33382 Résultats
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Numéro de référence:
PH1990:0324.01-.05
Description:
- This set is comprised of 5 portfolios, each containing 31 photographs, except for volume 1, which contains 30 photographs, and volume 5, which contains 33 photographs. The portfolios consist of boxes made from brown cloth-covered boards with brown leather-covered spines. There are gold gilt inscriptions, the including volume numbers, on the spines of each portfolio. The interiors of the boxes are lined with grey paper. The photographs are mounted in mats made of white paper and cardboard. Most of the photographs have graphite inscriptions on the verso listing the name of the residence shown and sometimes the name of the architect or interior designer.
PH1990:0324.01-.05
Description:
- This set is comprised of 5 portfolios, each containing 31 photographs, except for volume 1, which contains 30 photographs, and volume 5, which contains 33 photographs. The portfolios consist of boxes made from brown cloth-covered boards with brown leather-covered spines. There are gold gilt inscriptions, the including volume numbers, on the spines of each portfolio. The interiors of the boxes are lined with grey paper. The photographs are mounted in mats made of white paper and cardboard. Most of the photographs have graphite inscriptions on the verso listing the name of the residence shown and sometimes the name of the architect or interior designer.
Personnes et institutions:
Sujet:
architecture, design d'intérieur
architecture, design d'intérieur
Date:
between ca. 1867 and 1890
between ca. 1867 and 1890
Titre:
Set of 5 portfolios, containing 155 photographs of residential architecture, by Bedford Lemere & Co., England, United Kingdom
Actions:
PH1990:0324.01-.05
Description:
- This set is comprised of 5 portfolios, each containing 31 photographs, except for volume 1, which contains 30 photographs, and volume 5, which contains 33 photographs. The portfolios consist of boxes made from brown cloth-covered boards with brown leather-covered spines. There are gold gilt inscriptions, the including volume numbers, on the spines of each portfolio. The interiors of the boxes are lined with grey paper. The photographs are mounted in mats made of white paper and cardboard. Most of the photographs have graphite inscriptions on the verso listing the name of the residence shown and sometimes the name of the architect or interior designer.
Set of 5 portfolios, containing 155 photographs of residential architecture, by Bedford Lemere & Co., England, United Kingdom
Actions:
PH1990:0324.01-.05
Description:
- This set is comprised of 5 portfolios, each containing 31 photographs, except for volume 1, which contains 30 photographs, and volume 5, which contains 33 photographs. The portfolios consist of boxes made from brown cloth-covered boards with brown leather-covered spines. There are gold gilt inscriptions, the including volume numbers, on the spines of each portfolio. The interiors of the boxes are lined with grey paper. The photographs are mounted in mats made of white paper and cardboard. Most of the photographs have graphite inscriptions on the verso listing the name of the residence shown and sometimes the name of the architect or interior designer.
Date:
between ca. 1867 and 1890
between ca. 1867 and 1890
Personnes et institutions:
Sujet:
architecture, design d'intérieur
architecture, design d'intérieur
Classification:
événements
événements
Actions:
Description:
Dans cette causerie intitulée « Design the place for people to meet » (Concevoir le lieu pour que les gens se rencontrent), Manabu Chiba expliquera sa démarche de conception, soulignant la réalisation d’une architecture qui favorise les nouvelles interactions de lieu à lieu, de personne à personne et de personne à lieu. Son travail vise à révéler le contexte d’un(...)
Dans cette causerie intitulée « Design the place for people to meet » (Concevoir le lieu pour que les gens se rencontrent), Manabu Chiba expliquera sa démarche de conception, soulignant la réalisation d’une architecture qui favorise les nouvelles interactions de lieu à lieu, de personne à personne et de personne à lieu. Son travail vise à révéler le contexte d’un(...)
Date:
11 février 2016
11 février 2016
Titre:
Manabu Chiba veut vous parler
Actions:
Description:
Dans cette causerie intitulée « Design the place for people to meet » (Concevoir le lieu pour que les gens se rencontrent), Manabu Chiba expliquera sa démarche de conception, soulignant la réalisation d’une architecture qui favorise les nouvelles interactions de lieu à lieu, de personne à personne et de personne à lieu. Son travail vise à révéler le contexte d’un(...)
Manabu Chiba veut vous parler
Actions:
Description:
Dans cette causerie intitulée « Design the place for people to meet » (Concevoir le lieu pour que les gens se rencontrent), Manabu Chiba expliquera sa démarche de conception, soulignant la réalisation d’une architecture qui favorise les nouvelles interactions de lieu à lieu, de personne à personne et de personne à lieu. Son travail vise à révéler le contexte d’un(...)
Classification:
événements
événements
Date:
11 février 2016
11 février 2016
Classification:
événements
événements
Actions:
Description:
Dans son œuvre Provenance (2013), en images mobiles, l’artiste américaine Amie Siegel remonte à l’envers la route du commerce mondial de mobilier originaire de Chandigarh, à partir des résidences de collectionneurs européens et nord-américains, en passant par les ventes aux enchères, le processus de restauration, le transport outre-mer et, enfin, l’Inde. Le mobilier de(...)
Dans son œuvre Provenance (2013), en images mobiles, l’artiste américaine Amie Siegel remonte à l’envers la route du commerce mondial de mobilier originaire de Chandigarh, à partir des résidences de collectionneurs européens et nord-américains, en passant par les ventes aux enchères, le processus de restauration, le transport outre-mer et, enfin, l’Inde. Le mobilier de(...)
Date:
24 avril 2014 , 18h
24 avril 2014 , 18h
Titre:
Conférence de l’artiste : Amie Siegel, Provenance
Actions:
Description:
Dans son œuvre Provenance (2013), en images mobiles, l’artiste américaine Amie Siegel remonte à l’envers la route du commerce mondial de mobilier originaire de Chandigarh, à partir des résidences de collectionneurs européens et nord-américains, en passant par les ventes aux enchères, le processus de restauration, le transport outre-mer et, enfin, l’Inde. Le mobilier de(...)
Conférence de l’artiste : Amie Siegel, Provenance
Actions:
Description:
Dans son œuvre Provenance (2013), en images mobiles, l’artiste américaine Amie Siegel remonte à l’envers la route du commerce mondial de mobilier originaire de Chandigarh, à partir des résidences de collectionneurs européens et nord-américains, en passant par les ventes aux enchères, le processus de restauration, le transport outre-mer et, enfin, l’Inde. Le mobilier de(...)
Classification:
événements
événements
Date:
24 avril 2014
18h
24 avril 2014
18h
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Architectural Projects
Architectural Projects
Numéro de référence:
AP153.S1
Description:
Series documents Douglas Kelbaugh's architectual projects in United States as partner in his architectural firm, the Kelbaugh + Lee Architects, based in Princeton, New Jersey, between 1973 and 1985, and also some of his later projects including as a design consultat for Dale Chihuly, until the mid 1990s. The series includes projects like the Kelbaugh House in Princeton, New Jersey, the Milford Solar Conservation Center in Milford, Pennsylvania, the Roosevelt Senior Citizen Housing Development in Roosevelt, New Jersey, or Kelbaugh + Lee project for the competiton for the Cultural Arts Pavilion in Newport News, Virginia. The material in this series was produced between 1970 and 2008. The series contains drawings and reprographic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series also contains textual records and photographic materials related to the architectural projects, presentation panels and some serials.
AP153.S1
Description:
Series documents Douglas Kelbaugh's architectual projects in United States as partner in his architectural firm, the Kelbaugh + Lee Architects, based in Princeton, New Jersey, between 1973 and 1985, and also some of his later projects including as a design consultat for Dale Chihuly, until the mid 1990s. The series includes projects like the Kelbaugh House in Princeton, New Jersey, the Milford Solar Conservation Center in Milford, Pennsylvania, the Roosevelt Senior Citizen Housing Development in Roosevelt, New Jersey, or Kelbaugh + Lee project for the competiton for the Cultural Arts Pavilion in Newport News, Virginia. The material in this series was produced between 1970 and 2008. The series contains drawings and reprographic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series also contains textual records and photographic materials related to the architectural projects, presentation panels and some serials.
Personnes et institutions:
Date:
1970-1996
1970-1996
Titre:
Architectural Projects
Actions:
AP153.S1
Description:
Series documents Douglas Kelbaugh's architectual projects in United States as partner in his architectural firm, the Kelbaugh + Lee Architects, based in Princeton, New Jersey, between 1973 and 1985, and also some of his later projects including as a design consultat for Dale Chihuly, until the mid 1990s. The series includes projects like the Kelbaugh House in Princeton, New Jersey, the Milford Solar Conservation Center in Milford, Pennsylvania, the Roosevelt Senior Citizen Housing Development in Roosevelt, New Jersey, or Kelbaugh + Lee project for the competiton for the Cultural Arts Pavilion in Newport News, Virginia. The material in this series was produced between 1970 and 2008. The series contains drawings and reprographic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series also contains textual records and photographic materials related to the architectural projects, presentation panels and some serials.
Architectural Projects
Actions:
AP153.S1
Description:
Series documents Douglas Kelbaugh's architectual projects in United States as partner in his architectural firm, the Kelbaugh + Lee Architects, based in Princeton, New Jersey, between 1973 and 1985, and also some of his later projects including as a design consultat for Dale Chihuly, until the mid 1990s. The series includes projects like the Kelbaugh House in Princeton, New Jersey, the Milford Solar Conservation Center in Milford, Pennsylvania, the Roosevelt Senior Citizen Housing Development in Roosevelt, New Jersey, or Kelbaugh + Lee project for the competiton for the Cultural Arts Pavilion in Newport News, Virginia. The material in this series was produced between 1970 and 2008. The series contains drawings and reprographic copies of conceptual drawings, design developement drawings, working drawings and presentation drawings. The series also contains textual records and photographic materials related to the architectural projects, presentation panels and some serials.
Niveau de description archivistique:
Series 1
Series 1
Date:
1970-1996
1970-1996
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1968.PR05
Description:
This project series documents the College E building at York University in North York, Ontario from 1968-1969. The office identified the project number as 68007. This project, referred to as College E Academic and Dining Complex, consisted of a three-level building with a basement and mechanical penthouse. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. The project is recorded through reprographic copies of drawings dating from 1969. These were a set of construction plans, details, elevations, sections, schedules and mechanical, electrical and structural drawings.
AP018.S1.1968.PR05
Description:
This project series documents the College E building at York University in North York, Ontario from 1968-1969. The office identified the project number as 68007. This project, referred to as College E Academic and Dining Complex, consisted of a three-level building with a basement and mechanical penthouse. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. The project is recorded through reprographic copies of drawings dating from 1969. These were a set of construction plans, details, elevations, sections, schedules and mechanical, electrical and structural drawings.
Personnes et institutions:
Date:
1969
1969
Titre:
York University, Second College Complex, College E Academic and Dining Building, York, Ontario (1968-1969)
Actions:
AP018.S1.1968.PR05
Description:
This project series documents the College E building at York University in North York, Ontario from 1968-1969. The office identified the project number as 68007. This project, referred to as College E Academic and Dining Complex, consisted of a three-level building with a basement and mechanical penthouse. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. The project is recorded through reprographic copies of drawings dating from 1969. These were a set of construction plans, details, elevations, sections, schedules and mechanical, electrical and structural drawings.
York University, Second College Complex, College E Academic and Dining Building, York, Ontario (1968-1969)
Actions:
AP018.S1.1968.PR05
Description:
This project series documents the College E building at York University in North York, Ontario from 1968-1969. The office identified the project number as 68007. This project, referred to as College E Academic and Dining Complex, consisted of a three-level building with a basement and mechanical penthouse. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. The project is recorded through reprographic copies of drawings dating from 1969. These were a set of construction plans, details, elevations, sections, schedules and mechanical, electrical and structural drawings.
Niveau de description archivistique:
Project
Project
Date:
1969
1969
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
Personnes et institutions:
Date:
1925
1925
Titre:
Café de Unie, Rotterdam, Netherlands (1925)
Actions:
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
Café de Unie, Rotterdam, Netherlands (1925)
Actions:
CI005.S1.1925.PR1
Description:
The Rotterdam building inspectorate, Bouwpolite & Woningdienst, rejected the original plans for the design of the Café de Unie by a private developer, and instead commissioned Oud, as municipal architect, to design the building on Calandplein. This design marked a departure for Oud from public and private buildings to the design of a commercial building. Oud's design incorporated advertisement from its conception as he designed a facade of boards, cement, and glass with an illuminated sign – this was in keeping with the contemporary aesthetic of De Stijl, which explored creative uses of advertisement. Oud designed the signs to be turned inward, to draw attention away from the surrounding buildings, and incorporated bright colours (Taverne et al. 2001, 342). Project series includes drawings of plans as well as photographs of exterior views and of the principal facade of the Café de Unie.
Niveau de description archivistique:
project
project
Date:
1925
1925
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1949.PR1
Description:
Vredenburg Square – originally designed by H.P. Berlage in 1919 – had become problematic for traffic congestion; the problem was compounded by the erection of the Jaarbeurs Exhibition Complex. Utrecht city council commissioned Oud to design a square with architect C. Wegener Sleeswijk. Oud modified Sleeswijk's original expansion plan to create a design for a twelve-storey tower block that would take up less space and open up the southeast side of the square. In addition to the Jaarbeurs tower, Oud suggested placing more emphasis on the square's entrance. Oud also modified the traffic routes and created a semi-circular facade across from a secretariat. Although the city council approved Oud's plan in 1951, his design was unrealized as the council ultimately commissioned another architectural firm's design (Taverne et al. 2001, 472-473). Project series includes plans for the Vredenburg development.
CI005.S1.1949.PR1
Description:
Vredenburg Square – originally designed by H.P. Berlage in 1919 – had become problematic for traffic congestion; the problem was compounded by the erection of the Jaarbeurs Exhibition Complex. Utrecht city council commissioned Oud to design a square with architect C. Wegener Sleeswijk. Oud modified Sleeswijk's original expansion plan to create a design for a twelve-storey tower block that would take up less space and open up the southeast side of the square. In addition to the Jaarbeurs tower, Oud suggested placing more emphasis on the square's entrance. Oud also modified the traffic routes and created a semi-circular facade across from a secretariat. Although the city council approved Oud's plan in 1951, his design was unrealized as the council ultimately commissioned another architectural firm's design (Taverne et al. 2001, 472-473). Project series includes plans for the Vredenburg development.
Personnes et institutions:
Date:
1949-1961
1949-1961
Titre:
Urban Design, Vredenburg Mixed-Use Development, Utrecht, Netherlands (1949-1961)
Actions:
CI005.S1.1949.PR1
Description:
Vredenburg Square – originally designed by H.P. Berlage in 1919 – had become problematic for traffic congestion; the problem was compounded by the erection of the Jaarbeurs Exhibition Complex. Utrecht city council commissioned Oud to design a square with architect C. Wegener Sleeswijk. Oud modified Sleeswijk's original expansion plan to create a design for a twelve-storey tower block that would take up less space and open up the southeast side of the square. In addition to the Jaarbeurs tower, Oud suggested placing more emphasis on the square's entrance. Oud also modified the traffic routes and created a semi-circular facade across from a secretariat. Although the city council approved Oud's plan in 1951, his design was unrealized as the council ultimately commissioned another architectural firm's design (Taverne et al. 2001, 472-473). Project series includes plans for the Vredenburg development.
Urban Design, Vredenburg Mixed-Use Development, Utrecht, Netherlands (1949-1961)
Actions:
CI005.S1.1949.PR1
Description:
Vredenburg Square – originally designed by H.P. Berlage in 1919 – had become problematic for traffic congestion; the problem was compounded by the erection of the Jaarbeurs Exhibition Complex. Utrecht city council commissioned Oud to design a square with architect C. Wegener Sleeswijk. Oud modified Sleeswijk's original expansion plan to create a design for a twelve-storey tower block that would take up less space and open up the southeast side of the square. In addition to the Jaarbeurs tower, Oud suggested placing more emphasis on the square's entrance. Oud also modified the traffic routes and created a semi-circular facade across from a secretariat. Although the city council approved Oud's plan in 1951, his design was unrealized as the council ultimately commissioned another architectural firm's design (Taverne et al. 2001, 472-473). Project series includes plans for the Vredenburg development.
Niveau de description archivistique:
project
project
Date:
1949-1961
1949-1961
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1952.PR1
Description:
Oud was commissioned by the Bio Holiday Centre Foundation to create a rehabilitation centre for under-privileged children. While Oud was appointed as the sole project architect, he was advised by a committee of health care workers and a national construction advisory body, Bouwcentrum. Oud used the Bouwcentrum blueprint as a basis for his design. Oud's design featured pavilions, accommodation for 120 patients, staff accommodation, a sports building and a clinic. Ten pavilions were dedicated to children's accommodation. In Oud's revised plan of 1955, the main building, boiler house and sports building were prominently displayed and flanked by the pavilions. The boiler house/caretaker's dwelling were prominently positioned according to the client's wishes. Although Oud designed a chapel, it was not built (Taverne et al. 2001, 511-514). Project series contains a photograph of exterior view of the Bio Convalescent Centre
CI005.S1.1952.PR1
Description:
Oud was commissioned by the Bio Holiday Centre Foundation to create a rehabilitation centre for under-privileged children. While Oud was appointed as the sole project architect, he was advised by a committee of health care workers and a national construction advisory body, Bouwcentrum. Oud used the Bouwcentrum blueprint as a basis for his design. Oud's design featured pavilions, accommodation for 120 patients, staff accommodation, a sports building and a clinic. Ten pavilions were dedicated to children's accommodation. In Oud's revised plan of 1955, the main building, boiler house and sports building were prominently displayed and flanked by the pavilions. The boiler house/caretaker's dwelling were prominently positioned according to the client's wishes. Although Oud designed a chapel, it was not built (Taverne et al. 2001, 511-514). Project series contains a photograph of exterior view of the Bio Convalescent Centre
Personnes et institutions:
Date:
1952-1960
1952-1960
Titre:
Bio Convalescent Centre for Children, Arnheim, Netherlands (1952-1960)
Actions:
CI005.S1.1952.PR1
Description:
Oud was commissioned by the Bio Holiday Centre Foundation to create a rehabilitation centre for under-privileged children. While Oud was appointed as the sole project architect, he was advised by a committee of health care workers and a national construction advisory body, Bouwcentrum. Oud used the Bouwcentrum blueprint as a basis for his design. Oud's design featured pavilions, accommodation for 120 patients, staff accommodation, a sports building and a clinic. Ten pavilions were dedicated to children's accommodation. In Oud's revised plan of 1955, the main building, boiler house and sports building were prominently displayed and flanked by the pavilions. The boiler house/caretaker's dwelling were prominently positioned according to the client's wishes. Although Oud designed a chapel, it was not built (Taverne et al. 2001, 511-514). Project series contains a photograph of exterior view of the Bio Convalescent Centre
Bio Convalescent Centre for Children, Arnheim, Netherlands (1952-1960)
Actions:
CI005.S1.1952.PR1
Description:
Oud was commissioned by the Bio Holiday Centre Foundation to create a rehabilitation centre for under-privileged children. While Oud was appointed as the sole project architect, he was advised by a committee of health care workers and a national construction advisory body, Bouwcentrum. Oud used the Bouwcentrum blueprint as a basis for his design. Oud's design featured pavilions, accommodation for 120 patients, staff accommodation, a sports building and a clinic. Ten pavilions were dedicated to children's accommodation. In Oud's revised plan of 1955, the main building, boiler house and sports building were prominently displayed and flanked by the pavilions. The boiler house/caretaker's dwelling were prominently positioned according to the client's wishes. Although Oud designed a chapel, it was not built (Taverne et al. 2001, 511-514). Project series contains a photograph of exterior view of the Bio Convalescent Centre
Niveau de description archivistique:
project
project
Date:
1952-1960
1952-1960
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1954.PR05
Description:
This project series documents Cornelia Hahn Oberlander's project for the Home '54 Design Competition for the Canadian Home Journal, in 1954. Oberlander worked on this proposal with architect Norman Rice, who designed the one-storey single-family house. The landscape design consists of a paved outdoor living space directly next to the living room with a curved fixed bench at the back of the house, as well as a quiet area with annual and perennial planting on the east edge of the site and a vegetable garden and sitting area facing the street. The project series contains only two presentation drawings showing floor plans, elevation and axonometric views of the house and landscape plans, and presentation panels of the same two drawings. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
AP075.S1.1954.PR05
Description:
This project series documents Cornelia Hahn Oberlander's project for the Home '54 Design Competition for the Canadian Home Journal, in 1954. Oberlander worked on this proposal with architect Norman Rice, who designed the one-storey single-family house. The landscape design consists of a paved outdoor living space directly next to the living room with a curved fixed bench at the back of the house, as well as a quiet area with annual and perennial planting on the east edge of the site and a vegetable garden and sitting area facing the street. The project series contains only two presentation drawings showing floor plans, elevation and axonometric views of the house and landscape plans, and presentation panels of the same two drawings. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Personnes et institutions:
Date:
1954
1954
Titre:
Home '54 Design Competition, Canada (1954)
Actions:
AP075.S1.1954.PR05
Description:
This project series documents Cornelia Hahn Oberlander's project for the Home '54 Design Competition for the Canadian Home Journal, in 1954. Oberlander worked on this proposal with architect Norman Rice, who designed the one-storey single-family house. The landscape design consists of a paved outdoor living space directly next to the living room with a curved fixed bench at the back of the house, as well as a quiet area with annual and perennial planting on the east edge of the site and a vegetable garden and sitting area facing the street. The project series contains only two presentation drawings showing floor plans, elevation and axonometric views of the house and landscape plans, and presentation panels of the same two drawings. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Home '54 Design Competition, Canada (1954)
Actions:
AP075.S1.1954.PR05
Description:
This project series documents Cornelia Hahn Oberlander's project for the Home '54 Design Competition for the Canadian Home Journal, in 1954. Oberlander worked on this proposal with architect Norman Rice, who designed the one-storey single-family house. The landscape design consists of a paved outdoor living space directly next to the living room with a curved fixed bench at the back of the house, as well as a quiet area with annual and perennial planting on the east edge of the site and a vegetable garden and sitting area facing the street. The project series contains only two presentation drawings showing floor plans, elevation and axonometric views of the house and landscape plans, and presentation panels of the same two drawings. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Niveau de description archivistique:
Project
Project
Date:
1954
1954
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1968.PR04
Description:
This project series documents the plant expansion program for the IBM plant in North York, Ontario from 1969-1970. The office identified the project number as 68040. This project consisted of proposed expansions to the IBM plant located at 844 Don Mills Road, which was built in 1951 and formerly served as their head office. The expansion program proposed four stages of construction, broken into alphabetized lots to divide the work. The construction was to consist of work on underground utilities, the building of each lot, and changes to the roads surrounding the plant. At the same time, Parkin Architects Planners was building IBM's new headquarters on the same property (see project series AP018.S1.1965.PR03 described in this fonds). The project is recorded through reprographic copies of drawings dating from 1969-1970, which consist of construction drawings and as built drawings.
AP018.S1.1968.PR04
Description:
This project series documents the plant expansion program for the IBM plant in North York, Ontario from 1969-1970. The office identified the project number as 68040. This project consisted of proposed expansions to the IBM plant located at 844 Don Mills Road, which was built in 1951 and formerly served as their head office. The expansion program proposed four stages of construction, broken into alphabetized lots to divide the work. The construction was to consist of work on underground utilities, the building of each lot, and changes to the roads surrounding the plant. At the same time, Parkin Architects Planners was building IBM's new headquarters on the same property (see project series AP018.S1.1965.PR03 described in this fonds). The project is recorded through reprographic copies of drawings dating from 1969-1970, which consist of construction drawings and as built drawings.
Personnes et institutions:
Date:
1969-1970
1969-1970
Titre:
IBM Plant Expansion Program, North York, Ontario (1968-1970)
Actions:
AP018.S1.1968.PR04
Description:
This project series documents the plant expansion program for the IBM plant in North York, Ontario from 1969-1970. The office identified the project number as 68040. This project consisted of proposed expansions to the IBM plant located at 844 Don Mills Road, which was built in 1951 and formerly served as their head office. The expansion program proposed four stages of construction, broken into alphabetized lots to divide the work. The construction was to consist of work on underground utilities, the building of each lot, and changes to the roads surrounding the plant. At the same time, Parkin Architects Planners was building IBM's new headquarters on the same property (see project series AP018.S1.1965.PR03 described in this fonds). The project is recorded through reprographic copies of drawings dating from 1969-1970, which consist of construction drawings and as built drawings.
IBM Plant Expansion Program, North York, Ontario (1968-1970)
Actions:
AP018.S1.1968.PR04
Description:
This project series documents the plant expansion program for the IBM plant in North York, Ontario from 1969-1970. The office identified the project number as 68040. This project consisted of proposed expansions to the IBM plant located at 844 Don Mills Road, which was built in 1951 and formerly served as their head office. The expansion program proposed four stages of construction, broken into alphabetized lots to divide the work. The construction was to consist of work on underground utilities, the building of each lot, and changes to the roads surrounding the plant. At the same time, Parkin Architects Planners was building IBM's new headquarters on the same property (see project series AP018.S1.1965.PR03 described in this fonds). The project is recorded through reprographic copies of drawings dating from 1969-1970, which consist of construction drawings and as built drawings.
Niveau de description archivistique:
Project
Project
Date:
1969-1970
1969-1970
Personnes et institutions:
