Piranesi and the modern age
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The etchings of the Italian printmaker, architect, and antiquarian Giovanni Battista Piranesi (1720–78) have long mesmerized viewers. But, as Victor Plahte Tschudi shows, artists and writers of the modern era found in these works—Piranesi's visions of contradictory space, endless vistas, and self-perpetuating architecture—a formulation of the modern. In this volume,(...)
Piranesi and the modern age
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The etchings of the Italian printmaker, architect, and antiquarian Giovanni Battista Piranesi (1720–78) have long mesmerized viewers. But, as Victor Plahte Tschudi shows, artists and writers of the modern era found in these works—Piranesi's visions of contradictory space, endless vistas, and self-perpetuating architecture—a formulation of the modern. In this volume, Tschudi explores the complex appropriation and continual rediscoveries of Piranesi by modern literature, photography, art, film, and architecture. Tracing the ways that the modern age constructed itself and its origin through Piranesi across genres, he shows, for example, how Piranesi's work formulates the ideas of “contrast” in photography, “abstraction” in painting and “montage” in cinema. Tschudi's exploration of Piranesi's influence on modern architectural discourse includes interviews with such distinguished architects as Peter Eisenman, Bernard Tschumi, Steven Holl, and Rem Koolhaas.
Théorie de l’architecture
livres
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Photography Changes Everything offers a provocative rethinking of photography’s impact on our culture and our daily lives. Compiling hundreds of images and responses from leading authorities on photography, it offers a brilliant, reader-friendly exploration of the many ways in which photographs package information and values, demand and hold attention, and shape our(...)
Photography changes everything
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Photography Changes Everything offers a provocative rethinking of photography’s impact on our culture and our daily lives. Compiling hundreds of images and responses from leading authorities on photography, it offers a brilliant, reader-friendly exploration of the many ways in which photographs package information and values, demand and hold attention, and shape our knowledge of and experience in the world. The volume draws on the extraordinary visual assets of the Smithsonian Institution’s museums, science centers and archives to launch an unprecedented interdisciplinary dialogue on photography’s capacity to shape and change our experience of the world. This publication features over 300 images and nearly 100 engaging short texts commissioned from experts, writers, inventors, public figures and others--from Hugh Hefner to John Baldessari, John Waters, Robert Adams, Sandra Phillips and many others. Each story responds to images selected by project contributors.
livres
juillet 2012
Théorie de la photographie
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The 13th edition of the Flanders Architectural Review brings together the most high-profile examples of recent architecture in Flanders. Like the mustard factory on the cover, the selected buildings raise questions about the significance of form in architecture. Almost fifty projects are covered by means of extensive plans and photos and they give rise to a critical(...)
Flanders Architectural Review 13: This is a mustard factory
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The 13th edition of the Flanders Architectural Review brings together the most high-profile examples of recent architecture in Flanders. Like the mustard factory on the cover, the selected buildings raise questions about the significance of form in architecture. Almost fifty projects are covered by means of extensive plans and photos and they give rise to a critical reflection on current developments in Flemish architecture. The book includes articles that deal with such topics as the poetry of utility buildings, the responsibility of architecture for the landscape, the exploration of a new scale and the individual character of Flemish architecture abroad. What the visual essays by four leading photographers have in common is a serious interest in the concrete physical experience. They view the architectural object not as something static, but as a beckoning space that should be explored, studied, tried and tested.
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Depuis 40 ans, la France connaît un boom des musées et des expositions blockbusters qui va de pair avec un accroissement continu de la fréquentation des publics. Les défis et les enjeux sont grands pour les musées aujourd'hui, dans un contexte où les logiques marchandes sont toujours plus poussées. Or, les musées restent avant tout des lieux de diffusion de la(...)
Les musées sont-ils condamnés à séduire ?
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Depuis 40 ans, la France connaît un boom des musées et des expositions blockbusters qui va de pair avec un accroissement continu de la fréquentation des publics. Les défis et les enjeux sont grands pour les musées aujourd'hui, dans un contexte où les logiques marchandes sont toujours plus poussées. Or, les musées restent avant tout des lieux de diffusion de la connaissance qui réinventent continuellement leurs formes et leurs supports de médiation. Multimédias, cartels, audioguides ou fascicules d'aide à la visite peuplent l'espace muséal et façonnent le discours muséographique, qui n'est au fond que l'expression d'un point de vue sur une question (d'art, de société, scientifique) et une manière d'accompagner les visiteurs dans leur exploration des collections. « Les musées sont-ils condamnés à séduire ? Et autres écrits muséologiques » est un recueil de textes de Daniel Jacobi faisant l'inventaire de 40 ans de recherche.
Muséologie
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Paul Rudolph (1918–1997) authored some of Modernism's most powerful designs and served as an influential educator while chair of Yale's School of Architecture. His early residential work in Sarasota, Florida, garnered international attention, and his later exploration of Brutalist materials and forms, most famously embodied in his Yale Art & Architecture Building (1963),(...)
Paul Rudolph: inspiration and process in architecture
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Paul Rudolph (1918–1997) authored some of Modernism's most powerful designs and served as an influential educator while chair of Yale's School of Architecture. His early residential work in Sarasota, Florida, garnered international attention, and his later exploration of Brutalist materials and forms, most famously embodied in his Yale Art & Architecture Building (1963), earned Rudolph both notoriety and acclaim. Many of the dynamic drawings included in this collection — selected from the architect's archive housed in the Library of Congress — illustrate his highly emotive hand and deft drafting skill. They include his designs for Tuskegee University Chapel, Interama, Lower Manhattan Expressway, his analysis of Mies van der Rohe's Barcelona Pavilion, and his own inventive penthouse on Beekman Place in New York City. A Rudolph interview, conducted in 1986, and a newly commissioned introductory essay provide context for the drawings.
Architecture, monographies
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In Alan Huck’s image-text book, "?I walk toward the sun which is always going down," an unnamed narrator wanders a city in the American Southwest, where their observations and encounters become catalysts for rumination on a wide range of subjects. Shifting between photographs of the city’s peripheries and an interior monologue written in first-person, fragmentary prose,(...)
I walk toward the sun which is always going down
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In Alan Huck’s image-text book, "?I walk toward the sun which is always going down," an unnamed narrator wanders a city in the American Southwest, where their observations and encounters become catalysts for rumination on a wide range of subjects. Shifting between photographs of the city’s peripheries and an interior monologue written in first-person, fragmentary prose, this hybrid essay draws on the ambulatory works of writers such as W.G. Sebald and Annie Dillard, both of whom are incorporated into the network of literary and cultural references interwoven throughout the book’s text. Part metafiction about the working process of a photographer and part cross-disciplinary exploration of one’s relationship to a particular place, the author utilizes the essential indeterminacy of both photography and written language to craft an exercise in attention that moves seamlessly between the two mediums.
Monographies photo
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Over the course of eight days in December 2021, Danny Fox and Kingsley Ifill travelled across the length of the British Isles and back again. Setting off from near Dover, Kent, and making their way up the east coast as far as the Isle of Skye, Scotland, to then return by way of the West Midlands, Wales and many others locations on route. With no predetermined course,(...)
Monographies photo
septembre 2022
Kingsley Ifill & Danny Fox: Holy Island
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Over the course of eight days in December 2021, Danny Fox and Kingsley Ifill travelled across the length of the British Isles and back again. Setting off from near Dover, Kent, and making their way up the east coast as far as the Isle of Skye, Scotland, to then return by way of the West Midlands, Wales and many others locations on route. With no predetermined course, their journey was one of intuition and self-led discovery, encountering and documenting the reality of the British landscape unfurling ahead of them. Composed of a series of fifty collaborative works on paper which bring together photography by Ifill and paintings by Fox, ''Holy island'' is a visual travelogue of their time spent together: an exploration into the cross-section of rural and urban fabric that makes up Britain today.
Monographies photo
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'Nelle miniere di Iglesias / Into the Mines of Iglesias' is the first part of an exploration that focuses on soil, excavations, incisions, mutations, transpositions and silence of Sulcis-Iglesiente, a territory marked by an industrial history. A wandering through time and space of a region «built», transformed, crossed by different types of works, infrastructures,(...)
Voyages en Sardaigne : Nelle miniere di Iglesias / Into the Mines of Iglesias
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'Nelle miniere di Iglesias / Into the Mines of Iglesias' is the first part of an exploration that focuses on soil, excavations, incisions, mutations, transpositions and silence of Sulcis-Iglesiente, a territory marked by an industrial history. A wandering through time and space of a region «built», transformed, crossed by different types of works, infrastructures, relationships between things. These signs, these scars, are today the distinctive features of an extraordinary mining landscape. A space to discover through visual and textual narration. 'Voyages en Sardaigne' is a collection of unconventional thematic guides on this island in the middle of the Mediterranean. They offer to the reader different ways of observation and restitution of its territory, always characterized by an uncertain temporality: the present and the past merge to build a unique landscape, far from the convulsive setting of the contemporaneity. Photographs by Giaime Meloni.
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This publication explores the rich story of Upper Lawn’s construction and inhabitation by revisiting the small book Alison Smithson created with architect Enric Miralles in 1986. Here, the book’s contents, including diary entries, photographs, drawings, and references, are republished in full in a new design, expanded by extensive new materials from the Smithson archive.(...)
Alison and Peter Smithson: Upper lawn, solar pavilion
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This publication explores the rich story of Upper Lawn’s construction and inhabitation by revisiting the small book Alison Smithson created with architect Enric Miralles in 1986. Here, the book’s contents, including diary entries, photographs, drawings, and references, are republished in full in a new design, expanded by extensive new materials from the Smithson archive. Together, these documents describe the building’s lived life, picturing it as a ledger of wear and use, a means of private and professional exploration, and a lens onto the passage of time inside and outside its walls. This book places Upper Lawn at the heart of the Smithsons’ practice, revealing its own quiet philosophy and ethics of architecture. This new book has been edited in collaboration with the Smithson Family Collection and includes an introductory essay by Paul Clarke, Professor of Architectural Design at the Belfast School of Architecture.
Architecture, monographies
Cairo desert cities
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Since the 1950s, Egypt has developed a dozen new towns in the desert around Cairo. This book offers the first systematic exploration of these cities, analyzing their urban form, their promise, and their shortcomings. Originally intended to satisfy growing demand for housing, most of the desert towns have never been completed. Taking this permanent condition of emerging(...)
Théorie de l’urbanisme
janvier 2018
Cairo desert cities
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Since the 1950s, Egypt has developed a dozen new towns in the desert around Cairo. This book offers the first systematic exploration of these cities, analyzing their urban form, their promise, and their shortcomings. Originally intended to satisfy growing demand for housing, most of the desert towns have never been completed. Taking this permanent condition of emerging urban development at face value, the study aims to identify the as-yet dormant potential of these towns through a series of design scenarios. Cairo Desert Cities underscores the value of re-engaging in modernist town planning, for wiping away the dust of past failures may uncover the contours of future opportunities. With over 300 illustrations, this clothbound edition is an engaging and visually rich introduction to the urban development of Greater Cairo, the largest urban area in Africa, and the practices that have shaped it.
Théorie de l’urbanisme