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The issue "Meaningfulness, Appropriation and Integration in/of City Narratives" is developed in context of the EU COST Action "Writing Urban Places". From an inter- or a multidisciplinary theoretical perspective, the contributions attempt to define and illustrate meaningfulness, appropriation and integration in the context of mid- sized European cities.
Writingplace journal 6: Meaningfulness, appropriation and integration in/of City narratives
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The issue "Meaningfulness, Appropriation and Integration in/of City Narratives" is developed in context of the EU COST Action "Writing Urban Places". From an inter- or a multidisciplinary theoretical perspective, the contributions attempt to define and illustrate meaningfulness, appropriation and integration in the context of mid- sized European cities.
Théorie de l’architecture
365 days
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Despite Julie Doucet’s renunciation of her comics-centric lifestyle more than five years ago, 365 Days is imbued with the iconic talent and studied aesthetic of her seminal comic book series Dirty Plotte, which catapulted her into being one of the world’s greatest cartoonists. This visual journal, starting in late 2002, is an idiosyncratic collision of her various(...)
365 days
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Despite Julie Doucet’s renunciation of her comics-centric lifestyle more than five years ago, 365 Days is imbued with the iconic talent and studied aesthetic of her seminal comic book series Dirty Plotte, which catapulted her into being one of the world’s greatest cartoonists. This visual journal, starting in late 2002, is an idiosyncratic collision of her various creative interests, wherein personal narrative, collage, and drawing begin to tell the story of her pursuits into printmaking and beyond, chronicling her maturation as a mid-career artist and her fluid extension into a broader arts community. Now exhibiting internationally, Doucet blurs the boundaries between high art, illustration, craft, and comics: where panel borders once divided pages, collage creeps in; events and doodles merge; recollection and narrative blend with the abstract. The surreal neurosis of her comics has subsided to reveal a more relaxed creativity that is unrestricted by form or definition and is as engaging as ever.
Illustration
Public 62
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Countless magazine covers in North America have responded to the reading public’s capacity for gender-diverse literacy. Gender-diverse representation in narrative forms have spread across all media platforms to become standard or even predictable in their depictions. The expressions of a gender-diverse presence therefore exist within a vast number of communities, more(...)
Public 62
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Countless magazine covers in North America have responded to the reading public’s capacity for gender-diverse literacy. Gender-diverse representation in narrative forms have spread across all media platforms to become standard or even predictable in their depictions. The expressions of a gender-diverse presence therefore exist within a vast number of communities, more than ever before in history. Emerging designations for gender are more often embedded within a more inclusive, albeit challenging and complex web of shifting societal values around identity. To further capture this pivotal and seismic shift in the history of the human identity spectrum, guest editor Wayne Baerwaldt has invited lens-based visual artists and writers to reflect on their creative subject matter and their gender identity in any way they felt comfortable-through still and moving images, narrative text, collage, Instagram sites, audio, poetry, and so on. Each contributor was asked to examine the impact of their own evolving gender identity on their creative lens-based work.
Revues
Perpetual inventory
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The job of an art critic is to take perpetual inventory, constantly revising her ideas about the direction of contemporary art and the significance of the work she writes about. In these essays, which span three decades of assessment and reassessment, Rosalind Krauss considers what she has come to call the "post-medium condition"—the abandonment by contemporary art of the(...)
Perpetual inventory
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The job of an art critic is to take perpetual inventory, constantly revising her ideas about the direction of contemporary art and the significance of the work she writes about. In these essays, which span three decades of assessment and reassessment, Rosalind Krauss considers what she has come to call the "post-medium condition"—the abandonment by contemporary art of the modernist emphasis on the medium as the source of artistic significance. Jean-François Lyotard argued that the postmodern condition is characterized by the end of a "master narrative," and Krauss sees in the post-medium condition of contemporary art a similar farewell to coherence. The master narrative of contemporary art ended when conceptual art and other contemporary practices jettisoned the specific medium in order to juxtapose image and written text in the same work. For Krauss, this spells the end of serious art, and she devotes much of Perpetual Inventory to "wrest[ling] new media to the mat of specificity."
Théorie de l’art
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xvii, 215 pages, 16 numbered pages of plates : illustrations (some color) ; 26 cm
Abingdon, Oxon ; New York, NY : Routledge, an imprint of the Taylor & Francis Group, 2017.
The politics of furniture : identity, diplomacy and persuasion in post-war interiors / edited by Fredie Floré and Cammie McAtee.
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xvii, 215 pages, 16 numbered pages of plates : illustrations (some color) ; 26 cm
livres
Abingdon, Oxon ; New York, NY : Routledge, an imprint of the Taylor & Francis Group, 2017.
Feria : a poempark
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Oana Avasilichioaei deftly dismantles language and landscape in a whirling collection of poetry. "feria" is a poetic frolic in Vancouver's Hastings Park eluding boundaries of landscape, time and narrative. Avasilichioaei writes and rewrites over this image, interpreting its evolving layers. Park and book coincide, and the author finds herself asking what is natural, what(...)
Feria : a poempark
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Oana Avasilichioaei deftly dismantles language and landscape in a whirling collection of poetry. "feria" is a poetic frolic in Vancouver's Hastings Park eluding boundaries of landscape, time and narrative. Avasilichioaei writes and rewrites over this image, interpreting its evolving layers. Park and book coincide, and the author finds herself asking what is natural, what is language, and whose voices are we listening to.
Architecture du Québec
Marc Martin: silent observer
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Merging intricate hand-drawn details with painterly brushstrokes and textures, Silent Observer adheres to Marc Martin's ongoing fascination with the intersection between the modern urban experience and the natural world. Almost filmic in character, the book unfolds over a string of highly narrative city scenes, offsetting its central character's mundane, day-to-day(...)
Marc Martin: silent observer
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Merging intricate hand-drawn details with painterly brushstrokes and textures, Silent Observer adheres to Marc Martin's ongoing fascination with the intersection between the modern urban experience and the natural world. Almost filmic in character, the book unfolds over a string of highly narrative city scenes, offsetting its central character's mundane, day-to-day existence with the unlikely relationship he develops with a bird.
Illustration
Foundation design studio
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What is design? How is design taught? What is the starting point for a design course? Is there a clear method for teaching design? In this volume, professor Gilead Duvshani engages these questions, introducing a unique perspective on teaching the fundamentals of design. Foundation Design stresses the link between creativity and the ability to imagine and express a(...)
Foundation design studio
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What is design? How is design taught? What is the starting point for a design course? Is there a clear method for teaching design? In this volume, professor Gilead Duvshani engages these questions, introducing a unique perspective on teaching the fundamentals of design. Foundation Design stresses the link between creativity and the ability to imagine and express a personal narrative.
Théorie du design
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Although the pictogram-only narrative in Xu Bing's Book from the Ground can be read by anyone, there is much more to the story of Xu Bing's wordless book than can be gleaned from icons alone. This volume to Book from the Ground chronicles the entire project, mapping the history of Xu Bing's novel creation from inspiration to exhibition to publication.
The book about Xu Bing's book from the ground
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Although the pictogram-only narrative in Xu Bing's Book from the Ground can be read by anyone, there is much more to the story of Xu Bing's wordless book than can be gleaned from icons alone. This volume to Book from the Ground chronicles the entire project, mapping the history of Xu Bing's novel creation from inspiration to exhibition to publication.
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Located in the rural areas outside of bustling Buenos Aires, the commercial establishments - butcheries, bakeries, bars, repair shops, garages, dry cleaners - depicted in this collection by photographer Guillermo Srodek-Hart appear steeped in history and are packed with details dripping with colour. These photographs, shot with a large-format camera, are imbued with a(...)
Monographies photo
février 2015
Guillermo Srodek-Hart: Stories
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Located in the rural areas outside of bustling Buenos Aires, the commercial establishments - butcheries, bakeries, bars, repair shops, garages, dry cleaners - depicted in this collection by photographer Guillermo Srodek-Hart appear steeped in history and are packed with details dripping with colour. These photographs, shot with a large-format camera, are imbued with a narrative power not unlike an Edward Hopper painting.
Monographies photo