33494 Résultats
Classification:
événements
événements
Actions:
Description:
Hubert Damisch, chercheur principal et boursier Mellon au CCA en 2003-2004, examine la conséquence qu’aura, pour l’avenir de la pensée structurale, l’édifice-nuage Blur. Créé par la firme d’architectes new-yorkais Diller + Scofidio sur le lac de Neuchâtel en Suisse, cet édifice est la plus récente et radicale expression d’un désir de fluidité et d’évanescence en(...)
Hubert Damisch, chercheur principal et boursier Mellon au CCA en 2003-2004, examine la conséquence qu’aura, pour l’avenir de la pensée structurale, l’édifice-nuage Blur. Créé par la firme d’architectes new-yorkais Diller + Scofidio sur le lac de Neuchâtel en Suisse, cet édifice est la plus récente et radicale expression d’un désir de fluidité et d’évanescence en(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
8 mai 2003
8 mai 2003
Titre:
Hubert Damisch : Effacer l’architecture?
Actions:
Description:
Hubert Damisch, chercheur principal et boursier Mellon au CCA en 2003-2004, examine la conséquence qu’aura, pour l’avenir de la pensée structurale, l’édifice-nuage Blur. Créé par la firme d’architectes new-yorkais Diller + Scofidio sur le lac de Neuchâtel en Suisse, cet édifice est la plus récente et radicale expression d’un désir de fluidité et d’évanescence en(...)
Hubert Damisch : Effacer l’architecture?
Actions:
Description:
Hubert Damisch, chercheur principal et boursier Mellon au CCA en 2003-2004, examine la conséquence qu’aura, pour l’avenir de la pensée structurale, l’édifice-nuage Blur. Créé par la firme d’architectes new-yorkais Diller + Scofidio sur le lac de Neuchâtel en Suisse, cet édifice est la plus récente et radicale expression d’un désir de fluidité et d’évanescence en(...)
Classification:
événements
événements
Date:
8 mai 2003
8 mai 2003
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
événements
événements
Titre:
La connaissance du bâti
La connaissance du bâti
Actions:
Description:
Au cours de cette conférence, Madame Kundoo parlera d’un éventail de projets tirés de sa pratique, de sa recherche et de son enseignement. Dans ces sphères de travail distinctes mais complémentaires, elle tente de bâtir un savoir collectif, en collaboration avec des ingénieurs, des maçons, des dessinateurs, des producteurs d’infrastructure, des résidents, des fournisseurs(...)
Au cours de cette conférence, Madame Kundoo parlera d’un éventail de projets tirés de sa pratique, de sa recherche et de son enseignement. Dans ces sphères de travail distinctes mais complémentaires, elle tente de bâtir un savoir collectif, en collaboration avec des ingénieurs, des maçons, des dessinateurs, des producteurs d’infrastructure, des résidents, des fournisseurs(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
16 avril 2015 , 18h
16 avril 2015 , 18h
Titre:
La connaissance du bâti
Actions:
Description:
Au cours de cette conférence, Madame Kundoo parlera d’un éventail de projets tirés de sa pratique, de sa recherche et de son enseignement. Dans ces sphères de travail distinctes mais complémentaires, elle tente de bâtir un savoir collectif, en collaboration avec des ingénieurs, des maçons, des dessinateurs, des producteurs d’infrastructure, des résidents, des fournisseurs(...)
La connaissance du bâti
Actions:
Description:
Au cours de cette conférence, Madame Kundoo parlera d’un éventail de projets tirés de sa pratique, de sa recherche et de son enseignement. Dans ces sphères de travail distinctes mais complémentaires, elle tente de bâtir un savoir collectif, en collaboration avec des ingénieurs, des maçons, des dessinateurs, des producteurs d’infrastructure, des résidents, des fournisseurs(...)
Classification:
événements
événements
Date:
16 avril 2015
18h
16 avril 2015
18h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
livres
livres
Titre:
Chandigarh houses, Volume 1
Chandigarh houses, Volume 1
Numéro de référence:
ARCH285211
Description:
Presentation album containing plans, elevations and sections for various dwellings in Chandigarh, India, as conceived by Pierre Jeanneret and the Architects’ Office. Many plans are signed by Pierre Jeanneret. Album contains plans for the following house types: - House Type 2.J. (Minister’s House) - House Type 3F-C. - House Type 4D - House Type 3JB - House Type 5 J’A’ - House Type 6D - House Type 6.J. - House Type 6.JB. - House Type 7F - House Type 7.S. - House Type 9J - House Type 10 P - House Type 12.J.C. - House Type 14D - House Type 14J - Standard design for 10 Marla - Standard design for 5 Marla - P.U.C. House Type V - P.U.C. House Type VI - P.U.C. House Type VII - P.U.C. House Type VIII-A
ARCH285211
Description:
Presentation album containing plans, elevations and sections for various dwellings in Chandigarh, India, as conceived by Pierre Jeanneret and the Architects’ Office. Many plans are signed by Pierre Jeanneret. Album contains plans for the following house types: - House Type 2.J. (Minister’s House) - House Type 3F-C. - House Type 4D - House Type 3JB - House Type 5 J’A’ - House Type 6D - House Type 6.J. - House Type 6.JB. - House Type 7F - House Type 7.S. - House Type 9J - House Type 10 P - House Type 12.J.C. - House Type 14D - House Type 14J - Standard design for 10 Marla - Standard design for 5 Marla - P.U.C. House Type V - P.U.C. House Type VI - P.U.C. House Type VII - P.U.C. House Type VIII-A
Personnes et institutions:
Date:
circa 1959
circa 1959
Titre:
Chandigarh houses, Volume 1
Actions:
ARCH285211
Description:
Presentation album containing plans, elevations and sections for various dwellings in Chandigarh, India, as conceived by Pierre Jeanneret and the Architects’ Office. Many plans are signed by Pierre Jeanneret. Album contains plans for the following house types: - House Type 2.J. (Minister’s House) - House Type 3F-C. - House Type 4D - House Type 3JB - House Type 5 J’A’ - House Type 6D - House Type 6.J. - House Type 6.JB. - House Type 7F - House Type 7.S. - House Type 9J - House Type 10 P - House Type 12.J.C. - House Type 14D - House Type 14J - Standard design for 10 Marla - Standard design for 5 Marla - P.U.C. House Type V - P.U.C. House Type VI - P.U.C. House Type VII - P.U.C. House Type VIII-A
Chandigarh houses, Volume 1
Actions:
ARCH285211
Description:
Presentation album containing plans, elevations and sections for various dwellings in Chandigarh, India, as conceived by Pierre Jeanneret and the Architects’ Office. Many plans are signed by Pierre Jeanneret. Album contains plans for the following house types: - House Type 2.J. (Minister’s House) - House Type 3F-C. - House Type 4D - House Type 3JB - House Type 5 J’A’ - House Type 6D - House Type 6.J. - House Type 6.JB. - House Type 7F - House Type 7.S. - House Type 9J - House Type 10 P - House Type 12.J.C. - House Type 14D - House Type 14J - Standard design for 10 Marla - Standard design for 5 Marla - P.U.C. House Type V - P.U.C. House Type VI - P.U.C. House Type VII - P.U.C. House Type VIII-A
Classification:
livres
livres
Date:
circa 1959
circa 1959
Personnes et institutions:
Classification:
livres
livres
Titre:
Chandigarh houses, Volume 1
Chandigarh houses, Volume 1
Numéro de référence:
ARCH264812
Description:
Presentation album containing plans, elevations and sections for various dwellings in Chandigarh, India, as conceived by Pierre Jeanneret and the Architects’ Office. Many plans are signed by Pierre Jeanneret. Album contains plans for the following house types: - House Type 2.J. (Minister’s House) - House Type 3F-C. - House Type 4D - House Type 3JB - House Type 5 J’A’ - House Type 6D - House Type 6.J. - House Type 6.JB. - House Type 7F - House Type 7.S. - House Type 9J - House Type 10 P - House Type 12.J.C. - House Type 14D - House Type 14J - Standard design for 10 Marla - Standard design for 5 Marla - P.U.C. House Type V - P.U.C. House Type VI - P.U.C. House Type VII - P.U.C. House Type VIII-A
ARCH264812
Description:
Presentation album containing plans, elevations and sections for various dwellings in Chandigarh, India, as conceived by Pierre Jeanneret and the Architects’ Office. Many plans are signed by Pierre Jeanneret. Album contains plans for the following house types: - House Type 2.J. (Minister’s House) - House Type 3F-C. - House Type 4D - House Type 3JB - House Type 5 J’A’ - House Type 6D - House Type 6.J. - House Type 6.JB. - House Type 7F - House Type 7.S. - House Type 9J - House Type 10 P - House Type 12.J.C. - House Type 14D - House Type 14J - Standard design for 10 Marla - Standard design for 5 Marla - P.U.C. House Type V - P.U.C. House Type VI - P.U.C. House Type VII - P.U.C. House Type VIII-A
Personnes et institutions:
Date:
circa 1959
circa 1959
Titre:
Chandigarh houses, Volume 1
Actions:
ARCH264812
Description:
Presentation album containing plans, elevations and sections for various dwellings in Chandigarh, India, as conceived by Pierre Jeanneret and the Architects’ Office. Many plans are signed by Pierre Jeanneret. Album contains plans for the following house types: - House Type 2.J. (Minister’s House) - House Type 3F-C. - House Type 4D - House Type 3JB - House Type 5 J’A’ - House Type 6D - House Type 6.J. - House Type 6.JB. - House Type 7F - House Type 7.S. - House Type 9J - House Type 10 P - House Type 12.J.C. - House Type 14D - House Type 14J - Standard design for 10 Marla - Standard design for 5 Marla - P.U.C. House Type V - P.U.C. House Type VI - P.U.C. House Type VII - P.U.C. House Type VIII-A
Chandigarh houses, Volume 1
Actions:
ARCH264812
Description:
Presentation album containing plans, elevations and sections for various dwellings in Chandigarh, India, as conceived by Pierre Jeanneret and the Architects’ Office. Many plans are signed by Pierre Jeanneret. Album contains plans for the following house types: - House Type 2.J. (Minister’s House) - House Type 3F-C. - House Type 4D - House Type 3JB - House Type 5 J’A’ - House Type 6D - House Type 6.J. - House Type 6.JB. - House Type 7F - House Type 7.S. - House Type 9J - House Type 10 P - House Type 12.J.C. - House Type 14D - House Type 14J - Standard design for 10 Marla - Standard design for 5 Marla - P.U.C. House Type V - P.U.C. House Type VI - P.U.C. House Type VII - P.U.C. House Type VIII-A
Classification:
livres
livres
Date:
circa 1959
circa 1959
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Des architectes, des artistes et des collectifs en provenance de plusieurs pays redéfinissent des activités en apparence anodines comme le jardinage, le recyclage, le jeu ou la marche. Confrontées aux normes de comportement urbain communément admises, leurs actions vont parfois jusqu’à défier les prescriptions de la loi. Les groupes ou les individus mis en scène dans(...)
Des architectes, des artistes et des collectifs en provenance de plusieurs pays redéfinissent des activités en apparence anodines comme le jardinage, le recyclage, le jeu ou la marche. Confrontées aux normes de comportement urbain communément admises, leurs actions vont parfois jusqu’à défier les prescriptions de la loi. Les groupes ou les individus mis en scène dans(...)
Localisation:
Salles principales
Salles principales
Date:
26 novembre 2008 au 19 avril 2009
26 novembre 2008 au 19 avril 2009
Titre:
Actions : comment s’approprier la ville
Actions:
Description:
Des architectes, des artistes et des collectifs en provenance de plusieurs pays redéfinissent des activités en apparence anodines comme le jardinage, le recyclage, le jeu ou la marche. Confrontées aux normes de comportement urbain communément admises, leurs actions vont parfois jusqu’à défier les prescriptions de la loi. Les groupes ou les individus mis en scène dans(...)
Actions : comment s’approprier la ville
Actions:
Description:
Des architectes, des artistes et des collectifs en provenance de plusieurs pays redéfinissent des activités en apparence anodines comme le jardinage, le recyclage, le jeu ou la marche. Confrontées aux normes de comportement urbain communément admises, leurs actions vont parfois jusqu’à défier les prescriptions de la loi. Les groupes ou les individus mis en scène dans(...)
Classification:
expositions
expositions
Date:
26 novembre 2008 au
19 avril 2009
26 novembre 2008 au
19 avril 2009
Localisation:
Salles principales
Salles principales
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Bernard Tschumi fonds
Bernard Tschumi fonds
Numéro de référence:
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Personnes et institutions:
Date:
circa 1964-2015
circa 1964-2015
Titre:
Bernard Tschumi fonds
Actions:
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Bernard Tschumi fonds
Actions:
AP214
Résumé:
The Bernard Tschumi fonds, dating from approximately 1965-2015, documents the professional activities of Bernard Tschumi including Tschumi’s career in academia and his professional practice as an architect through approximately 75 projects dating from the late 1980s to 2012.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
circa 1964-2015
circa 1964-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1926.PR3
Description:
In addition to its regular municipal housing program, the city of Stuttgart initiated the Weissenhof estate project in 1925, which featured the design and construction of 40 homes as part of the international exhibition of modern construction. Originally intended as an affordable housing project, the plans were later tailored to meet the needs of educated middle class citizens. The exhibition featured the experimental designs of various architects, experimenting with home economics and new building types and materials. When it opened in 1927, the Weissenhof estate comprehended 21 projects of 63 dwellings with Oud contributing designs for five identical terraced homes that were built (Taverne et al. 2001, 291-297). Project series includes photographs of exterior and interior views of terraced housing as well as Oud's drawings for plans.
CI005.S1.1926.PR3
Description:
In addition to its regular municipal housing program, the city of Stuttgart initiated the Weissenhof estate project in 1925, which featured the design and construction of 40 homes as part of the international exhibition of modern construction. Originally intended as an affordable housing project, the plans were later tailored to meet the needs of educated middle class citizens. The exhibition featured the experimental designs of various architects, experimenting with home economics and new building types and materials. When it opened in 1927, the Weissenhof estate comprehended 21 projects of 63 dwellings with Oud contributing designs for five identical terraced homes that were built (Taverne et al. 2001, 291-297). Project series includes photographs of exterior and interior views of terraced housing as well as Oud's drawings for plans.
Personnes et institutions:
Date:
1926-1927
1926-1927
Titre:
Five Row Houses in the Weissenhofsiedlung, Stuttgart, Germany (1926-1927)
Actions:
CI005.S1.1926.PR3
Description:
In addition to its regular municipal housing program, the city of Stuttgart initiated the Weissenhof estate project in 1925, which featured the design and construction of 40 homes as part of the international exhibition of modern construction. Originally intended as an affordable housing project, the plans were later tailored to meet the needs of educated middle class citizens. The exhibition featured the experimental designs of various architects, experimenting with home economics and new building types and materials. When it opened in 1927, the Weissenhof estate comprehended 21 projects of 63 dwellings with Oud contributing designs for five identical terraced homes that were built (Taverne et al. 2001, 291-297). Project series includes photographs of exterior and interior views of terraced housing as well as Oud's drawings for plans.
Five Row Houses in the Weissenhofsiedlung, Stuttgart, Germany (1926-1927)
Actions:
CI005.S1.1926.PR3
Description:
In addition to its regular municipal housing program, the city of Stuttgart initiated the Weissenhof estate project in 1925, which featured the design and construction of 40 homes as part of the international exhibition of modern construction. Originally intended as an affordable housing project, the plans were later tailored to meet the needs of educated middle class citizens. The exhibition featured the experimental designs of various architects, experimenting with home economics and new building types and materials. When it opened in 1927, the Weissenhof estate comprehended 21 projects of 63 dwellings with Oud contributing designs for five identical terraced homes that were built (Taverne et al. 2001, 291-297). Project series includes photographs of exterior and interior views of terraced housing as well as Oud's drawings for plans.
Niveau de description archivistique:
project
project
Date:
1926-1927
1926-1927
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP197.S3
Description:
This series consists of personal and professional correspondence as well as recommendation letters, 1958-2016, that Frampton either sent or received throughout his professional career. Correspondence documents Frampton’s role as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; a Fellow of the Institute for Architecture and Urban Studies; and Associate professor and, subsequently, Ware professor of the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University. Throughout his extensive career, Frampton corresponded with various students, architects, professors, publishers, editors, and architecture associations. This correspondence relates to : offers of teaching positions; requests to write articles; reviews; books and recommendation letters; requests to serve on juries; requests for research materials; invitations to teach, present, or attend lectures/symposiums/conferences; and more.
AP197.S3
Description:
This series consists of personal and professional correspondence as well as recommendation letters, 1958-2016, that Frampton either sent or received throughout his professional career. Correspondence documents Frampton’s role as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; a Fellow of the Institute for Architecture and Urban Studies; and Associate professor and, subsequently, Ware professor of the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University. Throughout his extensive career, Frampton corresponded with various students, architects, professors, publishers, editors, and architecture associations. This correspondence relates to : offers of teaching positions; requests to write articles; reviews; books and recommendation letters; requests to serve on juries; requests for research materials; invitations to teach, present, or attend lectures/symposiums/conferences; and more.
Personnes et institutions:
Date:
1958-2016
1958-2016
Titre:
Correspondence and recommendation letters
Actions:
AP197.S3
Description:
This series consists of personal and professional correspondence as well as recommendation letters, 1958-2016, that Frampton either sent or received throughout his professional career. Correspondence documents Frampton’s role as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; a Fellow of the Institute for Architecture and Urban Studies; and Associate professor and, subsequently, Ware professor of the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University. Throughout his extensive career, Frampton corresponded with various students, architects, professors, publishers, editors, and architecture associations. This correspondence relates to : offers of teaching positions; requests to write articles; reviews; books and recommendation letters; requests to serve on juries; requests for research materials; invitations to teach, present, or attend lectures/symposiums/conferences; and more.
Correspondence and recommendation letters
Actions:
AP197.S3
Description:
This series consists of personal and professional correspondence as well as recommendation letters, 1958-2016, that Frampton either sent or received throughout his professional career. Correspondence documents Frampton’s role as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; a Fellow of the Institute for Architecture and Urban Studies; and Associate professor and, subsequently, Ware professor of the Graduate School of Architecture, Planning and Preservation (GSAPP), Columbia University. Throughout his extensive career, Frampton corresponded with various students, architects, professors, publishers, editors, and architecture associations. This correspondence relates to : offers of teaching positions; requests to write articles; reviews; books and recommendation letters; requests to serve on juries; requests for research materials; invitations to teach, present, or attend lectures/symposiums/conferences; and more.
Niveau de description archivistique:
Series
Series
Date:
1958-2016
1958-2016
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
Personnes et institutions:
Date:
circa 1972-2015
circa 1972-2015
Titre:
About None-conscious Architecture (1972-1973)
Actions:
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
About None-conscious Architecture (1972-1973)
Actions:
AP207.S1.1972.PR05
Description:
The project series documents "About Non-conscious Architecture", a series of photographs thought as a catalogue of natural geographical features, seen by Pettena as "architecture not made by architects" [1]. The catalogue was built during Pettena's travels in the United States, between 1972 and 1973, and includes landscapes of Utah and the Great Salt Lake area and Monument Valley in Arizona. The project was also presented in the form of a film at the 1973 Milan Triennale. The project series contains the photographs taken during research travels for the project selection, including behind the scene photographs, and final photographs series of "non-conscious" architecture. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-non-conscious-1972-73-1/ (last accessed 12 November 2019).
Niveau de description archivistique:
Project
Project
Date:
circa 1972-2015
circa 1972-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2012.PR05
Description:
The project series documents the digitally created performance "Antologico… Enciclopedico" by Pettena in 2012. The project consists of a photograph of bookshelves which was digitally modified to include an image of Pettena to give the illusion that he is laying amongst the books. "An ironical statement made by the artist who, being more than seventy years old, has by now been the object of a long and progressive phenomenology of quotations and inspirations of critics, architects and contemporary artists. This is usually what happens with masters who, more or less, are no longer acting on the stage." [1] The project series contains two sketches and photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-antological-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR05
Description:
The project series documents the digitally created performance "Antologico… Enciclopedico" by Pettena in 2012. The project consists of a photograph of bookshelves which was digitally modified to include an image of Pettena to give the illusion that he is laying amongst the books. "An ironical statement made by the artist who, being more than seventy years old, has by now been the object of a long and progressive phenomenology of quotations and inspirations of critics, architects and contemporary artists. This is usually what happens with masters who, more or less, are no longer acting on the stage." [1] The project series contains two sketches and photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-antological-2012-1/ (last accessed 27 January 2020)
Personnes et institutions:
Date:
2011-2015
2011-2015
Titre:
Antologico… Enciclopedico [Anthological... Encyclopedic] (2012)
Actions:
AP207.S1.2012.PR05
Description:
The project series documents the digitally created performance "Antologico… Enciclopedico" by Pettena in 2012. The project consists of a photograph of bookshelves which was digitally modified to include an image of Pettena to give the illusion that he is laying amongst the books. "An ironical statement made by the artist who, being more than seventy years old, has by now been the object of a long and progressive phenomenology of quotations and inspirations of critics, architects and contemporary artists. This is usually what happens with masters who, more or less, are no longer acting on the stage." [1] The project series contains two sketches and photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-antological-2012-1/ (last accessed 27 January 2020)
Antologico… Enciclopedico [Anthological... Encyclopedic] (2012)
Actions:
AP207.S1.2012.PR05
Description:
The project series documents the digitally created performance "Antologico… Enciclopedico" by Pettena in 2012. The project consists of a photograph of bookshelves which was digitally modified to include an image of Pettena to give the illusion that he is laying amongst the books. "An ironical statement made by the artist who, being more than seventy years old, has by now been the object of a long and progressive phenomenology of quotations and inspirations of critics, architects and contemporary artists. This is usually what happens with masters who, more or less, are no longer acting on the stage." [1] The project series contains two sketches and photographs of the performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-antological-2012-1/ (last accessed 27 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2011-2015
2011-2015
Personnes et institutions:
