1902 Résultats
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Divided into four sections, respectively, books, scores, records and scattered documents, Sound Pages systematises an important part of the work of John Cage, addressing the various productions of which the American composer was an author, often overturning the traditional component parts and structures. Cage raised the question of making sound something perceptible to(...)
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Divided into four sections, respectively, books, scores, records and scattered documents, Sound Pages systematises an important part of the work of John Cage, addressing the various productions of which the American composer was an author, often overturning the traditional component parts and structures. Cage raised the question of making sound something perceptible to(...)
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Sound cages: John Cage's publications
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Divided into four sections, respectively, books, scores, records and scattered documents, Sound Pages systematises an important part of the work of John Cage, addressing the various productions of which the American composer was an author, often overturning the traditional component parts and structures. Cage raised the question of making sound something perceptible to the eye: texts, books and music scores, then, become fully visual entities in which the artist tries to juxtapose syntactical links to a new location of characters on the surface of the sheet according to purely visual rules and criteria. The book accompanies an exhibition of the same name at the Museo Internazionale della Musica in Bologna.
Sound cages: John Cage's publications
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Divided into four sections, respectively, books, scores, records and scattered documents, Sound Pages systematises an important part of the work of John Cage, addressing the various productions of which the American composer was an author, often overturning the traditional component parts and structures. Cage raised the question of making sound something perceptible to the eye: texts, books and music scores, then, become fully visual entities in which the artist tries to juxtapose syntactical links to a new location of characters on the surface of the sheet according to purely visual rules and criteria. The book accompanies an exhibition of the same name at the Museo Internazionale della Musica in Bologna.
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livres
livres
Publication:
novembre 2012
novembre 2012
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Celui qui emporta secrètement l'admiration de Loos et de Le Corbusier fut aussi un prosateur, depuis la page blanche qui appelle l'écrit jusqu'à la surface de l'immeuble qui appelle l'ornement. La valorisation de la fonction et de la structure, qui a rendu cet architecte mondialement célèbre, a éclipsé son pendant : la part de l'imaginaire dans l'érection inouïe de ces(...)
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Celui qui emporta secrètement l'admiration de Loos et de Le Corbusier fut aussi un prosateur, depuis la page blanche qui appelle l'écrit jusqu'à la surface de l'immeuble qui appelle l'ornement. La valorisation de la fonction et de la structure, qui a rendu cet architecte mondialement célèbre, a éclipsé son pendant : la part de l'imaginaire dans l'érection inouïe de ces(...)
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octobre 2015
octobre 2015
Titre:
Louis Henri Sullivan : pour un art du gratte-ciel
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Celui qui emporta secrètement l'admiration de Loos et de Le Corbusier fut aussi un prosateur, depuis la page blanche qui appelle l'écrit jusqu'à la surface de l'immeuble qui appelle l'ornement. La valorisation de la fonction et de la structure, qui a rendu cet architecte mondialement célèbre, a éclipsé son pendant : la part de l'imaginaire dans l'érection inouïe de ces édifices enracinés dans la culture américaine. Voici, sous la forme d'un recueil rassemblant les essais, articles, conférences, interviews et écrits brefs, au nombre de cinquante, que Louis Henri Sullivan a publiés de 1885 à 1924, le récit de la modernité telle qu'elle a été rêvée en même temps qu’elle s’édifiait.
Louis Henri Sullivan : pour un art du gratte-ciel
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Celui qui emporta secrètement l'admiration de Loos et de Le Corbusier fut aussi un prosateur, depuis la page blanche qui appelle l'écrit jusqu'à la surface de l'immeuble qui appelle l'ornement. La valorisation de la fonction et de la structure, qui a rendu cet architecte mondialement célèbre, a éclipsé son pendant : la part de l'imaginaire dans l'érection inouïe de ces édifices enracinés dans la culture américaine. Voici, sous la forme d'un recueil rassemblant les essais, articles, conférences, interviews et écrits brefs, au nombre de cinquante, que Louis Henri Sullivan a publiés de 1885 à 1924, le récit de la modernité telle qu'elle a été rêvée en même temps qu’elle s’édifiait.
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livres
livres
Publication:
octobre 2015
octobre 2015
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livres
livres
Titre:
Unnamed road
Unnamed road
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$69.95
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For Jungjin Lee, photographing the landscape is an exploration of her own mind – the introspective states of the artist, whose photographic gaze is insistent and transformative. Her latest project Unnamed Road approaches the contested territories of Israel and the West Bank by turning to the landscape. Her black-and-white images are self-contained worlds of stillness and(...)
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For Jungjin Lee, photographing the landscape is an exploration of her own mind – the introspective states of the artist, whose photographic gaze is insistent and transformative. Her latest project Unnamed Road approaches the contested territories of Israel and the West Bank by turning to the landscape. Her black-and-white images are self-contained worlds of stillness and(...)
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Unnamed road
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For Jungjin Lee, photographing the landscape is an exploration of her own mind – the introspective states of the artist, whose photographic gaze is insistent and transformative. Her latest project Unnamed Road approaches the contested territories of Israel and the West Bank by turning to the landscape. Her black-and-white images are self-contained worlds of stillness and wonder, as Lee searches for something constant in the life of the landscape. Her images suggest that despite the semblance of fluctuation, some fundamental truths do not alter: just as the surface of the ocean is constantly in flux, its depths in fact remain unchanged and enduring.
Unnamed road
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For Jungjin Lee, photographing the landscape is an exploration of her own mind – the introspective states of the artist, whose photographic gaze is insistent and transformative. Her latest project Unnamed Road approaches the contested territories of Israel and the West Bank by turning to the landscape. Her black-and-white images are self-contained worlds of stillness and wonder, as Lee searches for something constant in the life of the landscape. Her images suggest that despite the semblance of fluctuation, some fundamental truths do not alter: just as the surface of the ocean is constantly in flux, its depths in fact remain unchanged and enduring.
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livres
livres
Publication:
octobre 2015
octobre 2015
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Monographies photo
Monographies photo
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livres
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$96.00
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The first series ever realised by Italian photographer Olivo Barbieri, Flippers derives from his discovery of an abandoned, derelict pinball machine factory, and marks the starting point of his observations on visualising the superficial, which would lead to his artistic engagement with the uncertainty of the world’s surface. The fragmented pinball machines act as a(...)
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The first series ever realised by Italian photographer Olivo Barbieri, Flippers derives from his discovery of an abandoned, derelict pinball machine factory, and marks the starting point of his observations on visualising the superficial, which would lead to his artistic engagement with the uncertainty of the world’s surface. The fragmented pinball machines act as a(...)
Titre:
Olivo Barbieri: flippers 1977-1978
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The first series ever realised by Italian photographer Olivo Barbieri, Flippers derives from his discovery of an abandoned, derelict pinball machine factory, and marks the starting point of his observations on visualising the superficial, which would lead to his artistic engagement with the uncertainty of the world’s surface. The fragmented pinball machines act as a cultural reminder, a throwback to the flashing momentum of the 1960s and ’70s, with rock music, science fiction, movie stars, and flower power. Published in its entirety for the first time, the pinball project was a formative experience for the photographer in his early years. Includes an interview with Barbieri and Francesco Zanot.
Olivo Barbieri: flippers 1977-1978
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The first series ever realised by Italian photographer Olivo Barbieri, Flippers derives from his discovery of an abandoned, derelict pinball machine factory, and marks the starting point of his observations on visualising the superficial, which would lead to his artistic engagement with the uncertainty of the world’s surface. The fragmented pinball machines act as a cultural reminder, a throwback to the flashing momentum of the 1960s and ’70s, with rock music, science fiction, movie stars, and flower power. Published in its entirety for the first time, the pinball project was a formative experience for the photographer in his early years. Includes an interview with Barbieri and Francesco Zanot.
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livres
livres
Publication:
octobre 2015
octobre 2015
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Monographies photo
Monographies photo
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audio
audio
Titre:
Lattina.
Lattina.
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Description:
1 online resource.
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[Place of publication not identified] : Lateral Addition, 2015.
[Place of publication not identified] : Lateral Addition, 2015.
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audio
audio
Publication:
[Place of publication not identified] : Lateral Addition, 2015.
[Place of publication not identified] : Lateral Addition, 2015.
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livres
livres
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Enoc Perez: tender
Enoc Perez: tender
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The paintings of Enoc Perez are instantly recognizable, both for his technique and his subject matter. The Puerto Rico-born, New York-based artist layers pictures selected from postcards, downloaded images, or his own polaroids, by pressing paper backed with wet oilstick monochromes against a canvas or paper, and drawing on its surface. The drawing is peeled away to leave(...)
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The paintings of Enoc Perez are instantly recognizable, both for his technique and his subject matter. The Puerto Rico-born, New York-based artist layers pictures selected from postcards, downloaded images, or his own polaroids, by pressing paper backed with wet oilstick monochromes against a canvas or paper, and drawing on its surface. The drawing is peeled away to leave(...)
Titre:
Enoc Perez: tender
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The paintings of Enoc Perez are instantly recognizable, both for his technique and his subject matter. The Puerto Rico-born, New York-based artist layers pictures selected from postcards, downloaded images, or his own polaroids, by pressing paper backed with wet oilstick monochromes against a canvas or paper, and drawing on its surface. The drawing is peeled away to leave a layer of printed paint. The paintings' subjects are modernist buildings, many iconic, like the Chrysler Building or the United Nations headquarters. Far from architectural renderings, these luminous, intriguing works ingeniously denude the images of both their privacy and their publicly iconic significance. For Perez, the painting itself is the final statement.
Enoc Perez: tender
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The paintings of Enoc Perez are instantly recognizable, both for his technique and his subject matter. The Puerto Rico-born, New York-based artist layers pictures selected from postcards, downloaded images, or his own polaroids, by pressing paper backed with wet oilstick monochromes against a canvas or paper, and drawing on its surface. The drawing is peeled away to leave a layer of printed paint. The paintings' subjects are modernist buildings, many iconic, like the Chrysler Building or the United Nations headquarters. Far from architectural renderings, these luminous, intriguing works ingeniously denude the images of both their privacy and their publicly iconic significance. For Perez, the painting itself is the final statement.
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livres
livres
Publication:
octobre 2009
octobre 2009
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livres
livres
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Description:
xvi, 188 pages : illustrations (some color) ; 37 cm
Description:
xvi, 188 pages : illustrations (some color) ; 37 cm
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Cambridge, Massachusetts ; London, England : The MIT Press, [1972], ©1972
Cambridge, Massachusetts ; London, England : The MIT Press, [1972], ©1972
Titre:
Learning from Las Vegas / Robert Venturi, Denise Scott Brown, and Steven Izenour.
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Description:
xvi, 188 pages : illustrations (some color) ; 37 cm
Learning from Las Vegas / Robert Venturi, Denise Scott Brown, and Steven Izenour.
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Description:
xvi, 188 pages : illustrations (some color) ; 37 cm
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livres
livres
Publication:
Cambridge, Massachusetts ; London, England : The MIT Press, [1972], ©1972
Cambridge, Massachusetts ; London, England : The MIT Press, [1972], ©1972
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livres
livres
Titre:
Inside out
Inside out
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$20.00
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A meditation on the dilemmas and desires for home that combines the writings of art critic and cultural historian Rebecca Solnit with painter Stefan Kürten’s lush images of domestic interiors, buildings and landscapes. Solnit reflects on emotional privatization, real-estate fetishism, and aesthetic pleasure, while Kürten’s paintings of stale bourgeois interiors and(...)
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A meditation on the dilemmas and desires for home that combines the writings of art critic and cultural historian Rebecca Solnit with painter Stefan Kürten’s lush images of domestic interiors, buildings and landscapes. Solnit reflects on emotional privatization, real-estate fetishism, and aesthetic pleasure, while Kürten’s paintings of stale bourgeois interiors and(...)
Publication:
octobre 2006, San Francisco, New York
octobre 2006, San Francisco, New York
Titre:
Inside out
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A meditation on the dilemmas and desires for home that combines the writings of art critic and cultural historian Rebecca Solnit with painter Stefan Kürten’s lush images of domestic interiors, buildings and landscapes. Solnit reflects on emotional privatization, real-estate fetishism, and aesthetic pleasure, while Kürten’s paintings of stale bourgeois interiors and suburban homes project a dogged attempt to make life perfect, at least on the surface. His armchairs, teapots and planter boxes suggest that we are living in a peculiar state of safety and bliss. Together, the text and images question the equation of ideal houses with ideal lives, the images that shape our perception of childhood, and our notion of a fulfilled adulthood.
Inside out
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A meditation on the dilemmas and desires for home that combines the writings of art critic and cultural historian Rebecca Solnit with painter Stefan Kürten’s lush images of domestic interiors, buildings and landscapes. Solnit reflects on emotional privatization, real-estate fetishism, and aesthetic pleasure, while Kürten’s paintings of stale bourgeois interiors and suburban homes project a dogged attempt to make life perfect, at least on the surface. His armchairs, teapots and planter boxes suggest that we are living in a peculiar state of safety and bliss. Together, the text and images question the equation of ideal houses with ideal lives, the images that shape our perception of childhood, and our notion of a fulfilled adulthood.
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livres
livres
Publication:
octobre 2006, San Francisco, New York
octobre 2006, San Francisco, New York
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livres
livres
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$32.95
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Le studio Macle documente la multiplicité des récits qui investissent ces lieux et ces architectures, avant l'appropriation des espaces par les artistes, afin de les raconter par les personnes qui les façonnent. Les quartiers sont découverts sans ordre préétabli afin d'en présenter un portrait à la fois choral et subjectif où les voix se mélangent. La notion de patrimoine(...)
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Le studio Macle documente la multiplicité des récits qui investissent ces lieux et ces architectures, avant l'appropriation des espaces par les artistes, afin de les raconter par les personnes qui les façonnent. Les quartiers sont découverts sans ordre préétabli afin d'en présenter un portrait à la fois choral et subjectif où les voix se mélangent. La notion de patrimoine(...)
Titre:
Le Nouveau Printemps 2025 – Toulouse : Saint-Sernin, Arnaud-Bernard
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Le studio Macle documente la multiplicité des récits qui investissent ces lieux et ces architectures, avant l'appropriation des espaces par les artistes, afin de les raconter par les personnes qui les façonnent. Les quartiers sont découverts sans ordre préétabli afin d'en présenter un portrait à la fois choral et subjectif où les voix se mélangent. La notion de patrimoine est sans cesse requestionnée sous un angle vivant au cours de cette déambulation et revient cycliquement en surface à travers les usages et les pratiques. En même temps matériel et immatériel, hérité et transformé, contemplé et utilisé, parler de patrimoine est l'occasion de souligner les accidents des lieux qui nous entourent et les mutations des villes que nous habitons.
Le Nouveau Printemps 2025 – Toulouse : Saint-Sernin, Arnaud-Bernard
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Le studio Macle documente la multiplicité des récits qui investissent ces lieux et ces architectures, avant l'appropriation des espaces par les artistes, afin de les raconter par les personnes qui les façonnent. Les quartiers sont découverts sans ordre préétabli afin d'en présenter un portrait à la fois choral et subjectif où les voix se mélangent. La notion de patrimoine est sans cesse requestionnée sous un angle vivant au cours de cette déambulation et revient cycliquement en surface à travers les usages et les pratiques. En même temps matériel et immatériel, hérité et transformé, contemplé et utilisé, parler de patrimoine est l'occasion de souligner les accidents des lieux qui nous entourent et les mutations des villes que nous habitons.
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livres
livres
Publication:
mai 2025
mai 2025
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$24.95
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Résumé:
Drained by a half-dozen major watersheds, cut by a network of deep ravines and fronting on a Great Lake, Toronto is dominated by water. Like most cities, though, Toronto has mismanaged its water, from the decades-long transformation of the citys creeks into sewersheds to the alteration of Torontos waterfront. Recently, the trend of fettering Torontos water and putting it(...)
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Résumé:
Drained by a half-dozen major watersheds, cut by a network of deep ravines and fronting on a Great Lake, Toronto is dominated by water. Like most cities, though, Toronto has mismanaged its water, from the decades-long transformation of the citys creeks into sewersheds to the alteration of Torontos waterfront. Recently, the trend of fettering Torontos water and putting it(...)
Sujet:
Architecture du Canada
Architecture du Canada
Publication:
novembre 2008, Toronto
novembre 2008, Toronto
Titre:
HTO Toronto's water from Lake Iroquois to lost Rivers to Low-flow toilets
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$24.95
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Drained by a half-dozen major watersheds, cut by a network of deep ravines and fronting on a Great Lake, Toronto is dominated by water. Like most cities, though, Toronto has mismanaged its water, from the decades-long transformation of the citys creeks into sewersheds to the alteration of Torontos waterfront. Recently, the trend of fettering Torontos water and putting it underground has been countered by persistent citizen-led efforts to recall and restore the citys surface water. In HTO: Torontos Water From Lake Iroquois to Taddle Creek and Beyond, 30 contributors examine the ever-changing interplay between nature and culture, and call into question the citys past, present and future engagement with water.
HTO Toronto's water from Lake Iroquois to lost Rivers to Low-flow toilets
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Drained by a half-dozen major watersheds, cut by a network of deep ravines and fronting on a Great Lake, Toronto is dominated by water. Like most cities, though, Toronto has mismanaged its water, from the decades-long transformation of the citys creeks into sewersheds to the alteration of Torontos waterfront. Recently, the trend of fettering Torontos water and putting it underground has been countered by persistent citizen-led efforts to recall and restore the citys surface water. In HTO: Torontos Water From Lake Iroquois to Taddle Creek and Beyond, 30 contributors examine the ever-changing interplay between nature and culture, and call into question the citys past, present and future engagement with water.
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livres
livres
Publication:
novembre 2008, Toronto
novembre 2008, Toronto
Sujet:
Architecture du Canada
Architecture du Canada
