Quebec; - Clowes Memorial Hall, Butler University, Indianapolis, Indiana (2 reprographic copies); - The Museum of Art, Science and Industry, Bridgeport, Connecticut (5 reprographic copies); - U.C.C. building, Montreal (12 reprographic copies); As well as: - Schwarzenbach residence (J. M. Johansen, architect) (20 reprographic copies).
1959-1967
Portfolio of Melvin Charney's early professional work
Actions:
DR2012:0012:069:002
Description:
Portfolio containing documents in English (predominant) and French, including conceptual drawings, photographic prints, reference materials, reprographic copies of artworks and architectural drawings (including elevations, sections, site plans), and a map related to the following projects: - Mont-Royal Metro Station (6 reprographic copies); - Canadian Government pavillion, World Expo, Osaka Japan (4 reprographic copies); - Unknown project(s); - Curé Grenier School, Notre-Dame des Laurentides, Quebec; - Clowes Memorial Hall, Butler University, Indianapolis, Indiana (2 reprographic copies); - The Museum of Art, Science and Industry, Bridgeport, Connecticut (5 reprographic copies); - U.C.C. building, Montreal (12 reprographic copies); As well as: - Schwarzenbach residence (J. M. Johansen, architect) (20 reprographic copies).
dessins, photographies
1959-1967
documents textuels
Quantité:
26 file
ARCH242857
Description:
CD (Cynthia Davidson) Letters - primarily personal correspondence 1993-2000 Sanford Kwinter 1994 Correspondence - 1994-1998 Letters from M…Requests Letters From … - Martin Somora Letter From Belgrade Letters From … - Yung-Ho Chang Nobuaki Iahimaru - Letter from Kobe Architects for Any - 1993 Unsolicited Manuscripts Nana Last and Lester Yuen, Two Projects Akos Moravanskzy Alan Balfour Rober Connah - IIT Rober Connah - Caressing a Cat to Death Intern Resumes Lina Bo Bardi Resumes Jody Zellen - C.V. and 19 slides of artwork Key West Aids Memorial Competition El Portal Gateway Competition, Laredo, Texas Submitted projects Any Spectacle Henry Urbach (Edward) Dimendberg Southern California Institute of Architecture - press releases Stanford
1991-2001
Correspondence and Submissions, 1991-200
Actions:
ARCH242857
Description:
CD (Cynthia Davidson) Letters - primarily personal correspondence 1993-2000 Sanford Kwinter 1994 Correspondence - 1994-1998 Letters from M…Requests Letters From … - Martin Somora Letter From Belgrade Letters From … - Yung-Ho Chang Nobuaki Iahimaru - Letter from Kobe Architects for Any - 1993 Unsolicited Manuscripts Nana Last and Lester Yuen, Two Projects Akos Moravanskzy Alan Balfour Rober Connah - IIT Rober Connah - Caressing a Cat to Death Intern Resumes Lina Bo Bardi Resumes Jody Zellen - C.V. and 19 slides of artwork Key West Aids Memorial Competition El Portal Gateway Competition, Laredo, Texas Submitted projects Any Spectacle Henry Urbach (Edward) Dimendberg Southern California Institute of Architecture - press releases Stanford
documents textuels
Quantité:
26 file
1991-2001
photographies
Quantité:
12 photograph(s)
ARCH269447
Description:
Group consists of photographs of Pierre Jeanneret and others at Chandigarh, India, including photographs of Jeet Malhotra and a child using the boat designed by Pierre Jeanneret at Chandigarh Lake in 1960, Jeet Malhotra with Nehru in 1954 or with Le Corbusier at the Secretariat in construction in 1958. There are also photographs of Pierre Jeanneret with Nehry and other government officials in 1956 or with his architects' team in 1960 and 1961. The group also includes a photograph of Jane Drew and Maxwell Fry at Chandigarh in 1951 and a photograph of Jacqueline Jeanneret and her family at Punjab Garden in 1964.
between 1951 and 1964
Photographs of Pierre Jeanneret and others at Chandigarh, India
Actions:
ARCH269447
Description:
Group consists of photographs of Pierre Jeanneret and others at Chandigarh, India, including photographs of Jeet Malhotra and a child using the boat designed by Pierre Jeanneret at Chandigarh Lake in 1960, Jeet Malhotra with Nehru in 1954 or with Le Corbusier at the Secretariat in construction in 1958. There are also photographs of Pierre Jeanneret with Nehry and other government officials in 1956 or with his architects' team in 1960 and 1961. The group also includes a photograph of Jane Drew and Maxwell Fry at Chandigarh in 1951 and a photograph of Jacqueline Jeanneret and her family at Punjab Garden in 1964.
photographies
Quantité:
12 photograph(s)
between 1951 and 1964
documents textuels
ARCH153877
Description:
Typewritten translation of Tafuri's “The Historical Project” by Diane Ghirardo Stuart Cohen & Steven Hurtt: “The Pilgrimage Chapel at Ronchamp House X - Notes + Lecture (1975-1978) “Transformations, Decompositions, and Critiques: House X” Letter to PDE from University of Washington (invitation) January 1977 Statement of Project for a Research to develop a rational approach to urban design (early document) Memo to IAUS Executive Committee from P. Wolf - November 1976: Finances Xerox: Fred Berstein: “Consistency through Change a Review of Princeton's School fo Architecture from Labatut to Geddes.” Proforma Invoice from PDE to Japan Architect; 28 May 1976
1975-1978
“The Historical Project”, “The Pilgrimage Chapel at Ronchamp", “Transformations, Decompositions, and Critiques: House X”
Actions:
ARCH153877
Description:
Typewritten translation of Tafuri's “The Historical Project” by Diane Ghirardo Stuart Cohen & Steven Hurtt: “The Pilgrimage Chapel at Ronchamp House X - Notes + Lecture (1975-1978) “Transformations, Decompositions, and Critiques: House X” Letter to PDE from University of Washington (invitation) January 1977 Statement of Project for a Research to develop a rational approach to urban design (early document) Memo to IAUS Executive Committee from P. Wolf - November 1976: Finances Xerox: Fred Berstein: “Consistency through Change a Review of Princeton's School fo Architecture from Labatut to Geddes.” Proforma Invoice from PDE to Japan Architect; 28 May 1976
documents textuels
1975-1978
Alors que le climat de la Terre atteint un état d’instabilité constante, la prise de conscience de l’impact du réchauffement planétaire sur les droits de l’homme et l’augmentation des conflits sociaux, ne fait que s’accentuer. Une moindre attention a été accordée aux façons dont la violence politique et l’abus de droits humains, dans le passé comme dans le présent,(...)
Théâtre Paul-Demarais
1 décembre 2016, 18h
Dans les frontières du changement climatique (Vers une politique des droits non humains)
Actions:
Description:
Alors que le climat de la Terre atteint un état d’instabilité constante, la prise de conscience de l’impact du réchauffement planétaire sur les droits de l’homme et l’augmentation des conflits sociaux, ne fait que s’accentuer. Une moindre attention a été accordée aux façons dont la violence politique et l’abus de droits humains, dans le passé comme dans le présent,(...)
Théâtre Paul-Demarais
Projet
CI005.S1.1926.PR3
Description:
In addition to its regular municipal housing program, the city of Stuttgart initiated the Weissenhof estate project in 1925, which featured the design and construction of 40 homes as part of the international exhibition of modern construction. Originally intended as an affordable housing project, the plans were later tailored to meet the needs of educated middle class citizens. The exhibition featured the experimental designs of various architects, experimenting with home economics and new building types and materials. When it opened in 1927, the Weissenhof estate comprehended 21 projects of 63 dwellings with Oud contributing designs for five identical terraced homes that were built (Taverne et al. 2001, 291-297). Project series includes photographs of exterior and interior views of terraced housing as well as Oud's drawings for plans.
1926-1927
Five Row Houses in the Weissenhofsiedlung, Stuttgart, Germany (1926-1927)
Actions:
CI005.S1.1926.PR3
Description:
In addition to its regular municipal housing program, the city of Stuttgart initiated the Weissenhof estate project in 1925, which featured the design and construction of 40 homes as part of the international exhibition of modern construction. Originally intended as an affordable housing project, the plans were later tailored to meet the needs of educated middle class citizens. The exhibition featured the experimental designs of various architects, experimenting with home economics and new building types and materials. When it opened in 1927, the Weissenhof estate comprehended 21 projects of 63 dwellings with Oud contributing designs for five identical terraced homes that were built (Taverne et al. 2001, 291-297). Project series includes photographs of exterior and interior views of terraced housing as well as Oud's drawings for plans.
project
1926-1927
Série(s)
AP197.S3
Description:
This series consists of personal and professional correspondence as well as recommendation letters, 1958-2016, that Frampton either sent or received throughout his professional career. Correspondence documents Frampton’s role as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; a Fellow of the Institute for Architecture and Urban Studies; and Associate professor and, subsequently, Ware professor of the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University. Throughout his extensive career, Frampton corresponded with various students, architects, professors, publishers, editors, and architecture associations. This correspondence relates to : offers of teaching positions; requests to write articles; reviews; books and recommendation letters; requests to serve on juries; requests for research materials; invitations to teach, present, or attend lectures/symposiums/conferences; and more.
1958-2016
Correspondence and recommendation letters
Actions:
AP197.S3
Description:
This series consists of personal and professional correspondence as well as recommendation letters, 1958-2016, that Frampton either sent or received throughout his professional career. Correspondence documents Frampton’s role as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; a Fellow of the Institute for Architecture and Urban Studies; and Associate professor and, subsequently, Ware professor of the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University. Throughout his extensive career, Frampton corresponded with various students, architects, professors, publishers, editors, and architecture associations. This correspondence relates to : offers of teaching positions; requests to write articles; reviews; books and recommendation letters; requests to serve on juries; requests for research materials; invitations to teach, present, or attend lectures/symposiums/conferences; and more.
Series
1958-2016
Projet
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
circa 1972-2015
About None-conscious Architecture (1972-1973)
Actions:
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
Project
circa 1972-2015
Projet
AP207.S1.2012.PR05
Description:
The project series documents the digitally created performance "Antologico… Enciclopedico" by Pettena in 2012. The project consists of a photograph of bookshelves which was digitally modified to include an image of Pettena to give the illusion that he is laying amongst the books. "An ironical statement made by the artist who, being more than seventy years old, has by now been the object of a long and progressive phenomenology of quotations and inspirations of critics, architects and contemporary artists. This is usually what happens with masters who, more or less, are no longer acting on the stage." [1] The project series contains two sketches and photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-antological-2012-1/ (last accessed 27 January 2020)
2011-2015
Antologico… Enciclopedico [Anthological... Encyclopedic] (2012)
Actions:
AP207.S1.2012.PR05
Description:
The project series documents the digitally created performance "Antologico… Enciclopedico" by Pettena in 2012. The project consists of a photograph of bookshelves which was digitally modified to include an image of Pettena to give the illusion that he is laying amongst the books. "An ironical statement made by the artist who, being more than seventy years old, has by now been the object of a long and progressive phenomenology of quotations and inspirations of critics, architects and contemporary artists. This is usually what happens with masters who, more or less, are no longer acting on the stage." [1] The project series contains two sketches and photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-antological-2012-1/ (last accessed 27 January 2020)
Project
2011-2015