29337 Résultats
Niveau de description archivistique:
Projet
Projet
Titre:
Roma interrotta
Roma interrotta
Numéro de référence:
AP142.S1.D43
Description:
File documents Aldo Rossi's participation to the exhibition 'Roma Interotta', proposing changes to a map of Rome drawn in 1748 by Giambattista Nolli. In his project, Aldo Rossi suggests the reconstruction of the Antoninian Baths and the ancient aqueduct. Material in this file was produced in 1977. File contains reference drawings, design development drawings and presentation drawings.
AP142.S1.D43
Description:
File documents Aldo Rossi's participation to the exhibition 'Roma Interotta', proposing changes to a map of Rome drawn in 1748 by Giambattista Nolli. In his project, Aldo Rossi suggests the reconstruction of the Antoninian Baths and the ancient aqueduct. Material in this file was produced in 1977. File contains reference drawings, design development drawings and presentation drawings.
Personnes et institutions:
Date:
1977
1977
Titre:
Roma interrotta
Actions:
AP142.S1.D43
Description:
File documents Aldo Rossi's participation to the exhibition 'Roma Interotta', proposing changes to a map of Rome drawn in 1748 by Giambattista Nolli. In his project, Aldo Rossi suggests the reconstruction of the Antoninian Baths and the ancient aqueduct. Material in this file was produced in 1977. File contains reference drawings, design development drawings and presentation drawings.
Roma interrotta
Actions:
AP142.S1.D43
Description:
File documents Aldo Rossi's participation to the exhibition 'Roma Interotta', proposing changes to a map of Rome drawn in 1748 by Giambattista Nolli. In his project, Aldo Rossi suggests the reconstruction of the Antoninian Baths and the ancient aqueduct. Material in this file was produced in 1977. File contains reference drawings, design development drawings and presentation drawings.
Niveau de description archivistique:
File 43
File 43
Date:
1977
1977
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
AFX
AFX
Numéro de référence:
AP144.S2.D177
Description:
File documents an exhibition of the Magnet project (AP144.S2.D170) hosted by the Architecture Foundation of London, England, from April 18 to June 1, 1997. Material in this file was produced between 1996 and 1997. File contains design development drawings, other drawings, presentation panels, a model, photographic materials, textual records, and artefacts.
AP144.S2.D177
Description:
File documents an exhibition of the Magnet project (AP144.S2.D170) hosted by the Architecture Foundation of London, England, from April 18 to June 1, 1997. Material in this file was produced between 1996 and 1997. File contains design development drawings, other drawings, presentation panels, a model, photographic materials, textual records, and artefacts.
Personnes et institutions:
Date:
1996-1997
1996-1997
Titre:
AFX
Actions:
AP144.S2.D177
Description:
File documents an exhibition of the Magnet project (AP144.S2.D170) hosted by the Architecture Foundation of London, England, from April 18 to June 1, 1997. Material in this file was produced between 1996 and 1997. File contains design development drawings, other drawings, presentation panels, a model, photographic materials, textual records, and artefacts.
AFX
Actions:
AP144.S2.D177
Description:
File documents an exhibition of the Magnet project (AP144.S2.D170) hosted by the Architecture Foundation of London, England, from April 18 to June 1, 1997. Material in this file was produced between 1996 and 1997. File contains design development drawings, other drawings, presentation panels, a model, photographic materials, textual records, and artefacts.
Niveau de description archivistique:
File 177
File 177
Date:
1996-1997
1996-1997
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP142.S1.D91
Description:
File documents the project "Teatro domestico" presented during the exhibition "Il progetto domestico" at the XVII Triennale di Milano, held in 1983-1988 in Milan, Italy. Material in this file was produced approximately in 1985-1986. File contains design development drawings and textual records, including an architect's report, wallpaper samples and photographic material.
AP142.S1.D91
Description:
File documents the project "Teatro domestico" presented during the exhibition "Il progetto domestico" at the XVII Triennale di Milano, held in 1983-1988 in Milan, Italy. Material in this file was produced approximately in 1985-1986. File contains design development drawings and textual records, including an architect's report, wallpaper samples and photographic material.
Personnes et institutions:
Date:
[ca. 1985]-1986
[ca. 1985]-1986
Titre:
"Teatro domestico" per la mostra "Il progetto domestico" alla XVII Triennale di Milano
Actions:
AP142.S1.D91
Description:
File documents the project "Teatro domestico" presented during the exhibition "Il progetto domestico" at the XVII Triennale di Milano, held in 1983-1988 in Milan, Italy. Material in this file was produced approximately in 1985-1986. File contains design development drawings and textual records, including an architect's report, wallpaper samples and photographic material.
"Teatro domestico" per la mostra "Il progetto domestico" alla XVII Triennale di Milano
Actions:
AP142.S1.D91
Description:
File documents the project "Teatro domestico" presented during the exhibition "Il progetto domestico" at the XVII Triennale di Milano, held in 1983-1988 in Milan, Italy. Material in this file was produced approximately in 1985-1986. File contains design development drawings and textual records, including an architect's report, wallpaper samples and photographic material.
Niveau de description archivistique:
File 91
File 91
Date:
[ca. 1985]-1986
[ca. 1985]-1986
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1973.PR05
Description:
The project series documents "Atta Unsar", an installation consisting of the text of the Lord's Prayer, in Old High German, written on the top of the wall around the perimeter of an empty dimly-lit room. The installation was initially presented at the Galleria Schema in Florence in 1973. It represents an " 'imposed education' still recalled even after decades." [1] The installation was also presented in the exhibition "About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017, and in the exhibition "Architecture Naturali/Gianni Pettena" at the Kunst Meran in Meran, also in 2017. The project series contains installation views at the Galleria Schema in Florence, five drawings showing the evolution of the installation design, and correspondence about the project. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-empty-space-2008/ (last accessed 12 November 2019).
AP207.S1.1973.PR05
Description:
The project series documents "Atta Unsar", an installation consisting of the text of the Lord's Prayer, in Old High German, written on the top of the wall around the perimeter of an empty dimly-lit room. The installation was initially presented at the Galleria Schema in Florence in 1973. It represents an " 'imposed education' still recalled even after decades." [1] The installation was also presented in the exhibition "About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017, and in the exhibition "Architecture Naturali/Gianni Pettena" at the Kunst Meran in Meran, also in 2017. The project series contains installation views at the Galleria Schema in Florence, five drawings showing the evolution of the installation design, and correspondence about the project. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-empty-space-2008/ (last accessed 12 November 2019).
Personnes et institutions:
Date:
1973-2015
1973-2015
Titre:
Atta Unsar (1973)
Actions:
AP207.S1.1973.PR05
Description:
The project series documents "Atta Unsar", an installation consisting of the text of the Lord's Prayer, in Old High German, written on the top of the wall around the perimeter of an empty dimly-lit room. The installation was initially presented at the Galleria Schema in Florence in 1973. It represents an " 'imposed education' still recalled even after decades." [1] The installation was also presented in the exhibition "About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017, and in the exhibition "Architecture Naturali/Gianni Pettena" at the Kunst Meran in Meran, also in 2017. The project series contains installation views at the Galleria Schema in Florence, five drawings showing the evolution of the installation design, and correspondence about the project. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-empty-space-2008/ (last accessed 12 November 2019).
Atta Unsar (1973)
Actions:
AP207.S1.1973.PR05
Description:
The project series documents "Atta Unsar", an installation consisting of the text of the Lord's Prayer, in Old High German, written on the top of the wall around the perimeter of an empty dimly-lit room. The installation was initially presented at the Galleria Schema in Florence in 1973. It represents an " 'imposed education' still recalled even after decades." [1] The installation was also presented in the exhibition "About non conscious architecture" at the Galleria Giovanni Bonelli in Milan, in 2017, and in the exhibition "Architecture Naturali/Gianni Pettena" at the Kunst Meran in Meran, also in 2017. The project series contains installation views at the Galleria Schema in Florence, five drawings showing the evolution of the installation design, and correspondence about the project. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-empty-space-2008/ (last accessed 12 November 2019).
Niveau de description archivistique:
Project
Project
Date:
1973-2015
1973-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Mean
Mean
Numéro de référence:
AP144.S2.D181
Description:
File documents an exhibition designed by Cedric Price entitled "Cedric Price, Mean Time", held at the Canadian Centre for Architecture, Montréal, Québec from Oct. 19, 1999 to Feb. 27, 2000. Material in this file was produced in 1990 and between 1998 and 2000, but predominantly in 1999. File contains publication drawings, artefacts, photographic materials, and textual records.
AP144.S2.D181
Description:
File documents an exhibition designed by Cedric Price entitled "Cedric Price, Mean Time", held at the Canadian Centre for Architecture, Montréal, Québec from Oct. 19, 1999 to Feb. 27, 2000. Material in this file was produced in 1990 and between 1998 and 2000, but predominantly in 1999. File contains publication drawings, artefacts, photographic materials, and textual records.
Personnes et institutions:
Date:
1990, 1998-2000, predominant 1999
1990, 1998-2000, predominant 1999
Titre:
Mean
Actions:
AP144.S2.D181
Description:
File documents an exhibition designed by Cedric Price entitled "Cedric Price, Mean Time", held at the Canadian Centre for Architecture, Montréal, Québec from Oct. 19, 1999 to Feb. 27, 2000. Material in this file was produced in 1990 and between 1998 and 2000, but predominantly in 1999. File contains publication drawings, artefacts, photographic materials, and textual records.
Mean
Actions:
AP144.S2.D181
Description:
File documents an exhibition designed by Cedric Price entitled "Cedric Price, Mean Time", held at the Canadian Centre for Architecture, Montréal, Québec from Oct. 19, 1999 to Feb. 27, 2000. Material in this file was produced in 1990 and between 1998 and 2000, but predominantly in 1999. File contains publication drawings, artefacts, photographic materials, and textual records.
Niveau de description archivistique:
File 181
File 181
Date:
1990, 1998-2000, predominant 1999
1990, 1998-2000, predominant 1999
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
ICA furniture
ICA furniture
Numéro de référence:
AP140.S2.SS1.D1
Description:
Project series documents a prototype coffee table designed and fabricated by Stirling and shown in "Tomorrow's Furniture", an exhibition held from 5 - 29 June 1952 at the Institute of Contemporary Arts (ICA), London, England, United Kingdom. Material in this file was produced between 1952 and probably after 1975. File contains publication drawings and photographic materials.
AP140.S2.SS1.D1
Description:
Project series documents a prototype coffee table designed and fabricated by Stirling and shown in "Tomorrow's Furniture", an exhibition held from 5 - 29 June 1952 at the Institute of Contemporary Arts (ICA), London, England, United Kingdom. Material in this file was produced between 1952 and probably after 1975. File contains publication drawings and photographic materials.
Personnes et institutions:
Date:
circa 1952-1975
circa 1952-1975
Titre:
ICA furniture
Actions:
AP140.S2.SS1.D1
Description:
Project series documents a prototype coffee table designed and fabricated by Stirling and shown in "Tomorrow's Furniture", an exhibition held from 5 - 29 June 1952 at the Institute of Contemporary Arts (ICA), London, England, United Kingdom. Material in this file was produced between 1952 and probably after 1975. File contains publication drawings and photographic materials.
ICA furniture
Actions:
AP140.S2.SS1.D1
Description:
Project series documents a prototype coffee table designed and fabricated by Stirling and shown in "Tomorrow's Furniture", an exhibition held from 5 - 29 June 1952 at the Institute of Contemporary Arts (ICA), London, England, United Kingdom. Material in this file was produced between 1952 and probably after 1975. File contains publication drawings and photographic materials.
Niveau de description archivistique:
File 1
File 1
Date:
circa 1952-1975
circa 1952-1975
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Alternatives in Retrospect
Alternatives in Retrospect
Numéro de référence:
CP138.S9.SS3.D4
Description:
File consists of a videocassette of interviews with Richard Nonas and Tina Girouard and excerpts of the Gordon Matta-Clark "Open House" (1972) film that were included in "Alternatives in Retrospect," a 1981 film produced by Jacki Apple made for the exhibition of the same name at The New Museum of Contemporary Art, New York City, New York. File contains a videocassette.
CP138.S9.SS3.D4
Description:
File consists of a videocassette of interviews with Richard Nonas and Tina Girouard and excerpts of the Gordon Matta-Clark "Open House" (1972) film that were included in "Alternatives in Retrospect," a 1981 film produced by Jacki Apple made for the exhibition of the same name at The New Museum of Contemporary Art, New York City, New York. File contains a videocassette.
Personnes et institutions:
Date:
1981
1981
Titre:
Alternatives in Retrospect
Actions:
CP138.S9.SS3.D4
Description:
File consists of a videocassette of interviews with Richard Nonas and Tina Girouard and excerpts of the Gordon Matta-Clark "Open House" (1972) film that were included in "Alternatives in Retrospect," a 1981 film produced by Jacki Apple made for the exhibition of the same name at The New Museum of Contemporary Art, New York City, New York. File contains a videocassette.
Alternatives in Retrospect
Actions:
CP138.S9.SS3.D4
Description:
File consists of a videocassette of interviews with Richard Nonas and Tina Girouard and excerpts of the Gordon Matta-Clark "Open House" (1972) film that were included in "Alternatives in Retrospect," a 1981 film produced by Jacki Apple made for the exhibition of the same name at The New Museum of Contemporary Art, New York City, New York. File contains a videocassette.
Niveau de description archivistique:
File 4
File 4
Date:
1981
1981
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP173.S1.1998.D3
Description:
Series documents Lars Spuybroek's Flying Attic in Arnhem, Netherlands, an exhibition installation for the UnderCover Foundation. Material in this series was produced in 1998. The series contains slides of drawings and design development drawings and working drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
AP173.S1.1998.D3
Description:
Series documents Lars Spuybroek's Flying Attic in Arnhem, Netherlands, an exhibition installation for the UnderCover Foundation. Material in this series was produced in 1998. The series contains slides of drawings and design development drawings and working drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Personnes et institutions:
Date:
1998
1998
Titre:
Flying Attic, Arnhem, Netherlands (1998)
Actions:
AP173.S1.1998.D3
Description:
Series documents Lars Spuybroek's Flying Attic in Arnhem, Netherlands, an exhibition installation for the UnderCover Foundation. Material in this series was produced in 1998. The series contains slides of drawings and design development drawings and working drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Flying Attic, Arnhem, Netherlands (1998)
Actions:
AP173.S1.1998.D3
Description:
Series documents Lars Spuybroek's Flying Attic in Arnhem, Netherlands, an exhibition installation for the UnderCover Foundation. Material in this series was produced in 1998. The series contains slides of drawings and design development drawings and working drawings. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Niveau de description archivistique:
Project
Project
Date:
1998
1998
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1998.PR07
Description:
This project series documents the C. Cultural e Audit. para a Fundação Ibere Camargo in Porto Alegre, Brazil. While the records were held in the office’s archives this project was assigned the number 102/90. The office assigned the date 1998 to this project. At the end of the nineties, an architectural competition was held for the construction of a new building for the Iberê Camargo Foundation. The foundation holds the archives and work of the Brazilian painter Ibere Carmargo, as well as hosts temporary exhibitions and seminars. The project site is located near the Guaíba River, between a cliff and the Avenida Padre Cacique. Collaborators on the project were Barbara Rangel, Pedro Polonia, Michele Gigante, Francesca Montalto, Atsushi Ueno, Rita Amaral, José Luiz Cana, and Camargo Correa. The three-stories building is 88,000 square feet and includes nine galleries, storage spaces, offices, a bookstore, an auditorium, and a video library. Each of the galleries is independent but linked via a system of ramps. One of the unique qualities of the building are the ramps that come out of its concrete façade. Due to the limited space, the parking was built below the Avenida Padre Cacique. The building respects the concept of sustainable development, with a sewage treatment station that redistributes the water to the surrounding vegetation. The museum was Siza's first built project in Brazil and it was inaugurated in 2008. Siza received the Golden Lion award at the Venice Architecture Biennale in 2003 for this project. Documenting this project are sketches, studies, preliminary drawings, working drawings, technical drawings, and electrical drawings. Textual material includes project documentation, correspondence, and documentation regarding exhibitions about the building. Photographic material documents the models, project site, and built project.
AP178.S1.1998.PR07
Description:
This project series documents the C. Cultural e Audit. para a Fundação Ibere Camargo in Porto Alegre, Brazil. While the records were held in the office’s archives this project was assigned the number 102/90. The office assigned the date 1998 to this project. At the end of the nineties, an architectural competition was held for the construction of a new building for the Iberê Camargo Foundation. The foundation holds the archives and work of the Brazilian painter Ibere Carmargo, as well as hosts temporary exhibitions and seminars. The project site is located near the Guaíba River, between a cliff and the Avenida Padre Cacique. Collaborators on the project were Barbara Rangel, Pedro Polonia, Michele Gigante, Francesca Montalto, Atsushi Ueno, Rita Amaral, José Luiz Cana, and Camargo Correa. The three-stories building is 88,000 square feet and includes nine galleries, storage spaces, offices, a bookstore, an auditorium, and a video library. Each of the galleries is independent but linked via a system of ramps. One of the unique qualities of the building are the ramps that come out of its concrete façade. Due to the limited space, the parking was built below the Avenida Padre Cacique. The building respects the concept of sustainable development, with a sewage treatment station that redistributes the water to the surrounding vegetation. The museum was Siza's first built project in Brazil and it was inaugurated in 2008. Siza received the Golden Lion award at the Venice Architecture Biennale in 2003 for this project. Documenting this project are sketches, studies, preliminary drawings, working drawings, technical drawings, and electrical drawings. Textual material includes project documentation, correspondence, and documentation regarding exhibitions about the building. Photographic material documents the models, project site, and built project.
Personnes et institutions:
Date:
1998-2006
1998-2006
Titre:
C. Cultural e Audit. para a Fundação Iberê Camargo [Iberê Camargo Foundation Museum], Porto Alegre, Brazil (1998)
Actions:
AP178.S1.1998.PR07
Description:
This project series documents the C. Cultural e Audit. para a Fundação Ibere Camargo in Porto Alegre, Brazil. While the records were held in the office’s archives this project was assigned the number 102/90. The office assigned the date 1998 to this project. At the end of the nineties, an architectural competition was held for the construction of a new building for the Iberê Camargo Foundation. The foundation holds the archives and work of the Brazilian painter Ibere Carmargo, as well as hosts temporary exhibitions and seminars. The project site is located near the Guaíba River, between a cliff and the Avenida Padre Cacique. Collaborators on the project were Barbara Rangel, Pedro Polonia, Michele Gigante, Francesca Montalto, Atsushi Ueno, Rita Amaral, José Luiz Cana, and Camargo Correa. The three-stories building is 88,000 square feet and includes nine galleries, storage spaces, offices, a bookstore, an auditorium, and a video library. Each of the galleries is independent but linked via a system of ramps. One of the unique qualities of the building are the ramps that come out of its concrete façade. Due to the limited space, the parking was built below the Avenida Padre Cacique. The building respects the concept of sustainable development, with a sewage treatment station that redistributes the water to the surrounding vegetation. The museum was Siza's first built project in Brazil and it was inaugurated in 2008. Siza received the Golden Lion award at the Venice Architecture Biennale in 2003 for this project. Documenting this project are sketches, studies, preliminary drawings, working drawings, technical drawings, and electrical drawings. Textual material includes project documentation, correspondence, and documentation regarding exhibitions about the building. Photographic material documents the models, project site, and built project.
C. Cultural e Audit. para a Fundação Iberê Camargo [Iberê Camargo Foundation Museum], Porto Alegre, Brazil (1998)
Actions:
AP178.S1.1998.PR07
Description:
This project series documents the C. Cultural e Audit. para a Fundação Ibere Camargo in Porto Alegre, Brazil. While the records were held in the office’s archives this project was assigned the number 102/90. The office assigned the date 1998 to this project. At the end of the nineties, an architectural competition was held for the construction of a new building for the Iberê Camargo Foundation. The foundation holds the archives and work of the Brazilian painter Ibere Carmargo, as well as hosts temporary exhibitions and seminars. The project site is located near the Guaíba River, between a cliff and the Avenida Padre Cacique. Collaborators on the project were Barbara Rangel, Pedro Polonia, Michele Gigante, Francesca Montalto, Atsushi Ueno, Rita Amaral, José Luiz Cana, and Camargo Correa. The three-stories building is 88,000 square feet and includes nine galleries, storage spaces, offices, a bookstore, an auditorium, and a video library. Each of the galleries is independent but linked via a system of ramps. One of the unique qualities of the building are the ramps that come out of its concrete façade. Due to the limited space, the parking was built below the Avenida Padre Cacique. The building respects the concept of sustainable development, with a sewage treatment station that redistributes the water to the surrounding vegetation. The museum was Siza's first built project in Brazil and it was inaugurated in 2008. Siza received the Golden Lion award at the Venice Architecture Biennale in 2003 for this project. Documenting this project are sketches, studies, preliminary drawings, working drawings, technical drawings, and electrical drawings. Textual material includes project documentation, correspondence, and documentation regarding exhibitions about the building. Photographic material documents the models, project site, and built project.
Niveau de description archivistique:
Project
Project
Date:
1998-2006
1998-2006
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
CP138.S5.D12
Description:
File consists of one of the remaining photographs which Gordan Matta-Clark transformed by heating (despite the title, the photographs were not "fried") as part of a 1969 exhibition at the John Gibson Gallery in New York City, New York. The photograph is housed in the box in which it was sent to Richard Landry in 1971 as a Christmas greeting. File includes contains a photograph.
CP138.S5.D12
Description:
File consists of one of the remaining photographs which Gordan Matta-Clark transformed by heating (despite the title, the photographs were not "fried") as part of a 1969 exhibition at the John Gibson Gallery in New York City, New York. The photograph is housed in the box in which it was sent to Richard Landry in 1971 as a Christmas greeting. File includes contains a photograph.
Personnes et institutions:
Date:
1969
1969
Titre:
Fried Photograph
Actions:
CP138.S5.D12
Description:
File consists of one of the remaining photographs which Gordan Matta-Clark transformed by heating (despite the title, the photographs were not "fried") as part of a 1969 exhibition at the John Gibson Gallery in New York City, New York. The photograph is housed in the box in which it was sent to Richard Landry in 1971 as a Christmas greeting. File includes contains a photograph.
Fried Photograph
Actions:
CP138.S5.D12
Description:
File consists of one of the remaining photographs which Gordan Matta-Clark transformed by heating (despite the title, the photographs were not "fried") as part of a 1969 exhibition at the John Gibson Gallery in New York City, New York. The photograph is housed in the box in which it was sent to Richard Landry in 1971 as a Christmas greeting. File includes contains a photograph.
Niveau de description archivistique:
File 12
File 12
Date:
1969
1969
Personnes et institutions:
