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461 pages : illustrations ; 25 cm
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461 pages : illustrations ; 25 cm
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Princeton : Princeton University Press, [2019], ©2019
Princeton : Princeton University Press, [2019], ©2019
Titre:
A history of art history / Christopher S. Wood.
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Description:
461 pages : illustrations ; 25 cm
A history of art history / Christopher S. Wood.
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461 pages : illustrations ; 25 cm
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Princeton : Princeton University Press, [2019], ©2019
Princeton : Princeton University Press, [2019], ©2019
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$47.95
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"The Arcades Project" (1927–40), the monumental unfinished work of cultural criticism by Walter Benjamin, is the German philosopher’s effort to comprehend urban modernity through the 19th-century Parisian shopping arcade. "The Arcades: contemporary art and Walter Benjamin" combines artworks with archival materials and poetic interventions to form an original, multifaceted(...)
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"The Arcades Project" (1927–40), the monumental unfinished work of cultural criticism by Walter Benjamin, is the German philosopher’s effort to comprehend urban modernity through the 19th-century Parisian shopping arcade. "The Arcades: contemporary art and Walter Benjamin" combines artworks with archival materials and poetic interventions to form an original, multifaceted(...)
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The Arcades: contemporary art and Walter Benjamin
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"The Arcades Project" (1927–40), the monumental unfinished work of cultural criticism by Walter Benjamin, is the German philosopher’s effort to comprehend urban modernity through the 19th-century Parisian shopping arcade. "The Arcades: contemporary art and Walter Benjamin" combines artworks with archival materials and poetic interventions to form an original, multifaceted response to this collagelike cultural text. Jens Hoffmann astutely pairs works by thirty-six well-known and emerging artists, including Lee Friedlander, Andreas Gursky, Pierre Huyghe, and Cindy Sherman, with the thirty-six “Convolutes,” or themes, in Benjamin’s text. Bound into the main volume is a graphic novelette, from the imagination of Vito Manolo Roma, of Benjamin’s dream the night before he committed suicide while fleeing the Nazis. Scholarly essays by Hoffmann and Caroline A. Jones, texts selected by the poet Kenneth Goldsmith, reproductions of Benjamin’s handwritten notes, and a list of the main Paris arcades discussed by him round out this extraordinary publication.
The Arcades: contemporary art and Walter Benjamin
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"The Arcades Project" (1927–40), the monumental unfinished work of cultural criticism by Walter Benjamin, is the German philosopher’s effort to comprehend urban modernity through the 19th-century Parisian shopping arcade. "The Arcades: contemporary art and Walter Benjamin" combines artworks with archival materials and poetic interventions to form an original, multifaceted response to this collagelike cultural text. Jens Hoffmann astutely pairs works by thirty-six well-known and emerging artists, including Lee Friedlander, Andreas Gursky, Pierre Huyghe, and Cindy Sherman, with the thirty-six “Convolutes,” or themes, in Benjamin’s text. Bound into the main volume is a graphic novelette, from the imagination of Vito Manolo Roma, of Benjamin’s dream the night before he committed suicide while fleeing the Nazis. Scholarly essays by Hoffmann and Caroline A. Jones, texts selected by the poet Kenneth Goldsmith, reproductions of Benjamin’s handwritten notes, and a list of the main Paris arcades discussed by him round out this extraordinary publication.
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livres
livres
Publication:
mars 2017
mars 2017
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livres
livres
Prix:
$34.95
(disponible en magasin)
Résumé:
Les enjeux urbains de la pensée de Walter Benjamin se situent dans un entre-deux-villes où s'est joué le sort d'une modernité contradictoire : Paris, capitale du XIXe siècle. A la question : " Comment habiter le moderne ? ", Benjamin répond par une étonnante philosophie de l'architecture, où se mêlent exils et souvenirs d'enfance, flânerie et pratiques révolutionnaires,(...)
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Les enjeux urbains de la pensée de Walter Benjamin se situent dans un entre-deux-villes où s'est joué le sort d'une modernité contradictoire : Paris, capitale du XIXe siècle. A la question : " Comment habiter le moderne ? ", Benjamin répond par une étonnante philosophie de l'architecture, où se mêlent exils et souvenirs d'enfance, flânerie et pratiques révolutionnaires,(...)
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Capitales de la modernité : Walter Benjamin et la ville
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Les enjeux urbains de la pensée de Walter Benjamin se situent dans un entre-deux-villes où s'est joué le sort d'une modernité contradictoire : Paris, capitale du XIXe siècle. A la question : " Comment habiter le moderne ? ", Benjamin répond par une étonnante philosophie de l'architecture, où se mêlent exils et souvenirs d'enfance, flânerie et pratiques révolutionnaires, transparence et opacité, cinéma et expertise sociale. C'est à cet inventaire que ce volume veut contribuer, constituant la ville comme " centre de gravité " de la pensée benjaminienne, vers lequel convergent ses autres architectures linguistiques, esthétiques ou politiques.
Capitales de la modernité : Walter Benjamin et la ville
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Les enjeux urbains de la pensée de Walter Benjamin se situent dans un entre-deux-villes où s'est joué le sort d'une modernité contradictoire : Paris, capitale du XIXe siècle. A la question : " Comment habiter le moderne ? ", Benjamin répond par une étonnante philosophie de l'architecture, où se mêlent exils et souvenirs d'enfance, flânerie et pratiques révolutionnaires, transparence et opacité, cinéma et expertise sociale. C'est à cet inventaire que ce volume veut contribuer, constituant la ville comme " centre de gravité " de la pensée benjaminienne, vers lequel convergent ses autres architectures linguistiques, esthétiques ou politiques.
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livres
livres
Publication:
mars 2006, Paris / Tel Aviv
mars 2006, Paris / Tel Aviv
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
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$43.00
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For the French philosopher Miguel Abensour, the fictional genre of utopia has provided thinkers and artists a fertile ground to explore for the past 500 years, both as a way to imagine new emancipatory practices of shared existence and as a tyrannical imposition of power. Here, Abensour’s project is to examine the idea of utopia in two different but powerful moments in(...)
$43.00
(disponible en magasin)
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For the French philosopher Miguel Abensour, the fictional genre of utopia has provided thinkers and artists a fertile ground to explore for the past 500 years, both as a way to imagine new emancipatory practices of shared existence and as a tyrannical imposition of power. Here, Abensour’s project is to examine the idea of utopia in two different but powerful moments in(...)
Titre:
Utopia, from Tomas More to Walter Benjamin
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$43.00
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For the French philosopher Miguel Abensour, the fictional genre of utopia has provided thinkers and artists a fertile ground to explore for the past 500 years, both as a way to imagine new emancipatory practices of shared existence and as a tyrannical imposition of power. Here, Abensour’s project is to examine the idea of utopia in two different but powerful moments in its trajectory: first, utopia’s beginning, when Thomas More sought a path for justice through a world in transformation, and second, when utopia faced its greatest danger, the moment that Walter Benjamin called “catastrophe.”
Utopia, from Tomas More to Walter Benjamin
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For the French philosopher Miguel Abensour, the fictional genre of utopia has provided thinkers and artists a fertile ground to explore for the past 500 years, both as a way to imagine new emancipatory practices of shared existence and as a tyrannical imposition of power. Here, Abensour’s project is to examine the idea of utopia in two different but powerful moments in its trajectory: first, utopia’s beginning, when Thomas More sought a path for justice through a world in transformation, and second, when utopia faced its greatest danger, the moment that Walter Benjamin called “catastrophe.”
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livres
livres
Publication:
janvier 2017
janvier 2017
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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The arcades project
The arcades project
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$54.95
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The Arcades Project is Walter Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history and, in so doing, to liberate the supressed 'true history' that underlay the ideological mask. Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, 'The Arcades Project' (in German: 'Das Passagen-Werk`)(...)
$54.95
(disponible sur commande)
Résumé:
The Arcades Project is Walter Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history and, in so doing, to liberate the supressed 'true history' that underlay the ideological mask. Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, 'The Arcades Project' (in German: 'Das Passagen-Werk`)(...)
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The arcades project
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The Arcades Project is Walter Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history and, in so doing, to liberate the supressed 'true history' that underlay the ideological mask. Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, 'The Arcades Project' (in German: 'Das Passagen-Werk`) was constructed over the course of thirteen years - 'the theater', as Benjamin called it, 'of all my struggles and all my ideas.'
The arcades project
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The Arcades Project is Walter Benjamin's effort to represent and to critique the bourgeois experience of nineteenth-century history and, in so doing, to liberate the supressed 'true history' that underlay the ideological mask. Conceived in Paris in 1927 and still in progress when Benjamin fled the Occupation in 1940, 'The Arcades Project' (in German: 'Das Passagen-Werk`) was constructed over the course of thirteen years - 'the theater', as Benjamin called it, 'of all my struggles and all my ideas.'
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livres
livres
Publication:
mars 2002, London
mars 2002, London
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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Description:
595 pages, 2 unnumbered pages : illustrations, maps, plans ; 23 cm
Description:
595 pages, 2 unnumbered pages : illustrations, maps, plans ; 23 cm
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New York : Allworth Press, [2022], ©2022
New York : Allworth Press, [2022], ©2022
Titre:
The Black experience in design : identity, expression & reflection / Anne H. Berry, Kareem Collie, Penina Acayo Laker, Lesley-Ann Noel, Jennifer Rittner, Kelly Walters.
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595 pages, 2 unnumbered pages : illustrations, maps, plans ; 23 cm
The Black experience in design : identity, expression & reflection / Anne H. Berry, Kareem Collie, Penina Acayo Laker, Lesley-Ann Noel, Jennifer Rittner, Kelly Walters.
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595 pages, 2 unnumbered pages : illustrations, maps, plans ; 23 cm
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livres
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New York : Allworth Press, [2022], ©2022
New York : Allworth Press, [2022], ©2022
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$27.95
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Comment appréhender le monde digital qui est en train de révolutionner notre siècle?? Dans cet essai, nous faisons l’hypothèse, soufflée par Walter Benjamin lui-même, que nombre de ses intuitions fulgurantes, suscitées par l’essor de la photographie et l’irruption du cinéma, puis de la radio, sont restées en sommeil à son époque, et se réveillent maintenant à la faveur de(...)
$27.95
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Comment appréhender le monde digital qui est en train de révolutionner notre siècle?? Dans cet essai, nous faisons l’hypothèse, soufflée par Walter Benjamin lui-même, que nombre de ses intuitions fulgurantes, suscitées par l’essor de la photographie et l’irruption du cinéma, puis de la radio, sont restées en sommeil à son époque, et se réveillent maintenant à la faveur de(...)
Titre:
Walter Benjamin à l'ère du monde digital
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Comment appréhender le monde digital qui est en train de révolutionner notre siècle?? Dans cet essai, nous faisons l’hypothèse, soufflée par Walter Benjamin lui-même, que nombre de ses intuitions fulgurantes, suscitées par l’essor de la photographie et l’irruption du cinéma, puis de la radio, sont restées en sommeil à son époque, et se réveillent maintenant à la faveur de l’irruption du monde digital. La logique de l’accessibilité mondiale prend racine dans le monde de la reproductibilité mécanique et en révèle le sens. De la même façon que le philosophe a pris au sérieux la technique de la radiodiffusion, au point de devenir lui-même réalisateur d’émissions à la fin des années 20, nous proposons de relire ses textes à l’aune d’une observation matérialiste du monde numérique, où chaque lecteur est en train de devenir auteur et producteur, témoin de sa propre existence en voie de dédoublement.
Walter Benjamin à l'ère du monde digital
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Comment appréhender le monde digital qui est en train de révolutionner notre siècle?? Dans cet essai, nous faisons l’hypothèse, soufflée par Walter Benjamin lui-même, que nombre de ses intuitions fulgurantes, suscitées par l’essor de la photographie et l’irruption du cinéma, puis de la radio, sont restées en sommeil à son époque, et se réveillent maintenant à la faveur de l’irruption du monde digital. La logique de l’accessibilité mondiale prend racine dans le monde de la reproductibilité mécanique et en révèle le sens. De la même façon que le philosophe a pris au sérieux la technique de la radiodiffusion, au point de devenir lui-même réalisateur d’émissions à la fin des années 20, nous proposons de relire ses textes à l’aune d’une observation matérialiste du monde numérique, où chaque lecteur est en train de devenir auteur et producteur, témoin de sa propre existence en voie de dédoublement.
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livres
livres
Publication:
décembre 2022
décembre 2022
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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$32.00
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Walter Benjamin was a man of letters, an art critic, an essayist, a translator, a philosopher, a collector, and an urban flâneur. In his writings, he ambles, samples, and explores. With "Walter Benjamin Reimagined", Frances Cannon offers a visual and literary response to Benjamin's work. With detailed and dreamlike pen-and-ink drawings and hand-lettered text, Cannon gives(...)
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Walter Benjamin was a man of letters, an art critic, an essayist, a translator, a philosopher, a collector, and an urban flâneur. In his writings, he ambles, samples, and explores. With "Walter Benjamin Reimagined", Frances Cannon offers a visual and literary response to Benjamin's work. With detailed and dreamlike pen-and-ink drawings and hand-lettered text, Cannon gives(...)
Titre:
Walter Benjamin reimagined: a graphic translation of poetry, prose, aphorisms and dreams
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$32.00
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Walter Benjamin was a man of letters, an art critic, an essayist, a translator, a philosopher, a collector, and an urban flâneur. In his writings, he ambles, samples, and explores. With "Walter Benjamin Reimagined", Frances Cannon offers a visual and literary response to Benjamin's work. With detailed and dreamlike pen-and-ink drawings and hand-lettered text, Cannon gives readers an illuminated tour of Walter Benjamin's thoughts—a graphic translation, an encyclopedia of fragments.
Walter Benjamin reimagined: a graphic translation of poetry, prose, aphorisms and dreams
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$32.00
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Résumé:
Walter Benjamin was a man of letters, an art critic, an essayist, a translator, a philosopher, a collector, and an urban flâneur. In his writings, he ambles, samples, and explores. With "Walter Benjamin Reimagined", Frances Cannon offers a visual and literary response to Benjamin's work. With detailed and dreamlike pen-and-ink drawings and hand-lettered text, Cannon gives readers an illuminated tour of Walter Benjamin's thoughts—a graphic translation, an encyclopedia of fragments.
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livres
livres
Publication:
mai 2019
mai 2019
Sujet:
Illustration
Illustration
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livres
livres
Prix:
$21.50
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Résumé:
A companion volume to "Illuminations", the first collection of Walter Benjamin's writings, "Reflections" presents a further sampling of his wide-ranging work. Here Benjamin evolves a theory of language as the medium of all creation, discusses theater and surrealism, reminisces about Berlin in the 1920s, recalls conversations with Bertolt Brecht, and provides travelogues(...)
$21.50
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Résumé:
A companion volume to "Illuminations", the first collection of Walter Benjamin's writings, "Reflections" presents a further sampling of his wide-ranging work. Here Benjamin evolves a theory of language as the medium of all creation, discusses theater and surrealism, reminisces about Berlin in the 1920s, recalls conversations with Bertolt Brecht, and provides travelogues(...)
Titre:
Reflections: essays, aphorisms, autobiographical writings
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$21.50
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A companion volume to "Illuminations", the first collection of Walter Benjamin's writings, "Reflections" presents a further sampling of his wide-ranging work. Here Benjamin evolves a theory of language as the medium of all creation, discusses theater and surrealism, reminisces about Berlin in the 1920s, recalls conversations with Bertolt Brecht, and provides travelogues of various cities, including Moscow under Stalin. Benjamin moves seamlessly from literary criticism to autobiography to philosophical-theological speculations, cementing his reputation as one of the greatest and most versatile writers of the twentieth century.
Reflections: essays, aphorisms, autobiographical writings
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$21.50
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A companion volume to "Illuminations", the first collection of Walter Benjamin's writings, "Reflections" presents a further sampling of his wide-ranging work. Here Benjamin evolves a theory of language as the medium of all creation, discusses theater and surrealism, reminisces about Berlin in the 1920s, recalls conversations with Bertolt Brecht, and provides travelogues of various cities, including Moscow under Stalin. Benjamin moves seamlessly from literary criticism to autobiography to philosophical-theological speculations, cementing his reputation as one of the greatest and most versatile writers of the twentieth century.
Classification:
livres
livres
Publication:
janvier 2019
janvier 2019
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
Prix:
$44.50
(disponible sur commande)
Résumé:
In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines(...)
$44.50
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Résumé:
In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines(...)
Titre:
Archiveology: Walter Benjamin and archival film practices
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$44.50
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In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines a range of films alongside Benjamin's conceptions of memory, document, excavation, and historiography. She shows how city films such as Nicole Vedres's Paris 1900 (1947) and Thom Andersen's Los Angeles Plays Itself (2003) reconstruct notions of urban life and uses Christian Marclay's The Clock (2010) to draw parallels between critical cinephilia and Benjamin's theory of the phantasmagoria. Russell also discusses practices of collecting in archiveological film and rereads films by Joseph Cornell and Rania Stephan to explore an archival practice that dislocates and relocates the female image in film. In so doing, she not only shows how Benjamin's work is as relevant to film theory as ever; she shows how archiveology can awaken artists and audiences to critical forms of history and memory.
Archiveology: Walter Benjamin and archival film practices
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$44.50
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Résumé:
In "Archiveology" Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines a range of films alongside Benjamin's conceptions of memory, document, excavation, and historiography. She shows how city films such as Nicole Vedres's Paris 1900 (1947) and Thom Andersen's Los Angeles Plays Itself (2003) reconstruct notions of urban life and uses Christian Marclay's The Clock (2010) to draw parallels between critical cinephilia and Benjamin's theory of the phantasmagoria. Russell also discusses practices of collecting in archiveological film and rereads films by Joseph Cornell and Rania Stephan to explore an archival practice that dislocates and relocates the female image in film. In so doing, she not only shows how Benjamin's work is as relevant to film theory as ever; she shows how archiveology can awaken artists and audiences to critical forms of history and memory.
Classification:
livres
livres
Publication:
mars 2018
mars 2018
