33215 Résultats
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1936.PR3
Description:
Construction for the transatlantic ocean liner, S.S. Nieuw Amsterdam – an initiative of the Holland-America Line – began in 1936 and was completed by May 1938. After the death of a leading figure of the Brinkman & Van der Vlugt architectural firm, the director of the Holland-American Line contracted the interior design to several architects, each working in partnership with artists. Oud was responsible for designing the First Class Swimming Pool and Second Class Tourist Lounge and Smoking Room. Oud outfitted the Second Class lounge with a rug, wooden furniture and a parquet dance floor; at one end of the room he set a stage, grand piano, and projection booth. The Smoking Room featured cork floors, panelled walls and a long reading table. The Smoking Room featured club chairs in brown leather and wooden chairs (Taverne et al. 2001, 389-392). Project series includes plans for the Tourist Lounge, and photographs of its interior.
CI005.S1.1936.PR3
Description:
Construction for the transatlantic ocean liner, S.S. Nieuw Amsterdam – an initiative of the Holland-America Line – began in 1936 and was completed by May 1938. After the death of a leading figure of the Brinkman & Van der Vlugt architectural firm, the director of the Holland-American Line contracted the interior design to several architects, each working in partnership with artists. Oud was responsible for designing the First Class Swimming Pool and Second Class Tourist Lounge and Smoking Room. Oud outfitted the Second Class lounge with a rug, wooden furniture and a parquet dance floor; at one end of the room he set a stage, grand piano, and projection booth. The Smoking Room featured cork floors, panelled walls and a long reading table. The Smoking Room featured club chairs in brown leather and wooden chairs (Taverne et al. 2001, 389-392). Project series includes plans for the Tourist Lounge, and photographs of its interior.
Personnes et institutions:
Date:
1936-1938
1936-1938
Titre:
Interior of the S.S. Nieuw Amsterdam (1936-1938)
Actions:
CI005.S1.1936.PR3
Description:
Construction for the transatlantic ocean liner, S.S. Nieuw Amsterdam – an initiative of the Holland-America Line – began in 1936 and was completed by May 1938. After the death of a leading figure of the Brinkman & Van der Vlugt architectural firm, the director of the Holland-American Line contracted the interior design to several architects, each working in partnership with artists. Oud was responsible for designing the First Class Swimming Pool and Second Class Tourist Lounge and Smoking Room. Oud outfitted the Second Class lounge with a rug, wooden furniture and a parquet dance floor; at one end of the room he set a stage, grand piano, and projection booth. The Smoking Room featured cork floors, panelled walls and a long reading table. The Smoking Room featured club chairs in brown leather and wooden chairs (Taverne et al. 2001, 389-392). Project series includes plans for the Tourist Lounge, and photographs of its interior.
Interior of the S.S. Nieuw Amsterdam (1936-1938)
Actions:
CI005.S1.1936.PR3
Description:
Construction for the transatlantic ocean liner, S.S. Nieuw Amsterdam – an initiative of the Holland-America Line – began in 1936 and was completed by May 1938. After the death of a leading figure of the Brinkman & Van der Vlugt architectural firm, the director of the Holland-American Line contracted the interior design to several architects, each working in partnership with artists. Oud was responsible for designing the First Class Swimming Pool and Second Class Tourist Lounge and Smoking Room. Oud outfitted the Second Class lounge with a rug, wooden furniture and a parquet dance floor; at one end of the room he set a stage, grand piano, and projection booth. The Smoking Room featured cork floors, panelled walls and a long reading table. The Smoking Room featured club chairs in brown leather and wooden chairs (Taverne et al. 2001, 389-392). Project series includes plans for the Tourist Lounge, and photographs of its interior.
Niveau de description archivistique:
project
project
Date:
1936-1938
1936-1938
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Actions:
Numéro de référence:
CI005.S1.1937.PR1
Description:
In 1937, the Bataafsche Import Maatschappij (The Batavian Import Company), established a building programme for new headquarters within The Hague. The company wished to create office space for 600 employees. The company invited competition entries from four architects, including Oud. Oud's design was approved in 1939 and included a rectangular block of rooms oriented around a central corridor with office spaces separated by partitions. The building was surrounded by a garden. Oud also created designs for a possible future expansion and later designed office furnishings. While construction was interrupted by the war, the company proceeded with minimum construction until its restoration and continued expansion. Oud assisted with restoration after its bombing by Allied forces in 1945. The erected building was criticised for its traditional decorative patterns (Taverne et al. 2001, 411-414). Project series includes plans for the Shell Building, as well as a photograph of the building facades and one of the furniture.
CI005.S1.1937.PR1
Description:
In 1937, the Bataafsche Import Maatschappij (The Batavian Import Company), established a building programme for new headquarters within The Hague. The company wished to create office space for 600 employees. The company invited competition entries from four architects, including Oud. Oud's design was approved in 1939 and included a rectangular block of rooms oriented around a central corridor with office spaces separated by partitions. The building was surrounded by a garden. Oud also created designs for a possible future expansion and later designed office furnishings. While construction was interrupted by the war, the company proceeded with minimum construction until its restoration and continued expansion. Oud assisted with restoration after its bombing by Allied forces in 1945. The erected building was criticised for its traditional decorative patterns (Taverne et al. 2001, 411-414). Project series includes plans for the Shell Building, as well as a photograph of the building facades and one of the furniture.
Personnes et institutions:
Date:
1937-1942
1937-1942
Titre:
Head Office of the Bataafsche Import Maatschappij (Shell Building), The Hague, Netherlands (1937-1942)
Actions:
CI005.S1.1937.PR1
Description:
In 1937, the Bataafsche Import Maatschappij (The Batavian Import Company), established a building programme for new headquarters within The Hague. The company wished to create office space for 600 employees. The company invited competition entries from four architects, including Oud. Oud's design was approved in 1939 and included a rectangular block of rooms oriented around a central corridor with office spaces separated by partitions. The building was surrounded by a garden. Oud also created designs for a possible future expansion and later designed office furnishings. While construction was interrupted by the war, the company proceeded with minimum construction until its restoration and continued expansion. Oud assisted with restoration after its bombing by Allied forces in 1945. The erected building was criticised for its traditional decorative patterns (Taverne et al. 2001, 411-414). Project series includes plans for the Shell Building, as well as a photograph of the building facades and one of the furniture.
Head Office of the Bataafsche Import Maatschappij (Shell Building), The Hague, Netherlands (1937-1942)
Actions:
CI005.S1.1937.PR1
Description:
In 1937, the Bataafsche Import Maatschappij (The Batavian Import Company), established a building programme for new headquarters within The Hague. The company wished to create office space for 600 employees. The company invited competition entries from four architects, including Oud. Oud's design was approved in 1939 and included a rectangular block of rooms oriented around a central corridor with office spaces separated by partitions. The building was surrounded by a garden. Oud also created designs for a possible future expansion and later designed office furnishings. While construction was interrupted by the war, the company proceeded with minimum construction until its restoration and continued expansion. Oud assisted with restoration after its bombing by Allied forces in 1945. The erected building was criticised for its traditional decorative patterns (Taverne et al. 2001, 411-414). Project series includes plans for the Shell Building, as well as a photograph of the building facades and one of the furniture.
Niveau de description archivistique:
project
project
Date:
1937-1942
1937-1942
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
Personnes et institutions:
Date:
circa 1968-2015
circa 1968-2015
Titre:
Dialogo Pettena-Arnolfo [Pettena-Arnolfo Dialogue] (1968)
Actions:
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
Dialogo Pettena-Arnolfo [Pettena-Arnolfo Dialogue] (1968)
Actions:
AP207.S1.1968.PR01
Description:
This project series documents Diaologo Pettena-Arnolfo, an installation conceived by Pettena in 1968 for the "Premio Masaccio" (the "Masaccio Prize") exhibition in San Giovanni Valdarno. The exhibition was presented at the Palazzo Comunale, attributed to the Renaissance architect Arnolfo di Cambio. The installation closed off all open spaces in the portico of the Palazzo Comunale to create a new exhibition space. The "Premio Masaccio" exhibition was displayed in this new temporary gallery. Pettena "used the color black inside to create an abstract environment for the exhibition works while, on the outside, he drew large, diagonal black and silvers stripes on panels, as a deliberate contrast to the old city monument". [1] The project series contains a project description in Italian, photographs of the installation seen both from the outside and inside, and a perspective drawing showing the front facade of the Palazzo Comunale. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 106.
Niveau de description archivistique:
Project
Project
Date:
circa 1968-2015
circa 1968-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Laundry (1969)
Laundry (1969)
Numéro de référence:
AP207.S1.1969.PR02
Description:
This project series documents Pettena's installation "Laundry" realized in the context of the Campo Urbano, a series of artistic events staged during a day at the Piazza del Duomo, in the historic centre of Como, in Italy, on the 21st of September 1969. Pettena was one of the forty artists, musicians, architects and art critics invited to the event [2]. For his installation, "Pettena chose to hang out washing on clothes lines, with the aim of underlining the difference between the appearance of a city and the experience of living in it." [2]. The project series contains photographs of the installation at the Piazza del Duomo, in Como, sketches of the installation, and a project description in English and Italian. Sources: [1] Radical Pedagogies, https://radical-pedagogies.com/search-cases/i05-campo-urbano/ (last accessed 4 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-laundry-1969-1/ (last accessed 4 November 2019)
AP207.S1.1969.PR02
Description:
This project series documents Pettena's installation "Laundry" realized in the context of the Campo Urbano, a series of artistic events staged during a day at the Piazza del Duomo, in the historic centre of Como, in Italy, on the 21st of September 1969. Pettena was one of the forty artists, musicians, architects and art critics invited to the event [2]. For his installation, "Pettena chose to hang out washing on clothes lines, with the aim of underlining the difference between the appearance of a city and the experience of living in it." [2]. The project series contains photographs of the installation at the Piazza del Duomo, in Como, sketches of the installation, and a project description in English and Italian. Sources: [1] Radical Pedagogies, https://radical-pedagogies.com/search-cases/i05-campo-urbano/ (last accessed 4 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-laundry-1969-1/ (last accessed 4 November 2019)
Personnes et institutions:
Date:
circa 1969-2017
circa 1969-2017
Titre:
Laundry (1969)
Actions:
AP207.S1.1969.PR02
Description:
This project series documents Pettena's installation "Laundry" realized in the context of the Campo Urbano, a series of artistic events staged during a day at the Piazza del Duomo, in the historic centre of Como, in Italy, on the 21st of September 1969. Pettena was one of the forty artists, musicians, architects and art critics invited to the event [2]. For his installation, "Pettena chose to hang out washing on clothes lines, with the aim of underlining the difference between the appearance of a city and the experience of living in it." [2]. The project series contains photographs of the installation at the Piazza del Duomo, in Como, sketches of the installation, and a project description in English and Italian. Sources: [1] Radical Pedagogies, https://radical-pedagogies.com/search-cases/i05-campo-urbano/ (last accessed 4 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-laundry-1969-1/ (last accessed 4 November 2019)
Laundry (1969)
Actions:
AP207.S1.1969.PR02
Description:
This project series documents Pettena's installation "Laundry" realized in the context of the Campo Urbano, a series of artistic events staged during a day at the Piazza del Duomo, in the historic centre of Como, in Italy, on the 21st of September 1969. Pettena was one of the forty artists, musicians, architects and art critics invited to the event [2]. For his installation, "Pettena chose to hang out washing on clothes lines, with the aim of underlining the difference between the appearance of a city and the experience of living in it." [2]. The project series contains photographs of the installation at the Piazza del Duomo, in Como, sketches of the installation, and a project description in English and Italian. Sources: [1] Radical Pedagogies, https://radical-pedagogies.com/search-cases/i05-campo-urbano/ (last accessed 4 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-laundry-1969-1/ (last accessed 4 November 2019)
Niveau de description archivistique:
Project
Project
Date:
circa 1969-2017
circa 1969-2017
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP207.S2.SS10
Description:
The sub-series documents the exhibition and the related publication "Olmsted: L'origine del parco urbano e del parco naturale contemporaneo" curated by Pettena. The exhibition was presented at the Uffizi Gallery in Florence, in 1996. The exhibition, dedicated to American landscape architect Frederick Law Olmsted, is the result of several years of Pettena's research on landscape architecture and how urban parks symbolized social changes in the second half of the 19th century. This sub-series contains research material such as notes by Pettena, information on Olmsted's landscape projects, publications on Olmsted, and leaflets and ephemera from other exhibitions or events on Olmsted. The research material also contains correspondence of Gianni Pettena with experts on Olmsted or with the Frederick Law Olmsted Association. Also included, are documents related to the planning and the production of the exhibition and the related publication, such as correspondence, exhibition programs, strategic program, summaries of the exhibition's themes, object lists, and budget and draft texts for the publication.
AP207.S2.SS10
Description:
The sub-series documents the exhibition and the related publication "Olmsted: L'origine del parco urbano e del parco naturale contemporaneo" curated by Pettena. The exhibition was presented at the Uffizi Gallery in Florence, in 1996. The exhibition, dedicated to American landscape architect Frederick Law Olmsted, is the result of several years of Pettena's research on landscape architecture and how urban parks symbolized social changes in the second half of the 19th century. This sub-series contains research material such as notes by Pettena, information on Olmsted's landscape projects, publications on Olmsted, and leaflets and ephemera from other exhibitions or events on Olmsted. The research material also contains correspondence of Gianni Pettena with experts on Olmsted or with the Frederick Law Olmsted Association. Also included, are documents related to the planning and the production of the exhibition and the related publication, such as correspondence, exhibition programs, strategic program, summaries of the exhibition's themes, object lists, and budget and draft texts for the publication.
Personnes et institutions:
Date:
1991-1996
1991-1996
Titre:
Olmsted: L'origine del parco urbano e del parco naturale contemporaneo (1996)
Actions:
AP207.S2.SS10
Description:
The sub-series documents the exhibition and the related publication "Olmsted: L'origine del parco urbano e del parco naturale contemporaneo" curated by Pettena. The exhibition was presented at the Uffizi Gallery in Florence, in 1996. The exhibition, dedicated to American landscape architect Frederick Law Olmsted, is the result of several years of Pettena's research on landscape architecture and how urban parks symbolized social changes in the second half of the 19th century. This sub-series contains research material such as notes by Pettena, information on Olmsted's landscape projects, publications on Olmsted, and leaflets and ephemera from other exhibitions or events on Olmsted. The research material also contains correspondence of Gianni Pettena with experts on Olmsted or with the Frederick Law Olmsted Association. Also included, are documents related to the planning and the production of the exhibition and the related publication, such as correspondence, exhibition programs, strategic program, summaries of the exhibition's themes, object lists, and budget and draft texts for the publication.
Olmsted: L'origine del parco urbano e del parco naturale contemporaneo (1996)
Actions:
AP207.S2.SS10
Description:
The sub-series documents the exhibition and the related publication "Olmsted: L'origine del parco urbano e del parco naturale contemporaneo" curated by Pettena. The exhibition was presented at the Uffizi Gallery in Florence, in 1996. The exhibition, dedicated to American landscape architect Frederick Law Olmsted, is the result of several years of Pettena's research on landscape architecture and how urban parks symbolized social changes in the second half of the 19th century. This sub-series contains research material such as notes by Pettena, information on Olmsted's landscape projects, publications on Olmsted, and leaflets and ephemera from other exhibitions or events on Olmsted. The research material also contains correspondence of Gianni Pettena with experts on Olmsted or with the Frederick Law Olmsted Association. Also included, are documents related to the planning and the production of the exhibition and the related publication, such as correspondence, exhibition programs, strategic program, summaries of the exhibition's themes, object lists, and budget and draft texts for the publication.
Niveau de description archivistique:
Subseries
Subseries
Date:
1991-1996
1991-1996
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1966.PR04
Description:
This project series documents the Central Plaza building at York University in North York, Ontario from 1966-1967. The office identified the project number as 6653. This project consisted of a two-storey building with a basement that was connected to a library, Lecture Hall No. 2 and No. 3, and the humanities building that was under construction at the same time. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. The project is recorded through reprographic copies of drawings dating from 1967. These were a set of construction plans, details, elevations, sections, schedules and mechanical, electrical and structural drawings.
AP018.S1.1966.PR04
Description:
This project series documents the Central Plaza building at York University in North York, Ontario from 1966-1967. The office identified the project number as 6653. This project consisted of a two-storey building with a basement that was connected to a library, Lecture Hall No. 2 and No. 3, and the humanities building that was under construction at the same time. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. The project is recorded through reprographic copies of drawings dating from 1967. These were a set of construction plans, details, elevations, sections, schedules and mechanical, electrical and structural drawings.
Personnes et institutions:
Date:
1967
1967
Titre:
York University, Central Plaza Building, York, Ontario (1966-1967)
Actions:
AP018.S1.1966.PR04
Description:
This project series documents the Central Plaza building at York University in North York, Ontario from 1966-1967. The office identified the project number as 6653. This project consisted of a two-storey building with a basement that was connected to a library, Lecture Hall No. 2 and No. 3, and the humanities building that was under construction at the same time. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. The project is recorded through reprographic copies of drawings dating from 1967. These were a set of construction plans, details, elevations, sections, schedules and mechanical, electrical and structural drawings.
York University, Central Plaza Building, York, Ontario (1966-1967)
Actions:
AP018.S1.1966.PR04
Description:
This project series documents the Central Plaza building at York University in North York, Ontario from 1966-1967. The office identified the project number as 6653. This project consisted of a two-storey building with a basement that was connected to a library, Lecture Hall No. 2 and No. 3, and the humanities building that was under construction at the same time. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. The project is recorded through reprographic copies of drawings dating from 1967. These were a set of construction plans, details, elevations, sections, schedules and mechanical, electrical and structural drawings.
Niveau de description archivistique:
Project
Project
Date:
1967
1967
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1964.PR03
Description:
This project series documents the Natural Sciences Building at York University in North York, Ontario from 1964-1965. The office identified the project number as 6406. This project consisted of a three-storey brick and concrete building with a flat roof line. The building was mostly rectangular in shape, with some rectangular wings extending off the building. to house the natural Sciences This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. The project is recorded through reprographic copies of drawings dating from 1964. These were a set of plans, elevations, sections, details, schedules and structural, electrical and mechanical drawings.
AP018.S1.1964.PR03
Description:
This project series documents the Natural Sciences Building at York University in North York, Ontario from 1964-1965. The office identified the project number as 6406. This project consisted of a three-storey brick and concrete building with a flat roof line. The building was mostly rectangular in shape, with some rectangular wings extending off the building. to house the natural Sciences This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. The project is recorded through reprographic copies of drawings dating from 1964. These were a set of plans, elevations, sections, details, schedules and structural, electrical and mechanical drawings.
Personnes et institutions:
Date:
1964
1964
Titre:
York University Natural Sciences Building (Biology), North York, Ontario (1964-1965)
Actions:
AP018.S1.1964.PR03
Description:
This project series documents the Natural Sciences Building at York University in North York, Ontario from 1964-1965. The office identified the project number as 6406. This project consisted of a three-storey brick and concrete building with a flat roof line. The building was mostly rectangular in shape, with some rectangular wings extending off the building. to house the natural Sciences This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. The project is recorded through reprographic copies of drawings dating from 1964. These were a set of plans, elevations, sections, details, schedules and structural, electrical and mechanical drawings.
York University Natural Sciences Building (Biology), North York, Ontario (1964-1965)
Actions:
AP018.S1.1964.PR03
Description:
This project series documents the Natural Sciences Building at York University in North York, Ontario from 1964-1965. The office identified the project number as 6406. This project consisted of a three-storey brick and concrete building with a flat roof line. The building was mostly rectangular in shape, with some rectangular wings extending off the building. to house the natural Sciences This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. The project is recorded through reprographic copies of drawings dating from 1964. These were a set of plans, elevations, sections, details, schedules and structural, electrical and mechanical drawings.
Niveau de description archivistique:
Project
Project
Date:
1964
1964
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1992.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the restoration of grounds at the Museum of Anthropology of the University of British Columbia. Orberlander worked on this project in 1997 with architect Arthur Erickson. This project was undertaken in preparation for the Asia Pacific Economic Cooperation (APEC) meeting, held at the museum in the same year, to restore and improve conditions of the original landscape plan designed by Cornelia Hahn Oberlander between 1975 and 1977. The project series includes sketches, design development drawings, including site plans with Oberlander's annotations of the restoration to be done, grading plans, and landscape plans showing existing conditions, presentation drawings of the proposed improvements, and reference working drawings. The project is also documented through photographic material, including photographs of the landscaping before the improvement work and and photographs of the landscaping and the museum. The project series also comprises textual records, such as a proposal, concept notes by Oberlander, correspondence, including correspondence with clients, consultants and contractors, meetings notes, and specifications.
AP075.S1.1992.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the restoration of grounds at the Museum of Anthropology of the University of British Columbia. Orberlander worked on this project in 1997 with architect Arthur Erickson. This project was undertaken in preparation for the Asia Pacific Economic Cooperation (APEC) meeting, held at the museum in the same year, to restore and improve conditions of the original landscape plan designed by Cornelia Hahn Oberlander between 1975 and 1977. The project series includes sketches, design development drawings, including site plans with Oberlander's annotations of the restoration to be done, grading plans, and landscape plans showing existing conditions, presentation drawings of the proposed improvements, and reference working drawings. The project is also documented through photographic material, including photographs of the landscaping before the improvement work and and photographs of the landscaping and the museum. The project series also comprises textual records, such as a proposal, concept notes by Oberlander, correspondence, including correspondence with clients, consultants and contractors, meetings notes, and specifications.
Personnes et institutions:
Date:
1992-2004
1992-2004
Titre:
Museum of Anthropology landscape restoration, University of British Columbia, Vancouver, British Columbia (1992-1997)
Actions:
AP075.S1.1992.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the restoration of grounds at the Museum of Anthropology of the University of British Columbia. Orberlander worked on this project in 1997 with architect Arthur Erickson. This project was undertaken in preparation for the Asia Pacific Economic Cooperation (APEC) meeting, held at the museum in the same year, to restore and improve conditions of the original landscape plan designed by Cornelia Hahn Oberlander between 1975 and 1977. The project series includes sketches, design development drawings, including site plans with Oberlander's annotations of the restoration to be done, grading plans, and landscape plans showing existing conditions, presentation drawings of the proposed improvements, and reference working drawings. The project is also documented through photographic material, including photographs of the landscaping before the improvement work and and photographs of the landscaping and the museum. The project series also comprises textual records, such as a proposal, concept notes by Oberlander, correspondence, including correspondence with clients, consultants and contractors, meetings notes, and specifications.
Museum of Anthropology landscape restoration, University of British Columbia, Vancouver, British Columbia (1992-1997)
Actions:
AP075.S1.1992.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the restoration of grounds at the Museum of Anthropology of the University of British Columbia. Orberlander worked on this project in 1997 with architect Arthur Erickson. This project was undertaken in preparation for the Asia Pacific Economic Cooperation (APEC) meeting, held at the museum in the same year, to restore and improve conditions of the original landscape plan designed by Cornelia Hahn Oberlander between 1975 and 1977. The project series includes sketches, design development drawings, including site plans with Oberlander's annotations of the restoration to be done, grading plans, and landscape plans showing existing conditions, presentation drawings of the proposed improvements, and reference working drawings. The project is also documented through photographic material, including photographs of the landscaping before the improvement work and and photographs of the landscaping and the museum. The project series also comprises textual records, such as a proposal, concept notes by Oberlander, correspondence, including correspondence with clients, consultants and contractors, meetings notes, and specifications.
Niveau de description archivistique:
Project
Project
Date:
1992-2004
1992-2004
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Titre:
Architectural projects
Architectural projects
Numéro de référence:
AP140.S2.SS1
Description:
Sub-series documents competition entries and projects by James Stirling, and by the successive firms of James Stirling; Stirling and Gowan; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; and Michael Wilford GmbH. Several projects were carried out in association with other architects, including Léon Krier, Walter Nägeli, and the firms of Giancarlo de Carlo and of Marlies Hentrup Norbert Heyer. A majority of projects were designed for London, England and other locations in England and Scotland, Germany and the United States. Other projects were designed for Italy, Iran, Japan, France, Algeria, Spain, Netherlands, Kenya, Qatar, Canada, Singapore and Switzerland. Material in this sub-series was produced between 1951 and probably 2004. The publication drawings for Stirling's projects were often drawn by Leon Krier, Russell Bevington, or Ulrich Schaad ('British Architecture Today', 1991). Sub-series contains reference drawings, conceptual and design development drawings, publication and presentation drawings and panels, and working drawings. It also contains photographic materials, textual records, models and artefacts.
AP140.S2.SS1
Description:
Sub-series documents competition entries and projects by James Stirling, and by the successive firms of James Stirling; Stirling and Gowan; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; and Michael Wilford GmbH. Several projects were carried out in association with other architects, including Léon Krier, Walter Nägeli, and the firms of Giancarlo de Carlo and of Marlies Hentrup Norbert Heyer. A majority of projects were designed for London, England and other locations in England and Scotland, Germany and the United States. Other projects were designed for Italy, Iran, Japan, France, Algeria, Spain, Netherlands, Kenya, Qatar, Canada, Singapore and Switzerland. Material in this sub-series was produced between 1951 and probably 2004. The publication drawings for Stirling's projects were often drawn by Leon Krier, Russell Bevington, or Ulrich Schaad ('British Architecture Today', 1991). Sub-series contains reference drawings, conceptual and design development drawings, publication and presentation drawings and panels, and working drawings. It also contains photographic materials, textual records, models and artefacts.
Personnes et institutions:
Date:
1951-2004
1951-2004
Titre:
Architectural projects
Actions:
AP140.S2.SS1
Description:
Sub-series documents competition entries and projects by James Stirling, and by the successive firms of James Stirling; Stirling and Gowan; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; and Michael Wilford GmbH. Several projects were carried out in association with other architects, including Léon Krier, Walter Nägeli, and the firms of Giancarlo de Carlo and of Marlies Hentrup Norbert Heyer. A majority of projects were designed for London, England and other locations in England and Scotland, Germany and the United States. Other projects were designed for Italy, Iran, Japan, France, Algeria, Spain, Netherlands, Kenya, Qatar, Canada, Singapore and Switzerland. Material in this sub-series was produced between 1951 and probably 2004. The publication drawings for Stirling's projects were often drawn by Leon Krier, Russell Bevington, or Ulrich Schaad ('British Architecture Today', 1991). Sub-series contains reference drawings, conceptual and design development drawings, publication and presentation drawings and panels, and working drawings. It also contains photographic materials, textual records, models and artefacts.
Architectural projects
Actions:
AP140.S2.SS1
Description:
Sub-series documents competition entries and projects by James Stirling, and by the successive firms of James Stirling; Stirling and Gowan; James Stirling and Partner; James Stirling, Michael Wilford, and Associates; Michael Wilford and Partners; and Michael Wilford GmbH. Several projects were carried out in association with other architects, including Léon Krier, Walter Nägeli, and the firms of Giancarlo de Carlo and of Marlies Hentrup Norbert Heyer. A majority of projects were designed for London, England and other locations in England and Scotland, Germany and the United States. Other projects were designed for Italy, Iran, Japan, France, Algeria, Spain, Netherlands, Kenya, Qatar, Canada, Singapore and Switzerland. Material in this sub-series was produced between 1951 and probably 2004. The publication drawings for Stirling's projects were often drawn by Leon Krier, Russell Bevington, or Ulrich Schaad ('British Architecture Today', 1991). Sub-series contains reference drawings, conceptual and design development drawings, publication and presentation drawings and panels, and working drawings. It also contains photographic materials, textual records, models and artefacts.
Niveau de description archivistique:
Sub-Series 1
Sub-Series 1
Date:
1951-2004
1951-2004
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1979.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Victoria General Hospital in Victoria. Oberlander worked in this project between 1979 and 1982. The architectural firm Beinhaker Irwin / Russell Vandiver Architects worked on the project, while Oberlander was in charge of the landscape for the whole hospital site. The intention for the landscape design was to preserve the site major natural features, such as the woodland and meadow, to create an outdoor recreational area for staff and patients and provide views and privacy for some of the hospital units. Oberlander's design included a play area and a treed parking lot to reduce the impact of the parking areas on the rest of the site. The project series contains concept design reports by architectural firm with Oberlander's annotations, design development drawings and working drawings, including grading plans, landscape plans and planting plans. The project is also documented through correspondence, research material, schematic design, specifications for the landscape and the building construction, contract and financial documents.
AP075.S1.1979.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Victoria General Hospital in Victoria. Oberlander worked in this project between 1979 and 1982. The architectural firm Beinhaker Irwin / Russell Vandiver Architects worked on the project, while Oberlander was in charge of the landscape for the whole hospital site. The intention for the landscape design was to preserve the site major natural features, such as the woodland and meadow, to create an outdoor recreational area for staff and patients and provide views and privacy for some of the hospital units. Oberlander's design included a play area and a treed parking lot to reduce the impact of the parking areas on the rest of the site. The project series contains concept design reports by architectural firm with Oberlander's annotations, design development drawings and working drawings, including grading plans, landscape plans and planting plans. The project is also documented through correspondence, research material, schematic design, specifications for the landscape and the building construction, contract and financial documents.
Personnes et institutions:
Date:
1977-1984
1977-1984
Titre:
Victoria General Hospital, Victoria, British Columbia (1979-1882)
Actions:
AP075.S1.1979.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Victoria General Hospital in Victoria. Oberlander worked in this project between 1979 and 1982. The architectural firm Beinhaker Irwin / Russell Vandiver Architects worked on the project, while Oberlander was in charge of the landscape for the whole hospital site. The intention for the landscape design was to preserve the site major natural features, such as the woodland and meadow, to create an outdoor recreational area for staff and patients and provide views and privacy for some of the hospital units. Oberlander's design included a play area and a treed parking lot to reduce the impact of the parking areas on the rest of the site. The project series contains concept design reports by architectural firm with Oberlander's annotations, design development drawings and working drawings, including grading plans, landscape plans and planting plans. The project is also documented through correspondence, research material, schematic design, specifications for the landscape and the building construction, contract and financial documents.
Victoria General Hospital, Victoria, British Columbia (1979-1882)
Actions:
AP075.S1.1979.PR02
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for Victoria General Hospital in Victoria. Oberlander worked in this project between 1979 and 1982. The architectural firm Beinhaker Irwin / Russell Vandiver Architects worked on the project, while Oberlander was in charge of the landscape for the whole hospital site. The intention for the landscape design was to preserve the site major natural features, such as the woodland and meadow, to create an outdoor recreational area for staff and patients and provide views and privacy for some of the hospital units. Oberlander's design included a play area and a treed parking lot to reduce the impact of the parking areas on the rest of the site. The project series contains concept design reports by architectural firm with Oberlander's annotations, design development drawings and working drawings, including grading plans, landscape plans and planting plans. The project is also documented through correspondence, research material, schematic design, specifications for the landscape and the building construction, contract and financial documents.
Niveau de description archivistique:
Project
Project
Date:
1977-1984
1977-1984
Personnes et institutions:
