3680 Résultats
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP115.S3.D2
Description:
Cette sous-série porte sur le travail de documentation photographique de Robert Duchesnay du dôme géodésique Climatron dome à St. Louis, Missouri, aux États-Unis. Conçu en 1960 par les architectes Murphy et Mackey de St. Louis en utilisant le système conçu par Buckminter Fuller, il abrite la serre et le pavillon principal du Missouri Botanical Garden. Le Climatron est la première serre complètement climatisée au monde. Son diamètre est de 175 pieds. Le pavillon sera fermé en 1988 pour un vaste projet de rénovations qui dureront jusqu'en 1990. Le bâtiment est toujours en activité. La sous-série contient cinq photographies, de l'extérieur et de l'intérieur du dôme, prises par Robert Duchesnay en 1990 après sa réouverture à la suite des rénovations. Source: Duchesnay, Robert. "Other domes by Buckminster Fuller". https://robertduchesnay.com/en/other-domes-by-buckminster-fuller/ (page consultée 24 février 2023).
AP115.S3.D2
Description:
Cette sous-série porte sur le travail de documentation photographique de Robert Duchesnay du dôme géodésique Climatron dome à St. Louis, Missouri, aux États-Unis. Conçu en 1960 par les architectes Murphy et Mackey de St. Louis en utilisant le système conçu par Buckminter Fuller, il abrite la serre et le pavillon principal du Missouri Botanical Garden. Le Climatron est la première serre complètement climatisée au monde. Son diamètre est de 175 pieds. Le pavillon sera fermé en 1988 pour un vaste projet de rénovations qui dureront jusqu'en 1990. Le bâtiment est toujours en activité. La sous-série contient cinq photographies, de l'extérieur et de l'intérieur du dôme, prises par Robert Duchesnay en 1990 après sa réouverture à la suite des rénovations. Source: Duchesnay, Robert. "Other domes by Buckminster Fuller". https://robertduchesnay.com/en/other-domes-by-buckminster-fuller/ (page consultée 24 février 2023).
Personnes et institutions:
Date:
1990
1990
Titre:
Climatron, Saint Louis, Missouri
Actions:
AP115.S3.D2
Description:
Cette sous-série porte sur le travail de documentation photographique de Robert Duchesnay du dôme géodésique Climatron dome à St. Louis, Missouri, aux États-Unis. Conçu en 1960 par les architectes Murphy et Mackey de St. Louis en utilisant le système conçu par Buckminter Fuller, il abrite la serre et le pavillon principal du Missouri Botanical Garden. Le Climatron est la première serre complètement climatisée au monde. Son diamètre est de 175 pieds. Le pavillon sera fermé en 1988 pour un vaste projet de rénovations qui dureront jusqu'en 1990. Le bâtiment est toujours en activité. La sous-série contient cinq photographies, de l'extérieur et de l'intérieur du dôme, prises par Robert Duchesnay en 1990 après sa réouverture à la suite des rénovations. Source: Duchesnay, Robert. "Other domes by Buckminster Fuller". https://robertduchesnay.com/en/other-domes-by-buckminster-fuller/ (page consultée 24 février 2023).
Climatron, Saint Louis, Missouri
Actions:
AP115.S3.D2
Description:
Cette sous-série porte sur le travail de documentation photographique de Robert Duchesnay du dôme géodésique Climatron dome à St. Louis, Missouri, aux États-Unis. Conçu en 1960 par les architectes Murphy et Mackey de St. Louis en utilisant le système conçu par Buckminter Fuller, il abrite la serre et le pavillon principal du Missouri Botanical Garden. Le Climatron est la première serre complètement climatisée au monde. Son diamètre est de 175 pieds. Le pavillon sera fermé en 1988 pour un vaste projet de rénovations qui dureront jusqu'en 1990. Le bâtiment est toujours en activité. La sous-série contient cinq photographies, de l'extérieur et de l'intérieur du dôme, prises par Robert Duchesnay en 1990 après sa réouverture à la suite des rénovations. Source: Duchesnay, Robert. "Other domes by Buckminster Fuller". https://robertduchesnay.com/en/other-domes-by-buckminster-fuller/ (page consultée 24 février 2023).
Niveau de description archivistique:
Dossier 2
Dossier 2
Date:
1990
1990
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1987.D1
Description:
This project series documents the infrastructure for the reorganization of the Nueva Montaña Quijano (N.M.Q.) in Santander, Spain. The office identified this project as number 45. As described by the architect, the project is “to pursue an idea for a complete city that is independent of and complementary to the existing one, while solving the matter of Santander's connection to the rest of the region and respecting building limits set by laws in force, quantity-wise, as well as height restrictions imposed by airport authorities." (ARCH270753) Documenting the project are conceptual, design development, presentation and working drawings, project descriptions and other textual documentation, models and cartographic materials.
AP164.S1.1987.D1
Description:
This project series documents the infrastructure for the reorganization of the Nueva Montaña Quijano (N.M.Q.) in Santander, Spain. The office identified this project as number 45. As described by the architect, the project is “to pursue an idea for a complete city that is independent of and complementary to the existing one, while solving the matter of Santander's connection to the rest of the region and respecting building limits set by laws in force, quantity-wise, as well as height restrictions imposed by airport authorities." (ARCH270753) Documenting the project are conceptual, design development, presentation and working drawings, project descriptions and other textual documentation, models and cartographic materials.
Personnes et institutions:
Date:
1987-1990
1987-1990
Titre:
Ordenación de Nueva Montaña Quijano en Santander, Spain (1987)
Actions:
AP164.S1.1987.D1
Description:
This project series documents the infrastructure for the reorganization of the Nueva Montaña Quijano (N.M.Q.) in Santander, Spain. The office identified this project as number 45. As described by the architect, the project is “to pursue an idea for a complete city that is independent of and complementary to the existing one, while solving the matter of Santander's connection to the rest of the region and respecting building limits set by laws in force, quantity-wise, as well as height restrictions imposed by airport authorities." (ARCH270753) Documenting the project are conceptual, design development, presentation and working drawings, project descriptions and other textual documentation, models and cartographic materials.
Ordenación de Nueva Montaña Quijano en Santander, Spain (1987)
Actions:
AP164.S1.1987.D1
Description:
This project series documents the infrastructure for the reorganization of the Nueva Montaña Quijano (N.M.Q.) in Santander, Spain. The office identified this project as number 45. As described by the architect, the project is “to pursue an idea for a complete city that is independent of and complementary to the existing one, while solving the matter of Santander's connection to the rest of the region and respecting building limits set by laws in force, quantity-wise, as well as height restrictions imposed by airport authorities." (ARCH270753) Documenting the project are conceptual, design development, presentation and working drawings, project descriptions and other textual documentation, models and cartographic materials.
Niveau de description archivistique:
Project
Project
Date:
1987-1990
1987-1990
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1976.PR23
Description:
This project series documents the design of the new National Gallery of Canada for a limited architectural competition in Ottawa, Ontario in 1976. The office identified the project number as 7630. This project consisted of designing a new gallery to house Canada's most prized artworks and artefacts in a competition run by Public Works Canada on behalf of National Museums of Canada. The building site was down the street from Canada's parliament buildings, with views of the Ottawa River and across to Quebec. The design submitted by Parkin Architects Planners was highly modular, with cubes turned on an angle making up the majority of the building. The six-storey building design had three floors of galleries, while other levels were to be used for staff, services, and storage. A panel of international architects and representatives anonymously chose Parkin's design as the winner of the competition in early 1977. However, after cited lack of funds, and controversies over the chosen site and the way in which the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The dispute over this decision is recorded in materials from this project series and related project series. Eventually, Parkin did participate in the construction of the National Gallery's final design, but as the minor partner in a joint venture with Moshe Safdie (see materials in project series AP018.S1.1983.PR02 in this fonds for more information). The project is recorded through drawings, including presentation boards, photographs, and textual records dating from 1974-1985. The drawings are a mix of original design drawings and site drawings. The site drawings were prepared for the competitors by Public Works Canada and the National Capital Commission. The drawings prepared by these government agencies are bilingual. The textual records primarily consist of guidelines, specifications, and other information from Public Works Canada to the competitors. The textual documentation also includes financial records and correspondence on the controversy surrounding the competition.
AP018.S1.1976.PR23
Description:
This project series documents the design of the new National Gallery of Canada for a limited architectural competition in Ottawa, Ontario in 1976. The office identified the project number as 7630. This project consisted of designing a new gallery to house Canada's most prized artworks and artefacts in a competition run by Public Works Canada on behalf of National Museums of Canada. The building site was down the street from Canada's parliament buildings, with views of the Ottawa River and across to Quebec. The design submitted by Parkin Architects Planners was highly modular, with cubes turned on an angle making up the majority of the building. The six-storey building design had three floors of galleries, while other levels were to be used for staff, services, and storage. A panel of international architects and representatives anonymously chose Parkin's design as the winner of the competition in early 1977. However, after cited lack of funds, and controversies over the chosen site and the way in which the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The dispute over this decision is recorded in materials from this project series and related project series. Eventually, Parkin did participate in the construction of the National Gallery's final design, but as the minor partner in a joint venture with Moshe Safdie (see materials in project series AP018.S1.1983.PR02 in this fonds for more information). The project is recorded through drawings, including presentation boards, photographs, and textual records dating from 1974-1985. The drawings are a mix of original design drawings and site drawings. The site drawings were prepared for the competitors by Public Works Canada and the National Capital Commission. The drawings prepared by these government agencies are bilingual. The textual records primarily consist of guidelines, specifications, and other information from Public Works Canada to the competitors. The textual documentation also includes financial records and correspondence on the controversy surrounding the competition.
Personnes et institutions:
Date:
1974-1985
1974-1985
Titre:
National Gallery of Canada, Limited Architectural Competition, Ottawa, Ontario (1976)
Actions:
AP018.S1.1976.PR23
Description:
This project series documents the design of the new National Gallery of Canada for a limited architectural competition in Ottawa, Ontario in 1976. The office identified the project number as 7630. This project consisted of designing a new gallery to house Canada's most prized artworks and artefacts in a competition run by Public Works Canada on behalf of National Museums of Canada. The building site was down the street from Canada's parliament buildings, with views of the Ottawa River and across to Quebec. The design submitted by Parkin Architects Planners was highly modular, with cubes turned on an angle making up the majority of the building. The six-storey building design had three floors of galleries, while other levels were to be used for staff, services, and storage. A panel of international architects and representatives anonymously chose Parkin's design as the winner of the competition in early 1977. However, after cited lack of funds, and controversies over the chosen site and the way in which the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The dispute over this decision is recorded in materials from this project series and related project series. Eventually, Parkin did participate in the construction of the National Gallery's final design, but as the minor partner in a joint venture with Moshe Safdie (see materials in project series AP018.S1.1983.PR02 in this fonds for more information). The project is recorded through drawings, including presentation boards, photographs, and textual records dating from 1974-1985. The drawings are a mix of original design drawings and site drawings. The site drawings were prepared for the competitors by Public Works Canada and the National Capital Commission. The drawings prepared by these government agencies are bilingual. The textual records primarily consist of guidelines, specifications, and other information from Public Works Canada to the competitors. The textual documentation also includes financial records and correspondence on the controversy surrounding the competition.
National Gallery of Canada, Limited Architectural Competition, Ottawa, Ontario (1976)
Actions:
AP018.S1.1976.PR23
Description:
This project series documents the design of the new National Gallery of Canada for a limited architectural competition in Ottawa, Ontario in 1976. The office identified the project number as 7630. This project consisted of designing a new gallery to house Canada's most prized artworks and artefacts in a competition run by Public Works Canada on behalf of National Museums of Canada. The building site was down the street from Canada's parliament buildings, with views of the Ottawa River and across to Quebec. The design submitted by Parkin Architects Planners was highly modular, with cubes turned on an angle making up the majority of the building. The six-storey building design had three floors of galleries, while other levels were to be used for staff, services, and storage. A panel of international architects and representatives anonymously chose Parkin's design as the winner of the competition in early 1977. However, after cited lack of funds, and controversies over the chosen site and the way in which the competition was run, the newly formed Canada Museums Construction Company sought another design and architect for the new National Gallery. The dispute over this decision is recorded in materials from this project series and related project series. Eventually, Parkin did participate in the construction of the National Gallery's final design, but as the minor partner in a joint venture with Moshe Safdie (see materials in project series AP018.S1.1983.PR02 in this fonds for more information). The project is recorded through drawings, including presentation boards, photographs, and textual records dating from 1974-1985. The drawings are a mix of original design drawings and site drawings. The site drawings were prepared for the competitors by Public Works Canada and the National Capital Commission. The drawings prepared by these government agencies are bilingual. The textual records primarily consist of guidelines, specifications, and other information from Public Works Canada to the competitors. The textual documentation also includes financial records and correspondence on the controversy surrounding the competition.
Niveau de description archivistique:
Project
Project
Date:
1974-1985
1974-1985
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP156.S3.SS3
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret, de Le Corbusier et d'autres architectes à Chandigarh, Inde. La sous-série comprend des documents sur des projets comme les résidences gouvernementaux ou privées, certains des bâtiments du Capitol et de l'Université du Punjab. Le matériel dans ce dossier a probablement été produit entre 1945 et 1972. Le sous-série contient des dessins et des reprographies d'études, de dessin conceptuel, de dessin de développement du design, de dessin d'exécution et de dessins de présentation. Il y a aussi 2 albums de plans, l'un contenant des divers plans signés par Pierre Jeanneret de logements et l'autres contenant des plans pour la Musée de la Connaissance de Le Corbusier. La sous-série comprend aussi des documents textuels et quelques photographies reliées à des projets. Sub-series documents architectural and urban planning projects of Pierre Jeanneret, Le Corbusier and other architects in Chandigarh, India. The sub-series contains documents on projects like government or private residences, some of the Capitol's or Punjab University's buildings. Material in this sub-series was produced between 1945 and 1972. The sub-series contains drawings and reprographic copies of studies, conceptual drawings, design developement drawings, working drawings and presentation drawings. There is also 2 albums of plans, one containing various plans signed by Pierre Jeanneret of various dwellings and the other containing plans for the Museum of Knowledge by Le Corbusier. The sub-series contains also textual records and some photographs related to projects.
AP156.S3.SS3
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret, de Le Corbusier et d'autres architectes à Chandigarh, Inde. La sous-série comprend des documents sur des projets comme les résidences gouvernementaux ou privées, certains des bâtiments du Capitol et de l'Université du Punjab. Le matériel dans ce dossier a probablement été produit entre 1945 et 1972. Le sous-série contient des dessins et des reprographies d'études, de dessin conceptuel, de dessin de développement du design, de dessin d'exécution et de dessins de présentation. Il y a aussi 2 albums de plans, l'un contenant des divers plans signés par Pierre Jeanneret de logements et l'autres contenant des plans pour la Musée de la Connaissance de Le Corbusier. La sous-série comprend aussi des documents textuels et quelques photographies reliées à des projets. Sub-series documents architectural and urban planning projects of Pierre Jeanneret, Le Corbusier and other architects in Chandigarh, India. The sub-series contains documents on projects like government or private residences, some of the Capitol's or Punjab University's buildings. Material in this sub-series was produced between 1945 and 1972. The sub-series contains drawings and reprographic copies of studies, conceptual drawings, design developement drawings, working drawings and presentation drawings. There is also 2 albums of plans, one containing various plans signed by Pierre Jeanneret of various dwellings and the other containing plans for the Museum of Knowledge by Le Corbusier. The sub-series contains also textual records and some photographs related to projects.
Personnes et institutions:
Date:
1945-1975
1945-1975
Titre:
Chandigarh, Inde = Chandigarh, India
Actions:
AP156.S3.SS3
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret, de Le Corbusier et d'autres architectes à Chandigarh, Inde. La sous-série comprend des documents sur des projets comme les résidences gouvernementaux ou privées, certains des bâtiments du Capitol et de l'Université du Punjab. Le matériel dans ce dossier a probablement été produit entre 1945 et 1972. Le sous-série contient des dessins et des reprographies d'études, de dessin conceptuel, de dessin de développement du design, de dessin d'exécution et de dessins de présentation. Il y a aussi 2 albums de plans, l'un contenant des divers plans signés par Pierre Jeanneret de logements et l'autres contenant des plans pour la Musée de la Connaissance de Le Corbusier. La sous-série comprend aussi des documents textuels et quelques photographies reliées à des projets. Sub-series documents architectural and urban planning projects of Pierre Jeanneret, Le Corbusier and other architects in Chandigarh, India. The sub-series contains documents on projects like government or private residences, some of the Capitol's or Punjab University's buildings. Material in this sub-series was produced between 1945 and 1972. The sub-series contains drawings and reprographic copies of studies, conceptual drawings, design developement drawings, working drawings and presentation drawings. There is also 2 albums of plans, one containing various plans signed by Pierre Jeanneret of various dwellings and the other containing plans for the Museum of Knowledge by Le Corbusier. The sub-series contains also textual records and some photographs related to projects.
Chandigarh, Inde = Chandigarh, India
Actions:
AP156.S3.SS3
Description:
La sous-série documente les projets d'architecture et d'urbanisme de Pierre Jeanneret, de Le Corbusier et d'autres architectes à Chandigarh, Inde. La sous-série comprend des documents sur des projets comme les résidences gouvernementaux ou privées, certains des bâtiments du Capitol et de l'Université du Punjab. Le matériel dans ce dossier a probablement été produit entre 1945 et 1972. Le sous-série contient des dessins et des reprographies d'études, de dessin conceptuel, de dessin de développement du design, de dessin d'exécution et de dessins de présentation. Il y a aussi 2 albums de plans, l'un contenant des divers plans signés par Pierre Jeanneret de logements et l'autres contenant des plans pour la Musée de la Connaissance de Le Corbusier. La sous-série comprend aussi des documents textuels et quelques photographies reliées à des projets. Sub-series documents architectural and urban planning projects of Pierre Jeanneret, Le Corbusier and other architects in Chandigarh, India. The sub-series contains documents on projects like government or private residences, some of the Capitol's or Punjab University's buildings. Material in this sub-series was produced between 1945 and 1972. The sub-series contains drawings and reprographic copies of studies, conceptual drawings, design developement drawings, working drawings and presentation drawings. There is also 2 albums of plans, one containing various plans signed by Pierre Jeanneret of various dwellings and the other containing plans for the Museum of Knowledge by Le Corbusier. The sub-series contains also textual records and some photographs related to projects.
Niveau de description archivistique:
Sous-série 3
Sous-série 3
Date:
1945-1975
1945-1975
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP142.S1.D141
Description:
File documents Aldo Rossi's design of tables and objects for Up&Up Group. In 1985, he was commissioned to design a marble table (Rilievo) and he was later ask to produce other items for the company. File shows notably sketches and drawings of a frame (Cornice) and of a coffee table (Tabulario). Material in this file was produced between 1985 and 1989. File contains design development drawings and presentation drawings. File also contains textual records, including correspondence, an architect's report and sketches.
AP142.S1.D141
Description:
File documents Aldo Rossi's design of tables and objects for Up&Up Group. In 1985, he was commissioned to design a marble table (Rilievo) and he was later ask to produce other items for the company. File shows notably sketches and drawings of a frame (Cornice) and of a coffee table (Tabulario). Material in this file was produced between 1985 and 1989. File contains design development drawings and presentation drawings. File also contains textual records, including correspondence, an architect's report and sketches.
Personnes et institutions:
Date:
1985-1989
1985-1989
Titre:
Design per Up&Up Group
Actions:
AP142.S1.D141
Description:
File documents Aldo Rossi's design of tables and objects for Up&Up Group. In 1985, he was commissioned to design a marble table (Rilievo) and he was later ask to produce other items for the company. File shows notably sketches and drawings of a frame (Cornice) and of a coffee table (Tabulario). Material in this file was produced between 1985 and 1989. File contains design development drawings and presentation drawings. File also contains textual records, including correspondence, an architect's report and sketches.
Design per Up&Up Group
Actions:
AP142.S1.D141
Description:
File documents Aldo Rossi's design of tables and objects for Up&Up Group. In 1985, he was commissioned to design a marble table (Rilievo) and he was later ask to produce other items for the company. File shows notably sketches and drawings of a frame (Cornice) and of a coffee table (Tabulario). Material in this file was produced between 1985 and 1989. File contains design development drawings and presentation drawings. File also contains textual records, including correspondence, an architect's report and sketches.
Niveau de description archivistique:
File 141
File 141
Date:
1985-1989
1985-1989
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.2004.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the renovations of Buchanan Building at the University of British Columbia, Vancouver. Oberlander worked on this project in 2004 with architectural firm Busby, Perkins + Will Architects. The project consisted in a redesign of the landscaping for the two coutyards separated by a central pavilion and surrounded by the four other blocks of the Buchanan Building. The concept was to created a courtyard for ceremonies and activities and a courtyard for scultpure and contemplation. The east courtyard, designed for sitting and contemplation, included paved pathways circulating amount patches of grass and flower beds, with seating alvoces under the preserved trees to add shade. The west courtyard, designed for activities, consisted in a large parved area with a curving edge along the east side of the courtyard to provide seating and includes a covered café and a water feature. The project series contains sketches by Oberlander, design development drawings, including site plans, landscape plans and concept plans for the courtyards, and presentations drawings, including renderings. The project is also documented through correspondence, including correspondence with architects and consultants, research material, contract, financial documents, specifications, meeting notes, and photographs of existing landscaping.
AP075.S1.2004.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the renovations of Buchanan Building at the University of British Columbia, Vancouver. Oberlander worked on this project in 2004 with architectural firm Busby, Perkins + Will Architects. The project consisted in a redesign of the landscaping for the two coutyards separated by a central pavilion and surrounded by the four other blocks of the Buchanan Building. The concept was to created a courtyard for ceremonies and activities and a courtyard for scultpure and contemplation. The east courtyard, designed for sitting and contemplation, included paved pathways circulating amount patches of grass and flower beds, with seating alvoces under the preserved trees to add shade. The west courtyard, designed for activities, consisted in a large parved area with a curving edge along the east side of the courtyard to provide seating and includes a covered café and a water feature. The project series contains sketches by Oberlander, design development drawings, including site plans, landscape plans and concept plans for the courtyards, and presentations drawings, including renderings. The project is also documented through correspondence, including correspondence with architects and consultants, research material, contract, financial documents, specifications, meeting notes, and photographs of existing landscaping.
Personnes et institutions:
Date:
2004-2009
2004-2009
Titre:
Buchanan Building renovations, University of British Columbia, Vancouver, British Columbia (2004-2009)
Actions:
AP075.S1.2004.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the renovations of Buchanan Building at the University of British Columbia, Vancouver. Oberlander worked on this project in 2004 with architectural firm Busby, Perkins + Will Architects. The project consisted in a redesign of the landscaping for the two coutyards separated by a central pavilion and surrounded by the four other blocks of the Buchanan Building. The concept was to created a courtyard for ceremonies and activities and a courtyard for scultpure and contemplation. The east courtyard, designed for sitting and contemplation, included paved pathways circulating amount patches of grass and flower beds, with seating alvoces under the preserved trees to add shade. The west courtyard, designed for activities, consisted in a large parved area with a curving edge along the east side of the courtyard to provide seating and includes a covered café and a water feature. The project series contains sketches by Oberlander, design development drawings, including site plans, landscape plans and concept plans for the courtyards, and presentations drawings, including renderings. The project is also documented through correspondence, including correspondence with architects and consultants, research material, contract, financial documents, specifications, meeting notes, and photographs of existing landscaping.
Buchanan Building renovations, University of British Columbia, Vancouver, British Columbia (2004-2009)
Actions:
AP075.S1.2004.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the renovations of Buchanan Building at the University of British Columbia, Vancouver. Oberlander worked on this project in 2004 with architectural firm Busby, Perkins + Will Architects. The project consisted in a redesign of the landscaping for the two coutyards separated by a central pavilion and surrounded by the four other blocks of the Buchanan Building. The concept was to created a courtyard for ceremonies and activities and a courtyard for scultpure and contemplation. The east courtyard, designed for sitting and contemplation, included paved pathways circulating amount patches of grass and flower beds, with seating alvoces under the preserved trees to add shade. The west courtyard, designed for activities, consisted in a large parved area with a curving edge along the east side of the courtyard to provide seating and includes a covered café and a water feature. The project series contains sketches by Oberlander, design development drawings, including site plans, landscape plans and concept plans for the courtyards, and presentations drawings, including renderings. The project is also documented through correspondence, including correspondence with architects and consultants, research material, contract, financial documents, specifications, meeting notes, and photographs of existing landscaping.
Niveau de description archivistique:
Project
Project
Date:
2004-2009
2004-2009
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1974.PR19
Description:
This project series documents a parking structure for the Toronto International Airport in Mississauga, Ontario from 1974-1975. The office identified the project number as 7425. This project consisted of a five-level, above ground parking garage with a capacity of approximately 5000 vehicles. The parking structure was designed for Terminal Two at the airport (now known as Toronto Pearson International Airport) and would connect departing and arriving passengers from the airport to the structure via tunnels. Parkin Architect Planners were hired as the consulting architects for this project by Fenco-Barton Engineers. Fenco Barton was awarded with the Prestressed Concrete Institute Award in 1979 to for excellence in architectural and engineering design using precast and prestressed concrete. The project is recorded through drawings, photographic materials and textual records dating from 1974-1975. The drawings are mostly original sketches of the design. Photographs and negatives show research on other parking structures. The textual records consist of correspondence, conference reports, interoffice letters and project notes. Box AP018.S1.1974.PR19.009 contains an index to the textual records, which was created by the office
AP018.S1.1974.PR19
Description:
This project series documents a parking structure for the Toronto International Airport in Mississauga, Ontario from 1974-1975. The office identified the project number as 7425. This project consisted of a five-level, above ground parking garage with a capacity of approximately 5000 vehicles. The parking structure was designed for Terminal Two at the airport (now known as Toronto Pearson International Airport) and would connect departing and arriving passengers from the airport to the structure via tunnels. Parkin Architect Planners were hired as the consulting architects for this project by Fenco-Barton Engineers. Fenco Barton was awarded with the Prestressed Concrete Institute Award in 1979 to for excellence in architectural and engineering design using precast and prestressed concrete. The project is recorded through drawings, photographic materials and textual records dating from 1974-1975. The drawings are mostly original sketches of the design. Photographs and negatives show research on other parking structures. The textual records consist of correspondence, conference reports, interoffice letters and project notes. Box AP018.S1.1974.PR19.009 contains an index to the textual records, which was created by the office
Personnes et institutions:
Date:
1974-1975
1974-1975
Titre:
Toronto International Airport, Terminal Two Parking Structures, Mississauga, Ontario (1974-1975)
Actions:
AP018.S1.1974.PR19
Description:
This project series documents a parking structure for the Toronto International Airport in Mississauga, Ontario from 1974-1975. The office identified the project number as 7425. This project consisted of a five-level, above ground parking garage with a capacity of approximately 5000 vehicles. The parking structure was designed for Terminal Two at the airport (now known as Toronto Pearson International Airport) and would connect departing and arriving passengers from the airport to the structure via tunnels. Parkin Architect Planners were hired as the consulting architects for this project by Fenco-Barton Engineers. Fenco Barton was awarded with the Prestressed Concrete Institute Award in 1979 to for excellence in architectural and engineering design using precast and prestressed concrete. The project is recorded through drawings, photographic materials and textual records dating from 1974-1975. The drawings are mostly original sketches of the design. Photographs and negatives show research on other parking structures. The textual records consist of correspondence, conference reports, interoffice letters and project notes. Box AP018.S1.1974.PR19.009 contains an index to the textual records, which was created by the office
Toronto International Airport, Terminal Two Parking Structures, Mississauga, Ontario (1974-1975)
Actions:
AP018.S1.1974.PR19
Description:
This project series documents a parking structure for the Toronto International Airport in Mississauga, Ontario from 1974-1975. The office identified the project number as 7425. This project consisted of a five-level, above ground parking garage with a capacity of approximately 5000 vehicles. The parking structure was designed for Terminal Two at the airport (now known as Toronto Pearson International Airport) and would connect departing and arriving passengers from the airport to the structure via tunnels. Parkin Architect Planners were hired as the consulting architects for this project by Fenco-Barton Engineers. Fenco Barton was awarded with the Prestressed Concrete Institute Award in 1979 to for excellence in architectural and engineering design using precast and prestressed concrete. The project is recorded through drawings, photographic materials and textual records dating from 1974-1975. The drawings are mostly original sketches of the design. Photographs and negatives show research on other parking structures. The textual records consist of correspondence, conference reports, interoffice letters and project notes. Box AP018.S1.1974.PR19.009 contains an index to the textual records, which was created by the office
Niveau de description archivistique:
Project
Project
Date:
1974-1975
1974-1975
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Reference material
Reference material
Numéro de référence:
AP206.S4
Description:
The Reference material series, circa 1947-2008, contains diverse materials used by Aditya Prakash throughout his career as an architect, artist and academic. This series is recorded through textual records, books, serials, maps and drawings, likely used for research and presentations. The drawings are largely reprographic copies and predominantly consist of plans of Indian cities, sector and city plans of Chandigarh, and buildings in Chandigarh. Likewise, the series contains a large number of maps and tourism brochures collected from Indian cities and some international cities. Many books, magazines and their excerpts are also included, as well as other small publications and papers on subjects of art and architecture.
AP206.S4
Description:
The Reference material series, circa 1947-2008, contains diverse materials used by Aditya Prakash throughout his career as an architect, artist and academic. This series is recorded through textual records, books, serials, maps and drawings, likely used for research and presentations. The drawings are largely reprographic copies and predominantly consist of plans of Indian cities, sector and city plans of Chandigarh, and buildings in Chandigarh. Likewise, the series contains a large number of maps and tourism brochures collected from Indian cities and some international cities. Many books, magazines and their excerpts are also included, as well as other small publications and papers on subjects of art and architecture.
Personnes et institutions:
Date:
circa 1947-2008
circa 1947-2008
Titre:
Reference material
Actions:
AP206.S4
Description:
The Reference material series, circa 1947-2008, contains diverse materials used by Aditya Prakash throughout his career as an architect, artist and academic. This series is recorded through textual records, books, serials, maps and drawings, likely used for research and presentations. The drawings are largely reprographic copies and predominantly consist of plans of Indian cities, sector and city plans of Chandigarh, and buildings in Chandigarh. Likewise, the series contains a large number of maps and tourism brochures collected from Indian cities and some international cities. Many books, magazines and their excerpts are also included, as well as other small publications and papers on subjects of art and architecture.
Reference material
Actions:
AP206.S4
Description:
The Reference material series, circa 1947-2008, contains diverse materials used by Aditya Prakash throughout his career as an architect, artist and academic. This series is recorded through textual records, books, serials, maps and drawings, likely used for research and presentations. The drawings are largely reprographic copies and predominantly consist of plans of Indian cities, sector and city plans of Chandigarh, and buildings in Chandigarh. Likewise, the series contains a large number of maps and tourism brochures collected from Indian cities and some international cities. Many books, magazines and their excerpts are also included, as well as other small publications and papers on subjects of art and architecture.
Niveau de description archivistique:
Series
Series
Date:
circa 1947-2008
circa 1947-2008
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Aldo Rossi
Fonds Aldo Rossi
Numéro de référence:
AP142
Résumé:
The Aldo Rossi fonds documents the professional practice of architect Aldo Rossi and that of his firm, Studio di Architettura (SDA). Drawings of nearly every project by Rossi and SDA are present, with significant Italian, German and Japanese projects particularly well represented. The fonds also includes material relating to exhibitions and some material on publications that feature the work of Rossi and his firm. Material in this fonds was produced between 1953 and 1997.
AP142
Résumé:
The Aldo Rossi fonds documents the professional practice of architect Aldo Rossi and that of his firm, Studio di Architettura (SDA). Drawings of nearly every project by Rossi and SDA are present, with significant Italian, German and Japanese projects particularly well represented. The fonds also includes material relating to exhibitions and some material on publications that feature the work of Rossi and his firm. Material in this fonds was produced between 1953 and 1997.
Personnes et institutions:
Date:
1953-1997, predominant 1962-1997
1953-1997, predominant 1962-1997
Titre:
Fonds Aldo Rossi
Actions:
AP142
Résumé:
The Aldo Rossi fonds documents the professional practice of architect Aldo Rossi and that of his firm, Studio di Architettura (SDA). Drawings of nearly every project by Rossi and SDA are present, with significant Italian, German and Japanese projects particularly well represented. The fonds also includes material relating to exhibitions and some material on publications that feature the work of Rossi and his firm. Material in this fonds was produced between 1953 and 1997.
Fonds Aldo Rossi
Actions:
AP142
Résumé:
The Aldo Rossi fonds documents the professional practice of architect Aldo Rossi and that of his firm, Studio di Architettura (SDA). Drawings of nearly every project by Rossi and SDA are present, with significant Italian, German and Japanese projects particularly well represented. The fonds also includes material relating to exhibitions and some material on publications that feature the work of Rossi and his firm. Material in this fonds was produced between 1953 and 1997.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1953-1997, predominant 1962-1997
1953-1997, predominant 1962-1997
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1991.PR05
Description:
This project series documents Phase 2B of work completed for Hasbro Headquarters in Pawtucket, Rhode Island from 1991-1994. The office identified the project number as 9105. This project consisted of interior work for part of the company's headquarters and was the third in a series of projects that the firm would complete for the headquarters. The 300,000 square foot building was predominantly one-storey and located on the block between Saratoga, Grand, London and Newport Avenues. The three projects were known as Main Street, Phase 2A and Phase 2B. Phase 1 was completed in 1986 by Barton Myers Associates with Shirley Blumberg as partner-in-charge. These subsequent projects by KPMB were also headed by Shirley Blumberg and continued the initial style she had established in Phase 1. These projects saw the conversion of a historic brick and masonry mill into the company's new offices. The office structure was inspired by the layout of a Greek town, with a main street running through it. This phase continued the work of Phase 2A and focused mainly on the design of the visitor's entrance. The entrance area was V-shaped, with the wide end at the entrance doors and the narrower end leading guests deeper into the building. Once past this area, the hallway opened like a bubble, wrapping around a large elliptical courtyard in the middle. This courtyard, comprised of glass windows with trees and other landscaping in it, was the most prominent feature of this phase. Materials used throughout the offices included polished concrete, maple, aluminum and perforated metal. The project is recorded through drawings and textual records dating from 1989 to around 1994. The drawings are mostly originals and include sketches, plans, sections, elevations, perspectives, details, and some construction drawings. Many of the drawings focus on the entrance and courtyard. The textual records consist of the project program and schedule.
AP056.S1.1991.PR05
Description:
This project series documents Phase 2B of work completed for Hasbro Headquarters in Pawtucket, Rhode Island from 1991-1994. The office identified the project number as 9105. This project consisted of interior work for part of the company's headquarters and was the third in a series of projects that the firm would complete for the headquarters. The 300,000 square foot building was predominantly one-storey and located on the block between Saratoga, Grand, London and Newport Avenues. The three projects were known as Main Street, Phase 2A and Phase 2B. Phase 1 was completed in 1986 by Barton Myers Associates with Shirley Blumberg as partner-in-charge. These subsequent projects by KPMB were also headed by Shirley Blumberg and continued the initial style she had established in Phase 1. These projects saw the conversion of a historic brick and masonry mill into the company's new offices. The office structure was inspired by the layout of a Greek town, with a main street running through it. This phase continued the work of Phase 2A and focused mainly on the design of the visitor's entrance. The entrance area was V-shaped, with the wide end at the entrance doors and the narrower end leading guests deeper into the building. Once past this area, the hallway opened like a bubble, wrapping around a large elliptical courtyard in the middle. This courtyard, comprised of glass windows with trees and other landscaping in it, was the most prominent feature of this phase. Materials used throughout the offices included polished concrete, maple, aluminum and perforated metal. The project is recorded through drawings and textual records dating from 1989 to around 1994. The drawings are mostly originals and include sketches, plans, sections, elevations, perspectives, details, and some construction drawings. Many of the drawings focus on the entrance and courtyard. The textual records consist of the project program and schedule.
Personnes et institutions:
Date:
1989-circa 1994
1989-circa 1994
Titre:
Hasbro Headquarters, Phase 2B, Pawtucket, Rhode Island (1991-1994)
Actions:
AP056.S1.1991.PR05
Description:
This project series documents Phase 2B of work completed for Hasbro Headquarters in Pawtucket, Rhode Island from 1991-1994. The office identified the project number as 9105. This project consisted of interior work for part of the company's headquarters and was the third in a series of projects that the firm would complete for the headquarters. The 300,000 square foot building was predominantly one-storey and located on the block between Saratoga, Grand, London and Newport Avenues. The three projects were known as Main Street, Phase 2A and Phase 2B. Phase 1 was completed in 1986 by Barton Myers Associates with Shirley Blumberg as partner-in-charge. These subsequent projects by KPMB were also headed by Shirley Blumberg and continued the initial style she had established in Phase 1. These projects saw the conversion of a historic brick and masonry mill into the company's new offices. The office structure was inspired by the layout of a Greek town, with a main street running through it. This phase continued the work of Phase 2A and focused mainly on the design of the visitor's entrance. The entrance area was V-shaped, with the wide end at the entrance doors and the narrower end leading guests deeper into the building. Once past this area, the hallway opened like a bubble, wrapping around a large elliptical courtyard in the middle. This courtyard, comprised of glass windows with trees and other landscaping in it, was the most prominent feature of this phase. Materials used throughout the offices included polished concrete, maple, aluminum and perforated metal. The project is recorded through drawings and textual records dating from 1989 to around 1994. The drawings are mostly originals and include sketches, plans, sections, elevations, perspectives, details, and some construction drawings. Many of the drawings focus on the entrance and courtyard. The textual records consist of the project program and schedule.
Hasbro Headquarters, Phase 2B, Pawtucket, Rhode Island (1991-1994)
Actions:
AP056.S1.1991.PR05
Description:
This project series documents Phase 2B of work completed for Hasbro Headquarters in Pawtucket, Rhode Island from 1991-1994. The office identified the project number as 9105. This project consisted of interior work for part of the company's headquarters and was the third in a series of projects that the firm would complete for the headquarters. The 300,000 square foot building was predominantly one-storey and located on the block between Saratoga, Grand, London and Newport Avenues. The three projects were known as Main Street, Phase 2A and Phase 2B. Phase 1 was completed in 1986 by Barton Myers Associates with Shirley Blumberg as partner-in-charge. These subsequent projects by KPMB were also headed by Shirley Blumberg and continued the initial style she had established in Phase 1. These projects saw the conversion of a historic brick and masonry mill into the company's new offices. The office structure was inspired by the layout of a Greek town, with a main street running through it. This phase continued the work of Phase 2A and focused mainly on the design of the visitor's entrance. The entrance area was V-shaped, with the wide end at the entrance doors and the narrower end leading guests deeper into the building. Once past this area, the hallway opened like a bubble, wrapping around a large elliptical courtyard in the middle. This courtyard, comprised of glass windows with trees and other landscaping in it, was the most prominent feature of this phase. Materials used throughout the offices included polished concrete, maple, aluminum and perforated metal. The project is recorded through drawings and textual records dating from 1989 to around 1994. The drawings are mostly originals and include sketches, plans, sections, elevations, perspectives, details, and some construction drawings. Many of the drawings focus on the entrance and courtyard. The textual records consist of the project program and schedule.
Niveau de description archivistique:
Project
Project
Date:
1989-circa 1994
1989-circa 1994
Personnes et institutions:
