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This book tells the story of a house, designed by hatmaker-turned-architect Judah Shumiatcher, built for his family in 1975, and demolished in 2013. Like so many other distinguished houses in Vancouver, the only crime House Shumiatcher ever committed was to be sited on a plot of gold.
Judah Schumiatcher, House Schumiatcher. West Coast Modern house series
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This book tells the story of a house, designed by hatmaker-turned-architect Judah Shumiatcher, built for his family in 1975, and demolished in 2013. Like so many other distinguished houses in Vancouver, the only crime House Shumiatcher ever committed was to be sited on a plot of gold.
Architectes canadiens
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The Friedman House is a modernist icon, designed by Frederic Lasserre, founder of the UBC School of Architecture, and landscaped by Cornelia Oberlander. Faced with demolition, it was saved by purchasers who understood its architectural value and historical significance. This book reflects on the possibility of its destruction, remarking on what has been salvaged by its(...)
Frederic Laserre, Friedman House. West Coast Modern house series
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The Friedman House is a modernist icon, designed by Frederic Lasserre, founder of the UBC School of Architecture, and landscaped by Cornelia Oberlander. Faced with demolition, it was saved by purchasers who understood its architectural value and historical significance. This book reflects on the possibility of its destruction, remarking on what has been salvaged by its continued existence, and what could have potentially been lost.
Architectes canadiens
$30.00
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While the Binning House is beloved by a select group of architects, academics, and local heritage buffs, its subtle splendours remain largely hidden to a wider audience. This first book devoted to this exceptional house sheds new light on Binning’s ingenuity. Original photographs and drawings are presented along with writing that analyzes in detail the unique(...)
B. C. Binning, Binning house. West Coast modern house series
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While the Binning House is beloved by a select group of architects, academics, and local heritage buffs, its subtle splendours remain largely hidden to a wider audience. This first book devoted to this exceptional house sheds new light on Binning’s ingenuity. Original photographs and drawings are presented along with writing that analyzes in detail the unique architectural character of the house.
Architectes canadiens
Arthur Erickson: layered landscapes. Drawings from the Canadian Architectural Archives, 2nd edition
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Produced in conjunction with the exhibition Layered Landscapes which examines selected drawings of Arthur Erickson from the Canadian Architectural Archives collection, accompanied by photographs of the finished buildings. Contains drawings from 14 projects, with a series foreword, a foreword by Kenneth Frampton, and essays by Michelangelo Sabatino and Linda Fraser +(...)
Arthur Erickson: layered landscapes. Drawings from the Canadian Architectural Archives, 2nd edition
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Produced in conjunction with the exhibition Layered Landscapes which examines selected drawings of Arthur Erickson from the Canadian Architectural Archives collection, accompanied by photographs of the finished buildings. Contains drawings from 14 projects, with a series foreword, a foreword by Kenneth Frampton, and essays by Michelangelo Sabatino and Linda Fraser + Geoffrey Simmins.
Architectes canadiens
FTA : nos jours de fête
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Ce livre réunissant une quarantaine de voix est le premier à retracer la longue et riche trajectoire du Festival TransAmériques. Rare ouvrage de réflexion sur les arts scéniques ancré au Québec, on y retrouve des manifestes artistiques, des débats esthétiques et politiques, des récits et témoignages d’artistes et d’observateurs de la scène d’ici et d'ailleurs. La notion(...)
FTA : nos jours de fête
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Ce livre réunissant une quarantaine de voix est le premier à retracer la longue et riche trajectoire du Festival TransAmériques. Rare ouvrage de réflexion sur les arts scéniques ancré au Québec, on y retrouve des manifestes artistiques, des débats esthétiques et politiques, des récits et témoignages d’artistes et d’observateurs de la scène d’ici et d'ailleurs. La notion même de festival est interrogée et bousculée, pour mieux comprendre ce qu’un tel événement rend possible. Ces prises de parole sur l’art sont ponctuées par des photographies de toutes les époques, de la première édition du Festival de théâtre des Amériques en 1985 au Festival TransAmériques de 2018. Avec entre autres Romeo Castellucci, Evelyne de la Chenelière, Olivier Choinière, Marie Chouinard, Benoît Lachambre, Catherine Lalonde, Christian Lapointe, Louise Lecavalier, Robert Lepage, Alain Platel et Yves Sioui Durand.
Art canadien
livres
The banal le banal
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Think Big / Voir grand Fionna Banner, Omer Fast, Brian Jungen, Myfanwy MacLeod, Rita McBride, Ruben Ortiz Torres, Kevin Schmidt, Jeremy Shaw, Kathy Slade, Volker Tiemann. The Weather / Le temps qu'il fait David Crompton & Andrew Herfst, Edith Dekyndt, Trisha Donnelly, Antonia Hirsch, Tania Kitchell, Ana Rewakowicz, Lisa Robertson, Mina Totino. Pardon me /(...)
The banal le banal
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Think Big / Voir grand Fionna Banner, Omer Fast, Brian Jungen, Myfanwy MacLeod, Rita McBride, Ruben Ortiz Torres, Kevin Schmidt, Jeremy Shaw, Kathy Slade, Volker Tiemann. The Weather / Le temps qu'il fait David Crompton & Andrew Herfst, Edith Dekyndt, Trisha Donnelly, Antonia Hirsch, Tania Kitchell, Ana Rewakowicz, Lisa Robertson, Mina Totino. Pardon me / Pardon Andrew Dadson, Clément de Gaulejac, Hadley + Maxwell, Jana Leo, Mathew Sawyer, Ron Tran, Shizuka Yokomizo.
livres
janvier 2007, Montréal
Art canadien
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À l’occasion de l’ouverture de sa première triennale, le Musée lance un important catalogue de 216 pages, abondamment illustré, intitulé Rien ne se perd, rien ne se crée, tout se transforme. La Triennale québécoise 2008, publié en éditions française et anglaise.
Art canadien
mai 2008, Montréal
Rien ne se perd, rien ne se crée, tout se transforme: la triennale québécoise 2008
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À l’occasion de l’ouverture de sa première triennale, le Musée lance un important catalogue de 216 pages, abondamment illustré, intitulé Rien ne se perd, rien ne se crée, tout se transforme. La Triennale québécoise 2008, publié en éditions française et anglaise.
Art canadien
$28.99
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When Marjorie Hill graduated in 1920 as Canada's "first girl architect," she was entering a profession that had been established in Canada just 30 years earlier. For the Record, the first history of women architects in Canada, provides a fascinating introduction to early women architects, presented within the context of developments in both Europe and North(...)
For the record: first women in Canadian architecture
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When Marjorie Hill graduated in 1920 as Canada's "first girl architect," she was entering a profession that had been established in Canada just 30 years earlier. For the Record, the first history of women architects in Canada, provides a fascinating introduction to early women architects, presented within the context of developments in both Europe and North America. Profiles of the women who graduated from the School of Architecture at the University of Toronto between 1920 and 1960 are illustrated with photographs of their work and include archival material that has never before been published. The final chapter on contemporary women in architecture showcases contributions by leading women architects across the country, from Halifax to Vancouver to Iqaluit. For the Record also provides current information on schools of architecture in Canada and includes a list of other resources to encourage young women who are thinking of pursuing careers in architecture. Foreword by Eva Matsuzaki.
Architectes canadiens
Start, stop.
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Cette publication est en lien avec une exposition en deux volets sur la rythmicité ses déploiements, ses variations et ses mouvements conçue par Christof Migone sur une période de deux ans. Douze artistes y ont participé. La publication documente non seulement ces deux manifestations, mais est animée par la même proposition. Le rythme est au coeur de chacune des(...)
Start, stop.
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Cette publication est en lien avec une exposition en deux volets sur la rythmicité ses déploiements, ses variations et ses mouvements conçue par Christof Migone sur une période de deux ans. Douze artistes y ont participé. La publication documente non seulement ces deux manifestations, mais est animée par la même proposition. Le rythme est au coeur de chacune des interventions des collaborateurs à savoir l'artiste et écrivain Christof Migone, le philosophe André-Louis Paré, le poète Steve Savage et d'autres artistes.
Art canadien
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With texts by Peter Buchanan, Brian Carter, Thomas Fisher, Kenneth Frampton, Karl Habermann, Robert Ivy, Christine Macy, Robert McCarter, Juhani Pallasmaa. The Ghost International Architectural Laboratory, better known as 'Ghost Lab' or 'Ghost', is the research laboratory of MacKay-Lyons Sweetapple Architects. The Ghost Lab began as a critique of architectural education(...)
Ghost: building an architectural vision
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With texts by Peter Buchanan, Brian Carter, Thomas Fisher, Kenneth Frampton, Karl Habermann, Robert Ivy, Christine Macy, Robert McCarter, Juhani Pallasmaa. The Ghost International Architectural Laboratory, better known as 'Ghost Lab' or 'Ghost', is the research laboratory of MacKay-Lyons Sweetapple Architects. The Ghost Lab began as a critique of architectural education in North America in the 1990s and represents an alternative to the current standard of practice. Ghost is rooted in the hands-on master-builder tradition, emphasizing an intimate interaction between master and apprentice in response to the increasingly virtual nature of architectural design.
Architectes canadiens