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A city of immense literary mystique, Prague has inspired writers across the centuries with its beauty, cosmopolitanism, and tragic history. Envisioning the ancient city in central Europe as a multilayered text, or palimpsest, that has been constantly revised and rewritten — from the medieval and Renaissance chroniclers who legitimized the city’s foundational origins to(...)
Prague palimpsest : writing, memory, and the city
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A city of immense literary mystique, Prague has inspired writers across the centuries with its beauty, cosmopolitanism, and tragic history. Envisioning the ancient city in central Europe as a multilayered text, or palimpsest, that has been constantly revised and rewritten — from the medieval and Renaissance chroniclers who legitimized the city’s foundational origins to the modernists of the early twentieth century who established its reputation as the new capital of the avant-garde — Alfred Thomas argues that Prague has become a paradoxical site of inscription and effacement, of memory and forgetting, a utopian link to the prewar and pre-Holocaust European past and a dystopia of totalitarian amnesia. Considering a wide range of writers, including the city’s most famous son, Franz Kafka, Prague Palimpsest reassesses the work of poets and novelists such as Bohumil Hrabal, Milan Kundera, Gustav Meyrink, Jan Neruda, Vítzslav Nezval, and Rainer Maria Rilke and engages with other famous authors who “wrote” Prague, including Guillaume Apollinaire, Ingeborg Bachmann, Albert Camus, Paul Celan, and W. G. Sebald. The result is a comparative, interdisciplinary study that helps to explain why Prague—more than any other major European city—has haunted the cultural and political imagination of the West.
Architecture et l'imaginaire
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Réunissant des poèmes inédits en français tirés de ses plus grands recueils (tels que Poésie en forme de rose) et des poèmes issus de manuscrits retrouvés, le deuxième volume de cette anthologie de référence forme le reflet objectif de l'oeuvre poétique de Pasolini. Un ouvrage-somme pour mieux comprendre cet artiste protéiforme qui luttait contre l'hypocrisie, les(...)
La persécution: une anthologie, 1954-1970
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Réunissant des poèmes inédits en français tirés de ses plus grands recueils (tels que Poésie en forme de rose) et des poèmes issus de manuscrits retrouvés, le deuxième volume de cette anthologie de référence forme le reflet objectif de l'oeuvre poétique de Pasolini. Un ouvrage-somme pour mieux comprendre cet artiste protéiforme qui luttait contre l'hypocrisie, les bien-pensants, la société consumériste, l'académisme... et contre lui-même.
Architecture et l'imaginaire
Soumission
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Dans une France assez proche de la nôtre, un homme s'engage dans la carrière universitaire. Peu motivé par l'enseignement, il s'attend à une vie ennuyeuse mais calme, protégée des grands drames historiques. Cependant les forces en jeu dans le pays ont fissuré le système politique jusqu'à provoquer son effondrement. Cette implosion sans soubresauts, sans vraie révolution,(...)
Soumission
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Dans une France assez proche de la nôtre, un homme s'engage dans la carrière universitaire. Peu motivé par l'enseignement, il s'attend à une vie ennuyeuse mais calme, protégée des grands drames historiques. Cependant les forces en jeu dans le pays ont fissuré le système politique jusqu'à provoquer son effondrement. Cette implosion sans soubresauts, sans vraie révolution, se développe comme un mauvais rêve. L'auteur nous entraîne sur un terrain ambigu et glissant ; son regard sur notre civilisation vieillissante fait coexister dans ce roman les intuitions poétiques, les effets comiques, une mélancolie fataliste. Ce livre est une fable politique et morale.
Architecture et l'imaginaire
Sundogz
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Beginning with Venusia (2005) and continuing with Mercury Station (2009), Mark von Schlegell's System Series has moved backward in time, investigating the contours of time, memory, perception, and control in the inter-planetary system that emerge off-world in the twenty-second and twenty-third centuries during Earth's full collapse. In the latest installment, Sundogz,(...)
Sundogz
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Beginning with Venusia (2005) and continuing with Mercury Station (2009), Mark von Schlegell's System Series has moved backward in time, investigating the contours of time, memory, perception, and control in the inter-planetary system that emerge off-world in the twenty-second and twenty-third centuries during Earth's full collapse. In the latest installment, Sundogz, set among the water-rich moons of planet Uranus, extremist astro-marine "spacers" have constructed an aquatic world of extraordinary scope and ambition, entirely invisible to the System at large. The Good Fortune, a spaceship en route to Moon Miranda, the most beautiful and troublesome of Uranus's satellites, sends out a party to explore rumors of a secret fish farm in the ring. Now the "Oan Bubble" must attempt to survive its discovery.
Architecture et l'imaginaire
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Venusia
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Primitive literacy is redundant. Mere words are expelled. We inaugurate a world of pure presence. The mind, that intrudes itself between ourselves and those memories too terrible to know, must keep us moving beyond the grasp of their claw. To control the flow, it will be necessary that political order be imposed always temporarily. The state shall enjoy direct, creative(...)
Venusia
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Primitive literacy is redundant. Mere words are expelled. We inaugurate a world of pure presence. The mind, that intrudes itself between ourselves and those memories too terrible to know, must keep us moving beyond the grasp of their claw. To control the flow, it will be necessary that political order be imposed always temporarily. The state shall enjoy direct, creative access to the real.
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février 2005
Architecture et l'imaginaire
The nose
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The Nose, one of Nikolai Gogol's most important and influential tales, is now available in this volume illustrated with photographs by British artist Rick Buckley. Taking on a life of its own, the nose of a St Petersburg official leaves its rightful place to cause havoc in the city. The novel ends with the author seemingly addressing the reader directly, refusing to(...)
The nose
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The Nose, one of Nikolai Gogol's most important and influential tales, is now available in this volume illustrated with photographs by British artist Rick Buckley. Taking on a life of its own, the nose of a St Petersburg official leaves its rightful place to cause havoc in the city. The novel ends with the author seemingly addressing the reader directly, refusing to resolve the story he has narrated. Written between 1835 and 1836, and a key precursor to absurdist and Magical Realist strains in 20th-century fiction, this fantastic tale is extended in Buckley's photographs, which document a Gogol-inspired street intervention for which he fixed plaster noses on to buildings all over London.
Architecture et l'imaginaire
The overcoat
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This edition of Nikolai Gogol's The Overcoat (a short story originally published in 1842) includes newly commissioned artwork from Sarah Dobai. This influential story - in which a lowly government clerk's life is briefly transformed by the extravagant purchase of a new coat - has been adapted into a variety of stage and film interpretations. Artist, filmmaker and(...)
The overcoat
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This edition of Nikolai Gogol's The Overcoat (a short story originally published in 1842) includes newly commissioned artwork from Sarah Dobai. This influential story - in which a lowly government clerk's life is briefly transformed by the extravagant purchase of a new coat - has been adapted into a variety of stage and film interpretations. Artist, filmmaker and photographer Sarah Dobai responds to the story's preoccupation with material desire and illusion; the text is printed alongside her photographs of shop windows in London and Paris, showing ready-made still lifes of merchandise and mannequins in window displays.
Architecture et l'imaginaire
Can't and won't
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Her stories may be literal one-liners: the entirety of “Bloomington” reads, “Now that I have been here for a little while, I can say with confidence that I have never been here before.” Or they may be lengthier investigations of the havoc wreaked by the most mundane disruptions to routine: in “A Small Story About a Small Box of Chocolates,” a professor receives a gift of(...)
Can't and won't
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Her stories may be literal one-liners: the entirety of “Bloomington” reads, “Now that I have been here for a little while, I can say with confidence that I have never been here before.” Or they may be lengthier investigations of the havoc wreaked by the most mundane disruptions to routine: in “A Small Story About a Small Box of Chocolates,” a professor receives a gift of thirty-two small chocolates and is paralyzed by the multitude of options she imagines for their consumption. The stories may appear in the form of letters of complaint; they may be extracted from Flaubert’s correspondence; or they may be inspired by the author’s own dreams, or the dreams of friends. What does not vary throughout Can’t and Won’t, Lydia Davis’s fifth collection of stories, is the power of her finely honed prose. Davis is sharply observant; she is wry or witty or poignant. Above all, she is refreshing. Davis writes with bracing candor and sly humor about the quotidian, revealing the mysterious, the foreign, the alienating, and the pleasurable within the predictable patterns of daily life.
Architecture et l'imaginaire
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Describing the silliness and 'feminine fatuity' of many popular books by lady novelists, George Eliot perfectly skewers the formulaic yet bestselling works that dominated her time, with their loveably flawed heroines. She also examines the great women writers of France and their enrichment of the culture, and the varying qualities of literary translations.
Silly novels by Lady Novelists
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Describing the silliness and 'feminine fatuity' of many popular books by lady novelists, George Eliot perfectly skewers the formulaic yet bestselling works that dominated her time, with their loveably flawed heroines. She also examines the great women writers of France and their enrichment of the culture, and the varying qualities of literary translations.
Architecture et l'imaginaire
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What would it mean today to think or to imagine, to design or to construct, in relation not to things made" but to "things in the making"? This question, first posed by the philosopher William James, was the point of departure for "The Pragmatist Imagination." The volume brings together position statements, theoretical speculations, and critical commentary by 33 leading(...)
The pragmatist imagination: thinking about things in the making
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What would it mean today to think or to imagine, to design or to construct, in relation not to things made" but to "things in the making"? This question, first posed by the philosopher William James, was the point of departure for "The Pragmatist Imagination." The volume brings together position statements, theoretical speculations, and critical commentary by 33 leading thinkers and makers from over a dozen disciplines. Based on the proceedings of an international workshop held at Columbia University under the auspices of the Buell Center for the Study of American Architecture in spring 2000, a preamble to the much-ballyhooed conference at the Museum of Modern Art in November, 2000, the contributions traverse a set of burning questions about the future, ranging from the relationship between art and experience to the impact of new technologies on human consciousness, from transformations in everyday life to problems of public space, and from the destiny of the nation-state toemergent forms of transnationalism.
Architecture et l'imaginaire