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84 unnumbered pages 18 folded plates (including plans, diagrams) folded table 23 cm
Viennae, Austriae, typis J.T. Trattner, anno. 1755.
Tabulae memoriales praecipua arithmeticae tum numericae tum literalis, geometriae, etiam curvarum, et trigonometriae, atque utriusque architecturae elementa complexae, in usum auditorum, conscriptae a Josepho Liesganig.
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84 unnumbered pages 18 folded plates (including plans, diagrams) folded table 23 cm
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Viennae, Austriae, typis J.T. Trattner, anno. 1755.
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Building plots are becoming scarce, housing costs are soaring, and apartments in new developments are shrinking. Properties long considered unsuitable or uneconomical for building are now being developed, and residential units are increasingly stacked – side by side and on top of each other – into ever-larger blocks. Standardisation and industrial prefabrication seem(...)
Detail 03 2025: Urban housing
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Building plots are becoming scarce, housing costs are soaring, and apartments in new developments are shrinking. Properties long considered unsuitable or uneconomical for building are now being developed, and residential units are increasingly stacked – side by side and on top of each other – into ever-larger blocks. Standardisation and industrial prefabrication seem indespensible. The March issue presents outstanding housing projects in Amsterdam, Barcelona, Brooklyn, Brussels, Frankfurt, and Vienna, showcasing innovative responses to urban challenges.
Revues
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Widely regarded as one of the most significant prophets of modern architecture, Adolf Loos (1870-1933) was known throughout Vienna as an outspoken, audacious dandy and moralist who defied the establishment. His work not only represented the beginning of modernism, with its stark, unornamented style, but also revolutionized architecture by introducing the concept of(...)
Adolf Loos 1870-1933 : architect, cultural, critic, dandy
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Widely regarded as one of the most significant prophets of modern architecture, Adolf Loos (1870-1933) was known throughout Vienna as an outspoken, audacious dandy and moralist who defied the establishment. His work not only represented the beginning of modernism, with its stark, unornamented style, but also revolutionized architecture by introducing the concept of “spatial plan” architecture, which allowed for economizing space by designating rooms’ sizes and heights based on their purposes.
Architecture, monographies
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This publication celebrates the third anniversary of School of Architecture at the Vienna University of Applied Arts. 99+ is a collection of selected projects by students in the classes of Zaha Hadid, Greg Lynn and Wolf D. Prix between 2004-08. Along with their design studios, the three star architects Zaha Hadid, Greg Lynn and Wolf D. Prix give students the opportunity(...)
99+ IOA Studios. Hadid, Lynn, Prix, Selected Student Works 2004–8. Design = Thinking
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This publication celebrates the third anniversary of School of Architecture at the Vienna University of Applied Arts. 99+ is a collection of selected projects by students in the classes of Zaha Hadid, Greg Lynn and Wolf D. Prix between 2004-08. Along with their design studios, the three star architects Zaha Hadid, Greg Lynn and Wolf D. Prix give students the opportunity of exploring the manifold cross-border possibilities the parameters of architecture offer.
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''Broken relations: infrastructure, aesthetic, and critique'' is a symptom and an outcome of a collectively experienced crisis — one that has produced a new, widespread sensorium for often invisible and overlooked infrastructures and highlighted their importance for all aspects of life, including politics, both local and global, and art and curatorial practices and their(...)
Théorie de l’art
octobre 2023
Broken relations: infrastructure, asesthetics, and critique
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''Broken relations: infrastructure, aesthetic, and critique'' is a symptom and an outcome of a collectively experienced crisis — one that has produced a new, widespread sensorium for often invisible and overlooked infrastructures and highlighted their importance for all aspects of life, including politics, both local and global, and art and curatorial practices and their systemic analysis. The reader views infrastructures not only as material phenomena and physical networks but also as immaterial relations and symbolic actions, which, in visible and invisible ways, form our present and, hence, our horizon of aesthetic perception. The interplay between the material and ideological conditions of production, distribution, and presentation directs our gaze, schooled as it is in institutional critique, onto real and symbolic orders, sites, and economies. The book is based on a cooperation between the Academy of Fine Arts Leipzig and the Academy of Fine Arts Vienna: this started in Leipzig in 2021 with the lecture series and exhibition ''Broken relations: infrastructure and interruption'' and continued in Vienna in 2022 with the exhibition ''Conditions and frameworks: infrastructure as form and medium'' and the conference ''Broken relations: infrastructure, aesthetics, and critique''.
Théorie de l’art
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This book revisits the history of modernism in architecture through the legacy of one of its protagonists, Armenian architect Gabriel Guevrekian (c. 1900–70). Born in Istanbul, Guevrekian grew up in Tehran and then moved to Vienna to study architecture at the Kunstgewerbeschule; he later worked with Oskar Strnad, Josef Hoffmann, Adolf Loos, Henri Sauvage and Robert(...)
Gabriel Guevrekian: the elusive modernist
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This book revisits the history of modernism in architecture through the legacy of one of its protagonists, Armenian architect Gabriel Guevrekian (c. 1900–70). Born in Istanbul, Guevrekian grew up in Tehran and then moved to Vienna to study architecture at the Kunstgewerbeschule; he later worked with Oskar Strnad, Josef Hoffmann, Adolf Loos, Henri Sauvage and Robert Mallet-Stevens. Among Guevrekian’s famous designs are the Cubist Garden for Villa Noailles in France and two houses for the Vienna Werkbund exhibition. Before he turned 30, Guevrekian was recognized as one of the protagonists of the European avant-garde in Paris. During the 1930s, Guevrekian spent a few years in Iran designing public buildings. Later, after the World War II, he took up teaching positions in Europe and America. All of Guevrekian’s various pursuits, and the homes and nationalities he held in Asia, Europe and then America, led the architect to a serial adoption of personae. Guevrekian was an architect, an avant-gardist and a cosmopolitan. He made every discipline meaningful, every city central, every period epochal, simply by his own very tangible engagement with it.
Architecture, monographies
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The Language of the Global Polis explores Neurath's ideas on the modern metropolis, his fascination with visual media and the Vienna Method of Pictorial Statistics and the ways in which Neurath attempted to internationalize the aims of his Museum of Society and Economy through collaborations with CIAM and Otlet and by establishing satellite museums across the world. Both(...)
Otto Neurath: The language of the Global Polis
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The Language of the Global Polis explores Neurath's ideas on the modern metropolis, his fascination with visual media and the Vienna Method of Pictorial Statistics and the ways in which Neurath attempted to internationalize the aims of his Museum of Society and Economy through collaborations with CIAM and Otlet and by establishing satellite museums across the world. Both scholarly and accessible, Vossoughian's text offers a new perspective to one of the most formidable intellectuals of the interwar period.
Signalétique
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This publication is a long term research project which is rediscovering Central European urban values. The project is regional aiming to find answers for the future of our cities as such. The first publication of the Urbanity project presents thoughts of upcoming architects about the city and it's potential. A team of architects, photographers, sociologists, architecture(...)
Urbanity twenty years later: projects for central european capitals
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This publication is a long term research project which is rediscovering Central European urban values. The project is regional aiming to find answers for the future of our cities as such. The first publication of the Urbanity project presents thoughts of upcoming architects about the city and it's potential. A team of architects, photographers, sociologists, architecture students, non-government organizations and others joined more then 150 participants working on visions for Berlin, Bratislava, Budapest, Ljubljana, Prague, Vienna and Warsaw.
Théorie de l’urbanisme
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Michael Schreier’s photographic art represents several years’ inquiry with particular reference to his birthplace, Vienna, Austria. His portraits and photographs of architectural details offer powerful entry into another place and another time : the Holocaust. In her essay, Falvey probes this compelling work with a discussion of the “refusal to depict what cannot or(...)
Michael Schreier : storyteller/waiting for word, chroniqueur/que viennent les mots
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Michael Schreier’s photographic art represents several years’ inquiry with particular reference to his birthplace, Vienna, Austria. His portraits and photographs of architectural details offer powerful entry into another place and another time : the Holocaust. In her essay, Falvey probes this compelling work with a discussion of the “refusal to depict what cannot or should not be represented realistically; an art of respectful silence before sublime history.” Schreier’s work navigates these troubled aesthetic waters. In English and French.
Monographies photo
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Without normalizing his edgy radicality, author Joseph Masheck argues that Loos's masterful "astylistic architecture" was an appreciation of tradition and utility and not, as most architectural historians have argued, a mere repudiation of the florid style of the Vienna Secession. Masheck has reads Loos as a witty, ironic rhetorician who has all too often been taken at(...)
Adolf Loos : the art of architecture
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Without normalizing his edgy radicality, author Joseph Masheck argues that Loos's masterful "astylistic architecture" was an appreciation of tradition and utility and not, as most architectural historians have argued, a mere repudiation of the florid style of the Vienna Secession. Masheck has reads Loos as a witty, ironic rhetorician who has all too often been taken at face value. Far from being the anti-architect of the modern era, Masheck's Loos is 'an unruly yet integrally canonical artist-architect'.
Architecture, monographies