33214 Résultats
Titre:
Letters 1970-74
Letters 1970-74
Numéro de référence:
PHCON2002:0016:002
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence predominantly from the early 1970s, the time in which he became an active artist/architect in New York City, New York. Documents related to the following projects are included: Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); Conical Intersect (1975); Corner Decomposition Piece (1972); Fake Estates (1973); Food (1971); Fresh Air Cart (1972); Photoglyphs (1973); Pipes (1971); Contrabienal (1971); Subway Graffiti (1973); Threshole (1973); Tree Dance (1971); and Wallspaper (1972). Binder contains a drawing, photographs and textual records. (Material divided in 2 binders: binder 1/2 contains objects PHCON2002:0016:002:001 to PHCON2002:0016:002:050; binder 2/2 contains PHCON2002:0016:002:051 to PHCON2002:0016:002:103.)
PHCON2002:0016:002
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence predominantly from the early 1970s, the time in which he became an active artist/architect in New York City, New York. Documents related to the following projects are included: Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); Conical Intersect (1975); Corner Decomposition Piece (1972); Fake Estates (1973); Food (1971); Fresh Air Cart (1972); Photoglyphs (1973); Pipes (1971); Contrabienal (1971); Subway Graffiti (1973); Threshole (1973); Tree Dance (1971); and Wallspaper (1972). Binder contains a drawing, photographs and textual records. (Material divided in 2 binders: binder 1/2 contains objects PHCON2002:0016:002:001 to PHCON2002:0016:002:050; binder 2/2 contains PHCON2002:0016:002:051 to PHCON2002:0016:002:103.)
Personnes et institutions:
Date:
ca. 1962-1985
ca. 1962-1985
Titre:
Letters 1970-74
Actions:
PHCON2002:0016:002
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence predominantly from the early 1970s, the time in which he became an active artist/architect in New York City, New York. Documents related to the following projects are included: Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); Conical Intersect (1975); Corner Decomposition Piece (1972); Fake Estates (1973); Food (1971); Fresh Air Cart (1972); Photoglyphs (1973); Pipes (1971); Contrabienal (1971); Subway Graffiti (1973); Threshole (1973); Tree Dance (1971); and Wallspaper (1972). Binder contains a drawing, photographs and textual records. (Material divided in 2 binders: binder 1/2 contains objects PHCON2002:0016:002:001 to PHCON2002:0016:002:050; binder 2/2 contains PHCON2002:0016:002:051 to PHCON2002:0016:002:103.)
Letters 1970-74
Actions:
PHCON2002:0016:002
Description:
Binder documents Gordon Matta-Clark's personal and professional correspondence predominantly from the early 1970s, the time in which he became an active artist/architect in New York City, New York. Documents related to the following projects are included: Anarchitecture (1973-1974); A W-Hole House (1973); Bingo (1974); Conical Intersect (1975); Corner Decomposition Piece (1972); Fake Estates (1973); Food (1971); Fresh Air Cart (1972); Photoglyphs (1973); Pipes (1971); Contrabienal (1971); Subway Graffiti (1973); Threshole (1973); Tree Dance (1971); and Wallspaper (1972). Binder contains a drawing, photographs and textual records. (Material divided in 2 binders: binder 1/2 contains objects PHCON2002:0016:002:001 to PHCON2002:0016:002:050; binder 2/2 contains PHCON2002:0016:002:051 to PHCON2002:0016:002:103.)
Date:
ca. 1962-1985
ca. 1962-1985
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP197.S1.SS9.002
Description:
This box is comprised of notes, drafts, articles, interviews, conference addresses by Kenneth Frampton. The materials are organized alphabetically by either title or the architect's last name, from A-FO. Subjects and architects explored in these texts include: the Patkau Architects's Agosta House; Tadao Ando; Demetri and Suzana Antonakakis; ULM; architectural design; architecture as a humanistic discipline; architecture vs. art; Hannah Arendt; Wiel Arets; Emre Arolat; the avant-garde; Barcelona; basque architecture; Anatole de Baudot; Salvatore Bisogni; Mario Botta; the British Library; Angelo Bucci; William Butterfield; James Carpenter; la Casa Cooper; Alan Colquhuon; Casco Centrale; Charles Correa; constructivism; Czech architecture; the Duetsche Werkbund; developments in contemporary architecture; architectural education; Peter Eisenman; Shushei Endo; English architecture; and Arthur Erikson.
AP197.S1.SS9.002
Description:
This box is comprised of notes, drafts, articles, interviews, conference addresses by Kenneth Frampton. The materials are organized alphabetically by either title or the architect's last name, from A-FO. Subjects and architects explored in these texts include: the Patkau Architects's Agosta House; Tadao Ando; Demetri and Suzana Antonakakis; ULM; architectural design; architecture as a humanistic discipline; architecture vs. art; Hannah Arendt; Wiel Arets; Emre Arolat; the avant-garde; Barcelona; basque architecture; Anatole de Baudot; Salvatore Bisogni; Mario Botta; the British Library; Angelo Bucci; William Butterfield; James Carpenter; la Casa Cooper; Alan Colquhuon; Casco Centrale; Charles Correa; constructivism; Czech architecture; the Duetsche Werkbund; developments in contemporary architecture; architectural education; Peter Eisenman; Shushei Endo; English architecture; and Arthur Erikson.
Personnes et institutions:
Date:
1965-2015
1965-2015
Titre:
Kenneth Frampton texts, articles and notes A-FO
Actions:
AP197.S1.SS9.002
Description:
This box is comprised of notes, drafts, articles, interviews, conference addresses by Kenneth Frampton. The materials are organized alphabetically by either title or the architect's last name, from A-FO. Subjects and architects explored in these texts include: the Patkau Architects's Agosta House; Tadao Ando; Demetri and Suzana Antonakakis; ULM; architectural design; architecture as a humanistic discipline; architecture vs. art; Hannah Arendt; Wiel Arets; Emre Arolat; the avant-garde; Barcelona; basque architecture; Anatole de Baudot; Salvatore Bisogni; Mario Botta; the British Library; Angelo Bucci; William Butterfield; James Carpenter; la Casa Cooper; Alan Colquhuon; Casco Centrale; Charles Correa; constructivism; Czech architecture; the Duetsche Werkbund; developments in contemporary architecture; architectural education; Peter Eisenman; Shushei Endo; English architecture; and Arthur Erikson.
Kenneth Frampton texts, articles and notes A-FO
Actions:
AP197.S1.SS9.002
Description:
This box is comprised of notes, drafts, articles, interviews, conference addresses by Kenneth Frampton. The materials are organized alphabetically by either title or the architect's last name, from A-FO. Subjects and architects explored in these texts include: the Patkau Architects's Agosta House; Tadao Ando; Demetri and Suzana Antonakakis; ULM; architectural design; architecture as a humanistic discipline; architecture vs. art; Hannah Arendt; Wiel Arets; Emre Arolat; the avant-garde; Barcelona; basque architecture; Anatole de Baudot; Salvatore Bisogni; Mario Botta; the British Library; Angelo Bucci; William Butterfield; James Carpenter; la Casa Cooper; Alan Colquhuon; Casco Centrale; Charles Correa; constructivism; Czech architecture; the Duetsche Werkbund; developments in contemporary architecture; architectural education; Peter Eisenman; Shushei Endo; English architecture; and Arthur Erikson.
Classification:
documents textuels
documents textuels
Date:
1965-2015
1965-2015
Personnes et institutions:
Classification:
dessins, documents textuels, né numérique, photographies
dessins, documents textuels, né numérique, photographies
Numéro de référence:
AP181.S1.024
Description:
Original directory name: "28.08-26.10.07_Weissenbach A._Lenz". Title of the directory refers to August 28 – October 7 2007, COOP HIMMELB(L)AU architect Andreas Weissenbach, and inspection engineer Peter Lenz. Sub-directories show the review of the built structure, including inspection reports on fire protection and elevators from consulting engineers. Records include plans, photographs, and annotated drawings. One of the sub-directories is related to the book Dynamic Forces on the BMW Welt project. It includes various plans and drawings of the building, texts for the book, preliminary versions of the book, and a press presentation. Most common file formats: AutoCAD Drawing, Adobe Illustrator, Acrobat PDF 1.3 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, Tagged Image File Format
AP181.S1.024
Description:
Original directory name: "28.08-26.10.07_Weissenbach A._Lenz". Title of the directory refers to August 28 – October 7 2007, COOP HIMMELB(L)AU architect Andreas Weissenbach, and inspection engineer Peter Lenz. Sub-directories show the review of the built structure, including inspection reports on fire protection and elevators from consulting engineers. Records include plans, photographs, and annotated drawings. One of the sub-directories is related to the book Dynamic Forces on the BMW Welt project. It includes various plans and drawings of the building, texts for the book, preliminary versions of the book, and a press presentation. Most common file formats: AutoCAD Drawing, Adobe Illustrator, Acrobat PDF 1.3 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, Tagged Image File Format
Personnes et institutions:
Date:
2001-2014
2001-2014
Titre:
Inspection reports on the built structure, BMW Welt, Munich
Actions:
AP181.S1.024
Description:
Original directory name: "28.08-26.10.07_Weissenbach A._Lenz". Title of the directory refers to August 28 – October 7 2007, COOP HIMMELB(L)AU architect Andreas Weissenbach, and inspection engineer Peter Lenz. Sub-directories show the review of the built structure, including inspection reports on fire protection and elevators from consulting engineers. Records include plans, photographs, and annotated drawings. One of the sub-directories is related to the book Dynamic Forces on the BMW Welt project. It includes various plans and drawings of the building, texts for the book, preliminary versions of the book, and a press presentation. Most common file formats: AutoCAD Drawing, Adobe Illustrator, Acrobat PDF 1.3 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, Tagged Image File Format
Inspection reports on the built structure, BMW Welt, Munich
Actions:
AP181.S1.024
Description:
Original directory name: "28.08-26.10.07_Weissenbach A._Lenz". Title of the directory refers to August 28 – October 7 2007, COOP HIMMELB(L)AU architect Andreas Weissenbach, and inspection engineer Peter Lenz. Sub-directories show the review of the built structure, including inspection reports on fire protection and elevators from consulting engineers. Records include plans, photographs, and annotated drawings. One of the sub-directories is related to the book Dynamic Forces on the BMW Welt project. It includes various plans and drawings of the building, texts for the book, preliminary versions of the book, and a press presentation. Most common file formats: AutoCAD Drawing, Adobe Illustrator, Acrobat PDF 1.3 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, Tagged Image File Format
Classification:
dessins, documents textuels, né numérique, photographies
dessins, documents textuels, né numérique, photographies
Date:
2001-2014
2001-2014
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Palais des Congrès
Palais des Congrès
Numéro de référence:
AP163.S2.SS1.D71
Description:
This project series documents Victor Prus's project for the Palais des Congrés, a convention centre in Montréal, Québec. Prus worked in collation with Labelle, Lalonde et Lemoyne architects. The project was completed in 1979. The building situated on top of the Autoroute Ville-Marie, between Saint-Antoine Street and Avenue Viger Ouest. From 1999 to 2002, major renovations and additions will double the size of the original building. The project series contains drawings, including sketches and perspectives drawings, site plans, floor plans, sections, details, elevations and other working drawings, and photographs of the buildings model, and photographs of the site and the surroundings. It also include press clippings about the project, promotional materials, samples of interior decorations, correspondence with clients, asssociates, contractors, and consultants, reports and studies from diffrentes stages of the developement of the project and the construction, specifications and buildings programs, and minutes of meetings. The project series also inlcudes models of the building.
AP163.S2.SS1.D71
Description:
This project series documents Victor Prus's project for the Palais des Congrés, a convention centre in Montréal, Québec. Prus worked in collation with Labelle, Lalonde et Lemoyne architects. The project was completed in 1979. The building situated on top of the Autoroute Ville-Marie, between Saint-Antoine Street and Avenue Viger Ouest. From 1999 to 2002, major renovations and additions will double the size of the original building. The project series contains drawings, including sketches and perspectives drawings, site plans, floor plans, sections, details, elevations and other working drawings, and photographs of the buildings model, and photographs of the site and the surroundings. It also include press clippings about the project, promotional materials, samples of interior decorations, correspondence with clients, asssociates, contractors, and consultants, reports and studies from diffrentes stages of the developement of the project and the construction, specifications and buildings programs, and minutes of meetings. The project series also inlcudes models of the building.
Personnes et institutions:
Date:
1978-1985
1978-1985
Titre:
Palais des Congrès
Actions:
AP163.S2.SS1.D71
Description:
This project series documents Victor Prus's project for the Palais des Congrés, a convention centre in Montréal, Québec. Prus worked in collation with Labelle, Lalonde et Lemoyne architects. The project was completed in 1979. The building situated on top of the Autoroute Ville-Marie, between Saint-Antoine Street and Avenue Viger Ouest. From 1999 to 2002, major renovations and additions will double the size of the original building. The project series contains drawings, including sketches and perspectives drawings, site plans, floor plans, sections, details, elevations and other working drawings, and photographs of the buildings model, and photographs of the site and the surroundings. It also include press clippings about the project, promotional materials, samples of interior decorations, correspondence with clients, asssociates, contractors, and consultants, reports and studies from diffrentes stages of the developement of the project and the construction, specifications and buildings programs, and minutes of meetings. The project series also inlcudes models of the building.
Palais des Congrès
Actions:
AP163.S2.SS1.D71
Description:
This project series documents Victor Prus's project for the Palais des Congrés, a convention centre in Montréal, Québec. Prus worked in collation with Labelle, Lalonde et Lemoyne architects. The project was completed in 1979. The building situated on top of the Autoroute Ville-Marie, between Saint-Antoine Street and Avenue Viger Ouest. From 1999 to 2002, major renovations and additions will double the size of the original building. The project series contains drawings, including sketches and perspectives drawings, site plans, floor plans, sections, details, elevations and other working drawings, and photographs of the buildings model, and photographs of the site and the surroundings. It also include press clippings about the project, promotional materials, samples of interior decorations, correspondence with clients, asssociates, contractors, and consultants, reports and studies from diffrentes stages of the developement of the project and the construction, specifications and buildings programs, and minutes of meetings. The project series also inlcudes models of the building.
Niveau de description archivistique:
File 71
File 71
Date:
1978-1985
1978-1985
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
CI005.S1.1917.PR2
Description:
Villa Allegonda was originally built by architect, H.J. Jesse, in the early 20th century before being remodelled by Menso Kamerlingh in 1916-1917. The villa was further renovated in 1927. The villa was one of three summer houses that Jesse built in the dunes of Katwijk aan Zee: Oud assisted with drafting and providing technical advice for the third villa, Villa Sigrid, in 1916-17. Oud worked in partnership with Menso Kamerlingh Onnes. Oud also coordinated the contribution of artist friends and chose the colours. In the second phase of design, Oud contributed to remodelling the villa windows and pillars and designing furniture. Exhaustion caused him to resign in 1928 (Taverne et al. 2001, 127-132). The project series features drawings for different phases of the project, including drawings of the 1917 design and 1931 furniture designs. The series also includes photographs of exterior and interior views of Villa Allegonda and furniture items.
CI005.S1.1917.PR2
Description:
Villa Allegonda was originally built by architect, H.J. Jesse, in the early 20th century before being remodelled by Menso Kamerlingh in 1916-1917. The villa was further renovated in 1927. The villa was one of three summer houses that Jesse built in the dunes of Katwijk aan Zee: Oud assisted with drafting and providing technical advice for the third villa, Villa Sigrid, in 1916-17. Oud worked in partnership with Menso Kamerlingh Onnes. Oud also coordinated the contribution of artist friends and chose the colours. In the second phase of design, Oud contributed to remodelling the villa windows and pillars and designing furniture. Exhaustion caused him to resign in 1928 (Taverne et al. 2001, 127-132). The project series features drawings for different phases of the project, including drawings of the 1917 design and 1931 furniture designs. The series also includes photographs of exterior and interior views of Villa Allegonda and furniture items.
Personnes et institutions:
Date:
1901-1931 (1917 and 1931 predominant)
1901-1931 (1917 and 1931 predominant)
Titre:
Villa Allegonda, Katwijk aan Zee, Netherlands (1917-1928)
Actions:
CI005.S1.1917.PR2
Description:
Villa Allegonda was originally built by architect, H.J. Jesse, in the early 20th century before being remodelled by Menso Kamerlingh in 1916-1917. The villa was further renovated in 1927. The villa was one of three summer houses that Jesse built in the dunes of Katwijk aan Zee: Oud assisted with drafting and providing technical advice for the third villa, Villa Sigrid, in 1916-17. Oud worked in partnership with Menso Kamerlingh Onnes. Oud also coordinated the contribution of artist friends and chose the colours. In the second phase of design, Oud contributed to remodelling the villa windows and pillars and designing furniture. Exhaustion caused him to resign in 1928 (Taverne et al. 2001, 127-132). The project series features drawings for different phases of the project, including drawings of the 1917 design and 1931 furniture designs. The series also includes photographs of exterior and interior views of Villa Allegonda and furniture items.
Villa Allegonda, Katwijk aan Zee, Netherlands (1917-1928)
Actions:
CI005.S1.1917.PR2
Description:
Villa Allegonda was originally built by architect, H.J. Jesse, in the early 20th century before being remodelled by Menso Kamerlingh in 1916-1917. The villa was further renovated in 1927. The villa was one of three summer houses that Jesse built in the dunes of Katwijk aan Zee: Oud assisted with drafting and providing technical advice for the third villa, Villa Sigrid, in 1916-17. Oud worked in partnership with Menso Kamerlingh Onnes. Oud also coordinated the contribution of artist friends and chose the colours. In the second phase of design, Oud contributed to remodelling the villa windows and pillars and designing furniture. Exhaustion caused him to resign in 1928 (Taverne et al. 2001, 127-132). The project series features drawings for different phases of the project, including drawings of the 1917 design and 1931 furniture designs. The series also includes photographs of exterior and interior views of Villa Allegonda and furniture items.
Niveau de description archivistique:
project
project
Date:
1901-1931 (1917 and 1931 predominant)
1901-1931 (1917 and 1931 predominant)
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Architectural projects
Architectural projects
Numéro de référence:
AP004.S1
Description:
The Architectural projects series documents 33 projects that reflect A.D. Thacker's work as an architect. The series primarily consist of drawings depicting structures that Thacker designed after beginning his own practice in 1926 until his death in 1938, but also includes some work from 1913. However, many of the drawings and documentation within the series are not dated. The drawings include elevation, perspective and plan proposals and occasionally occaisionally studies. In addition to the drawings, the series also contains documentation of the drawings - including reprographic copies, photographs, and some textual material. The projects are largely situated in Quebec and include locations such as Hampstead, Westmount, Kanawá:ke, Dundee, Valois, Morin Heights, Chambly, and Halifax, Nova Scotia. *CONTENT WARNING* The united church project in Kanawá:ke (AP004.S1.D4) was associated with the Federal Indian Day School system established by the Canadian government with the aid of various religious organizations. See the project series for additional information. Please take care in consulting these records and seek help when needed.
AP004.S1
Description:
The Architectural projects series documents 33 projects that reflect A.D. Thacker's work as an architect. The series primarily consist of drawings depicting structures that Thacker designed after beginning his own practice in 1926 until his death in 1938, but also includes some work from 1913. However, many of the drawings and documentation within the series are not dated. The drawings include elevation, perspective and plan proposals and occasionally occaisionally studies. In addition to the drawings, the series also contains documentation of the drawings - including reprographic copies, photographs, and some textual material. The projects are largely situated in Quebec and include locations such as Hampstead, Westmount, Kanawá:ke, Dundee, Valois, Morin Heights, Chambly, and Halifax, Nova Scotia. *CONTENT WARNING* The united church project in Kanawá:ke (AP004.S1.D4) was associated with the Federal Indian Day School system established by the Canadian government with the aid of various religious organizations. See the project series for additional information. Please take care in consulting these records and seek help when needed.
Personnes et institutions:
Date:
1913-1944
1913-1944
Titre:
Architectural projects
Actions:
AP004.S1
Description:
The Architectural projects series documents 33 projects that reflect A.D. Thacker's work as an architect. The series primarily consist of drawings depicting structures that Thacker designed after beginning his own practice in 1926 until his death in 1938, but also includes some work from 1913. However, many of the drawings and documentation within the series are not dated. The drawings include elevation, perspective and plan proposals and occasionally occaisionally studies. In addition to the drawings, the series also contains documentation of the drawings - including reprographic copies, photographs, and some textual material. The projects are largely situated in Quebec and include locations such as Hampstead, Westmount, Kanawá:ke, Dundee, Valois, Morin Heights, Chambly, and Halifax, Nova Scotia. *CONTENT WARNING* The united church project in Kanawá:ke (AP004.S1.D4) was associated with the Federal Indian Day School system established by the Canadian government with the aid of various religious organizations. See the project series for additional information. Please take care in consulting these records and seek help when needed.
Architectural projects
Actions:
AP004.S1
Description:
The Architectural projects series documents 33 projects that reflect A.D. Thacker's work as an architect. The series primarily consist of drawings depicting structures that Thacker designed after beginning his own practice in 1926 until his death in 1938, but also includes some work from 1913. However, many of the drawings and documentation within the series are not dated. The drawings include elevation, perspective and plan proposals and occasionally occaisionally studies. In addition to the drawings, the series also contains documentation of the drawings - including reprographic copies, photographs, and some textual material. The projects are largely situated in Quebec and include locations such as Hampstead, Westmount, Kanawá:ke, Dundee, Valois, Morin Heights, Chambly, and Halifax, Nova Scotia. *CONTENT WARNING* The united church project in Kanawá:ke (AP004.S1.D4) was associated with the Federal Indian Day School system established by the Canadian government with the aid of various religious organizations. See the project series for additional information. Please take care in consulting these records and seek help when needed.
Niveau de description archivistique:
Series
Series
Date:
1913-1944
1913-1944
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.2005.PR05
Description:
This project series documents the Instalação na Exposição "Entrez Lentement" per il Salone del Mobile in Milan. While the records were held in the office’s archives this installation was assigned the label "outro" in place of the usual project number, to designate that it was work done for an exhibition. The office assigned the date 2005 for this installation. This project consisted of an exhibition installation at the 2005 edition of the famed Salone del Mobile Milano (Milan Furniture Fair). The Salone del Mobile exhibition, entitled "Entrez Lentement," invited eight architects to build installations related to famous architectural projects. Siza's work spoke to Oscar Neimeyer's personal home, Casa das Canoas in Rio de Janeiro. He designed two organic white forms and a curved yellow chaise lounge that related to the curved forms present in the original home. Documenting this project are sketches, a plan, and the exhibition space layout of the Salone. These materials date from 2004.
AP178.S1.2005.PR05
Description:
This project series documents the Instalação na Exposição "Entrez Lentement" per il Salone del Mobile in Milan. While the records were held in the office’s archives this installation was assigned the label "outro" in place of the usual project number, to designate that it was work done for an exhibition. The office assigned the date 2005 for this installation. This project consisted of an exhibition installation at the 2005 edition of the famed Salone del Mobile Milano (Milan Furniture Fair). The Salone del Mobile exhibition, entitled "Entrez Lentement," invited eight architects to build installations related to famous architectural projects. Siza's work spoke to Oscar Neimeyer's personal home, Casa das Canoas in Rio de Janeiro. He designed two organic white forms and a curved yellow chaise lounge that related to the curved forms present in the original home. Documenting this project are sketches, a plan, and the exhibition space layout of the Salone. These materials date from 2004.
Personnes et institutions:
Date:
2004
2004
Titre:
Instalação na Exposição "Entrez Lentement" per il Salone del Mobile [Installation for the "Entrez Lentement" exhibition at the Salone de Mobile], Milan (2005)
Actions:
AP178.S1.2005.PR05
Description:
This project series documents the Instalação na Exposição "Entrez Lentement" per il Salone del Mobile in Milan. While the records were held in the office’s archives this installation was assigned the label "outro" in place of the usual project number, to designate that it was work done for an exhibition. The office assigned the date 2005 for this installation. This project consisted of an exhibition installation at the 2005 edition of the famed Salone del Mobile Milano (Milan Furniture Fair). The Salone del Mobile exhibition, entitled "Entrez Lentement," invited eight architects to build installations related to famous architectural projects. Siza's work spoke to Oscar Neimeyer's personal home, Casa das Canoas in Rio de Janeiro. He designed two organic white forms and a curved yellow chaise lounge that related to the curved forms present in the original home. Documenting this project are sketches, a plan, and the exhibition space layout of the Salone. These materials date from 2004.
Instalação na Exposição "Entrez Lentement" per il Salone del Mobile [Installation for the "Entrez Lentement" exhibition at the Salone de Mobile], Milan (2005)
Actions:
AP178.S1.2005.PR05
Description:
This project series documents the Instalação na Exposição "Entrez Lentement" per il Salone del Mobile in Milan. While the records were held in the office’s archives this installation was assigned the label "outro" in place of the usual project number, to designate that it was work done for an exhibition. The office assigned the date 2005 for this installation. This project consisted of an exhibition installation at the 2005 edition of the famed Salone del Mobile Milano (Milan Furniture Fair). The Salone del Mobile exhibition, entitled "Entrez Lentement," invited eight architects to build installations related to famous architectural projects. Siza's work spoke to Oscar Neimeyer's personal home, Casa das Canoas in Rio de Janeiro. He designed two organic white forms and a curved yellow chaise lounge that related to the curved forms present in the original home. Documenting this project are sketches, a plan, and the exhibition space layout of the Salone. These materials date from 2004.
Niveau de description archivistique:
Project
Project
Date:
2004
2004
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
Personnes et institutions:
Date:
circa 1968-2015
circa 1968-2015
Titre:
Dialogo Pettena-Arnolfo [Pettena-Arnolfo Dialogue] (1968)
Actions:
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
Dialogo Pettena-Arnolfo [Pettena-Arnolfo Dialogue] (1968)
Actions:
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
Niveau de description archivistique:
Project
Project
Date:
circa 1968-2015
circa 1968-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Laundry (1969)
Laundry (1969)
Numéro de référence:
AP207.S1.1969.PR02
Description:
This project series documents Pettena's installation "Laundry" realized in the context of the Campo Urbano, a series of artistic events staged during a day at the Piazza del Duomo, in the historic centre of Como, in Italy, on the 21st of September 1969. Pettena was one of the forty artists, musicians, architects and art critics invited to the event [2]. For his installation, "Pettena chose to hang out washing on clothes lines, with the aim of underlining the difference between the appearance of a city and the experience of living in it." [2]. The project series contains photographs of the installation at the Piazza del Duomo, in Como, sketches of the installation, and a project description in English and Italian. Sources: [1] Radical Pedagogies, https://radical-pedagogies.com/search-cases/i05-campo-urbano/ (last accessed 4 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-laundry-1969-1/ (last accessed 4 November 2019)
AP207.S1.1969.PR02
Description:
This project series documents Pettena's installation "Laundry" realized in the context of the Campo Urbano, a series of artistic events staged during a day at the Piazza del Duomo, in the historic centre of Como, in Italy, on the 21st of September 1969. Pettena was one of the forty artists, musicians, architects and art critics invited to the event [2]. For his installation, "Pettena chose to hang out washing on clothes lines, with the aim of underlining the difference between the appearance of a city and the experience of living in it." [2]. The project series contains photographs of the installation at the Piazza del Duomo, in Como, sketches of the installation, and a project description in English and Italian. Sources: [1] Radical Pedagogies, https://radical-pedagogies.com/search-cases/i05-campo-urbano/ (last accessed 4 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-laundry-1969-1/ (last accessed 4 November 2019)
Personnes et institutions:
Date:
circa 1969-2017
circa 1969-2017
Titre:
Laundry (1969)
Actions:
AP207.S1.1969.PR02
Description:
This project series documents Pettena's installation "Laundry" realized in the context of the Campo Urbano, a series of artistic events staged during a day at the Piazza del Duomo, in the historic centre of Como, in Italy, on the 21st of September 1969. Pettena was one of the forty artists, musicians, architects and art critics invited to the event [2]. For his installation, "Pettena chose to hang out washing on clothes lines, with the aim of underlining the difference between the appearance of a city and the experience of living in it." [2]. The project series contains photographs of the installation at the Piazza del Duomo, in Como, sketches of the installation, and a project description in English and Italian. Sources: [1] Radical Pedagogies, https://radical-pedagogies.com/search-cases/i05-campo-urbano/ (last accessed 4 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-laundry-1969-1/ (last accessed 4 November 2019)
Laundry (1969)
Actions:
AP207.S1.1969.PR02
Description:
This project series documents Pettena's installation "Laundry" realized in the context of the Campo Urbano, a series of artistic events staged during a day at the Piazza del Duomo, in the historic centre of Como, in Italy, on the 21st of September 1969. Pettena was one of the forty artists, musicians, architects and art critics invited to the event [2]. For his installation, "Pettena chose to hang out washing on clothes lines, with the aim of underlining the difference between the appearance of a city and the experience of living in it." [2]. The project series contains photographs of the installation at the Piazza del Duomo, in Como, sketches of the installation, and a project description in English and Italian. Sources: [1] Radical Pedagogies, https://radical-pedagogies.com/search-cases/i05-campo-urbano/ (last accessed 4 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-laundry-1969-1/ (last accessed 4 November 2019)
Niveau de description archivistique:
Project
Project
Date:
circa 1969-2017
circa 1969-2017
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP207.S2.SS10
Description:
The sub-series documents the exhibition and the related publication "Olmsted: L'origine del parco urbano e del parco naturale contemporaneo" curated by Pettena. The exhibition was presented at the Uffizi Gallery in Florence, in 1996. The exhibition, dedicated to American landscape architect Frederick Law Olmsted, is the result of several years of Pettena's research on landscape architecture and how urban parks symbolized social changes in the second half of the 19th century. This sub-series contains research material such as notes by Pettena, information on Olmsted's landscape projects, publications on Olmsted, and leaflets and ephemera from other exhibitions or events on Olmsted. The research material also contains correspondence of Gianni Pettena with experts on Olmsted or with the Frederick Law Olmsted Association. Also included, are documents related to the planning and the production of the exhibition and the related publication, such as correspondence, exhibition programs, strategic program, summaries of the exhibition's themes, object lists, and budget and draft texts for the publication.
AP207.S2.SS10
Description:
The sub-series documents the exhibition and the related publication "Olmsted: L'origine del parco urbano e del parco naturale contemporaneo" curated by Pettena. The exhibition was presented at the Uffizi Gallery in Florence, in 1996. The exhibition, dedicated to American landscape architect Frederick Law Olmsted, is the result of several years of Pettena's research on landscape architecture and how urban parks symbolized social changes in the second half of the 19th century. This sub-series contains research material such as notes by Pettena, information on Olmsted's landscape projects, publications on Olmsted, and leaflets and ephemera from other exhibitions or events on Olmsted. The research material also contains correspondence of Gianni Pettena with experts on Olmsted or with the Frederick Law Olmsted Association. Also included, are documents related to the planning and the production of the exhibition and the related publication, such as correspondence, exhibition programs, strategic program, summaries of the exhibition's themes, object lists, and budget and draft texts for the publication.
Personnes et institutions:
Date:
1991-1996
1991-1996
Titre:
Olmsted: L'origine del parco urbano e del parco naturale contemporaneo (1996)
Actions:
AP207.S2.SS10
Description:
The sub-series documents the exhibition and the related publication "Olmsted: L'origine del parco urbano e del parco naturale contemporaneo" curated by Pettena. The exhibition was presented at the Uffizi Gallery in Florence, in 1996. The exhibition, dedicated to American landscape architect Frederick Law Olmsted, is the result of several years of Pettena's research on landscape architecture and how urban parks symbolized social changes in the second half of the 19th century. This sub-series contains research material such as notes by Pettena, information on Olmsted's landscape projects, publications on Olmsted, and leaflets and ephemera from other exhibitions or events on Olmsted. The research material also contains correspondence of Gianni Pettena with experts on Olmsted or with the Frederick Law Olmsted Association. Also included, are documents related to the planning and the production of the exhibition and the related publication, such as correspondence, exhibition programs, strategic program, summaries of the exhibition's themes, object lists, and budget and draft texts for the publication.
Olmsted: L'origine del parco urbano e del parco naturale contemporaneo (1996)
Actions:
AP207.S2.SS10
Description:
The sub-series documents the exhibition and the related publication "Olmsted: L'origine del parco urbano e del parco naturale contemporaneo" curated by Pettena. The exhibition was presented at the Uffizi Gallery in Florence, in 1996. The exhibition, dedicated to American landscape architect Frederick Law Olmsted, is the result of several years of Pettena's research on landscape architecture and how urban parks symbolized social changes in the second half of the 19th century. This sub-series contains research material such as notes by Pettena, information on Olmsted's landscape projects, publications on Olmsted, and leaflets and ephemera from other exhibitions or events on Olmsted. The research material also contains correspondence of Gianni Pettena with experts on Olmsted or with the Frederick Law Olmsted Association. Also included, are documents related to the planning and the production of the exhibition and the related publication, such as correspondence, exhibition programs, strategic program, summaries of the exhibition's themes, object lists, and budget and draft texts for the publication.
Niveau de description archivistique:
Subseries
Subseries
Date:
1991-1996
1991-1996
Personnes et institutions:
