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''Peter Shire’s Grand Tour: A Snapshot of Design History, 1980–1989'', edited by Christoph Radl, is a deeply personal photo diary chronicling the decade of Memphis—‘the last design revolution’, headed by maestro Ettore Sottsass, the leaning tower of Italian design. Peter didn’t know it at the time, but his snapshots of Italy in the ‘80s (with a sidequest to Vienna) were(...)
Peter Shire's Grand Tour: A snapshot of design history 1980-1989
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''Peter Shire’s Grand Tour: A Snapshot of Design History, 1980–1989'', edited by Christoph Radl, is a deeply personal photo diary chronicling the decade of Memphis—‘the last design revolution’, headed by maestro Ettore Sottsass, the leaning tower of Italian design. Peter didn’t know it at the time, but his snapshots of Italy in the ‘80s (with a sidequest to Vienna) were the serendipitous beginning, middle, and end of something big. ''Peter Shire’s Grand Tour'' pairs candid pictures with personal interludes to trace the heady, unpolished brilliance of a movement before it knew what it was. With the unwitting eye of a tourist-turned-historian, Peter’s camera captured it all—from Caravaggio at the Uffizi to storefronts of women’s lingerie shops and beautiful sunsets, alongside rogue selfies and a cast of Memphis Group legends including Ettore Sottsass, Alessandro Mendini, and Matteo Thun.
Design, monographies
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Debrisphere is a yet-unnamed stratum of Earth's crust, a supra-stratum of the Lithosphere. It contains the worldwide man-made landscapes: the artificial mountains of Germany, the “blooming deserts” of Israel, the military coral reefs of China and the United States, and other similar constructions around the world resulted from, or still serving, conflict and war. The(...)
Debrisphere: Landscape as an extension of the military imagination
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Debrisphere is a yet-unnamed stratum of Earth's crust, a supra-stratum of the Lithosphere. It contains the worldwide man-made landscapes: the artificial mountains of Germany, the “blooming deserts” of Israel, the military coral reefs of China and the United States, and other similar constructions around the world resulted from, or still serving, conflict and war. The artist's book by Anca Benera and Arnold Estefan is published as an extension to their eponymous installation, presented for the first time in the frame of “Natural Histories. Traces of the Political” exhibition at MUMOK Vienna in 2017. Alongside the artists' case studies, which include Ariel Sharon Park, Teuflesberg, Diego Garcia, Johnston Atoll and the Spartly Islands, the publication includes four republished texts by Andrew Chubb, Hito Steyerl and Eyal Weizman, and newly commissioned texts by Noit Banai, Maja & Reuben Fowkes and Raluca Voinea.
L'écologie de l'architecure
Unbuildable Tatlin?!
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Vladimir Tatlin’s Monument for the III. International (1919) is certainly one of the most significant projects of Soviet Constructivism. It is, however, not at all certain whether “Tatlin’s Tower” could even be built at all at the time it was originally planned. And whether it would be constructed today with the presently available means and possibilities of planning,(...)
Unbuildable Tatlin?!
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Vladimir Tatlin’s Monument for the III. International (1919) is certainly one of the most significant projects of Soviet Constructivism. It is, however, not at all certain whether “Tatlin’s Tower” could even be built at all at the time it was originally planned. And whether it would be constructed today with the presently available means and possibilities of planning, calculating and processing materials is equally uncertain. The seminar on Structural Design 3 (Prof. Klaus Bollinger) focused on these reflections at the Institute of Architecture at the University of Applied Arts Vienna. The preliminary answers and assumptions are summed up in the present volume. Complementing the works by students, texts by Klaus Bollinger, Frank Werner, Florian Medicus, Gabriele Werner, Georg Glaeser and Frank Gruber provide an overview of the theoretical, historical, constructive and geometric relevance of Vladimir Tatlin’s work and the architect’s intentions.
livres
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Landscape architecture is a unique discipline where art, nature and the city converge and enter into an exciting dialogue. In the USA, the country of vast open plains and spacious towns, the great tradition of life in confrontation with nature plays an equally (...)
On the nature of things : contemporary american landscape architecture
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Landscape architecture is a unique discipline where art, nature and the city converge and enter into an exciting dialogue. In the USA, the country of vast open plains and spacious towns, the great tradition of life in confrontation with nature plays an equally important role in landscape architecture as the acute problems of the built environment or social problems within the community. Design methods and practise in landscape architecture form the focus of this book, complemented by an analysis of the theoretical aspects of the subject. Perceptive portraits of 13 offices span the whole breadth of landscape design, from the post-ecological utopia of Michael Sorkin (New York/Vienna) to the urban pragmatism of the Roma Design group (San Francisco), from the ecological approach of the Philadelphia group Andropogon, also active in Japan, to the minimalist landscape art of Kathryn Gustafson (Seattle/London/Paris).
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janvier 2001, Basel
Jardins
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The Wiener Werkstätte, founded in Vienna in 1903 by Josef Hoffmann and Koloman Moser, became the international trademark for art as well as arts-and-crafts in the twentieth century. The history of the Wiener Werkstätte is told in this volume, which features historic photographs (some of them published for the first time here), documents and original texts selected by(...)
Yearning for beauty : the Wiener Werkstätte and the Stoclet House
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The Wiener Werkstätte, founded in Vienna in 1903 by Josef Hoffmann and Koloman Moser, became the international trademark for art as well as arts-and-crafts in the twentieth century. The history of the Wiener Werkstätte is told in this volume, which features historic photographs (some of them published for the first time here), documents and original texts selected by experts from the MAK (where the Wiener Werkstätte archives have been housed since 1955). Full-page illustrations feature outstanding examples of Wiener Werkstätte objects, covering architecture, furniture, ceramics, glass, books, posters, postcards, carpets, jewelry, fashion and print design. The book also focuses on the innovative "total concept" used by this avant-garde association to establish an early "consumer culture," since the Werkstätte was one of the first organizations to develop a corporate identity that followed a product through every stage from concept and development to marketing.
Design d’intérieur
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In this wide-ranging account of art, design, and architecture in the complex Central Europe of the Austro-Hungarian Empire during its momentous last decades, Elizabeth Clegg achieves an integration of political and cultural developments. Comparing the situation in eight cities—among them Vienna, Prague, Budapest, Cracow, and Zagreb—the author highlights contrasts,(...)
avril 2006, New Haven, London
Art, design & archtiecture in Central Europe, 1890-1920
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In this wide-ranging account of art, design, and architecture in the complex Central Europe of the Austro-Hungarian Empire during its momentous last decades, Elizabeth Clegg achieves an integration of political and cultural developments. Comparing the situation in eight cities—among them Vienna, Prague, Budapest, Cracow, and Zagreb—the author highlights contrasts, rivalries, parallels, and interconnections across this colorful and important region. The book deals with all the chief ethnic/national categories of Austria-Hungary and embraces all the visual arts. Focusing on their public display, appraisal, and consumption, Clegg shows how the harmonious/antagonistic coexistence of institutions, publications, and events gave rise to the dynamic art life of a period that would end in a turning point for Central Europe. As revealed, this was a time and place marked by a simultaneous fear and celebration of ethnic, linguistic, and cultural diversity that has enormous international resonance a century later.
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Drawn from the contributions to the 9th international “Consciousness Reframed” research conference held at University of Applied Arts Vienna in 2008, this publication aims for a timely re-definition of contemporary syncretic inquiries into the fields of art, science, technology and society through theory and practice alike, reframing the concept of innovation in its(...)
New realities: being syncretic
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Drawn from the contributions to the 9th international “Consciousness Reframed” research conference held at University of Applied Arts Vienna in 2008, this publication aims for a timely re-definition of contemporary syncretic inquiries into the fields of art, science, technology and society through theory and practice alike, reframing the concept of innovation in its relationship to progress and change within the context of perception and its transformation. It comprises a wide range of outstanding expertise and insights of artists, architects, performers, musicians, writers, scientists, and scholars. Among the authors from at least 20 countries are most prominently Roy Ascott, Gerald Bast, Jim Gimzewski, Pierre Lévy, Ryohei Nakatsu, Michael Punt, Ruth Schnell, Barbara Maria Stafford, Alfred Vendl, Victoria Vesna and Peter Weibel. The publication includes full papers and a DVD, edited by Ruth Schnell, with short video extracts of the event and accompanying visual reference.
Théorie de l’architecture
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Eastern modernist architecture of the 60s and 70s is moving away from the specialized focus of international architecture debates and becoming a subject of discussion within the broader context of general interest. The excellent photos in the book convey the flair of an era in which planning was obviously the product of a collective vision, more so than is the case today.(...)
décembre 2007, New York
Eastmodern : architecture and design of the 1960s and 1970 in Slovakia
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Eastern modernist architecture of the 60s and 70s is moving away from the specialized focus of international architecture debates and becoming a subject of discussion within the broader context of general interest. The excellent photos in the book convey the flair of an era in which planning was obviously the product of a collective vision, more so than is the case today. The photographic and documentation project compiled by Herta Hurnaus, who lives in Vienna, and the architects Benjamin Konrad and Maik Novotny analyzes the work of prominent Slovakian architects of the time in a photographic documentary and an "oral history. The monumental prestigious buildings are above all the most impressive at first glance, with their features that display parallels to the sculptural designs of popular contemporary offices. The illustrated book contains short interviews in an appendix and address architects and all those who are fascinated the aesthetic of the time.
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More high-rise residential buildings have been built in the last two decades than at any other time before. Even in Europe, where historically a typical city’s most prominent vertical accents came from chimneys and church steeples, towering buildings are increasingly shaping the urban landscape. In Vertical Europe, Andrea Glauser looks at new architectural trends in(...)
Vertical Europe: the sociology of high-rise construction
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More high-rise residential buildings have been built in the last two decades than at any other time before. Even in Europe, where historically a typical city’s most prominent vertical accents came from chimneys and church steeples, towering buildings are increasingly shaping the urban landscape. In Vertical Europe, Andrea Glauser looks at new architectural trends in London, Paris, and Vienna, as well as the promises, desires, and fears associated with them in the minds of these cities’ residents. Her book is the first full-length sociological examination of the recent skyward growth in urban Europe, bringing together debates on high-rise architecture from fields including urban planning, geography, and art history. She contextualizes this vertical construction as an area wrought with tensions between these European cities’ desire to keep pace with global competition while still retaining the specific architectural qualities that have defined them for centuries.
Théorie de l’urbanisme
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In the late 1960s the world was faced with impending disaster: the height of the Cold War, the end of oil and the decline of great cities throughout the world. Out of this crisis came a new generation that hoped to build a better future, influenced by visions of geodesic domes, walking cities and a meaningful connection with nature. In this work of cultural history,(...)
Last futures: natures, technology and the end of architecture
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In the late 1960s the world was faced with impending disaster: the height of the Cold War, the end of oil and the decline of great cities throughout the world. Out of this crisis came a new generation that hoped to build a better future, influenced by visions of geodesic domes, walking cities and a meaningful connection with nature. In this work of cultural history, architect Douglas Murphy traces the lost archeology of the present day through the works of thinkers and designers such as Buckminster Fuller, the ecological pioneer Stewart Brand, the Archigram architects who envisioned the Plug-In City in the ’60s, as well as co-operatives in Vienna, communes in the Californian desert and protesters on the streets of Paris. In this mind-bending account of the last avant-garde, we see not just the source of our current problems but also some powerful alternative futures.
L'écologie de l'architecure