29901 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
Personnes et institutions:
Date:
1996-2002
1996-2002
Titre:
MACBA [Museu d'Art Contemporani de Barcelona] (1997)
Actions:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
MACBA [Museu d'Art Contemporani de Barcelona] (1997)
Actions:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
Niveau de description archivistique:
Project
Project
Date:
1996-2002
1996-2002
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1973.PR05
Description:
The project series documents "Atta Unsar", an installation consisting of the text of the Lord's Prayer, in Old High German, written on the top of the wall around the perimeter of an empty dimly-lit room. The installation was initially presented at the Galleria Schema in Florence in 1973. It represents an " 'imposed education' still recalled even after decades." [1] The installation was also presented in the exhibition "About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017, and in the exhibition "Architecture Naturali/Gianni Pettena" at the Kunst Meran in Meran, also in 2017. The project series contains installation views at the Galleria Schema in Florence, five drawings showing the evolution of the installation design, and correspondence about the project. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-empty-space-2008/ (last accessed 12 November 2019).
AP207.S1.1973.PR05
Description:
The project series documents "Atta Unsar", an installation consisting of the text of the Lord's Prayer, in Old High German, written on the top of the wall around the perimeter of an empty dimly-lit room. The installation was initially presented at the Galleria Schema in Florence in 1973. It represents an " 'imposed education' still recalled even after decades." [1] The installation was also presented in the exhibition "About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017, and in the exhibition "Architecture Naturali/Gianni Pettena" at the Kunst Meran in Meran, also in 2017. The project series contains installation views at the Galleria Schema in Florence, five drawings showing the evolution of the installation design, and correspondence about the project. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-empty-space-2008/ (last accessed 12 November 2019).
Personnes et institutions:
Date:
1973-2015
1973-2015
Titre:
Atta Unsar (1973)
Actions:
AP207.S1.1973.PR05
Description:
The project series documents "Atta Unsar", an installation consisting of the text of the Lord's Prayer, in Old High German, written on the top of the wall around the perimeter of an empty dimly-lit room. The installation was initially presented at the Galleria Schema in Florence in 1973. It represents an " 'imposed education' still recalled even after decades." [1] The installation was also presented in the exhibition "About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017, and in the exhibition "Architecture Naturali/Gianni Pettena" at the Kunst Meran in Meran, also in 2017. The project series contains installation views at the Galleria Schema in Florence, five drawings showing the evolution of the installation design, and correspondence about the project. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-empty-space-2008/ (last accessed 12 November 2019).
Atta Unsar (1973)
Actions:
AP207.S1.1973.PR05
Description:
The project series documents "Atta Unsar", an installation consisting of the text of the Lord's Prayer, in Old High German, written on the top of the wall around the perimeter of an empty dimly-lit room. The installation was initially presented at the Galleria Schema in Florence in 1973. It represents an " 'imposed education' still recalled even after decades." [1] The installation was also presented in the exhibition "About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017, and in the exhibition "Architecture Naturali/Gianni Pettena" at the Kunst Meran in Meran, also in 2017. The project series contains installation views at the Galleria Schema in Florence, five drawings showing the evolution of the installation design, and correspondence about the project. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-empty-space-2008/ (last accessed 12 November 2019).
Niveau de description archivistique:
Project
Project
Date:
1973-2015
1973-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Mean
Mean
Numéro de référence:
AP144.S2.D181
Description:
File documents an exhibition designed by Cedric Price entitled "Cedric Price, Mean Time", held at the Canadian Centre for Architecture, Montréal, Québec from Oct. 19, 1999 to Feb. 27, 2000. Material in this file was produced in 1990 and between 1998 and 2000, but predominantly in 1999. File contains publication drawings, artefacts, photographic materials, and textual records.
AP144.S2.D181
Description:
File documents an exhibition designed by Cedric Price entitled "Cedric Price, Mean Time", held at the Canadian Centre for Architecture, Montréal, Québec from Oct. 19, 1999 to Feb. 27, 2000. Material in this file was produced in 1990 and between 1998 and 2000, but predominantly in 1999. File contains publication drawings, artefacts, photographic materials, and textual records.
Personnes et institutions:
Date:
1990, 1998-2000, predominant 1999
1990, 1998-2000, predominant 1999
Titre:
Mean
Actions:
AP144.S2.D181
Description:
File documents an exhibition designed by Cedric Price entitled "Cedric Price, Mean Time", held at the Canadian Centre for Architecture, Montréal, Québec from Oct. 19, 1999 to Feb. 27, 2000. Material in this file was produced in 1990 and between 1998 and 2000, but predominantly in 1999. File contains publication drawings, artefacts, photographic materials, and textual records.
Mean
Actions:
AP144.S2.D181
Description:
File documents an exhibition designed by Cedric Price entitled "Cedric Price, Mean Time", held at the Canadian Centre for Architecture, Montréal, Québec from Oct. 19, 1999 to Feb. 27, 2000. Material in this file was produced in 1990 and between 1998 and 2000, but predominantly in 1999. File contains publication drawings, artefacts, photographic materials, and textual records.
Niveau de description archivistique:
File 181
File 181
Date:
1990, 1998-2000, predominant 1999
1990, 1998-2000, predominant 1999
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
ICA furniture
ICA furniture
Numéro de référence:
AP140.S2.SS1.D1
Description:
Project series documents a prototype coffee table designed and fabricated by Stirling and shown in "Tomorrow's Furniture", an exhibition held from 5 - 29 June 1952 at the Institute of Contemporary Arts (ICA), London, England, United Kingdom. Material in this file was produced between 1952 and probably after 1975. File contains publication drawings and photographic materials.
AP140.S2.SS1.D1
Description:
Project series documents a prototype coffee table designed and fabricated by Stirling and shown in "Tomorrow's Furniture", an exhibition held from 5 - 29 June 1952 at the Institute of Contemporary Arts (ICA), London, England, United Kingdom. Material in this file was produced between 1952 and probably after 1975. File contains publication drawings and photographic materials.
Personnes et institutions:
Date:
circa 1952-1975
circa 1952-1975
Titre:
ICA furniture
Actions:
AP140.S2.SS1.D1
Description:
Project series documents a prototype coffee table designed and fabricated by Stirling and shown in "Tomorrow's Furniture", an exhibition held from 5 - 29 June 1952 at the Institute of Contemporary Arts (ICA), London, England, United Kingdom. Material in this file was produced between 1952 and probably after 1975. File contains publication drawings and photographic materials.
ICA furniture
Actions:
AP140.S2.SS1.D1
Description:
Project series documents a prototype coffee table designed and fabricated by Stirling and shown in "Tomorrow's Furniture", an exhibition held from 5 - 29 June 1952 at the Institute of Contemporary Arts (ICA), London, England, United Kingdom. Material in this file was produced between 1952 and probably after 1975. File contains publication drawings and photographic materials.
Niveau de description archivistique:
File 1
File 1
Date:
circa 1952-1975
circa 1952-1975
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Alternatives in Retrospect
Alternatives in Retrospect
Numéro de référence:
CP138.S9.SS3.D4
Description:
File consists of a videocassette of interviews with Richard Nonas and Tina Girouard and excerpts of the Gordon Matta-Clark "Open House" (1972) film that were included in "Alternatives in Retrospect," a 1981 film produced by Jacki Apple made for the exhibition of the same name at The New Museum of Contemporary Art, New York City, New York. File contains a videocassette.
CP138.S9.SS3.D4
Description:
File consists of a videocassette of interviews with Richard Nonas and Tina Girouard and excerpts of the Gordon Matta-Clark "Open House" (1972) film that were included in "Alternatives in Retrospect," a 1981 film produced by Jacki Apple made for the exhibition of the same name at The New Museum of Contemporary Art, New York City, New York. File contains a videocassette.
Personnes et institutions:
Date:
1981
1981
Titre:
Alternatives in Retrospect
Actions:
CP138.S9.SS3.D4
Description:
File consists of a videocassette of interviews with Richard Nonas and Tina Girouard and excerpts of the Gordon Matta-Clark "Open House" (1972) film that were included in "Alternatives in Retrospect," a 1981 film produced by Jacki Apple made for the exhibition of the same name at The New Museum of Contemporary Art, New York City, New York. File contains a videocassette.
Alternatives in Retrospect
Actions:
CP138.S9.SS3.D4
Description:
File consists of a videocassette of interviews with Richard Nonas and Tina Girouard and excerpts of the Gordon Matta-Clark "Open House" (1972) film that were included in "Alternatives in Retrospect," a 1981 film produced by Jacki Apple made for the exhibition of the same name at The New Museum of Contemporary Art, New York City, New York. File contains a videocassette.
Niveau de description archivistique:
File 4
File 4
Date:
1981
1981
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP173.S1.1998.D3
Description:
Series documents Lars Spuybroek's Flying Attic in Arnhem, Netherlands, an exhibition installation for the UnderCover Foundation. Material in this series was produced in 1998. The series contains slides of drawings and design development drawings and working drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
AP173.S1.1998.D3
Description:
Series documents Lars Spuybroek's Flying Attic in Arnhem, Netherlands, an exhibition installation for the UnderCover Foundation. Material in this series was produced in 1998. The series contains slides of drawings and design development drawings and working drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Personnes et institutions:
Date:
1998
1998
Titre:
Flying Attic, Arnhem, Netherlands (1998)
Actions:
AP173.S1.1998.D3
Description:
Series documents Lars Spuybroek's Flying Attic in Arnhem, Netherlands, an exhibition installation for the UnderCover Foundation. Material in this series was produced in 1998. The series contains slides of drawings and design development drawings and working drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Flying Attic, Arnhem, Netherlands (1998)
Actions:
AP173.S1.1998.D3
Description:
Series documents Lars Spuybroek's Flying Attic in Arnhem, Netherlands, an exhibition installation for the UnderCover Foundation. Material in this series was produced in 1998. The series contains slides of drawings and design development drawings and working drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Niveau de description archivistique:
Project
Project
Date:
1998
1998
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
CP138.S5.D12
Description:
File consists of one of the remaining photographs which Gordan Matta-Clark transformed by heating (despite the title, the photographs were not "fried") as part of a 1969 exhibition at the John Gibson Gallery in New York City, New York. The photograph is housed in the box in which it was sent to Richard Landry in 1971 as a Christmas greeting. File includes contains a photograph.
CP138.S5.D12
Description:
File consists of one of the remaining photographs which Gordan Matta-Clark transformed by heating (despite the title, the photographs were not "fried") as part of a 1969 exhibition at the John Gibson Gallery in New York City, New York. The photograph is housed in the box in which it was sent to Richard Landry in 1971 as a Christmas greeting. File includes contains a photograph.
Personnes et institutions:
Date:
1969
1969
Titre:
Fried Photograph
Actions:
CP138.S5.D12
Description:
File consists of one of the remaining photographs which Gordan Matta-Clark transformed by heating (despite the title, the photographs were not "fried") as part of a 1969 exhibition at the John Gibson Gallery in New York City, New York. The photograph is housed in the box in which it was sent to Richard Landry in 1971 as a Christmas greeting. File includes contains a photograph.
Fried Photograph
Actions:
CP138.S5.D12
Description:
File consists of one of the remaining photographs which Gordan Matta-Clark transformed by heating (despite the title, the photographs were not "fried") as part of a 1969 exhibition at the John Gibson Gallery in New York City, New York. The photograph is housed in the box in which it was sent to Richard Landry in 1971 as a Christmas greeting. File includes contains a photograph.
Niveau de description archivistique:
File 12
File 12
Date:
1969
1969
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP206.S1.1976.PR01
Description:
This project series documents custom display units for the exhibition hall at the Government Arts College in India in 1976. The exact location of the Government Arts College for this project is not identified in the documentation. Several Government Arts Colleges exist throughout India. The project is recorded through an original drawing showing plans, a section and an axonometric view dating from 1976.
AP206.S1.1976.PR01
Description:
This project series documents custom display units for the exhibition hall at the Government Arts College in India in 1976. The exact location of the Government Arts College for this project is not identified in the documentation. Several Government Arts Colleges exist throughout India. The project is recorded through an original drawing showing plans, a section and an axonometric view dating from 1976.
Personnes et institutions:
Date:
1976
1976
Titre:
Display units, Government Arts College, India (1976)
Actions:
AP206.S1.1976.PR01
Description:
This project series documents custom display units for the exhibition hall at the Government Arts College in India in 1976. The exact location of the Government Arts College for this project is not identified in the documentation. Several Government Arts Colleges exist throughout India. The project is recorded through an original drawing showing plans, a section and an axonometric view dating from 1976.
Display units, Government Arts College, India (1976)
Actions:
AP206.S1.1976.PR01
Description:
This project series documents custom display units for the exhibition hall at the Government Arts College in India in 1976. The exact location of the Government Arts College for this project is not identified in the documentation. Several Government Arts Colleges exist throughout India. The project is recorded through an original drawing showing plans, a section and an axonometric view dating from 1976.
Niveau de description archivistique:
Project
Project
Date:
1976
1976
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Festival of Britain
Festival of Britain
Numéro de référence:
AP163.S1.SS1.D8
Description:
File documents Victor Prus's work for the Festival of Britain, in England, such as his work for the design display of the Physical Work Exhibition, the H.M.S Campania, and the Shipbuilding Section, Sea and Ships Pavilion. Material in the file was produced between 1949 and 1951. The file contains conceptual, design development and presentation drawings, collages, textual records, panels and photographs.
AP163.S1.SS1.D8
Description:
File documents Victor Prus's work for the Festival of Britain, in England, such as his work for the design display of the Physical Work Exhibition, the H.M.S Campania, and the Shipbuilding Section, Sea and Ships Pavilion. Material in the file was produced between 1949 and 1951. The file contains conceptual, design development and presentation drawings, collages, textual records, panels and photographs.
Personnes et institutions:
Date:
1949-1951
1949-1951
Titre:
Festival of Britain
Actions:
AP163.S1.SS1.D8
Description:
File documents Victor Prus's work for the Festival of Britain, in England, such as his work for the design display of the Physical Work Exhibition, the H.M.S Campania, and the Shipbuilding Section, Sea and Ships Pavilion. Material in the file was produced between 1949 and 1951. The file contains conceptual, design development and presentation drawings, collages, textual records, panels and photographs.
Festival of Britain
Actions:
AP163.S1.SS1.D8
Description:
File documents Victor Prus's work for the Festival of Britain, in England, such as his work for the design display of the Physical Work Exhibition, the H.M.S Campania, and the Shipbuilding Section, Sea and Ships Pavilion. Material in the file was produced between 1949 and 1951. The file contains conceptual, design development and presentation drawings, collages, textual records, panels and photographs.
Niveau de description archivistique:
File 8
File 8
Date:
1949-1951
1949-1951
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Aedes
Aedes
Numéro de référence:
AP144.S2.D135
Description:
File documents Price's involvement in an exhibition of his works held from 17 January to 21 February 1986 at the Aedes Galerie für Architektur und Raum, Berlin, Germany, entitled "Cedric Price: Time + Timing, Projekte 1981-1984". Material in this file was produced between 1983 and 1986. File contains conceptual drawings and textual records.
AP144.S2.D135
Description:
File documents Price's involvement in an exhibition of his works held from 17 January to 21 February 1986 at the Aedes Galerie für Architektur und Raum, Berlin, Germany, entitled "Cedric Price: Time + Timing, Projekte 1981-1984". Material in this file was produced between 1983 and 1986. File contains conceptual drawings and textual records.
Personnes et institutions:
Date:
1983-1986
1983-1986
Titre:
Aedes
Actions:
AP144.S2.D135
Description:
File documents Price's involvement in an exhibition of his works held from 17 January to 21 February 1986 at the Aedes Galerie für Architektur und Raum, Berlin, Germany, entitled "Cedric Price: Time + Timing, Projekte 1981-1984". Material in this file was produced between 1983 and 1986. File contains conceptual drawings and textual records.
Aedes
Actions:
AP144.S2.D135
Description:
File documents Price's involvement in an exhibition of his works held from 17 January to 21 February 1986 at the Aedes Galerie für Architektur und Raum, Berlin, Germany, entitled "Cedric Price: Time + Timing, Projekte 1981-1984". Material in this file was produced between 1983 and 1986. File contains conceptual drawings and textual records.
Niveau de description archivistique:
File 135
File 135
Date:
1983-1986
1983-1986
Personnes et institutions:
