2227 Résultats
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Who gets to shape the narrative of our times? The current moment is a battle royale over that foundational power, one in which women, people of color, non-straight people are telling other versions, and white people and men and particularly white men are trying to hang onto the old versions and their own centrality. In 'Whose Story Is This?' Rebecca Solnit appraises(...)
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Who gets to shape the narrative of our times? The current moment is a battle royale over that foundational power, one in which women, people of color, non-straight people are telling other versions, and white people and men and particularly white men are trying to hang onto the old versions and their own centrality. In 'Whose Story Is This?' Rebecca Solnit appraises(...)
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Whose story is this? Essays at the intersection
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Who gets to shape the narrative of our times? The current moment is a battle royale over that foundational power, one in which women, people of color, non-straight people are telling other versions, and white people and men and particularly white men are trying to hang onto the old versions and their own centrality. In 'Whose Story Is This?' Rebecca Solnit appraises what's emerging and why it matters and what the obstacles are.
Whose story is this? Essays at the intersection
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Who gets to shape the narrative of our times? The current moment is a battle royale over that foundational power, one in which women, people of color, non-straight people are telling other versions, and white people and men and particularly white men are trying to hang onto the old versions and their own centrality. In 'Whose Story Is This?' Rebecca Solnit appraises what's emerging and why it matters and what the obstacles are.
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livres
livres
Publication:
septembre 2019
septembre 2019
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
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$79.95
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Redheaded Peckerwood is a work with a tragic underlying narrative – the story of 19 year old Charles Starkweather and 14 year old Caril Ann Fugate who murdered ten people, including Fugate’s family, during a three day killing spree across Nebraska to the point of their capture in Douglas, Wyoming. The images record places and things central to the story, depict ideas(...)
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Redheaded Peckerwood is a work with a tragic underlying narrative – the story of 19 year old Charles Starkweather and 14 year old Caril Ann Fugate who murdered ten people, including Fugate’s family, during a three day killing spree across Nebraska to the point of their capture in Douglas, Wyoming. The images record places and things central to the story, depict ideas(...)
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Christian Patterson: reheaded peckerwood
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Redheaded Peckerwood is a work with a tragic underlying narrative – the story of 19 year old Charles Starkweather and 14 year old Caril Ann Fugate who murdered ten people, including Fugate’s family, during a three day killing spree across Nebraska to the point of their capture in Douglas, Wyoming. The images record places and things central to the story, depict ideas inspired by it, and capture other moments and discoveries along the way.
Christian Patterson: reheaded peckerwood
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Redheaded Peckerwood is a work with a tragic underlying narrative – the story of 19 year old Charles Starkweather and 14 year old Caril Ann Fugate who murdered ten people, including Fugate’s family, during a three day killing spree across Nebraska to the point of their capture in Douglas, Wyoming. The images record places and things central to the story, depict ideas inspired by it, and capture other moments and discoveries along the way.
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livres
livres
Publication:
juin 2012
juin 2012
Sujet:
Monographies photo
Monographies photo
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livres
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Le musée de l’Innocence, qu’Orhan Pamuk a créé à Istanbul, est un projet culturel singulier, mûri pendant des décennies par son créateur, qui cherche à y saisir la ville de sa jeunesse par les objets du quotidien : l’éphémère, le bric-à-brac, le désordre qui caractérisent la vie de chacun. Ces objets particuliers sont intimement liés au Musée de l’Innocence, le roman de(...)
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Le musée de l’Innocence, qu’Orhan Pamuk a créé à Istanbul, est un projet culturel singulier, mûri pendant des décennies par son créateur, qui cherche à y saisir la ville de sa jeunesse par les objets du quotidien : l’éphémère, le bric-à-brac, le désordre qui caractérisent la vie de chacun. Ces objets particuliers sont intimement liés au Musée de l’Innocence, le roman de(...)
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Orhan Pamuk : l'innocence des objets
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Le musée de l’Innocence, qu’Orhan Pamuk a créé à Istanbul, est un projet culturel singulier, mûri pendant des décennies par son créateur, qui cherche à y saisir la ville de sa jeunesse par les objets du quotidien : l’éphémère, le bric-à-brac, le désordre qui caractérisent la vie de chacun. Ces objets particuliers sont intimement liés au Musée de l’Innocence, le roman de l’amour perdu de Pamuk, qui prête sa structure narrative à leur présentation.
Orhan Pamuk : l'innocence des objets
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Le musée de l’Innocence, qu’Orhan Pamuk a créé à Istanbul, est un projet culturel singulier, mûri pendant des décennies par son créateur, qui cherche à y saisir la ville de sa jeunesse par les objets du quotidien : l’éphémère, le bric-à-brac, le désordre qui caractérisent la vie de chacun. Ces objets particuliers sont intimement liés au Musée de l’Innocence, le roman de l’amour perdu de Pamuk, qui prête sa structure narrative à leur présentation.
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livres
livres
Publication:
novembre 2012
novembre 2012
Sujet:
Théorie de l’art
Théorie de l’art
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livres
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$24.50
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This book brings together a collection of 24 captivating architecture fairy tales from over 300 entries to Blank Space's first "Fairy Tales" competition. "Fairy Tales" challenged entrants to develop visionary, narrative-based design proposals, rewriting the way architecture communicates itself and unlocking the power of architecture through storytelling. In an eclectic(...)
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This book brings together a collection of 24 captivating architecture fairy tales from over 300 entries to Blank Space's first "Fairy Tales" competition. "Fairy Tales" challenged entrants to develop visionary, narrative-based design proposals, rewriting the way architecture communicates itself and unlocking the power of architecture through storytelling. In an eclectic(...)
Titre:
Fairy tales: when architecture tells a story
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This book brings together a collection of 24 captivating architecture fairy tales from over 300 entries to Blank Space's first "Fairy Tales" competition. "Fairy Tales" challenged entrants to develop visionary, narrative-based design proposals, rewriting the way architecture communicates itself and unlocking the power of architecture through storytelling. In an eclectic array of forms - from stories, to poems, memoirs, and comics - these entries bring new meaning to architecture, its value, and its place in society.
Fairy tales: when architecture tells a story
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$24.50
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This book brings together a collection of 24 captivating architecture fairy tales from over 300 entries to Blank Space's first "Fairy Tales" competition. "Fairy Tales" challenged entrants to develop visionary, narrative-based design proposals, rewriting the way architecture communicates itself and unlocking the power of architecture through storytelling. In an eclectic array of forms - from stories, to poems, memoirs, and comics - these entries bring new meaning to architecture, its value, and its place in society.
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livres
livres
Publication:
juillet 2015
juillet 2015
Sujet:
Littérature et poésie
Littérature et poésie
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livres
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The twentieth century was a golden age of mapmaking, an era of cartographic boom. Maps proliferated and permeated almost every aspect of daily life, not only chronicling geography and history but also charting and conveying myriad political and social agendas. Here Tim Bryars and Tom Harper select one hundred maps from the millions printed, drawn, or otherwise constructed(...)
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The twentieth century was a golden age of mapmaking, an era of cartographic boom. Maps proliferated and permeated almost every aspect of daily life, not only chronicling geography and history but also charting and conveying myriad political and social agendas. Here Tim Bryars and Tom Harper select one hundred maps from the millions printed, drawn, or otherwise constructed(...)
Titre:
A history of the twentieth century in 100 maps
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$54.95
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The twentieth century was a golden age of mapmaking, an era of cartographic boom. Maps proliferated and permeated almost every aspect of daily life, not only chronicling geography and history but also charting and conveying myriad political and social agendas. Here Tim Bryars and Tom Harper select one hundred maps from the millions printed, drawn, or otherwise constructed during the twentieth century and recount through them a narrative of the century’s key events and developments.
A history of the twentieth century in 100 maps
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The twentieth century was a golden age of mapmaking, an era of cartographic boom. Maps proliferated and permeated almost every aspect of daily life, not only chronicling geography and history but also charting and conveying myriad political and social agendas. Here Tim Bryars and Tom Harper select one hundred maps from the millions printed, drawn, or otherwise constructed during the twentieth century and recount through them a narrative of the century’s key events and developments.
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livres
livres
Publication:
octobre 2014
octobre 2014
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livres
livres
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$85.00
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Secondhand Reading began life as a film constructed from a succession of drawings made by William Kentridge (born 1955) in 2013, on the pages of old books. Conceived as a kind of secondhand reading in which books are translated into a filming of books, it is both a narrative--it begins at the beginning and will eventually get to the end--and an acknowledgment of the(...)
$85.00
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Secondhand Reading began life as a film constructed from a succession of drawings made by William Kentridge (born 1955) in 2013, on the pages of old books. Conceived as a kind of secondhand reading in which books are translated into a filming of books, it is both a narrative--it begins at the beginning and will eventually get to the end--and an acknowledgment of the(...)
Titre:
William Kentridge: Secondhand Reading
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Secondhand Reading began life as a film constructed from a succession of drawings made by William Kentridge (born 1955) in 2013, on the pages of old books. Conceived as a kind of secondhand reading in which books are translated into a filming of books, it is both a narrative--it begins at the beginning and will eventually get to the end--and an acknowledgment of the necessity of repetition, inconsistency and the illogical.
William Kentridge: Secondhand Reading
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Secondhand Reading began life as a film constructed from a succession of drawings made by William Kentridge (born 1955) in 2013, on the pages of old books. Conceived as a kind of secondhand reading in which books are translated into a filming of books, it is both a narrative--it begins at the beginning and will eventually get to the end--and an acknowledgment of the necessity of repetition, inconsistency and the illogical.
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livres
livres
Publication:
août 2014
août 2014
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livres
livres
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$95.00
(disponible en magasin)
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“Contested Spaces, Counter-narratives, and Culture from Below in Canada and Québec” explores strategies for reading space and conflict in Canadian and Québécois literature and cultural performances, positing questions such as: how do these texts and performances produce and contest spatial practices? What are the roles of the nation, city, community, and individual(...)
$95.00
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“Contested Spaces, Counter-narratives, and Culture from Below in Canada and Québec” explores strategies for reading space and conflict in Canadian and Québécois literature and cultural performances, positing questions such as: how do these texts and performances produce and contest spatial practices? What are the roles of the nation, city, community, and individual(...)
Sujet:
Architecture du Canada
Architecture du Canada
Publication:
février 2019
février 2019
Titre:
Contested spaces, counter-narratives, and culture from below in Canada and Quebec
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$95.00
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“Contested Spaces, Counter-narratives, and Culture from Below in Canada and Québec” explores strategies for reading space and conflict in Canadian and Québécois literature and cultural performances, positing questions such as: how do these texts and performances produce and contest spatial practices? What are the roles of the nation, city, community, and individual subject in reproducing space, particularly in times of global hegemony and neocolonialism? And in what ways do marginalized individuals and communities represent, contest, or appropriate spaces through counter-narratives and expressions of culture from below? Focusing on discord rather than harmony and consensus, this collection disturbs the idealized space of Canadian multicultural pluralism to carry literary analysis and cultural studies into spaces often undetected and unforeseen – including flophouses and "slums," shantytowns and urban alleyways, underground spaces and peep shows, and inner-city urban parks as they are experienced by minorities and other marginalized groups. These essays are the products of sustained, high-level collaboration across French and English academic communities in Canada to facilitate theoretical exchange on the topic of space and contestation, uncover geographies of exclusion, and generate new spaces of hope in the spirit of pioneering works by Henri Lefebvre, Michel Foucault, Michel de Certeau, Doreen Massey, David Harvey, and other prominent theorists of space.
Contested spaces, counter-narratives, and culture from below in Canada and Quebec
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$95.00
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Résumé:
“Contested Spaces, Counter-narratives, and Culture from Below in Canada and Québec” explores strategies for reading space and conflict in Canadian and Québécois literature and cultural performances, positing questions such as: how do these texts and performances produce and contest spatial practices? What are the roles of the nation, city, community, and individual subject in reproducing space, particularly in times of global hegemony and neocolonialism? And in what ways do marginalized individuals and communities represent, contest, or appropriate spaces through counter-narratives and expressions of culture from below? Focusing on discord rather than harmony and consensus, this collection disturbs the idealized space of Canadian multicultural pluralism to carry literary analysis and cultural studies into spaces often undetected and unforeseen – including flophouses and "slums," shantytowns and urban alleyways, underground spaces and peep shows, and inner-city urban parks as they are experienced by minorities and other marginalized groups. These essays are the products of sustained, high-level collaboration across French and English academic communities in Canada to facilitate theoretical exchange on the topic of space and contestation, uncover geographies of exclusion, and generate new spaces of hope in the spirit of pioneering works by Henri Lefebvre, Michel Foucault, Michel de Certeau, Doreen Massey, David Harvey, and other prominent theorists of space.
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livres
livres
Publication:
février 2019
février 2019
Sujet:
Architecture du Canada
Architecture du Canada
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livres
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Description:
xxii, 288 pages : illustrations, plans ; 26 cm
Description:
xxii, 288 pages : illustrations, plans ; 26 cm
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Publication:
London ; New York : Routledge, Taylor & Francis Group, 2017., ©2017
London ; New York : Routledge, Taylor & Francis Group, 2017., ©2017
Titre:
Energy accounts : architectural representations of energy, climate, and the future / edited by Dan Willis, William W. Braham, Katsuhiko Muramoto, Daniel A. Barber ; preface Michael Mann.
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xxii, 288 pages : illustrations, plans ; 26 cm
Energy accounts : architectural representations of energy, climate, and the future / edited by Dan Willis, William W. Braham, Katsuhiko Muramoto, Daniel A. Barber ; preface Michael Mann.
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Description:
xxii, 288 pages : illustrations, plans ; 26 cm
Classification:
livres
livres
Publication:
London ; New York : Routledge, Taylor & Francis Group, 2017., ©2017
London ; New York : Routledge, Taylor & Francis Group, 2017., ©2017
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livres
livres
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Description:
xiii, 301 pages : illustrations (some color), maps (some color), plans ; 26 x 28 cm
Description:
xiii, 301 pages : illustrations (some color), maps (some color), plans ; 26 x 28 cm
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Los Angeles, Calif. : Getty Research Institute, ©2013.
Los Angeles, Calif. : Getty Research Institute, ©2013.
Titre:
Overdrive : L.A. constructs the future, 1940-1990 / edited by Wim de Wit and Christopher James Alexander.
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xiii, 301 pages : illustrations (some color), maps (some color), plans ; 26 x 28 cm
Overdrive : L.A. constructs the future, 1940-1990 / edited by Wim de Wit and Christopher James Alexander.
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xiii, 301 pages : illustrations (some color), maps (some color), plans ; 26 x 28 cm
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livres
livres
Publication:
Los Angeles, Calif. : Getty Research Institute, ©2013.
Los Angeles, Calif. : Getty Research Institute, ©2013.
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livres
livres
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51n4e: How things meet
51n4e: How things meet
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$64.95
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Brussels-based 51N4E deals with matters of architectural design, concept development, and strategic spatial transformations. Headed by Johan Anrys and Freek Persyn, the office was founded in 1998 and aspires to contribute to social and urban transformation. This photo-novel tells the story of 51N4E in multiple ways. Combining short stories by Falma Fshazi with photographs(...)
$64.95
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Brussels-based 51N4E deals with matters of architectural design, concept development, and strategic spatial transformations. Headed by Johan Anrys and Freek Persyn, the office was founded in 1998 and aspires to contribute to social and urban transformation. This photo-novel tells the story of 51N4E in multiple ways. Combining short stories by Falma Fshazi with photographs(...)
Titre:
51n4e: How things meet
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$64.95
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Brussels-based 51N4E deals with matters of architectural design, concept development, and strategic spatial transformations. Headed by Johan Anrys and Freek Persyn, the office was founded in 1998 and aspires to contribute to social and urban transformation. This photo-novel tells the story of 51N4E in multiple ways. Combining short stories by Falma Fshazi with photographs by Stefano Graziani, it is a narrative of discovery and embracing otherness, as well as a retrospective look at projects since 2004.
51n4e: How things meet
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$64.95
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Brussels-based 51N4E deals with matters of architectural design, concept development, and strategic spatial transformations. Headed by Johan Anrys and Freek Persyn, the office was founded in 1998 and aspires to contribute to social and urban transformation. This photo-novel tells the story of 51N4E in multiple ways. Combining short stories by Falma Fshazi with photographs by Stefano Graziani, it is a narrative of discovery and embracing otherness, as well as a retrospective look at projects since 2004.
Classification:
livres
livres
Publication:
mai 2016
mai 2016
Sujet:
Architecture, monographies
Architecture, monographies
