33382 Résultats
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
ARCH167680
Description:
Accusé de réception confirmant l'inscription de Jacques Rousseau 11 pages: Réglements du concours par Léo Rosshandler "Société du Vieux-Port de Montréal; Concours pour les fontaines, 4 juin 1984" (2 exemplaires) Note : accompagné d'une lettre destinée aux participants 4 pages: "La présences du Vieux Montréal" Société du Vieux-Port de Montréal 6 dessins: Sites (4) du concours et plan de Peter Rose, architecte, pour les abords du Vieux-Port diazocopie 6 pages: "St-Lawrence on the Docks", Josette Michaud et Pierre Beaupré 3 pages: "Les gagnants du concours de fontaines" 13 pages: Texte d'intention: "Les temps impossible" par Jacques Rousseau 2 versions manuscrites 39 pages: Texte d'intention: "Les temps impossible" par Jacques Rousseau 3 versions dactylographiées 5 dessins: Esquisses mine de plomb sur papier calque 2 dessins: Esquisses crayon de couleur sur papier calque jaune Description du projet d'atelier dirigé par Jaques Rousseau Département de Design de l'environnement UQAM, automne 84-hiver 85
ARCH167680
Description:
Accusé de réception confirmant l'inscription de Jacques Rousseau 11 pages: Réglements du concours par Léo Rosshandler "Société du Vieux-Port de Montréal; Concours pour les fontaines, 4 juin 1984" (2 exemplaires) Note : accompagné d'une lettre destinée aux participants 4 pages: "La présences du Vieux Montréal" Société du Vieux-Port de Montréal 6 dessins: Sites (4) du concours et plan de Peter Rose, architecte, pour les abords du Vieux-Port diazocopie 6 pages: "St-Lawrence on the Docks", Josette Michaud et Pierre Beaupré 3 pages: "Les gagnants du concours de fontaines" 13 pages: Texte d'intention: "Les temps impossible" par Jacques Rousseau 2 versions manuscrites 39 pages: Texte d'intention: "Les temps impossible" par Jacques Rousseau 3 versions dactylographiées 5 dessins: Esquisses mine de plomb sur papier calque 2 dessins: Esquisses crayon de couleur sur papier calque jaune Description du projet d'atelier dirigé par Jaques Rousseau Département de Design de l'environnement UQAM, automne 84-hiver 85
Personnes et institutions:
Titre:
Accusé de réception confirmant l'inscription de Jacques Rousseau
Actions:
ARCH167680
Description:
Accusé de réception confirmant l'inscription de Jacques Rousseau 11 pages: Réglements du concours par Léo Rosshandler "Société du Vieux-Port de Montréal; Concours pour les fontaines, 4 juin 1984" (2 exemplaires) Note : accompagné d'une lettre destinée aux participants 4 pages: "La présences du Vieux Montréal" Société du Vieux-Port de Montréal 6 dessins: Sites (4) du concours et plan de Peter Rose, architecte, pour les abords du Vieux-Port diazocopie 6 pages: "St-Lawrence on the Docks", Josette Michaud et Pierre Beaupré 3 pages: "Les gagnants du concours de fontaines" 13 pages: Texte d'intention: "Les temps impossible" par Jacques Rousseau 2 versions manuscrites 39 pages: Texte d'intention: "Les temps impossible" par Jacques Rousseau 3 versions dactylographiées 5 dessins: Esquisses mine de plomb sur papier calque 2 dessins: Esquisses crayon de couleur sur papier calque jaune Description du projet d'atelier dirigé par Jaques Rousseau Département de Design de l'environnement UQAM, automne 84-hiver 85
Accusé de réception confirmant l'inscription de Jacques Rousseau
Actions:
ARCH167680
Description:
Accusé de réception confirmant l'inscription de Jacques Rousseau 11 pages: Réglements du concours par Léo Rosshandler "Société du Vieux-Port de Montréal; Concours pour les fontaines, 4 juin 1984" (2 exemplaires) Note : accompagné d'une lettre destinée aux participants 4 pages: "La présences du Vieux Montréal" Société du Vieux-Port de Montréal 6 dessins: Sites (4) du concours et plan de Peter Rose, architecte, pour les abords du Vieux-Port diazocopie 6 pages: "St-Lawrence on the Docks", Josette Michaud et Pierre Beaupré 3 pages: "Les gagnants du concours de fontaines" 13 pages: Texte d'intention: "Les temps impossible" par Jacques Rousseau 2 versions manuscrites 39 pages: Texte d'intention: "Les temps impossible" par Jacques Rousseau 3 versions dactylographiées 5 dessins: Esquisses mine de plomb sur papier calque 2 dessins: Esquisses crayon de couleur sur papier calque jaune Description du projet d'atelier dirigé par Jaques Rousseau Département de Design de l'environnement UQAM, automne 84-hiver 85
Classification:
dessins, documents textuels
dessins, documents textuels
Personnes et institutions:
Classification:
graphique
graphique
Numéro de référence:
ARCH153792
Description:
Various poster advertising IAUS exhibitions: Clorindo Testa: Architecture and Personal Mythology; November 9 to 25, 1981 Office for Metropolitan Architecture: Toward a modern (re)construction of the European City - Four Housing Projects; March 12 to May 28, 1982 Princeton's Beaux-Arts and its New Academicism from Labatut to the Program of Geddes - An Exhibition of Original Drawings over Fifty Years; January 27 to February 18 [?] Gwathmey Siegel Architects : Twenty-four Residences; December 15, 1977 to January 15, 1978 O.M. Ungers : An Exhibition of Architecture, May 6 to May 31, 1977 Philip Johnson: Processes, September 12 to October 31, 1978 On Style - Two Evenings at the IAUS, December 6 and 8, 1982; [The Portland Building by Michael Graves]
ARCH153792
Description:
Various poster advertising IAUS exhibitions: Clorindo Testa: Architecture and Personal Mythology; November 9 to 25, 1981 Office for Metropolitan Architecture: Toward a modern (re)construction of the European City - Four Housing Projects; March 12 to May 28, 1982 Princeton's Beaux-Arts and its New Academicism from Labatut to the Program of Geddes - An Exhibition of Original Drawings over Fifty Years; January 27 to February 18 [?] Gwathmey Siegel Architects : Twenty-four Residences; December 15, 1977 to January 15, 1978 O.M. Ungers : An Exhibition of Architecture, May 6 to May 31, 1977 Philip Johnson: Processes, September 12 to October 31, 1978 On Style - Two Evenings at the IAUS, December 6 and 8, 1982; [The Portland Building by Michael Graves]
Personnes et institutions:
Date:
1977-1982
1977-1982
Titre:
Various poster advertising IAUS exhibitions
Actions:
ARCH153792
Description:
Various poster advertising IAUS exhibitions: Clorindo Testa: Architecture and Personal Mythology; November 9 to 25, 1981 Office for Metropolitan Architecture: Toward a modern (re)construction of the European City - Four Housing Projects; March 12 to May 28, 1982 Princeton's Beaux-Arts and its New Academicism from Labatut to the Program of Geddes - An Exhibition of Original Drawings over Fifty Years; January 27 to February 18 [?] Gwathmey Siegel Architects : Twenty-four Residences; December 15, 1977 to January 15, 1978 O.M. Ungers : An Exhibition of Architecture, May 6 to May 31, 1977 Philip Johnson: Processes, September 12 to October 31, 1978 On Style - Two Evenings at the IAUS, December 6 and 8, 1982; [The Portland Building by Michael Graves]
Various poster advertising IAUS exhibitions
Actions:
ARCH153792
Description:
Various poster advertising IAUS exhibitions: Clorindo Testa: Architecture and Personal Mythology; November 9 to 25, 1981 Office for Metropolitan Architecture: Toward a modern (re)construction of the European City - Four Housing Projects; March 12 to May 28, 1982 Princeton's Beaux-Arts and its New Academicism from Labatut to the Program of Geddes - An Exhibition of Original Drawings over Fifty Years; January 27 to February 18 [?] Gwathmey Siegel Architects : Twenty-four Residences; December 15, 1977 to January 15, 1978 O.M. Ungers : An Exhibition of Architecture, May 6 to May 31, 1977 Philip Johnson: Processes, September 12 to October 31, 1978 On Style - Two Evenings at the IAUS, December 6 and 8, 1982; [The Portland Building by Michael Graves]
Classification:
graphique
graphique
Date:
1977-1982
1977-1982
Personnes et institutions:
Classification:
documents textuels
documents textuels
Titre:
DDR [Miscellaneous, 1981]
DDR [Miscellaneous, 1981]
Numéro de référence:
ARCH153880
Description:
Announcement from Rizzoli: publication of The Making of an Architect; Nov. 25, 1981. Two b&w prints of Peter Eisenman Program of the AIA National Convention, Minneapolis, Minnesota, May 17-21, 1981. Letter from Milan about the exhibition "Oggetto banale", 15 June 1981. Bill of a carpet sent to P. Eisenman's home and paid by Jacquelin Robertson, March 11, 1981. Letter from the Daily News answering a request for funding the retrospective of Raymond Hood's work, August 4, 1981. Telephone bill of Peter Eisenman's home, 12-16 August 1981. Three pages of information about Middle School. Page 5 of an article by Joan Copjec. Notes by P. Eisenman: "Colin when did you come"
ARCH153880
Description:
Announcement from Rizzoli: publication of The Making of an Architect; Nov. 25, 1981. Two b&w prints of Peter Eisenman Program of the AIA National Convention, Minneapolis, Minnesota, May 17-21, 1981. Letter from Milan about the exhibition "Oggetto banale", 15 June 1981. Bill of a carpet sent to P. Eisenman's home and paid by Jacquelin Robertson, March 11, 1981. Letter from the Daily News answering a request for funding the retrospective of Raymond Hood's work, August 4, 1981. Telephone bill of Peter Eisenman's home, 12-16 August 1981. Three pages of information about Middle School. Page 5 of an article by Joan Copjec. Notes by P. Eisenman: "Colin when did you come"
Personnes et institutions:
Date:
1981
1981
Titre:
DDR [Miscellaneous, 1981]
Actions:
ARCH153880
Description:
Announcement from Rizzoli: publication of The Making of an Architect; Nov. 25, 1981. Two b&w prints of Peter Eisenman Program of the AIA National Convention, Minneapolis, Minnesota, May 17-21, 1981. Letter from Milan about the exhibition "Oggetto banale", 15 June 1981. Bill of a carpet sent to P. Eisenman's home and paid by Jacquelin Robertson, March 11, 1981. Letter from the Daily News answering a request for funding the retrospective of Raymond Hood's work, August 4, 1981. Telephone bill of Peter Eisenman's home, 12-16 August 1981. Three pages of information about Middle School. Page 5 of an article by Joan Copjec. Notes by P. Eisenman: "Colin when did you come"
DDR [Miscellaneous, 1981]
Actions:
ARCH153880
Description:
Announcement from Rizzoli: publication of The Making of an Architect; Nov. 25, 1981. Two b&w prints of Peter Eisenman Program of the AIA National Convention, Minneapolis, Minnesota, May 17-21, 1981. Letter from Milan about the exhibition "Oggetto banale", 15 June 1981. Bill of a carpet sent to P. Eisenman's home and paid by Jacquelin Robertson, March 11, 1981. Letter from the Daily News answering a request for funding the retrospective of Raymond Hood's work, August 4, 1981. Telephone bill of Peter Eisenman's home, 12-16 August 1981. Three pages of information about Middle School. Page 5 of an article by Joan Copjec. Notes by P. Eisenman: "Colin when did you come"
Classification:
documents textuels
documents textuels
Date:
1981
1981
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S1.SS9.002
Description:
This box is comprised of notes, drafts, articles, interviews, conference addresses by Kenneth Frampton. The materials are organized alphabetically by either title or the architect's last name, from A-FO. Subjects and architects explored in these texts include: the Patkau Architects's Agosta House; Tadao Ando; Demetri and Suzana Antonakakis; ULM; architectural design; architecture as a humanistic discipline; architecture vs. art; Hannah Arendt; Wiel Arets; Emre Arolat; the avant-garde; Barcelona; basque architecture; Anatole de Baudot; Salvatore Bisogni; Mario Botta; the British Library; Angelo Bucci; William Butterfield; James Carpenter; la Casa Cooper; Alan Colquhuon; Casco Centrale; Charles Correa; constructivism; Czech architecture; the Duetsche Werkbund; developments in contemporary architecture; architectural education; Peter Eisenman; Shushei Endo; English architecture; and Arthur Erikson.
AP197.S1.SS9.002
Description:
This box is comprised of notes, drafts, articles, interviews, conference addresses by Kenneth Frampton. The materials are organized alphabetically by either title or the architect's last name, from A-FO. Subjects and architects explored in these texts include: the Patkau Architects's Agosta House; Tadao Ando; Demetri and Suzana Antonakakis; ULM; architectural design; architecture as a humanistic discipline; architecture vs. art; Hannah Arendt; Wiel Arets; Emre Arolat; the avant-garde; Barcelona; basque architecture; Anatole de Baudot; Salvatore Bisogni; Mario Botta; the British Library; Angelo Bucci; William Butterfield; James Carpenter; la Casa Cooper; Alan Colquhuon; Casco Centrale; Charles Correa; constructivism; Czech architecture; the Duetsche Werkbund; developments in contemporary architecture; architectural education; Peter Eisenman; Shushei Endo; English architecture; and Arthur Erikson.
Personnes et institutions:
Date:
1965-2015
1965-2015
Titre:
Kenneth Frampton texts, articles and notes A-FO
Actions:
AP197.S1.SS9.002
Description:
This box is comprised of notes, drafts, articles, interviews, conference addresses by Kenneth Frampton. The materials are organized alphabetically by either title or the architect's last name, from A-FO. Subjects and architects explored in these texts include: the Patkau Architects's Agosta House; Tadao Ando; Demetri and Suzana Antonakakis; ULM; architectural design; architecture as a humanistic discipline; architecture vs. art; Hannah Arendt; Wiel Arets; Emre Arolat; the avant-garde; Barcelona; basque architecture; Anatole de Baudot; Salvatore Bisogni; Mario Botta; the British Library; Angelo Bucci; William Butterfield; James Carpenter; la Casa Cooper; Alan Colquhuon; Casco Centrale; Charles Correa; constructivism; Czech architecture; the Duetsche Werkbund; developments in contemporary architecture; architectural education; Peter Eisenman; Shushei Endo; English architecture; and Arthur Erikson.
Kenneth Frampton texts, articles and notes A-FO
Actions:
AP197.S1.SS9.002
Description:
This box is comprised of notes, drafts, articles, interviews, conference addresses by Kenneth Frampton. The materials are organized alphabetically by either title or the architect's last name, from A-FO. Subjects and architects explored in these texts include: the Patkau Architects's Agosta House; Tadao Ando; Demetri and Suzana Antonakakis; ULM; architectural design; architecture as a humanistic discipline; architecture vs. art; Hannah Arendt; Wiel Arets; Emre Arolat; the avant-garde; Barcelona; basque architecture; Anatole de Baudot; Salvatore Bisogni; Mario Botta; the British Library; Angelo Bucci; William Butterfield; James Carpenter; la Casa Cooper; Alan Colquhuon; Casco Centrale; Charles Correa; constructivism; Czech architecture; the Duetsche Werkbund; developments in contemporary architecture; architectural education; Peter Eisenman; Shushei Endo; English architecture; and Arthur Erikson.
Classification:
documents textuels
documents textuels
Date:
1965-2015
1965-2015
Personnes et institutions:
Classification:
dessins, documents textuels, né numérique, photographies
dessins, documents textuels, né numérique, photographies
Numéro de référence:
AP181.S1.024
Description:
Original directory name: "28.08-26.10.07_Weissenbach A._Lenz". Title of the directory refers to August 28 – October 7 2007, COOP HIMMELB(L)AU architect Andreas Weissenbach, and inspection engineer Peter Lenz. Sub-directories show the review of the built structure, including inspection reports on fire protection and elevators from consulting engineers. Records include plans, photographs, and annotated drawings. One of the sub-directories is related to the book Dynamic Forces on the BMW Welt project. It includes various plans and drawings of the building, texts for the book, preliminary versions of the book, and a press presentation. Most common file formats: AutoCAD Drawing, Adobe Illustrator, Acrobat PDF 1.3 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, Tagged Image File Format
AP181.S1.024
Description:
Original directory name: "28.08-26.10.07_Weissenbach A._Lenz". Title of the directory refers to August 28 – October 7 2007, COOP HIMMELB(L)AU architect Andreas Weissenbach, and inspection engineer Peter Lenz. Sub-directories show the review of the built structure, including inspection reports on fire protection and elevators from consulting engineers. Records include plans, photographs, and annotated drawings. One of the sub-directories is related to the book Dynamic Forces on the BMW Welt project. It includes various plans and drawings of the building, texts for the book, preliminary versions of the book, and a press presentation. Most common file formats: AutoCAD Drawing, Adobe Illustrator, Acrobat PDF 1.3 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, Tagged Image File Format
Personnes et institutions:
Date:
2001-2014
2001-2014
Titre:
Inspection reports on the built structure, BMW Welt, Munich
Actions:
AP181.S1.024
Description:
Original directory name: "28.08-26.10.07_Weissenbach A._Lenz". Title of the directory refers to August 28 – October 7 2007, COOP HIMMELB(L)AU architect Andreas Weissenbach, and inspection engineer Peter Lenz. Sub-directories show the review of the built structure, including inspection reports on fire protection and elevators from consulting engineers. Records include plans, photographs, and annotated drawings. One of the sub-directories is related to the book Dynamic Forces on the BMW Welt project. It includes various plans and drawings of the building, texts for the book, preliminary versions of the book, and a press presentation. Most common file formats: AutoCAD Drawing, Adobe Illustrator, Acrobat PDF 1.3 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, Tagged Image File Format
Inspection reports on the built structure, BMW Welt, Munich
Actions:
AP181.S1.024
Description:
Original directory name: "28.08-26.10.07_Weissenbach A._Lenz". Title of the directory refers to August 28 – October 7 2007, COOP HIMMELB(L)AU architect Andreas Weissenbach, and inspection engineer Peter Lenz. Sub-directories show the review of the built structure, including inspection reports on fire protection and elevators from consulting engineers. Records include plans, photographs, and annotated drawings. One of the sub-directories is related to the book Dynamic Forces on the BMW Welt project. It includes various plans and drawings of the building, texts for the book, preliminary versions of the book, and a press presentation. Most common file formats: AutoCAD Drawing, Adobe Illustrator, Acrobat PDF 1.3 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, Tagged Image File Format
Classification:
dessins, documents textuels, né numérique, photographies
dessins, documents textuels, né numérique, photographies
Date:
2001-2014
2001-2014
Personnes et institutions:
Classification:
événements
événements
Titre:
À bas les parcs?
À bas les parcs?
Actions:
Description:
Les parcs sont-ils néfastes ? Ces bouts de terrain et maigres plans d’eau que nous séquestrons répondent à un besoin confus de « nature ». Ils contribuent sans doute à notre bonne santé, mais ne servent-ils pas aussi à excuser nos mauvaises habitudes? Les parcs ne sont pas anodins. Dans les villes, les parcs sont des actifs immobiliers et des « commodités » urbaines(...)
Les parcs sont-ils néfastes ? Ces bouts de terrain et maigres plans d’eau que nous séquestrons répondent à un besoin confus de « nature ». Ils contribuent sans doute à notre bonne santé, mais ne servent-ils pas aussi à excuser nos mauvaises habitudes? Les parcs ne sont pas anodins. Dans les villes, les parcs sont des actifs immobiliers et des « commodités » urbaines(...)
Date:
25 mai 2017
25 mai 2017
Titre:
À bas les parcs?
Actions:
Description:
Les parcs sont-ils néfastes ? Ces bouts de terrain et maigres plans d’eau que nous séquestrons répondent à un besoin confus de « nature ». Ils contribuent sans doute à notre bonne santé, mais ne servent-ils pas aussi à excuser nos mauvaises habitudes? Les parcs ne sont pas anodins. Dans les villes, les parcs sont des actifs immobiliers et des « commodités » urbaines(...)
À bas les parcs?
Actions:
Description:
Les parcs sont-ils néfastes ? Ces bouts de terrain et maigres plans d’eau que nous séquestrons répondent à un besoin confus de « nature ». Ils contribuent sans doute à notre bonne santé, mais ne servent-ils pas aussi à excuser nos mauvaises habitudes? Les parcs ne sont pas anodins. Dans les villes, les parcs sont des actifs immobiliers et des « commodités » urbaines(...)
Classification:
événements
événements
Date:
25 mai 2017
25 mai 2017
Classification:
recherche
recherche
Titre:
Chercheurs en résidence 2005
Chercheurs en résidence 2005
Actions:
Description:
Paolo Amaldi, Université catholique de Louvain (UCL), Louvain-La-Neuve, Belgique Sujet : Analyse du rapport entre espace architectural et instrument de représentation dans l’oeuvre de Mies van der Rohe Jean-François Bédard, Paris Program, Columbia University, New York, États-Unis Sujet : Honnêteté and the Grotesque: a Study of the Album by Gilles-Marie Oppenord(...)
Paolo Amaldi, Université catholique de Louvain (UCL), Louvain-La-Neuve, Belgique Sujet : Analyse du rapport entre espace architectural et instrument de représentation dans l’oeuvre de Mies van der Rohe Jean-François Bédard, Paris Program, Columbia University, New York, États-Unis Sujet : Honnêteté and the Grotesque: a Study of the Album by Gilles-Marie Oppenord(...)
Date:
3 janvier 2005 au 30 septembre 2005
3 janvier 2005 au 30 septembre 2005
Titre:
Chercheurs en résidence 2005
Actions:
Description:
Paolo Amaldi, Université catholique de Louvain (UCL), Louvain-La-Neuve, Belgique Sujet : Analyse du rapport entre espace architectural et instrument de représentation dans l’oeuvre de Mies van der Rohe Jean-François Bédard, Paris Program, Columbia University, New York, États-Unis Sujet : Honnêteté and the Grotesque: a Study of the Album by Gilles-Marie Oppenord(...)
Chercheurs en résidence 2005
Actions:
Description:
Paolo Amaldi, Université catholique de Louvain (UCL), Louvain-La-Neuve, Belgique Sujet : Analyse du rapport entre espace architectural et instrument de représentation dans l’oeuvre de Mies van der Rohe Jean-François Bédard, Paris Program, Columbia University, New York, États-Unis Sujet : Honnêteté and the Grotesque: a Study of the Album by Gilles-Marie Oppenord(...)
Classification:
recherche
recherche
Date:
3 janvier 2005 au
30 septembre 2005
3 janvier 2005 au
30 septembre 2005
Niveau de description archivistique:
Projet
Projet
Titre:
Palais des Congrès
Palais des Congrès
Numéro de référence:
AP163.S2.SS1.D71
Description:
This project series documents Victor Prus's project for the Palais des Congrés, a convention centre in Montréal, Québec. Prus worked in collation with Labelle, Lalonde et Lemoyne architects. The project was completed in 1979. The building situated on top of the Autoroute Ville-Marie, between Saint-Antoine Street and Avenue Viger Ouest. From 1999 to 2002, major renovations and additions will double the size of the original building. The project series contains drawings, including sketches and perspectives drawings, site plans, floor plans, sections, details, elevations and other working drawings, and photographs of the buildings model, and photographs of the site and the surroundings. It also include press clippings about the project, promotional materials, samples of interior decorations, correspondence with clients, asssociates, contractors, and consultants, reports and studies from diffrentes stages of the developement of the project and the construction, specifications and buildings programs, and minutes of meetings. The project series also inlcudes models of the building.
AP163.S2.SS1.D71
Description:
This project series documents Victor Prus's project for the Palais des Congrés, a convention centre in Montréal, Québec. Prus worked in collation with Labelle, Lalonde et Lemoyne architects. The project was completed in 1979. The building situated on top of the Autoroute Ville-Marie, between Saint-Antoine Street and Avenue Viger Ouest. From 1999 to 2002, major renovations and additions will double the size of the original building. The project series contains drawings, including sketches and perspectives drawings, site plans, floor plans, sections, details, elevations and other working drawings, and photographs of the buildings model, and photographs of the site and the surroundings. It also include press clippings about the project, promotional materials, samples of interior decorations, correspondence with clients, asssociates, contractors, and consultants, reports and studies from diffrentes stages of the developement of the project and the construction, specifications and buildings programs, and minutes of meetings. The project series also inlcudes models of the building.
Personnes et institutions:
Date:
1978-1985
1978-1985
Titre:
Palais des Congrès
Actions:
AP163.S2.SS1.D71
Description:
This project series documents Victor Prus's project for the Palais des Congrés, a convention centre in Montréal, Québec. Prus worked in collation with Labelle, Lalonde et Lemoyne architects. The project was completed in 1979. The building situated on top of the Autoroute Ville-Marie, between Saint-Antoine Street and Avenue Viger Ouest. From 1999 to 2002, major renovations and additions will double the size of the original building. The project series contains drawings, including sketches and perspectives drawings, site plans, floor plans, sections, details, elevations and other working drawings, and photographs of the buildings model, and photographs of the site and the surroundings. It also include press clippings about the project, promotional materials, samples of interior decorations, correspondence with clients, asssociates, contractors, and consultants, reports and studies from diffrentes stages of the developement of the project and the construction, specifications and buildings programs, and minutes of meetings. The project series also inlcudes models of the building.
Palais des Congrès
Actions:
AP163.S2.SS1.D71
Description:
This project series documents Victor Prus's project for the Palais des Congrés, a convention centre in Montréal, Québec. Prus worked in collation with Labelle, Lalonde et Lemoyne architects. The project was completed in 1979. The building situated on top of the Autoroute Ville-Marie, between Saint-Antoine Street and Avenue Viger Ouest. From 1999 to 2002, major renovations and additions will double the size of the original building. The project series contains drawings, including sketches and perspectives drawings, site plans, floor plans, sections, details, elevations and other working drawings, and photographs of the buildings model, and photographs of the site and the surroundings. It also include press clippings about the project, promotional materials, samples of interior decorations, correspondence with clients, asssociates, contractors, and consultants, reports and studies from diffrentes stages of the developement of the project and the construction, specifications and buildings programs, and minutes of meetings. The project series also inlcudes models of the building.
Niveau de description archivistique:
File 71
File 71
Date:
1978-1985
1978-1985
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP144.S2.D13
Description:
File documents a project for an arts centre at Bennington College, Vermont. It was designed by the Chicago-based firm of Robertson Ward Jr., F.A.I.A. for whom Price was a consultant while he worked on other projects in Detroit (see Detroit Think Grid, 1954-1968, AP144.S2.D73). Design requirements specified that no metal or rubber materials be used, and Price collaborated on the development of custom structural wood connectors. Architectural working drawings show Phase 1 of the project for a two-storey studio (1970). Later structural drawings, created in collaboration with Chicago consulting engineers, The Engineers Collaborative, show both a visual arts building and a performing arts building. Material in this file was produced between 1970 and 1973. All drawings are stamped and signed by Robertson Ward. Jr., registered architect, State of Vermont. Information on attribution based on the content of the file and on notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains working drawings.
AP144.S2.D13
Description:
File documents a project for an arts centre at Bennington College, Vermont. It was designed by the Chicago-based firm of Robertson Ward Jr., F.A.I.A. for whom Price was a consultant while he worked on other projects in Detroit (see Detroit Think Grid, 1954-1968, AP144.S2.D73). Design requirements specified that no metal or rubber materials be used, and Price collaborated on the development of custom structural wood connectors. Architectural working drawings show Phase 1 of the project for a two-storey studio (1970). Later structural drawings, created in collaboration with Chicago consulting engineers, The Engineers Collaborative, show both a visual arts building and a performing arts building. Material in this file was produced between 1970 and 1973. All drawings are stamped and signed by Robertson Ward. Jr., registered architect, State of Vermont. Information on attribution based on the content of the file and on notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains working drawings.
Personnes et institutions:
Date:
1970-1973
1970-1973
Titre:
Bennington College Arts Centre
Actions:
AP144.S2.D13
Description:
File documents a project for an arts centre at Bennington College, Vermont. It was designed by the Chicago-based firm of Robertson Ward Jr., F.A.I.A. for whom Price was a consultant while he worked on other projects in Detroit (see Detroit Think Grid, 1954-1968, AP144.S2.D73). Design requirements specified that no metal or rubber materials be used, and Price collaborated on the development of custom structural wood connectors. Architectural working drawings show Phase 1 of the project for a two-storey studio (1970). Later structural drawings, created in collaboration with Chicago consulting engineers, The Engineers Collaborative, show both a visual arts building and a performing arts building. Material in this file was produced between 1970 and 1973. All drawings are stamped and signed by Robertson Ward. Jr., registered architect, State of Vermont. Information on attribution based on the content of the file and on notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains working drawings.
Bennington College Arts Centre
Actions:
AP144.S2.D13
Description:
File documents a project for an arts centre at Bennington College, Vermont. It was designed by the Chicago-based firm of Robertson Ward Jr., F.A.I.A. for whom Price was a consultant while he worked on other projects in Detroit (see Detroit Think Grid, 1954-1968, AP144.S2.D73). Design requirements specified that no metal or rubber materials be used, and Price collaborated on the development of custom structural wood connectors. Architectural working drawings show Phase 1 of the project for a two-storey studio (1970). Later structural drawings, created in collaboration with Chicago consulting engineers, The Engineers Collaborative, show both a visual arts building and a performing arts building. Material in this file was produced between 1970 and 1973. All drawings are stamped and signed by Robertson Ward. Jr., registered architect, State of Vermont. Information on attribution based on the content of the file and on notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains working drawings.
Niveau de description archivistique:
File 13
File 13
Date:
1970-1973
1970-1973
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
Personnes et institutions:
Date:
circa 1968-2015
circa 1968-2015
Titre:
Dialogo Pettena-Arnolfo [Pettena-Arnolfo Dialogue] (1968)
Actions:
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
Dialogo Pettena-Arnolfo [Pettena-Arnolfo Dialogue] (1968)
Actions:
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
Niveau de description archivistique:
Project
Project
Date:
circa 1968-2015
circa 1968-2015
Personnes et institutions:
