43717 Résultats
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Miscellanea
Miscellanea
Numéro de référence:
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
Personnes et institutions:
Date:
[1800-1868]
[1800-1868]
Titre:
Miscellanea
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
Miscellanea
CI001.S1.D4
Description:
The three portfolios of "Croquis", originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles, are particularly informative of the range of artistic and architectural interests of these architects. While some of the drawings in these portfolios may be travel sketches or based on travel sketches (Charles is known to have visited some of the locations depicted (1)), the majority are probably copied or adapted from books and prints. In some cases, these sources have been identified. The stylistic range of the drawings is eclectic; in addition to the expected Classical material, Gothic, Romanesque, Islamic, Exotic Revival (namely Etruscan and Egyptian), Renaissance and Baroque periods and styles as well as contemporary 19th century architecture are all represented. The subject matter is equally varied. DR1974:0002:032:001-066, two portfolios, includes arabesque ornament (some from Palazzo del Te and Palazzo Ducal in Mantua (2)), Islamic ornament motifs, tile patterns, Sicilian architectural subjects - mainly church interiors, and stonework and woodwork from Romanesque and Gothic structures . DR1974:0002:031:001-055, three portfolios, contains drawings of classical figures, Christian imagery and architectural sculpture from antique, medieval [?] and 19th century sources, sculpture from the 16th century sepulchral monument of Maximillian I, Italian Classical structures and contemporary classically-inspired subject matter including a number of Parisian fountains and monuments, and several English townhouses. DR1974:0002:030:001-065, four portfolios, includes drawings of Classical, Gothic and Exotic Revival buildings and interiors as well as a number of drawings of non-architectural subject matter including military subjects - fortification, armaments, soldiers, and revolutionary battle scenes - and topographic views. A folder of Italian views and buildings in this portfolio may have been intended for publication. The designs for interiors, Empire furniture, garden structures and several of the buildings are probably original designs by Hubert. (1) A description of Charles' travels based on his sketchbooks held by the Académie d'architecture is found in Académie d'architecture, 'Catalogue des collection' (Paris: Académie d'architecture, 1988) 35-36 and 230-241. (2) These drawings were copied from Wilhelm Zahn, 'Gemalte Ornamente von Julio Romano' (s.l., s.n, ca. 1833)., The three portfolios of "Croquis" were originally attributed to Hubert Rohault de Fleury, but probably also including work by Charles. The source and purpose of many of these drawings is unclear; some may be record drawings and travel sketches or based on travel sketches, but the majority are probably copied or adapted from books and prints. The stylistic range and subject matter of the drawings is broad and eclectic: arabesques, Islamic ornament, stonework and woodwork from Romanesque and Gothic structures (DR1974:0002:032:001-066); classical and Christian imagery, architectural sculpture from antique, medieval [?] and 19th century sources, Italian Classical structures, nineteenth century classically-inspired subject matter (DR1974:0002:031:001-055); non-architectural subject matter including military subjects, topographic views, and Italian views and buildings, possibly intended for publication (DR1974:0002:030:001-065). Portfolio, DR1974:0002:030:001-065 also includes interiors, Empire furniture, garden structures and Classical, Gothic and Exotic Revival buildings, some of which are probably original designs by Hubert Rohault de Fleury. Bibliography: - Bergdoll, Barry. "Hubert Rohault de Fleury: Cinquième Partie: Équisses et Dessins d'Ornament." 'CCA Research Report.' n.d. - Académie d'architecture (France). 'Catalogue des collections' (Paris: L'Academie, 1988), 35-37 and 230-241.
Niveau de description archivistique:
File 4
File 4
Date:
[1800-1868]
[1800-1868]
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1988.D3
Description:
This project series documents the competition and the construction of a residential building including commercial space, near the motorway M-30, in Madrid, Spain (Arregui y Aruej and de Valderribas Streets). The firm worked with Antonio Rivera and Juan López. The firm identified this project as number 50. In 1988, Abalos & Herreros won first prize for this project at the competition organised by the firm Empresa Municipal de la Vivienda (EMV) from Madrid. In 1997, the firm also received an award from the Comunidad de Madrid for “healthy” housing. Documenting the project are conceptual, design development and working drawings, correspondence, notes, project descriptions, reference and photographic materials.
AP164.S1.1988.D3
Description:
This project series documents the competition and the construction of a residential building including commercial space, near the motorway M-30, in Madrid, Spain (Arregui y Aruej and de Valderribas Streets). The firm worked with Antonio Rivera and Juan López. The firm identified this project as number 50. In 1988, Abalos & Herreros won first prize for this project at the competition organised by the firm Empresa Municipal de la Vivienda (EMV) from Madrid. In 1997, the firm also received an award from the Comunidad de Madrid for “healthy” housing. Documenting the project are conceptual, design development and working drawings, correspondence, notes, project descriptions, reference and photographic materials.
Personnes et institutions:
Date:
1987-1997
1987-1997
Titre:
Viviendas, locales y garajes en la M-30, Madrid, Spain (1988)
Actions:
AP164.S1.1988.D3
Description:
This project series documents the competition and the construction of a residential building including commercial space, near the motorway M-30, in Madrid, Spain (Arregui y Aruej and de Valderribas Streets). The firm worked with Antonio Rivera and Juan López. The firm identified this project as number 50. In 1988, Abalos & Herreros won first prize for this project at the competition organised by the firm Empresa Municipal de la Vivienda (EMV) from Madrid. In 1997, the firm also received an award from the Comunidad de Madrid for “healthy” housing. Documenting the project are conceptual, design development and working drawings, correspondence, notes, project descriptions, reference and photographic materials.
Viviendas, locales y garajes en la M-30, Madrid, Spain (1988)
Actions:
AP164.S1.1988.D3
Description:
This project series documents the competition and the construction of a residential building including commercial space, near the motorway M-30, in Madrid, Spain (Arregui y Aruej and de Valderribas Streets). The firm worked with Antonio Rivera and Juan López. The firm identified this project as number 50. In 1988, Abalos & Herreros won first prize for this project at the competition organised by the firm Empresa Municipal de la Vivienda (EMV) from Madrid. In 1997, the firm also received an award from the Comunidad de Madrid for “healthy” housing. Documenting the project are conceptual, design development and working drawings, correspondence, notes, project descriptions, reference and photographic materials.
Niveau de description archivistique:
Project
Project
Date:
1987-1997
1987-1997
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1988.D4
Description:
This project series documents the design for the Plaza de Opera, residential units and interchange, in Madrid, Spain. The firm identified this project as number 51. In 1988, Abalos & Herreros won second prize (ex-aequo) for this project at the national competition “De Opera: plaza, viviendas e intercambiador,” organised by the Colegio Oficial de Arquitectos de Madrid (C.O.A.M.). Abalos & Herreros worked with the following collaborators: Juan Manuel Fernández, Almudena García, Paloma Gómez, Jimena Robles, Miguel Santiago, Aurelio Cantero, José Maria Luzón and F. Javier Pascual. Documenting the project are design development and working drawings, one textual record and a model.
AP164.S1.1988.D4
Description:
This project series documents the design for the Plaza de Opera, residential units and interchange, in Madrid, Spain. The firm identified this project as number 51. In 1988, Abalos & Herreros won second prize (ex-aequo) for this project at the national competition “De Opera: plaza, viviendas e intercambiador,” organised by the Colegio Oficial de Arquitectos de Madrid (C.O.A.M.). Abalos & Herreros worked with the following collaborators: Juan Manuel Fernández, Almudena García, Paloma Gómez, Jimena Robles, Miguel Santiago, Aurelio Cantero, José Maria Luzón and F. Javier Pascual. Documenting the project are design development and working drawings, one textual record and a model.
Personnes et institutions:
Date:
circa 1988
circa 1988
Titre:
Propuesta para la Plaza de Ópera, Madrid, Spain (1988)
Actions:
AP164.S1.1988.D4
Description:
This project series documents the design for the Plaza de Opera, residential units and interchange, in Madrid, Spain. The firm identified this project as number 51. In 1988, Abalos & Herreros won second prize (ex-aequo) for this project at the national competition “De Opera: plaza, viviendas e intercambiador,” organised by the Colegio Oficial de Arquitectos de Madrid (C.O.A.M.). Abalos & Herreros worked with the following collaborators: Juan Manuel Fernández, Almudena García, Paloma Gómez, Jimena Robles, Miguel Santiago, Aurelio Cantero, José Maria Luzón and F. Javier Pascual. Documenting the project are design development and working drawings, one textual record and a model.
Propuesta para la Plaza de Ópera, Madrid, Spain (1988)
Actions:
AP164.S1.1988.D4
Description:
This project series documents the design for the Plaza de Opera, residential units and interchange, in Madrid, Spain. The firm identified this project as number 51. In 1988, Abalos & Herreros won second prize (ex-aequo) for this project at the national competition “De Opera: plaza, viviendas e intercambiador,” organised by the Colegio Oficial de Arquitectos de Madrid (C.O.A.M.). Abalos & Herreros worked with the following collaborators: Juan Manuel Fernández, Almudena García, Paloma Gómez, Jimena Robles, Miguel Santiago, Aurelio Cantero, José Maria Luzón and F. Javier Pascual. Documenting the project are design development and working drawings, one textual record and a model.
Niveau de description archivistique:
Project
Project
Date:
circa 1988
circa 1988
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1993.D6
Description:
The project series documents the competition entry for the plan and design of the “Dune Park,” in the Doñana National Park. The competition was organised by the Consejeria de Obras Públicas y Transportes, Junta de Andalucia, Spain. The firm identified this project as number 84. Abalos & Herreros worked with collaborators Ángel Borrego, Pilar González Santoyo and Rafael Hernández. The firm's entry proposed “[…] the most advanced experiences in preservation, restoration and reconversion of environmental heritage in the contemporary tourist offer : Access to the Dune Park and Matalascañas; Atlantic balcony[?]; Beach and naturist colony; Park.” (ARCH277386) Documenting this project are conceptual and presentation drawings, cartographic, graphic, photographic and reference materials, project descriptions, dummies and a poster.
AP164.S1.1993.D6
Description:
The project series documents the competition entry for the plan and design of the “Dune Park,” in the Doñana National Park. The competition was organised by the Consejeria de Obras Públicas y Transportes, Junta de Andalucia, Spain. The firm identified this project as number 84. Abalos & Herreros worked with collaborators Ángel Borrego, Pilar González Santoyo and Rafael Hernández. The firm's entry proposed “[…] the most advanced experiences in preservation, restoration and reconversion of environmental heritage in the contemporary tourist offer : Access to the Dune Park and Matalascañas; Atlantic balcony[?]; Beach and naturist colony; Park.” (ARCH277386) Documenting this project are conceptual and presentation drawings, cartographic, graphic, photographic and reference materials, project descriptions, dummies and a poster.
Personnes et institutions:
Date:
circa 1992-1993
circa 1992-1993
Titre:
Parque Dunar, Doñana National Park, Spain
Actions:
AP164.S1.1993.D6
Description:
The project series documents the competition entry for the plan and design of the “Dune Park,” in the Doñana National Park. The competition was organised by the Consejeria de Obras Públicas y Transportes, Junta de Andalucia, Spain. The firm identified this project as number 84. Abalos & Herreros worked with collaborators Ángel Borrego, Pilar González Santoyo and Rafael Hernández. The firm's entry proposed “[…] the most advanced experiences in preservation, restoration and reconversion of environmental heritage in the contemporary tourist offer : Access to the Dune Park and Matalascañas; Atlantic balcony[?]; Beach and naturist colony; Park.” (ARCH277386) Documenting this project are conceptual and presentation drawings, cartographic, graphic, photographic and reference materials, project descriptions, dummies and a poster.
Parque Dunar, Doñana National Park, Spain
Actions:
AP164.S1.1993.D6
Description:
The project series documents the competition entry for the plan and design of the “Dune Park,” in the Doñana National Park. The competition was organised by the Consejeria de Obras Públicas y Transportes, Junta de Andalucia, Spain. The firm identified this project as number 84. Abalos & Herreros worked with collaborators Ángel Borrego, Pilar González Santoyo and Rafael Hernández. The firm's entry proposed “[…] the most advanced experiences in preservation, restoration and reconversion of environmental heritage in the contemporary tourist offer : Access to the Dune Park and Matalascañas; Atlantic balcony[?]; Beach and naturist colony; Park.” (ARCH277386) Documenting this project are conceptual and presentation drawings, cartographic, graphic, photographic and reference materials, project descriptions, dummies and a poster.
Niveau de description archivistique:
Project
Project
Date:
circa 1992-1993
circa 1992-1993
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1974.PR22
Description:
This project series documents the design and construction of the medical clinic building at the Etobicoke General Hospital site in Etobicoke, Ontario from 1974-1980. The office identified the project number as 7428. At the same time that Parkin Architects Planners was constructing the Etobicoke General Hospital, they began working on this project, an adjacent medical clinic that would be attached to the hospital via tunnel. This project consisted of an 80 suite medical centre with a proposed space of 65,000 square feet including the building’s basement. The building shared architectural unity with the neighbouring hospital but was built at a distance in order to allow for future expansions of the hospital. In the project materials, the building is also referred to as the Professional Building. A prominent part of this project was design work for the radiology department in the clinic. It should be noted when viewing textual records and drawings in this project series that many are entitled Rexdale Radiological Services Limited. This project originally began under a different project number assigned by the office, but was built under this project number after the building's location was changed. This original project is also described in the fonds (see project series AP018.S1.1972.PR14). The project is recorded through drawings, photographs and textual records dating from 1974-1980. A large part of the drawings show site plans, but elevations, sections, details and floor plans are also included. The photographs track the construction progress of the project. The textual records include correspondence, meeting minutes and reports, specifications, tender documents, change orders, supplementary instructions, design records, site reports and detail planning records. Box AP018.S1.1974.PR22.009 contains an index to the textual records, which was created by the office.
AP018.S1.1974.PR22
Description:
This project series documents the design and construction of the medical clinic building at the Etobicoke General Hospital site in Etobicoke, Ontario from 1974-1980. The office identified the project number as 7428. At the same time that Parkin Architects Planners was constructing the Etobicoke General Hospital, they began working on this project, an adjacent medical clinic that would be attached to the hospital via tunnel. This project consisted of an 80 suite medical centre with a proposed space of 65,000 square feet including the building’s basement. The building shared architectural unity with the neighbouring hospital but was built at a distance in order to allow for future expansions of the hospital. In the project materials, the building is also referred to as the Professional Building. A prominent part of this project was design work for the radiology department in the clinic. It should be noted when viewing textual records and drawings in this project series that many are entitled Rexdale Radiological Services Limited. This project originally began under a different project number assigned by the office, but was built under this project number after the building's location was changed. This original project is also described in the fonds (see project series AP018.S1.1972.PR14). The project is recorded through drawings, photographs and textual records dating from 1974-1980. A large part of the drawings show site plans, but elevations, sections, details and floor plans are also included. The photographs track the construction progress of the project. The textual records include correspondence, meeting minutes and reports, specifications, tender documents, change orders, supplementary instructions, design records, site reports and detail planning records. Box AP018.S1.1974.PR22.009 contains an index to the textual records, which was created by the office.
Personnes et institutions:
Date:
1974-1980
1974-1980
Titre:
Etobicoke General Hospital, Medical Clinic Building, Etobicoke Ontario (1974-1980)
Actions:
AP018.S1.1974.PR22
Description:
This project series documents the design and construction of the medical clinic building at the Etobicoke General Hospital site in Etobicoke, Ontario from 1974-1980. The office identified the project number as 7428. At the same time that Parkin Architects Planners was constructing the Etobicoke General Hospital, they began working on this project, an adjacent medical clinic that would be attached to the hospital via tunnel. This project consisted of an 80 suite medical centre with a proposed space of 65,000 square feet including the building’s basement. The building shared architectural unity with the neighbouring hospital but was built at a distance in order to allow for future expansions of the hospital. In the project materials, the building is also referred to as the Professional Building. A prominent part of this project was design work for the radiology department in the clinic. It should be noted when viewing textual records and drawings in this project series that many are entitled Rexdale Radiological Services Limited. This project originally began under a different project number assigned by the office, but was built under this project number after the building's location was changed. This original project is also described in the fonds (see project series AP018.S1.1972.PR14). The project is recorded through drawings, photographs and textual records dating from 1974-1980. A large part of the drawings show site plans, but elevations, sections, details and floor plans are also included. The photographs track the construction progress of the project. The textual records include correspondence, meeting minutes and reports, specifications, tender documents, change orders, supplementary instructions, design records, site reports and detail planning records. Box AP018.S1.1974.PR22.009 contains an index to the textual records, which was created by the office.
Etobicoke General Hospital, Medical Clinic Building, Etobicoke Ontario (1974-1980)
Actions:
AP018.S1.1974.PR22
Description:
This project series documents the design and construction of the medical clinic building at the Etobicoke General Hospital site in Etobicoke, Ontario from 1974-1980. The office identified the project number as 7428. At the same time that Parkin Architects Planners was constructing the Etobicoke General Hospital, they began working on this project, an adjacent medical clinic that would be attached to the hospital via tunnel. This project consisted of an 80 suite medical centre with a proposed space of 65,000 square feet including the building’s basement. The building shared architectural unity with the neighbouring hospital but was built at a distance in order to allow for future expansions of the hospital. In the project materials, the building is also referred to as the Professional Building. A prominent part of this project was design work for the radiology department in the clinic. It should be noted when viewing textual records and drawings in this project series that many are entitled Rexdale Radiological Services Limited. This project originally began under a different project number assigned by the office, but was built under this project number after the building's location was changed. This original project is also described in the fonds (see project series AP018.S1.1972.PR14). The project is recorded through drawings, photographs and textual records dating from 1974-1980. A large part of the drawings show site plans, but elevations, sections, details and floor plans are also included. The photographs track the construction progress of the project. The textual records include correspondence, meeting minutes and reports, specifications, tender documents, change orders, supplementary instructions, design records, site reports and detail planning records. Box AP018.S1.1974.PR22.009 contains an index to the textual records, which was created by the office.
Niveau de description archivistique:
Project
Project
Date:
1974-1980
1974-1980
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1998.PR07
Description:
This project series documents the C. Cultural e Audit. para a Fundação Ibere Camargo in Porto Alegre, Brazil. While the records were held in the office’s archives this project was assigned the number 102/90. The office assigned the date 1998 to this project. At the end of the nineties, an architectural competition was held for the construction of a new building for the Iberê Camargo Foundation. The foundation holds the archives and work of the Brazilian painter Ibere Carmargo, as well as hosts temporary exhibitions and seminars. The project site is located near the Guaíba River, between a cliff and the Avenida Padre Cacique. Collaborators on the project were Barbara Rangel, Pedro Polonia, Michele Gigante, Francesca Montalto, Atsushi Ueno, Rita Amaral, José Luiz Cana, and Camargo Correa. The three-stories building is 88,000 square feet and includes nine galleries, storage spaces, offices, a bookstore, an auditorium, and a video library. Each of the galleries is independent but linked via a system of ramps. One of the unique qualities of the building are the ramps that come out of its concrete façade. Due to the limited space, the parking was built below the Avenida Padre Cacique. The building respects the concept of sustainable development, with a sewage treatment station that redistributes the water to the surrounding vegetation. The museum was Siza's first built project in Brazil and it was inaugurated in 2008. Siza received the Golden Lion award at the Venice Architecture Biennale in 2003 for this project. Documenting this project are sketches, studies, preliminary drawings, working drawings, technical drawings, and electrical drawings. Textual material includes project documentation, correspondence, and documentation regarding exhibitions about the building. Photographic material documents the models, project site, and built project.
AP178.S1.1998.PR07
Description:
This project series documents the C. Cultural e Audit. para a Fundação Ibere Camargo in Porto Alegre, Brazil. While the records were held in the office’s archives this project was assigned the number 102/90. The office assigned the date 1998 to this project. At the end of the nineties, an architectural competition was held for the construction of a new building for the Iberê Camargo Foundation. The foundation holds the archives and work of the Brazilian painter Ibere Carmargo, as well as hosts temporary exhibitions and seminars. The project site is located near the Guaíba River, between a cliff and the Avenida Padre Cacique. Collaborators on the project were Barbara Rangel, Pedro Polonia, Michele Gigante, Francesca Montalto, Atsushi Ueno, Rita Amaral, José Luiz Cana, and Camargo Correa. The three-stories building is 88,000 square feet and includes nine galleries, storage spaces, offices, a bookstore, an auditorium, and a video library. Each of the galleries is independent but linked via a system of ramps. One of the unique qualities of the building are the ramps that come out of its concrete façade. Due to the limited space, the parking was built below the Avenida Padre Cacique. The building respects the concept of sustainable development, with a sewage treatment station that redistributes the water to the surrounding vegetation. The museum was Siza's first built project in Brazil and it was inaugurated in 2008. Siza received the Golden Lion award at the Venice Architecture Biennale in 2003 for this project. Documenting this project are sketches, studies, preliminary drawings, working drawings, technical drawings, and electrical drawings. Textual material includes project documentation, correspondence, and documentation regarding exhibitions about the building. Photographic material documents the models, project site, and built project.
Personnes et institutions:
Date:
1998-2006
1998-2006
Titre:
C. Cultural e Audit. para a Fundação Iberê Camargo [Iberê Camargo Foundation Museum], Porto Alegre, Brazil (1998)
Actions:
AP178.S1.1998.PR07
Description:
This project series documents the C. Cultural e Audit. para a Fundação Ibere Camargo in Porto Alegre, Brazil. While the records were held in the office’s archives this project was assigned the number 102/90. The office assigned the date 1998 to this project. At the end of the nineties, an architectural competition was held for the construction of a new building for the Iberê Camargo Foundation. The foundation holds the archives and work of the Brazilian painter Ibere Carmargo, as well as hosts temporary exhibitions and seminars. The project site is located near the Guaíba River, between a cliff and the Avenida Padre Cacique. Collaborators on the project were Barbara Rangel, Pedro Polonia, Michele Gigante, Francesca Montalto, Atsushi Ueno, Rita Amaral, José Luiz Cana, and Camargo Correa. The three-stories building is 88,000 square feet and includes nine galleries, storage spaces, offices, a bookstore, an auditorium, and a video library. Each of the galleries is independent but linked via a system of ramps. One of the unique qualities of the building are the ramps that come out of its concrete façade. Due to the limited space, the parking was built below the Avenida Padre Cacique. The building respects the concept of sustainable development, with a sewage treatment station that redistributes the water to the surrounding vegetation. The museum was Siza's first built project in Brazil and it was inaugurated in 2008. Siza received the Golden Lion award at the Venice Architecture Biennale in 2003 for this project. Documenting this project are sketches, studies, preliminary drawings, working drawings, technical drawings, and electrical drawings. Textual material includes project documentation, correspondence, and documentation regarding exhibitions about the building. Photographic material documents the models, project site, and built project.
C. Cultural e Audit. para a Fundação Iberê Camargo [Iberê Camargo Foundation Museum], Porto Alegre, Brazil (1998)
Actions:
AP178.S1.1998.PR07
Description:
This project series documents the C. Cultural e Audit. para a Fundação Ibere Camargo in Porto Alegre, Brazil. While the records were held in the office’s archives this project was assigned the number 102/90. The office assigned the date 1998 to this project. At the end of the nineties, an architectural competition was held for the construction of a new building for the Iberê Camargo Foundation. The foundation holds the archives and work of the Brazilian painter Ibere Carmargo, as well as hosts temporary exhibitions and seminars. The project site is located near the Guaíba River, between a cliff and the Avenida Padre Cacique. Collaborators on the project were Barbara Rangel, Pedro Polonia, Michele Gigante, Francesca Montalto, Atsushi Ueno, Rita Amaral, José Luiz Cana, and Camargo Correa. The three-stories building is 88,000 square feet and includes nine galleries, storage spaces, offices, a bookstore, an auditorium, and a video library. Each of the galleries is independent but linked via a system of ramps. One of the unique qualities of the building are the ramps that come out of its concrete façade. Due to the limited space, the parking was built below the Avenida Padre Cacique. The building respects the concept of sustainable development, with a sewage treatment station that redistributes the water to the surrounding vegetation. The museum was Siza's first built project in Brazil and it was inaugurated in 2008. Siza received the Golden Lion award at the Venice Architecture Biennale in 2003 for this project. Documenting this project are sketches, studies, preliminary drawings, working drawings, technical drawings, and electrical drawings. Textual material includes project documentation, correspondence, and documentation regarding exhibitions about the building. Photographic material documents the models, project site, and built project.
Niveau de description archivistique:
Project
Project
Date:
1998-2006
1998-2006
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.2002.PR05.SS1
Description:
This project subseries documents the Parque de Vidago Complexo Termal e Hotel Palace in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the date 2002 to this project. The project consisted of major renovations to update and modernize the Vidago Palace Hotel, originally opened in 1910, and the addition of a new thermal spa. Architects José Pedro Lopes Vieira and Diogo Rosa Lã were responsible for the interior decoration of the Palace Hotel, while Siza designed the Spa. The full or partial demolition of some parts of the hotel and nearby buildings was necessary to maintain the original character of the resort. In contrast to the historic hotel, the new spa was contemporary and minimalist with marble interiors. It included pools, Turkish baths, treatment and relaxation rooms, a gym, bars and meditation area. This project subseries is documented through drawings, photographic materials, study models and textual records dating from 2002-2012. These materials primarily document the spa but documentation for the surrounding site, Palace Hotel, Fonte Salus (spring), gatehouse and Serralves exhibition space is also included. The drawings are largely reprographic copies of printed CAD drawings and include sketches, studies, plans, details, sections, elevations, demolition drawings and mechanical, electrical and structural drawings. The textual records include correspondence, meeting minutes, studies, building programs, furniture and spa equipment documentation, budgets and contracts. A large amount of documentation on various electrical, structural and mechanical systems is also included. The photographic materials are mostly printed digital photos showing buildings across the site, pre and post construction work and reference images. There are also a number of photos, postcards and brochures showing historical images of the hotel.
AP178.S1.2002.PR05.SS1
Description:
This project subseries documents the Parque de Vidago Complexo Termal e Hotel Palace in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the date 2002 to this project. The project consisted of major renovations to update and modernize the Vidago Palace Hotel, originally opened in 1910, and the addition of a new thermal spa. Architects José Pedro Lopes Vieira and Diogo Rosa Lã were responsible for the interior decoration of the Palace Hotel, while Siza designed the Spa. The full or partial demolition of some parts of the hotel and nearby buildings was necessary to maintain the original character of the resort. In contrast to the historic hotel, the new spa was contemporary and minimalist with marble interiors. It included pools, Turkish baths, treatment and relaxation rooms, a gym, bars and meditation area. This project subseries is documented through drawings, photographic materials, study models and textual records dating from 2002-2012. These materials primarily document the spa but documentation for the surrounding site, Palace Hotel, Fonte Salus (spring), gatehouse and Serralves exhibition space is also included. The drawings are largely reprographic copies of printed CAD drawings and include sketches, studies, plans, details, sections, elevations, demolition drawings and mechanical, electrical and structural drawings. The textual records include correspondence, meeting minutes, studies, building programs, furniture and spa equipment documentation, budgets and contracts. A large amount of documentation on various electrical, structural and mechanical systems is also included. The photographic materials are mostly printed digital photos showing buildings across the site, pre and post construction work and reference images. There are also a number of photos, postcards and brochures showing historical images of the hotel.
Personnes et institutions:
Date:
2002-2012
2002-2012
Titre:
Parque de Vidago, Complexo Termal e Hotel Palace [Vidago Palace Hotel and Spa], Vidago, Portugal (2002)
Actions:
AP178.S1.2002.PR05.SS1
Description:
This project subseries documents the Parque de Vidago Complexo Termal e Hotel Palace in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the date 2002 to this project. The project consisted of major renovations to update and modernize the Vidago Palace Hotel, originally opened in 1910, and the addition of a new thermal spa. Architects José Pedro Lopes Vieira and Diogo Rosa Lã were responsible for the interior decoration of the Palace Hotel, while Siza designed the Spa. The full or partial demolition of some parts of the hotel and nearby buildings was necessary to maintain the original character of the resort. In contrast to the historic hotel, the new spa was contemporary and minimalist with marble interiors. It included pools, Turkish baths, treatment and relaxation rooms, a gym, bars and meditation area. This project subseries is documented through drawings, photographic materials, study models and textual records dating from 2002-2012. These materials primarily document the spa but documentation for the surrounding site, Palace Hotel, Fonte Salus (spring), gatehouse and Serralves exhibition space is also included. The drawings are largely reprographic copies of printed CAD drawings and include sketches, studies, plans, details, sections, elevations, demolition drawings and mechanical, electrical and structural drawings. The textual records include correspondence, meeting minutes, studies, building programs, furniture and spa equipment documentation, budgets and contracts. A large amount of documentation on various electrical, structural and mechanical systems is also included. The photographic materials are mostly printed digital photos showing buildings across the site, pre and post construction work and reference images. There are also a number of photos, postcards and brochures showing historical images of the hotel.
Parque de Vidago, Complexo Termal e Hotel Palace [Vidago Palace Hotel and Spa], Vidago, Portugal (2002)
Actions:
AP178.S1.2002.PR05.SS1
Description:
This project subseries documents the Parque de Vidago Complexo Termal e Hotel Palace in Vidago, Portugal. While the records were held in the office’s archives this project was assigned the number 49/00. The office assigned the date 2002 to this project. The project consisted of major renovations to update and modernize the Vidago Palace Hotel, originally opened in 1910, and the addition of a new thermal spa. Architects José Pedro Lopes Vieira and Diogo Rosa Lã were responsible for the interior decoration of the Palace Hotel, while Siza designed the Spa. The full or partial demolition of some parts of the hotel and nearby buildings was necessary to maintain the original character of the resort. In contrast to the historic hotel, the new spa was contemporary and minimalist with marble interiors. It included pools, Turkish baths, treatment and relaxation rooms, a gym, bars and meditation area. This project subseries is documented through drawings, photographic materials, study models and textual records dating from 2002-2012. These materials primarily document the spa but documentation for the surrounding site, Palace Hotel, Fonte Salus (spring), gatehouse and Serralves exhibition space is also included. The drawings are largely reprographic copies of printed CAD drawings and include sketches, studies, plans, details, sections, elevations, demolition drawings and mechanical, electrical and structural drawings. The textual records include correspondence, meeting minutes, studies, building programs, furniture and spa equipment documentation, budgets and contracts. A large amount of documentation on various electrical, structural and mechanical systems is also included. The photographic materials are mostly printed digital photos showing buildings across the site, pre and post construction work and reference images. There are also a number of photos, postcards and brochures showing historical images of the hotel.
Niveau de description archivistique:
Project
Project
Date:
2002-2012
2002-2012
Personnes et institutions:
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1988:0394
Description:
- This plan shows a bedroom and drawing room suite, part of the Electric House showrooms. The placement of the furniture is indicated on the plan, as is the pale rose and lilac colour scheme of the drawing room and the pale orange colour scheme for the bedroom. Elevations of the drawing room and bedroom windows appear to the right of the plan. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
DR1988:0394
Description:
- This plan shows a bedroom and drawing room suite, part of the Electric House showrooms. The placement of the furniture is indicated on the plan, as is the pale rose and lilac colour scheme of the drawing room and the pale orange colour scheme for the bedroom. Elevations of the drawing room and bedroom windows appear to the right of the plan. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Personnes et institutions:
Sujet:
architecture, design d'intérieur
architecture, design d'intérieur
Date:
printed March 1927
printed March 1927
Titre:
Plan and details for the model drawing room and bedroom, Electric House, Battersea Borough
Actions:
DR1988:0394
Description:
- This plan shows a bedroom and drawing room suite, part of the Electric House showrooms. The placement of the furniture is indicated on the plan, as is the pale rose and lilac colour scheme of the drawing room and the pale orange colour scheme for the bedroom. Elevations of the drawing room and bedroom windows appear to the right of the plan. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Plan and details for the model drawing room and bedroom, Electric House, Battersea Borough
Actions:
DR1988:0394
Description:
- This plan shows a bedroom and drawing room suite, part of the Electric House showrooms. The placement of the furniture is indicated on the plan, as is the pale rose and lilac colour scheme of the drawing room and the pale orange colour scheme for the bedroom. Elevations of the drawing room and bedroom windows appear to the right of the plan. - This work is part of an incomplete group of possibly working reprographic copies for Electric House, Battersea Borough, designed by the borough architect, Henry Hyams. The group also includes some reprographic copies which may have been used for publication purposes. - The style of many of these drawings and reprographic copies by Henry Hyams (DR1988:0332 - DR1988:0414) suggests that they were possibly for periodical illustrations. Hyams contributed articles to the periodicals 'The Builder' and 'The Architect'. Two objects in the CCA collections can be directly linked to an article published prior to 1926 in 'The Architect'; a reprographic copy (DR1988:0357) and a drawing (DR1988:0364) (Who's Who in Architecture, 161).
Classification:
dessins
dessins
Date:
printed March 1927
printed March 1927
Personnes et institutions:
Sujet:
architecture, design d'intérieur
architecture, design d'intérieur
Classification:
événements
événements
Titre:
La connaissance du bâti
La connaissance du bâti
Actions:
Description:
Au cours de cette conférence, Madame Kundoo parlera d’un éventail de projets tirés de sa pratique, de sa recherche et de son enseignement. Dans ces sphères de travail distinctes mais complémentaires, elle tente de bâtir un savoir collectif, en collaboration avec des ingénieurs, des maçons, des dessinateurs, des producteurs d’infrastructure, des résidents, des fournisseurs(...)
Au cours de cette conférence, Madame Kundoo parlera d’un éventail de projets tirés de sa pratique, de sa recherche et de son enseignement. Dans ces sphères de travail distinctes mais complémentaires, elle tente de bâtir un savoir collectif, en collaboration avec des ingénieurs, des maçons, des dessinateurs, des producteurs d’infrastructure, des résidents, des fournisseurs(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
16 avril 2015 , 18h
16 avril 2015 , 18h
Titre:
La connaissance du bâti
Actions:
Description:
Au cours de cette conférence, Madame Kundoo parlera d’un éventail de projets tirés de sa pratique, de sa recherche et de son enseignement. Dans ces sphères de travail distinctes mais complémentaires, elle tente de bâtir un savoir collectif, en collaboration avec des ingénieurs, des maçons, des dessinateurs, des producteurs d’infrastructure, des résidents, des fournisseurs(...)
La connaissance du bâti
Actions:
Description:
Au cours de cette conférence, Madame Kundoo parlera d’un éventail de projets tirés de sa pratique, de sa recherche et de son enseignement. Dans ces sphères de travail distinctes mais complémentaires, elle tente de bâtir un savoir collectif, en collaboration avec des ingénieurs, des maçons, des dessinateurs, des producteurs d’infrastructure, des résidents, des fournisseurs(...)
Classification:
événements
événements
Date:
16 avril 2015
18h
16 avril 2015
18h
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Niveau de description archivistique:
Projet
Projet
Titre:
IBA
IBA
Numéro de référence:
AP143.S4.D32
Description:
File documents the partially executed project for the Restricted International Competition "South Friedrichstadt as a Place to Live and Work," West Berlin (now Berlin), West Germany (now in Germany). Material in this file was produced between 1980 and 1988. File documents the design for one of four urban blocks in the area of the Kochstrasse and Friedrichstrasse, Berlin. The competition required the preservation of three existing structures and the construction of mixed-used buildings on vacant lots. The architect develops an overall strategy to occupy the urban block by extending the geometry of the three existing buildings onto the site (DR1991:0018:002; DR1991:0018:004-006), on which he overlays what he calls the "Mercator grid", an orthogonal grid oriented according to the compass (DR1991:0018:016). The "el structures" used by Eisenman in House X, House 11a, and the Cannaregio project reappear in plan, and later as forms emerging from the square compartments delimited by the "Mercator grid", this time developed three-dimensionally (House X, 1975-1977, DR1994:0138:001-1546; House 11a, 1978, DR1994:0139:001-303; Cannaregio project, 1978, DR1991:0017:001-094). After finalizing the urban concept, Eisenman concentrates his efforts on the planning of individual buildings, developing the massing of the building facing Kochstrasse in a series of axonometrics (DR1991:0018:088-092), sections (DR1991:0018:088) and facade studies (DR1991:0018:204-210). A series of scrolled drawings study the L-shaped elements and thin slabs with characteristically gridded surfaces found in House X (DR1991:0018:204 and DR1991:0018:209-210). File contains record drawings, conceptual drawings, design development drawings, schematic drawings, competition drawings, presentation drawings, photographic material, and textual records.
