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The Takeo Paper Show has been held annually since 1965, but the 2011 Great East Japan Earthquake, which occurred during the preparation of the 46th edition, forced a reconsideration of the history and significance of the show. After two years of planning, and with art direction by Kenya Hara, the 47th edition focuses on the delicacy, resilience and important value of(...)
Subtle: the 47th Takeo Paper Show
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The Takeo Paper Show has been held annually since 1965, but the 2011 Great East Japan Earthquake, which occurred during the preparation of the 46th edition, forced a reconsideration of the history and significance of the show. After two years of planning, and with art direction by Kenya Hara, the 47th edition focuses on the delicacy, resilience and important value of paper, with the intention to rethink and further broaden the possibilities for fine paper.
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From a dovecot in the Dutch village of Dorst to the Concert Hallin Bruges, from an art gallery in Whitechapel to the City Archives of Bordeaux, the oeuvre on which Robbrecht en Daem Architects has worked since its foundation in 1975 has developed a variety and maturity that stands out on the international stage. This insightful book tells the story of Paul Robbrecht,(...)
Robbrecht en Daem: an architectural anthology
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From a dovecot in the Dutch village of Dorst to the Concert Hallin Bruges, from an art gallery in Whitechapel to the City Archives of Bordeaux, the oeuvre on which Robbrecht en Daem Architects has worked since its foundation in 1975 has developed a variety and maturity that stands out on the international stage. This insightful book tells the story of Paul Robbrecht, Johannes Robbrecht, and Hilde Daem from the 1980s: their research and interests, their “lost souls,” and their successes. Drawing on new and unpublished visual material, a picture and project accordion shows a wide selection of 63 projects that are divided into five key themes from different perspectives.
Architecture, monographies
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In recent years there has been increased debate on the incorporation of pedagogy into curatorial practice — on what has been termed "the educational turn" ("turn" in the sense of a paradigmatic reorientation, within the arts). In this new volume, artists, curators, critics and academics respond to this widely recognized turn in contemporary art. Consisting primarily of(...)
Curating and the educational turn
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In recent years there has been increased debate on the incorporation of pedagogy into curatorial practice — on what has been termed "the educational turn" ("turn" in the sense of a paradigmatic reorientation, within the arts). In this new volume, artists, curators, critics and academics respond to this widely recognized turn in contemporary art. Consisting primarily of newly commissioned texts, from interviews and position statements to performative text and dialogue, this book also includes a number of previously published writings that have proved primary in the debate so far. Contributors include David Aguirre, Dave Beech, Cornford & Cross, Charles Esche, Liam Gillick, Tom Holert and Emily Pethick.
Muséologie
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The focus of this edition of El Croquis is the Spanish office RCR Arquitectes. Presenting an extensive overview of their work during the past five years, the magazine also includes an essay by Josep María Montaner and an interview with the architects by William Curtis. Explore a variety of projects by RCR such as the La Lira Theatre public space, the La Cuisine Art(...)
El croquis 162: RCR architectes, 2007-2012
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The focus of this edition of El Croquis is the Spanish office RCR Arquitectes. Presenting an extensive overview of their work during the past five years, the magazine also includes an essay by Josep María Montaner and an interview with the architects by William Curtis. Explore a variety of projects by RCR such as the La Lira Theatre public space, the La Cuisine Art Centre, a school in Font Romeu, the meeting point in La Fosca, the New Sants station complex and many others.
Revues
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‘Black Sun’ is edited in conversation with Krist Gruijthuijsen, currently the director of KW Institute for Contemporary Art in Berlin, to accompany the exhibitions ‘David Wojnarowicz Photography & Film 1978–1992’, ‘Reza Abdoh’, and ‘TIES, TALES AND TRACES: Dedicated to Frank Wagner, Independent Curator (1958–2016)’. The issue departs from Wojnarowicz’s grief at the loss(...)
F.R. David spring 2019 : black sun
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‘Black Sun’ is edited in conversation with Krist Gruijthuijsen, currently the director of KW Institute for Contemporary Art in Berlin, to accompany the exhibitions ‘David Wojnarowicz Photography & Film 1978–1992’, ‘Reza Abdoh’, and ‘TIES, TALES AND TRACES: Dedicated to Frank Wagner, Independent Curator (1958–2016)’. The issue departs from Wojnarowicz’s grief at the loss of loved ones during the 1980s AIDS crisis and anger at the US government for its wilful neglect. It assembles a selection of various gendered and sexual positions, all seeking support, love, and intimacy in linguistic, architectural, and bodily structures while under threat of collapse.
Revues
Villa Sovietica
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Cette publication nous introduit à la culture matérielle de la vie quotidienne soviétique de manière inattendue, à la fois avec des pratiques familières à l’anthropologie culturelle et avec des outils issus du champ artistique. La première partie du livre est conçue comme un essai visuel, un voyage à travers différents contextes dans lesquels les objets soviétiques(...)
Villa Sovietica
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Cette publication nous introduit à la culture matérielle de la vie quotidienne soviétique de manière inattendue, à la fois avec des pratiques familières à l’anthropologie culturelle et avec des outils issus du champ artistique. La première partie du livre est conçue comme un essai visuel, un voyage à travers différents contextes dans lesquels les objets soviétiques apparaissent. Le lecteur est invité à découvrir certains échantillons de la culture matérielle (post)soviétique en posant l’acte délibéré de découper les pages qui les cachent sous une forme sublimée, dispersés parmi une centaine de photos de terrain prises en Roumanie, Slovaquie, Ukraine et Suisse.Dans une deuxième partie, une quinzaine d’auteurs, universitaires de différentes disciplines et traditions intellectuelles issus du monde post-soviétique et occidental, confrontent leurs points de vues sur les questions de la matérialité et de la spatialité, sur les rapports Est-Ouest, sur l’histoire de l’objet soviétique, sur le regard photographique, sur la mémoire, sur le fait de collectionner, en particulier sur la pratique muséale d’acquérir et de montrer des objets de l’autre, et mettent en évidence finalement la complémentarité entre anthropologie et art.
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Research is of paramount importance as a fundamental basis for everything that museums do. This publication engages with the diverse viewpoints of authors in the vanguard of theoretical discussions and curatorial practices, mapping out the multiplicity of endeavours to reform and transform research in relation to the art museum. From new theoretical models and specific(...)
The curatorial in Parallax (what museums do 1)
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Research is of paramount importance as a fundamental basis for everything that museums do. This publication engages with the diverse viewpoints of authors in the vanguard of theoretical discussions and curatorial practices, mapping out the multiplicity of endeavours to reform and transform research in relation to the art museum. From new theoretical models and specific forms of practice-based investigation and knowledge production, to the potential for change by the very dynamics of research, it shows that the concept of the curatorial is constantly shifting.
Muséologie
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The internationally active office White Arkitekter is dedicated to the renewable material wood and ecologically and socially sustainable architecture. In 2016, they designed a 20-storey building in Skellefteå in Sweden that will be one of the world’s tallest timber high-rise structures. Sara Kulturhus – a new cultural centre right in the core of the city combining(...)
septembre 2021
White Arkitekter : a heart of wood
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The internationally active office White Arkitekter is dedicated to the renewable material wood and ecologically and socially sustainable architecture. In 2016, they designed a 20-storey building in Skellefteå in Sweden that will be one of the world’s tallest timber high-rise structures. Sara Kulturhus – a new cultural centre right in the core of the city combining theatre, museum, art gallery, public library, conference centre and hotel – opens this year. The building, designed to reduce embodied as well as operational carbon emissions, is mainly made of wood grown in the regional boreal forests. Solar panels and efficient energy systems further contribute to minimising the project's climate footprint.
Bauhaus World Heritage Site
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Between 1919 and 1933, the Bauhaus revolutionized prevailing ideas about architecture and design, and the construction methods associated with them. The architecture of the Bauhaus itself was equally innovative; the buildings conceived by Walter Gropius and Hannes Meyer had a lasting influence on the architecture of the 20th century. To celebrate and preserve this legacy,(...)
Bauhaus World Heritage Site
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Between 1919 and 1933, the Bauhaus revolutionized prevailing ideas about architecture and design, and the construction methods associated with them. The architecture of the Bauhaus itself was equally innovative; the buildings conceived by Walter Gropius and Hannes Meyer had a lasting influence on the architecture of the 20th century. To celebrate and preserve this legacy, the Bauhaus buildings in Weimar and Dessau were named UNESCO World Heritage Sites in 1996. More recently, UNESCO added several other Bauhaus buildings to the list, including the houses with balcony access in Dessau, the ADGB Trades Union School in Bernau, the Haus am Horn and the old Art School and the old School of Arts and Crafts in Weimar. Bauhaus World Heritage Site documents the Bauhaus buildings protected by UNESCO, exploring the architectural legacy of the Bauhaus through a close look at the school’s own architecture.
Modernisme
Return to the field
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''Return to the field'' began as an invitation to consider questions of environment, affect, and mapping emotional and physical points of contact between the human and the landscape alongside visual artist Martha Tuttle and her collaborator and co-editor, poet Gabriel Kruis. Including drawings, poems, photography, sonic maps, and an experimental digital project by Esteban(...)
Return to the field
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''Return to the field'' began as an invitation to consider questions of environment, affect, and mapping emotional and physical points of contact between the human and the landscape alongside visual artist Martha Tuttle and her collaborator and co-editor, poet Gabriel Kruis. Including drawings, poems, photography, sonic maps, and an experimental digital project by Esteban Cabeza de Baca, Adjua Gargi Nzinga Greaves, David Johnson, Suzanne Kite, Charmaine Lee, Philip Matthews, Nat Ward, and Sara J. Winston, ''Return to the field'' assembles a dense and resonant, multi-vocal conversation threaded together by Kruis’ book-length poem, ''A Connectome.'' ''Return to the field'' is published on the occasion of Martha Tuttle's exhibition and sculptural installation, ''A stone that thinks of Enceladus,'' on view at Storm King Art Center (New Windsor, New York) from July 15, 2020 through November 8, 2021.
Littérature et poésie