archives
Niveau de description archivistique:
Fonds
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
2001-2016
Documents d’archives de Preston Scott Cohen pour le projet Eyebeam
Actions:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
archives
Niveau de description archivistique:
Fonds
2001-2016
Série(s)
Awards
AP144.S9
Description:
Series contains textual records that document two honours received by Cedric Price, one, an Honorable Mention for the Shinkenchiku Residential Design Competition (1990), titled 'The House is an Electronics Device for Living', and the other, the Austrian Frederick Kiesler Award for Architecture and Art, awarded to Cedric Price in 2002.
1990, 2002
Awards
Actions:
AP144.S9
Description:
Series contains textual records that document two honours received by Cedric Price, one, an Honorable Mention for the Shinkenchiku Residential Design Competition (1990), titled 'The House is an Electronics Device for Living', and the other, the Austrian Frederick Kiesler Award for Architecture and Art, awarded to Cedric Price in 2002.
Series
1990, 2002
photographies
Quantité:
99 slide(s)
Museums
ARCH218366
Description:
including Barnes Museum Minneapolis, Albright Knox Art Gallery Buffalo N.Y., PEI Everson Museum Syracuse and Brooklyn Children's Museum
Museums
Actions:
ARCH218366
Description:
including Barnes Museum Minneapolis, Albright Knox Art Gallery Buffalo N.Y., PEI Everson Museum Syracuse and Brooklyn Children's Museum
photographies
Quantité:
99 slide(s)
PHCON2003:0005:031
Description:
Inscriptions read: "79046 Carnegie Museum of Art"; "GMC Film - 10"; "Pier 52, Betsy Sussler"; "GMC ESTATE ORIGINAL #31."
1975
Super 8 film recording of Day's End
Actions:
PHCON2003:0005:031
Description:
Inscriptions read: "79046 Carnegie Museum of Art"; "GMC Film - 10"; "Pier 52, Betsy Sussler"; "GMC ESTATE ORIGINAL #31."
1975
documents textuels
DR2012:0015:021:003
Description:
File containing documents in French, including correspondence (primarily printouts of emails and faxes) regarding an interview with Melvin Charney conducted by Catherine Millet of Art Press, press clippings, and waybills. The interview is included in the original French, and in English translation. Original folder inscribed in graphite: ART PRESS
1986, 1991-2004
Press clippings related to Melvin Charney
Actions:
DR2012:0015:021:003
Description:
File containing documents in French, including correspondence (primarily printouts of emails and faxes) regarding an interview with Melvin Charney conducted by Catherine Millet of Art Press, press clippings, and waybills. The interview is included in the original French, and in English translation. Original folder inscribed in graphite: ART PRESS
documents textuels
1986, 1991-2004
documents textuels
PHCON2002:0016:002:073
Description:
Tirstam Holland (Studio Vista Publishers) asks for colour transparencies of Subway Graffiti for Frank Popper's book, Art and Environment.
22 October 1973
Letter from Tristam Holland to Gordon Matta-Clark
Actions:
PHCON2002:0016:002:073
Description:
Tirstam Holland (Studio Vista Publishers) asks for colour transparencies of Subway Graffiti for Frank Popper's book, Art and Environment.
documents textuels
22 October 1973
dessins
AP140.S2.SS1.D60.SD2.P30
Description:
site and floor plans, elevations, sections, axonometrics and perspectives for the Museum of Modern Sculpture and Museum of New Art
circa 1979-1988
Site and floor plans, elevations, sections, axonometrics and perspectives, Tate Gallery New Museums, London, United Kingdom
Actions:
AP140.S2.SS1.D60.SD2.P30
Description:
site and floor plans, elevations, sections, axonometrics and perspectives for the Museum of Modern Sculpture and Museum of New Art
dessins
circa 1979-1988
recherche
Processes and Structures: the Art and Science of Nature in Nature
mars 2004 au avril 2004
Chercheurs Mellon 2004
Actions:
Description:
Processes and Structures: the Art and Science of Nature in Nature
recherche
mars 2004 au
avril 2004
Projet
AP164.S1.1991.D4
Description:
The project series documents repurposing a commercial space for an art gallery on Castello Street, Madrid, Spain. The project was done for the account of D. Santiago Sánchez Tapia. The firm identified this project as number 74. Documenting this project are conceptual, design development and working drawings, project descriptions, specifications and budgets.
circa 1991
Galería de Arte Castello, Madrid, Spain (1991)
Actions:
AP164.S1.1991.D4
Description:
The project series documents repurposing a commercial space for an art gallery on Castello Street, Madrid, Spain. The project was done for the account of D. Santiago Sánchez Tapia. The firm identified this project as number 74. Documenting this project are conceptual, design development and working drawings, project descriptions, specifications and budgets.
Project
circa 1991
Sous-série
L'anarchitetto (1973)
AP207.S3.SS01
Description:
The sub-series documents the publication "L'anarchitetto”, written by Pettena and published by Guaraldi, in Florence, in 1973. The book consists of an essay in which Pettena describes himself as an "anarchitect" as he sees architecture more as a metaphor of the creative condition that starts with the intention of "making architecture" but ends up making art. He also states his refusal to "to recognize the borders between disciplines." [1] The sub-series contains pictures of Pettena's projects to be selected from for the book and scans of "L'anarchitetto”. Sources: Pettena, Gianni. "L'an architetto : portrait of the artist as a young architect", Guaraldi, Florence, 1973, 57 pages. [1] FRAC Centre-Val de Loire website, http://www.frac-centre.fr/_en/art-and-architecture-collection/rub/rubauthors-316.html?authID=148 (last accessed 30 January 2020).
2001-2010
L'anarchitetto (1973)
Actions:
AP207.S3.SS01
Description:
The sub-series documents the publication "L'anarchitetto”, written by Pettena and published by Guaraldi, in Florence, in 1973. The book consists of an essay in which Pettena describes himself as an "anarchitect" as he sees architecture more as a metaphor of the creative condition that starts with the intention of "making architecture" but ends up making art. He also states his refusal to "to recognize the borders between disciplines." [1] The sub-series contains pictures of Pettena's projects to be selected from for the book and scans of "L'anarchitetto”. Sources: Pettena, Gianni. "L'an architetto : portrait of the artist as a young architect", Guaraldi, Florence, 1973, 57 pages. [1] FRAC Centre-Val de Loire website, http://www.frac-centre.fr/_en/art-and-architecture-collection/rub/rubauthors-316.html?authID=148 (last accessed 30 January 2020).
Subseries
2001-2010