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Imagining Resistance: Visual Culture and Activism in Canada offers strategies for reading alternative culture in Canada from the 1940s through to the present. Alongside, authors consider case studies as diverse as the anti-war work done by John Lennon and Yoko Ono in Montreal and Toronto, recent exhibitions of activist art in Canadian institutions, radical films,(...)
Imagining resistance: Visual culture and activism in Canada
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Imagining Resistance: Visual Culture and Activism in Canada offers strategies for reading alternative culture in Canada from the 1940s through to the present. Alongside, authors consider case studies as diverse as the anti-war work done by John Lennon and Yoko Ono in Montreal and Toronto, recent exhibitions of activist art in Canadian institutions, radical films, performance art, protests against the Olympics, interventions into anti-immigrant sentiment in Montreal, and work by Iroquois photographer Jeff Thomas. Taken together, the writings in Imagining Resistance touch on the local, the global, the national, and post-national to imagine a very different landscape of cultural practice in Canada.
Art canadien
General Idea: Imagevirus
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In the mid-1980s, the Canadian art group General Idea created a symbol using the acronym AIDS, arranging the letters in a manner that resembled Robert Indiana's famous LOVE logo. This launched Imagevirus, a project of paintings, sculptures, videos, posters, and exhibitions that investigated the term AIDS as both word and image, using the mechanism of viral transmission.(...)
General Idea: Imagevirus
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In the mid-1980s, the Canadian art group General Idea created a symbol using the acronym AIDS, arranging the letters in a manner that resembled Robert Indiana's famous LOVE logo. This launched Imagevirus, a project of paintings, sculptures, videos, posters, and exhibitions that investigated the term AIDS as both word and image, using the mechanism of viral transmission. The Imagevirus spread like a virus, producing an image epidemic in urban spaces from Manhattan to Sydney. Bordowitz explores the virus as idea, as tactic, and as identity.
Art canadien
Jason Logan: Festus
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It is with optimism, and a pioneering spirit that a man carries a cane and top hat into the wilderness. Like Philip Guston's "Poor Richard" drawings, the figures in Jason Logan's paintings are variations on an allegorical character: a man somewhere between a captain of industry and prospector, panning for gold along the cold line between the United States and Canada.(...)
Jason Logan: Festus
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It is with optimism, and a pioneering spirit that a man carries a cane and top hat into the wilderness. Like Philip Guston's "Poor Richard" drawings, the figures in Jason Logan's paintings are variations on an allegorical character: a man somewhere between a captain of industry and prospector, panning for gold along the cold line between the United States and Canada. However the images convey respectability that is fraying and desperate. Logan's shabby magicians, hopeful gold diggers, greedy oilmen and gentlemen loggers illustrate the eternal pairing-off of reason and nature, set in the Canadian Pacific northwest.
Art canadien
$60.00
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Canadian artist Micah Lexier has built an international reputation working in a variety of media, often making work with numerical themes.This publication is a survey of the artist's invitations, posters, book works, T-shirts, boxed sets and other multiples produced between 1980 and 2010.
Micah Lexier: I'm thinking of a number
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Canadian artist Micah Lexier has built an international reputation working in a variety of media, often making work with numerical themes.This publication is a survey of the artist's invitations, posters, book works, T-shirts, boxed sets and other multiples produced between 1980 and 2010.
Art canadien
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Governor-General award winning architect Jeremy Sturgess recently celebrated thirty years in practice in Calgary, where he has been based his whole career. During that time, Sturgess has made a major contribution to transforming the architectural face of the city, from individual houses to large-scale public projects such as the Calgary Water Centre, the Grand Theatre,(...)
Architectes canadiens
octobre 2010
Full spectrum : the architecture of Jeremy Sturgess
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Governor-General award winning architect Jeremy Sturgess recently celebrated thirty years in practice in Calgary, where he has been based his whole career. During that time, Sturgess has made a major contribution to transforming the architectural face of the city, from individual houses to large-scale public projects such as the Calgary Water Centre, the Grand Theatre, and Calgarys most recent downtown LRT stations. This publication provides a comprehensive and multifaceted examination of Sturgesss architecture and urban design, and assesses his contribution to Canadian architecture generally and Calgary architecture in particular. Editor Geoffrey Simmins has gathered perspectives from a number of individuals with whom Sturgess has enjoyed long-term professional relationships - an artist, an urban designer, an architect colleague, an architectural critic, and a journalist. Along with reflections on Sturgesss personality, philosophy, and creative growth, these contributors provide in-depth discussions of a number of Sturgesss most celebrated projects. Simmins himself has drawn on Sturgesss papers and several personal interviews to craft an insightful introduction to the volume. Illustrated with architectural line drawings and with photos by photographer Robert Lemermeyer.
Architectes canadiens
Jean-Marie Roy, architecte
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Cet ouvrage relate la vie et la carrière de l'architecte Jean-Marie Roy (1925-2011) qui a marqué l'architecture moderne au Québec par sa riche production s'étendant sur 40 ans (1953-1993. On lui doit plusieurs œuvres connues, dont l'église Saint-Denys à Sainte-Foy, les campus intercommunautaires de Saint-Augustin, le PEPS de l'Université Laval, le Centre médical Berger à(...)
Jean-Marie Roy, architecte
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Cet ouvrage relate la vie et la carrière de l'architecte Jean-Marie Roy (1925-2011) qui a marqué l'architecture moderne au Québec par sa riche production s'étendant sur 40 ans (1953-1993. On lui doit plusieurs œuvres connues, dont l'église Saint-Denys à Sainte-Foy, les campus intercommunautaires de Saint-Augustin, le PEPS de l'Université Laval, le Centre médical Berger à Québec, les tours de bureaux du complexe Desjardins à Montréal et la mise en valeur du Haut-Fourneau des Forges du Saint-Maurice à Trois-Rivières. Le livre retrace, dans un premier temps, son parcours professionnel, ses influences et l'évolution de sa pratique à travers les époques et différents thèmes représentatifs de sa production architecturale. Ensuite, une trentaine de réalisations marquantes sont présentées et illustrées de centaines de photographies anciennes et contemporaines ainsi que de dessins faits de la main de l'architecte. Ce panorama d'œuvres marquantes, mises en contexte d'un point de vue historique et artistique, permet de découvrir un bâtisseur du Québec moderne et une architecture inspirée et inspirante.
Architectes canadiens
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“In The Hunting Field is a collection of encounters that uses the figure of the hunter-trapper as a figurative and literal approach for looking at contemporary understandings of animal, nature, and environment in an ecological age where entities collide at scales massively distributed in space and time.” The figure of the hunter-trapper is used to draw attention to a(...)
Jamie L Ferguson : In the hunting field
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“In The Hunting Field is a collection of encounters that uses the figure of the hunter-trapper as a figurative and literal approach for looking at contemporary understandings of animal, nature, and environment in an ecological age where entities collide at scales massively distributed in space and time.” The figure of the hunter-trapper is used to draw attention to a significant intertwining with the biological world that shapes bodies and technology. It is not meant as an exhaustive signifier for a linear history but instead as an opportunity to survey encounters that shape these understandings and so inform our place in the world. Perhaps a reinterpretation of environmental aesthetics can provide openings for alternate shapes of future encounters…
Art canadien
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In the guise of diva Miss Chief Eagle Testikle, Kenneth Monkman takes camp aesthetics to new extremes of political disturbance. Setting queer against straight, and both these against his dual identity as a Canadian of Cree descent, Monkman aka Miss Chief revisits the way key events in North American history have been represented. Recent performances and installations(...)
Interpellations: three essays on Kent Monkman
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In the guise of diva Miss Chief Eagle Testikle, Kenneth Monkman takes camp aesthetics to new extremes of political disturbance. Setting queer against straight, and both these against his dual identity as a Canadian of Cree descent, Monkman aka Miss Chief revisits the way key events in North American history have been represented. Recent performances and installations featured outlandish versions of objects like Indian moccasins in museum displays, videos with tragicomic takes on Indians' as the other to colonists, and Monkman's own extraordinary paintings. Based on masterpieces of landscape and history art, these expose the repressions and fantasies grounding narratives of the winning of the West. Interpellations will be of exceptional interest to art historians and all those concerned with North American aboriginal civilization. Essays from acclaimed art historians Richard Hill, Jonathan Katz, and Todd Porterfield address issues central to Monkman's activity: among others, absurdist tactics, alternative models of time and history, the interplay of identity, sexuality, and sovereignty. A camp design with gilt-edge pages and ultra-rich color illustrations makes this book an ideal vehicle for presenting Miss Chief's rampages through art history.
Art canadien
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Catalogue of an exhibition held at the Foreman Art Gallery of Bishop's University, from September 15 - December 10, 2010.
Christina Battle: filing memory
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Catalogue of an exhibition held at the Foreman Art Gallery of Bishop's University, from September 15 - December 10, 2010.
Art canadien
All citizens
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In 2006, two artists fled the high cost of living in Vancouver and moved to a place where they knew absolutely nobody, Bruno, Saskatchewan, population 500. They set up a storefront building in which they housed their own unique brand of café / art shop / community centre / music venue called All Citizens from 2007-2011. McCarroll kept a blog called Going Rural of her(...)
All citizens
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In 2006, two artists fled the high cost of living in Vancouver and moved to a place where they knew absolutely nobody, Bruno, Saskatchewan, population 500. They set up a storefront building in which they housed their own unique brand of café / art shop / community centre / music venue called All Citizens from 2007-2011. McCarroll kept a blog called Going Rural of her travels and experiences moving and setting up shop. This blog (text and photographs) forms a significant chapter of the All Citizens art book and serves as an introduction to Saara Liinamaa’s essay on rural interventions. The documentation (in text, interviews, and photographs) of the artistic practice of three local senior women formed McCarroll’s MFA thesis project in the Documentary Media Program at Ryerson and constitutes another significant chapter. Cartoonist David Collier visits one of these women in Bruno and provides a comic essay in his own style. Also contributing is artist Jason McLean. But the heart of the All Citizens project was the store itself, a meeting place, shop, cultural centre, music venue and all things in between. It was the ultimate culmination of a DIY aesthetic forged onto a rural landscape. Includes Bonus CD: Daniel, Fred, and Julie: Live at All Citizens.
Art canadien