n+1 #51
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New AI & I literature. Relate, revolt! Does Trump hate art? Idiocracy now. The new faces of ICE. Fiction by Elizabeth Schambelan.
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"Building trans communities" is an invitation to approach trans identities and political struggles around the world through two angles: their collective dimension and their forever escape from clear-cut definitions, in particular those emerging from the West. Contributions includes reflections about/from Colombia (La Liga de Salud Trans), colonized Casablanca and Cairo(...)
The Funambulist n.62 EN : Building trans communities
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"Building trans communities" is an invitation to approach trans identities and political struggles around the world through two angles: their collective dimension and their forever escape from clear-cut definitions, in particular those emerging from the West. Contributions includes reflections about/from Colombia (La Liga de Salud Trans), colonized Casablanca and Cairo (Beshouy Botros), Britain (Mijke van der Drift and Nat Raha), India (Shripad Sinnakaar), newly independent Malaysia (Hoo Fan Chon and William Tham), Mexico (Mikaelah Drullard), and the US (Dean Spade and Ohan Breiding).
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Apartamento 36
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Featuring: Noreen Masud on Charleston House, Louis Fratino, Dea Kulumbegashvili, Zizipho Poswa, Valerie Giampietro & Alessandro Cicoria, Ignasi Monreal, Graciela Iturbide, the Lijadu Sisters, Takashi Homma, Simon Costin, Christian Kerez, Isamaya Ffrench, Moki Cherry’s Schoolhouse, Konstantin Kakanias & Joe Pickman, Anita Vitale, and Lourdes Castro.
Apartamento 36
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Featuring: Noreen Masud on Charleston House, Louis Fratino, Dea Kulumbegashvili, Zizipho Poswa, Valerie Giampietro & Alessandro Cicoria, Ignasi Monreal, Graciela Iturbide, the Lijadu Sisters, Takashi Homma, Simon Costin, Christian Kerez, Isamaya Ffrench, Moki Cherry’s Schoolhouse, Konstantin Kakanias & Joe Pickman, Anita Vitale, and Lourdes Castro.
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This issue of ''Harvard Design Magazine'' seeks to develop and expand this increasingly vital movement, engaging reuse across multiple scales—from individual buildings to downtown streets and the regulatory frameworks that organize our cities. Highlighting creative and interdisciplinary thinking, the issue promotes the act of bringing new life to what already exists as a(...)
Harvard Design Magazine no.53: Reuse and repair
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This issue of ''Harvard Design Magazine'' seeks to develop and expand this increasingly vital movement, engaging reuse across multiple scales—from individual buildings to downtown streets and the regulatory frameworks that organize our cities. Highlighting creative and interdisciplinary thinking, the issue promotes the act of bringing new life to what already exists as a powerful brief for designers, their clients, and the communities they serve. As resistance to viewing the reuse and repair of buildings as a legitimate form of design wanes, the appeal at the heart of Sandburg’s poem—“let us find a city”—is hopefully capturing the attention of future generations. This issue asks: If we free ourselves from the inherited limits on design practice, what new kinds of architecture, cities, and ways of being might we create?
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GA Houses 200
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‘GA Houses’ documents outstanding new residential architecture from all over the world. With projects by Steven Holl, Chenchow Little, nanometer architecture, Phorm architecture + design, Maki Onishi + Yuki Hyakuda, Yolodi + Maria Architects, Wiyoga Nurdiansyah, Yo Shimada, Nielsen Jenkins, and Taichi Mitsuya.
GA Houses 200
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‘GA Houses’ documents outstanding new residential architecture from all over the world. With projects by Steven Holl, Chenchow Little, nanometer architecture, Phorm architecture + design, Maki Onishi + Yuki Hyakuda, Yolodi + Maria Architects, Wiyoga Nurdiansyah, Yo Shimada, Nielsen Jenkins, and Taichi Mitsuya.
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This issue’s main feature focuses on the circular economy, a topical theme explored through works by Herzog & de Meuron, BeAr, and Harquitectes, among others, and commentary by architect Mireia Luzárraga of Barcelona-based TAKK studio. In connection with this subject there is a conversation with the curators of the Spanish Pavilion at the Venice Biennale, Manuel Bouzas(...)
AV Proyectos 130 : Circular economy
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This issue’s main feature focuses on the circular economy, a topical theme explored through works by Herzog & de Meuron, BeAr, and Harquitectes, among others, and commentary by architect Mireia Luzárraga of Barcelona-based TAKK studio. In connection with this subject there is a conversation with the curators of the Spanish Pavilion at the Venice Biennale, Manuel Bouzas and Roi Salgueiro. In addition, the construction of the new building by OFFICE Kersten Geers David Van Severen for Swiss Radio and Television in Lausanne is covered, plus an illustrated travelogue of editor Luis Fernández-Galiano’s recent trip to China with Gong Dong, head of Vector Architects.
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Experimental and radical, material and gestural are adjectives that could define the suggestive projects of the studio led by Anne Holtrop (Netherlands, 1977). On the border between art and architecture, his work avoids typological reference and is built from unexpected elements: topography, trail layouts, material molds, textures extracted from everyday objects, or(...)
AV Monographs 277: Studio Anne Holtrop
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Experimental and radical, material and gestural are adjectives that could define the suggestive projects of the studio led by Anne Holtrop (Netherlands, 1977). On the border between art and architecture, his work avoids typological reference and is built from unexpected elements: topography, trail layouts, material molds, textures extracted from everyday objects, or traces of natural processes that become the starting point for architectural definition. AV Monographs presents this intuitive practice through a selection of works and projects – with an introduction by Adrian Lahoud –, which take stock too of the life course of their author: from the beginnings at his home country to the move to the Persian Gulf.
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The eighth issue of Errant Journal questions the ways in which hegemonic culture and discourse tends to prioritize the ideal of openness, access, transparency, and visibility. Delving into topics such as face coverings, ‘'coming out'’ in queer discourses, the use of opacity in transformative justice, and different strategies of (visual) resistance, ‘'Against Visibility'’(...)
Errant Journal #8 : Against visibility (or, the right to opacity)
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The eighth issue of Errant Journal questions the ways in which hegemonic culture and discourse tends to prioritize the ideal of openness, access, transparency, and visibility. Delving into topics such as face coverings, ‘'coming out'’ in queer discourses, the use of opacity in transformative justice, and different strategies of (visual) resistance, ‘'Against Visibility'’ can be read as a proposition of refusal of the paradigm of visibility and access that permeates all areas of western thinking. At a moment in which representation and uncovering ‘'lost'’ histories are trending, Errant asks what is being erased in a world where everything must always be visible. When Édouard Glissant proclaimed the right to opacity, he sought not to be reduced or to be measured against an ideal scale in order to be understood and accepted. Expanding from this, ''Against Visibility'' looks into the ways in which unlearning imperialism also includes unlearning the ideal of visibility itself.
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Al Hayya issue 4
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The free people of the world are organizing, moving toward what many refer to today as the global revolution. In Gaza, the genocide pins the infinity of time, trapping it within the loneliness of each minute. This fight, and how we wage it, will determine whether we are worthy of the land’s forgiveness, and whether she will grant us passage into the future or consume us(...)
Al Hayya issue 4
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The free people of the world are organizing, moving toward what many refer to today as the global revolution. In Gaza, the genocide pins the infinity of time, trapping it within the loneliness of each minute. This fight, and how we wage it, will determine whether we are worthy of the land’s forgiveness, and whether she will grant us passage into the future or consume us all, once and forever. The fourth issue of Al Hayya focuses on Dreams of Liberation. It traces resistance as it takes shape inside the home, in the streets, across borders, and within the self. It examines how art, memory, and the rituals of everyday life carry defiance. It documents the weight and texture of struggle as both personal and collective. This issue features a rare interview with Palestinian revolutionary and PFLP member Leila Khaled. It also includes an in-depth conversation with Françoise Vergès on decolonial feminism and cultural resistance. Photo essays by Maen Hammad, Amal Al-Nakhala, Nader Bahsoun, Sarah Kontar, and Hannah La Follette Ryan document life under pressure, grief, exile, and survival.
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At first blush, there’s a clear distinction between the scope of work of architects and landscape architects. But that doesn’t always hold true. This month’s issue looks at a series of projects where the work of architecture and landscape architecture are tightly intertwined and interwoven.
Canadian Architect v.70 n.08 November 2025
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At first blush, there’s a clear distinction between the scope of work of architects and landscape architects. But that doesn’t always hold true. This month’s issue looks at a series of projects where the work of architecture and landscape architecture are tightly intertwined and interwoven.
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