photographies
AP206.S3.023
Description:
These photos were most likely taken by Aditya Prakash.
circa 1962
Photographic negatives of Tagore Theatre project
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AP206.S3.023
Description:
These photos were most likely taken by Aditya Prakash.
photographies
circa 1962
photographies
AP206.S3.035
Description:
These photos were most likely taken by Aditya Prakash.
circa 1973
Photographs of the Theatre for J&K Academy project
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AP206.S3.035
Description:
These photos were most likely taken by Aditya Prakash.
photographies
circa 1973
ARCH288761
Description:
Film strip includes a photo of Aditya and Savitri Prakash
circa 1975-1987
Negative of plan for Linear city, Chandigarh, India
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ARCH288761
Description:
Film strip includes a photo of Aditya and Savitri Prakash
Série(s)
Publications and writings
AP206.S2
Description:
The Publications and writings series, 1947-2008, records the published and unpublished papers, books, articles, poems, diaries and notes of Aditya Prakash throughout his architectural education and career, up until his death in 2008. Many materials in this series are unpublished works, and concentrate on Chandigarh, urban planning, reflections on his past work and new ideas, architectural education, art and theatre. A number of these were prepared for talks and speeches Prakash gave as the Principal of the Chandigarh College of Architecture or for various clubs and committees. Published works in this series were typically published in newspapers, but some magazine and journal articles are included. This series also includes notebooks and diaries, the latter which give detailed daily accounts of Aditya Prakash’s life from 1947-1955. The writings in this series are a mix of typed and handwritten textual records, recorded primarily in English, but with some Hindi and Urdu works also included.
1947-2008
Publications and writings
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AP206.S2
Description:
The Publications and writings series, 1947-2008, records the published and unpublished papers, books, articles, poems, diaries and notes of Aditya Prakash throughout his architectural education and career, up until his death in 2008. Many materials in this series are unpublished works, and concentrate on Chandigarh, urban planning, reflections on his past work and new ideas, architectural education, art and theatre. A number of these were prepared for talks and speeches Prakash gave as the Principal of the Chandigarh College of Architecture or for various clubs and committees. Published works in this series were typically published in newspapers, but some magazine and journal articles are included. This series also includes notebooks and diaries, the latter which give detailed daily accounts of Aditya Prakash’s life from 1947-1955. The writings in this series are a mix of typed and handwritten textual records, recorded primarily in English, but with some Hindi and Urdu works also included.
Series
1947-2008
Projet
AP206.S1.1982.PR31
Description:
This project series documents consulting work in the Jharia Coalfields in Jharia, India for the National Thermal Power Corporation, likely sometime in the 1980s or 1990s. The project consisted of reporting on ways to curtail the environmental impacts of the coalfields, but it is not clear if the suggestions were ever implemented.[1] The project is recorded through drawings of an area map and location plans of the coalfields, probably dating from around the 1980s-1990s. [1] Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 224.
circa 1980s-1990s
Jharia Coalfields, Jharia, India (circa 1980s-1990s)
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AP206.S1.1982.PR31
Description:
This project series documents consulting work in the Jharia Coalfields in Jharia, India for the National Thermal Power Corporation, likely sometime in the 1980s or 1990s. The project consisted of reporting on ways to curtail the environmental impacts of the coalfields, but it is not clear if the suggestions were ever implemented.[1] The project is recorded through drawings of an area map and location plans of the coalfields, probably dating from around the 1980s-1990s. [1] Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 224.
Project
circa 1980s-1990s
Projet
AP206.S1.1963.PR01
Description:
This project series documents the Punjab Agricultural University in Ludhiana, India from 1963-1968. With Prakash as the senior architect, this project consisted of the design of the entire campus, including the boys' hostel and mess, and the Agricultural Engineering College (AEC). Under this project, Prakash also designed campuses for the University in Hisar and Palampur. The boys' hostel, constructed first, consisted of a long, rectangular volume of exposed brick and concrete columns. Balconies lined its exterior, alternating on each floor so that every balcony had a view of the sky above. A covered walkway connected the hostel to the square mess, which was turned 45 degrees on its axis. The AEC, the campus's main building, was a long, single-storey building with a series of enclosed courtyards. Round exhaust openings were the only element that marked the building's façade. Prakash, developing his love of sculpture at this time, also crafted a large outdoor sculpture for the campus's main courtyard.[1] This project is recorded through a reprographic copy of a plan of the boys' hostel dating from around 1963. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 107-132.
circa 1963
Punjab Agricultural University, Ludhiana, India (1963-1968)
Actions:
AP206.S1.1963.PR01
Description:
This project series documents the Punjab Agricultural University in Ludhiana, India from 1963-1968. With Prakash as the senior architect, this project consisted of the design of the entire campus, including the boys' hostel and mess, and the Agricultural Engineering College (AEC). Under this project, Prakash also designed campuses for the University in Hisar and Palampur. The boys' hostel, constructed first, consisted of a long, rectangular volume of exposed brick and concrete columns. Balconies lined its exterior, alternating on each floor so that every balcony had a view of the sky above. A covered walkway connected the hostel to the square mess, which was turned 45 degrees on its axis. The AEC, the campus's main building, was a long, single-storey building with a series of enclosed courtyards. Round exhaust openings were the only element that marked the building's façade. Prakash, developing his love of sculpture at this time, also crafted a large outdoor sculpture for the campus's main courtyard.[1] This project is recorded through a reprographic copy of a plan of the boys' hostel dating from around 1963. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 107-132.
Project
circa 1963
dessins, photographies
AP206.S3.030
Description:
These may have been used by Aditya Prakash in his role as professor at the Chandigarh College of Architecture.
circa 1970s-1980s
Overhead transparencies of temples
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AP206.S3.030
Description:
These may have been used by Aditya Prakash in his role as professor at the Chandigarh College of Architecture.
dessins, photographies
circa 1970s-1980s
dessins, documents textuels
AP206.S3.031
Description:
These may have been used by Aditya Prakash in his role as professor at the Chandigarh College of Architecture.
circa 1970s-1980s
Overhead transparencies on the Modulor and proportions
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AP206.S3.031
Description:
These may have been used by Aditya Prakash in his role as professor at the Chandigarh College of Architecture.
dessins, documents textuels
circa 1970s-1980s
photographies
AP206.S3.006
Description:
Aditya Prakash also worked as an architect on the Indo-Swiss Training Centre. These photos were most likely taken by him.
circa 1958
Photographs of the Indo-Swiss Training Centre
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AP206.S3.006
Description:
Aditya Prakash also worked as an architect on the Indo-Swiss Training Centre. These photos were most likely taken by him.
photographies
circa 1958
périodiques
AP206.S2.080
Description:
This is an article published in the 3 Quatral edition of Trialog journal in 1992 and it includes commentary from Aditya Prakash.
1992
Chandigarh: Philosophy and Implementation by Jürgen Oestereich publication
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AP206.S2.080
Description:
This is an article published in the 3 Quatral edition of Trialog journal in 1992 and it includes commentary from Aditya Prakash.
périodiques
1992