AP143.S4.D32
Description:
File documents the partially executed project for the Restricted International Competition "South Friedrichstadt as a Place to Live and Work," West Berlin (now Berlin), West Germany (now in Germany). Material in this file was produced between 1980 and 1988. File documents the design for one of four urban blocks in the area of the Kochstrasse and Friedrichstrasse, Berlin. The competition required the preservation of three existing structures and the construction of mixed-used buildings on vacant lots. The architect develops an overall strategy to occupy the urban block by extending the geometry of the three existing buildings onto the site (DR1991:0018:002; DR1991:0018:004-006), on which he overlays what he calls the "Mercator grid", an orthogonal grid oriented according to the compass (DR1991:0018:016). The "el structures" used by Eisenman in House X, House 11a, and the Cannaregio project reappear in plan, and later as forms emerging from the square compartments delimited by the "Mercator grid", this time developed three-dimensionally (House X, 1975-1977, DR1994:0138:001-1546; House 11a, 1978, DR1994:0139:001-303; Cannaregio project, 1978, DR1991:0017:001-094). After finalizing the urban concept, Eisenman concentrates his efforts on the planning of individual buildings, developing the massing of the building facing Kochstrasse in a series of axonometrics (DR1991:0018:088-092), sections (DR1991:0018:088) and facade studies (DR1991:0018:204-210). A series of scrolled drawings study the L-shaped elements and thin slabs with characteristically gridded surfaces found in House X (DR1991:0018:204 and DR1991:0018:209-210). File contains record drawings, conceptual drawings, design development drawings, schematic drawings, competition drawings, presentation drawings, photographic material, and textual records.
Personnes et institutions:
Date:
1980-1988
1980-1988
Titre:
IBA
Actions:
AP143.S4.D32
Description:
File documents the partially executed project for the Restricted International Competition "South Friedrichstadt as a Place to Live and Work," West Berlin (now Berlin), West Germany (now in Germany). Material in this file was produced between 1980 and 1988. File documents the design for one of four urban blocks in the area of the Kochstrasse and Friedrichstrasse, Berlin. The competition required the preservation of three existing structures and the construction of mixed-used buildings on vacant lots. The architect develops an overall strategy to occupy the urban block by extending the geometry of the three existing buildings onto the site (DR1991:0018:002; DR1991:0018:004-006), on which he overlays what he calls the "Mercator grid", an orthogonal grid oriented according to the compass (DR1991:0018:016). The "el structures" used by Eisenman in House X, House 11a, and the Cannaregio project reappear in plan, and later as forms emerging from the square compartments delimited by the "Mercator grid", this time developed three-dimensionally (House X, 1975-1977, DR1994:0138:001-1546; House 11a, 1978, DR1994:0139:001-303; Cannaregio project, 1978, DR1991:0017:001-094). After finalizing the urban concept, Eisenman concentrates his efforts on the planning of individual buildings, developing the massing of the building facing Kochstrasse in a series of axonometrics (DR1991:0018:088-092), sections (DR1991:0018:088) and facade studies (DR1991:0018:204-210). A series of scrolled drawings study the L-shaped elements and thin slabs with characteristically gridded surfaces found in House X (DR1991:0018:204 and DR1991:0018:209-210). File contains record drawings, conceptual drawings, design development drawings, schematic drawings, competition drawings, presentation drawings, photographic material, and textual records.
IBA
Actions:
AP143.S4.D32
Description:
File documents the partially executed project for the Restricted International Competition "South Friedrichstadt as a Place to Live and Work," West Berlin (now Berlin), West Germany (now in Germany). Material in this file was produced between 1980 and 1988. File documents the design for one of four urban blocks in the area of the Kochstrasse and Friedrichstrasse, Berlin. The competition required the preservation of three existing structures and the construction of mixed-used buildings on vacant lots. The architect develops an overall strategy to occupy the urban block by extending the geometry of the three existing buildings onto the site (DR1991:0018:002; DR1991:0018:004-006), on which he overlays what he calls the "Mercator grid", an orthogonal grid oriented according to the compass (DR1991:0018:016). The "el structures" used by Eisenman in House X, House 11a, and the Cannaregio project reappear in plan, and later as forms emerging from the square compartments delimited by the "Mercator grid", this time developed three-dimensionally (House X, 1975-1977, DR1994:0138:001-1546; House 11a, 1978, DR1994:0139:001-303; Cannaregio project, 1978, DR1991:0017:001-094). After finalizing the urban concept, Eisenman concentrates his efforts on the planning of individual buildings, developing the massing of the building facing Kochstrasse in a series of axonometrics (DR1991:0018:088-092), sections (DR1991:0018:088) and facade studies (DR1991:0018:204-210). A series of scrolled drawings study the L-shaped elements and thin slabs with characteristically gridded surfaces found in House X (DR1991:0018:204 and DR1991:0018:209-210). File contains record drawings, conceptual drawings, design development drawings, schematic drawings, competition drawings, presentation drawings, photographic material, and textual records.
Niveau de description archivistique:
File 32
File 32
Date:
1980-1988
1980-1988
Personnes et institutions:
