29652 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH216308
Description:
invoices, correspondence, notes and 1 colour photocopy of the exhibition
ARCH216308
Description:
invoices, correspondence, notes and 1 colour photocopy of the exhibition
Personnes et institutions:
Titre:
Harvard exhibit bills
Actions:
ARCH216308
Description:
invoices, correspondence, notes and 1 colour photocopy of the exhibition
Harvard exhibit bills
Actions:
ARCH216308
Description:
invoices, correspondence, notes and 1 colour photocopy of the exhibition
Classification:
documents textuels
documents textuels
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Ashmole
Ashmole
Numéro de référence:
AP144.S2.D142
Description:
File documents a project for the design of an exhbition entitled 'Ancient and Modern' at the McAlpine Gallery of the Ashmolean Museum in Oxford, England. The exhibition featured ancient artifacts, alongside the works of two contemporary artists (Sidney Nolan and William Turnbull) and two contemporary architects (Cedric Price and Quinlan Terry). Material in this file was produced between 1986 and 1987, and in 1993, but predominantly in 1987. File contains conceptual drawings, design development drawings, presentation panels, models, photographs, and textual records.
AP144.S2.D142
Description:
File documents a project for the design of an exhbition entitled 'Ancient and Modern' at the McAlpine Gallery of the Ashmolean Museum in Oxford, England. The exhibition featured ancient artifacts, alongside the works of two contemporary artists (Sidney Nolan and William Turnbull) and two contemporary architects (Cedric Price and Quinlan Terry). Material in this file was produced between 1986 and 1987, and in 1993, but predominantly in 1987. File contains conceptual drawings, design development drawings, presentation panels, models, photographs, and textual records.
Personnes et institutions:
Date:
1986-1987, 1993, predominant 1987
1986-1987, 1993, predominant 1987
Titre:
Ashmole
Actions:
AP144.S2.D142
Description:
File documents a project for the design of an exhbition entitled 'Ancient and Modern' at the McAlpine Gallery of the Ashmolean Museum in Oxford, England. The exhibition featured ancient artifacts, alongside the works of two contemporary artists (Sidney Nolan and William Turnbull) and two contemporary architects (Cedric Price and Quinlan Terry). Material in this file was produced between 1986 and 1987, and in 1993, but predominantly in 1987. File contains conceptual drawings, design development drawings, presentation panels, models, photographs, and textual records.
Ashmole
Actions:
AP144.S2.D142
Description:
File documents a project for the design of an exhbition entitled 'Ancient and Modern' at the McAlpine Gallery of the Ashmolean Museum in Oxford, England. The exhibition featured ancient artifacts, alongside the works of two contemporary artists (Sidney Nolan and William Turnbull) and two contemporary architects (Cedric Price and Quinlan Terry). Material in this file was produced between 1986 and 1987, and in 1993, but predominantly in 1987. File contains conceptual drawings, design development drawings, presentation panels, models, photographs, and textual records.
Niveau de description archivistique:
File 142
File 142
Date:
1986-1987, 1993, predominant 1987
1986-1987, 1993, predominant 1987
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP012.S1.SS8.D9
Description:
Le dossier est constitué de dessins, de reprographies et de documents textuels reliés au projet de bureau de poste et de régie des alcools à l'Expo 67 à Montréal pour le compte de la Compagnie canadienne de l'Exposition universelle de 1967.
AP012.S1.SS8.D9
Description:
Le dossier est constitué de dessins, de reprographies et de documents textuels reliés au projet de bureau de poste et de régie des alcools à l'Expo 67 à Montréal pour le compte de la Compagnie canadienne de l'Exposition universelle de 1967.
Personnes et institutions:
Date:
1966
1966
Titre:
Bureau de poste et Régie des alcools, Expo 67
Actions:
AP012.S1.SS8.D9
Description:
Le dossier est constitué de dessins, de reprographies et de documents textuels reliés au projet de bureau de poste et de régie des alcools à l'Expo 67 à Montréal pour le compte de la Compagnie canadienne de l'Exposition universelle de 1967.
Bureau de poste et Régie des alcools, Expo 67
Actions:
AP012.S1.SS8.D9
Description:
Le dossier est constitué de dessins, de reprographies et de documents textuels reliés au projet de bureau de poste et de régie des alcools à l'Expo 67 à Montréal pour le compte de la Compagnie canadienne de l'Exposition universelle de 1967.
Niveau de description archivistique:
Dossier 9
Dossier 9
Date:
1966
1966
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
ARCH161582
ARCH161582
Personnes et institutions:
Date:
1966
1966
Classification:
dessins
dessins
Date:
1966
1966
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP060.S3.D78
Description:
Le dossier documente le projet de la firme D'Astous & Pothier pour le tramway aérien à La Ronde pour Expo 67, Montréal, Québec. Il contient des dessins produits en 1965.
AP060.S3.D78
Description:
Le dossier documente le projet de la firme D'Astous & Pothier pour le tramway aérien à La Ronde pour Expo 67, Montréal, Québec. Il contient des dessins produits en 1965.
Personnes et institutions:
Date:
1965
1965
Titre:
Station "B" et plan d'ensemble du tramway aérien à La Ronde
Actions:
AP060.S3.D78
Description:
Le dossier documente le projet de la firme D'Astous & Pothier pour le tramway aérien à La Ronde pour Expo 67, Montréal, Québec. Il contient des dessins produits en 1965.
Station "B" et plan d'ensemble du tramway aérien à La Ronde
Actions:
AP060.S3.D78
Description:
Le dossier documente le projet de la firme D'Astous & Pothier pour le tramway aérien à La Ronde pour Expo 67, Montréal, Québec. Il contient des dessins produits en 1965.
Niveau de description archivistique:
Project
Project
Date:
1965
1965
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH255525
Description:
drawings, correspondence, cue cards, clippings, photographs of exhibition panels
ARCH255525
Description:
drawings, correspondence, cue cards, clippings, photographs of exhibition panels
Personnes et institutions:
Titre:
Williamsburg Schlaigh
Actions:
ARCH255525
Description:
drawings, correspondence, cue cards, clippings, photographs of exhibition panels
Williamsburg Schlaigh
Actions:
ARCH255525
Description:
drawings, correspondence, cue cards, clippings, photographs of exhibition panels
Classification:
documents textuels
documents textuels
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Titre:
Collection Mart Stam
Collection Mart Stam
Numéro de référence:
CI006
Résumé:
The Mart Stam Collection documents Stam's work as an architect between 1926 and 1932. The collection focuses primarly on Stam's architectural projects, mainly work executed in The Netherlands, Germany and Czechoslovakia. The collection also includes photographic material of Stam projects by German photographer Ilse Bing.
CI006
Résumé:
The Mart Stam Collection documents Stam's work as an architect between 1926 and 1932. The collection focuses primarly on Stam's architectural projects, mainly work executed in The Netherlands, Germany and Czechoslovakia. The collection also includes photographic material of Stam projects by German photographer Ilse Bing.
Personnes et institutions:
Date:
1925-1932, 1972
1925-1932, 1972
Titre:
Collection Mart Stam
CI006
Résumé:
The Mart Stam Collection documents Stam's work as an architect between 1926 and 1932. The collection focuses primarly on Stam's architectural projects, mainly work executed in The Netherlands, Germany and Czechoslovakia. The collection also includes photographic material of Stam projects by German photographer Ilse Bing.
Collection Mart Stam
CI006
Résumé:
The Mart Stam Collection documents Stam's work as an architect between 1926 and 1932. The collection focuses primarly on Stam's architectural projects, mainly work executed in The Netherlands, Germany and Czechoslovakia. The collection also includes photographic material of Stam projects by German photographer Ilse Bing.
Classification:
archives
Niveau de description archivistique:
Collection institutionnelle
archives
Niveau de description archivistique:
Collection institutionnelle
Date:
1925-1932, 1972
1925-1932, 1972
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1973.PR03
Description:
The project series documents "Spazio Vuoto Riservato A Gianni Pettena", an installation that consists of a banner with the words "Spazio Vuoto Riservato A Gianni Pettena". The first version of the banner dates from 1973, but it was initially used for the exhibition "Contribution" in Rennes in 2008, where Pettena, one of the artists invited to carry out interventions in symbolic locations around the city, chose to install his banner inside the market. The banner was used also in Pettena's solo exhibition at the Galerie Mercier & Associés, in Paris in 2011, and again at the Spazio MEGA in Milan, in 2017. "Pettena not only introduced the artistic intervention into an environment that was alien to it, but extended the provocation to the point of laying claim to absolute freedom for the artist." [1] The project series contains a sign with the words "Spazio Vuoto Riservato A Gianni Pettena", possibly the sign designed in 1973, photographs of the second edition in Rennes, photographs of the third edition of the installation at the Galerie Mercier et Associés, and photographs of the fourth edition of the installation at the Spazio MEGA. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-empty-space-2008/ (last accessed 12 November 2019).
AP207.S1.1973.PR03
Description:
The project series documents "Spazio Vuoto Riservato A Gianni Pettena", an installation that consists of a banner with the words "Spazio Vuoto Riservato A Gianni Pettena". The first version of the banner dates from 1973, but it was initially used for the exhibition "Contribution" in Rennes in 2008, where Pettena, one of the artists invited to carry out interventions in symbolic locations around the city, chose to install his banner inside the market. The banner was used also in Pettena's solo exhibition at the Galerie Mercier & Associés, in Paris in 2011, and again at the Spazio MEGA in Milan, in 2017. "Pettena not only introduced the artistic intervention into an environment that was alien to it, but extended the provocation to the point of laying claim to absolute freedom for the artist." [1] The project series contains a sign with the words "Spazio Vuoto Riservato A Gianni Pettena", possibly the sign designed in 1973, photographs of the second edition in Rennes, photographs of the third edition of the installation at the Galerie Mercier et Associés, and photographs of the fourth edition of the installation at the Spazio MEGA. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-empty-space-2008/ (last accessed 12 November 2019).
Personnes et institutions:
Date:
1973-2017
1973-2017
Titre:
Spazio Vuoto Riservato A Gianni Pettena [Empty Space Reserved for Gianni Pettena] (1973)
Actions:
AP207.S1.1973.PR03
Description:
The project series documents "Spazio Vuoto Riservato A Gianni Pettena", an installation that consists of a banner with the words "Spazio Vuoto Riservato A Gianni Pettena". The first version of the banner dates from 1973, but it was initially used for the exhibition "Contribution" in Rennes in 2008, where Pettena, one of the artists invited to carry out interventions in symbolic locations around the city, chose to install his banner inside the market. The banner was used also in Pettena's solo exhibition at the Galerie Mercier & Associés, in Paris in 2011, and again at the Spazio MEGA in Milan, in 2017. "Pettena not only introduced the artistic intervention into an environment that was alien to it, but extended the provocation to the point of laying claim to absolute freedom for the artist." [1] The project series contains a sign with the words "Spazio Vuoto Riservato A Gianni Pettena", possibly the sign designed in 1973, photographs of the second edition in Rennes, photographs of the third edition of the installation at the Galerie Mercier et Associés, and photographs of the fourth edition of the installation at the Spazio MEGA. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-empty-space-2008/ (last accessed 12 November 2019).
Spazio Vuoto Riservato A Gianni Pettena [Empty Space Reserved for Gianni Pettena] (1973)
Actions:
AP207.S1.1973.PR03
Description:
The project series documents "Spazio Vuoto Riservato A Gianni Pettena", an installation that consists of a banner with the words "Spazio Vuoto Riservato A Gianni Pettena". The first version of the banner dates from 1973, but it was initially used for the exhibition "Contribution" in Rennes in 2008, where Pettena, one of the artists invited to carry out interventions in symbolic locations around the city, chose to install his banner inside the market. The banner was used also in Pettena's solo exhibition at the Galerie Mercier & Associés, in Paris in 2011, and again at the Spazio MEGA in Milan, in 2017. "Pettena not only introduced the artistic intervention into an environment that was alien to it, but extended the provocation to the point of laying claim to absolute freedom for the artist." [1] The project series contains a sign with the words "Spazio Vuoto Riservato A Gianni Pettena", possibly the sign designed in 1973, photographs of the second edition in Rennes, photographs of the third edition of the installation at the Galerie Mercier et Associés, and photographs of the fourth edition of the installation at the Spazio MEGA. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-empty-space-2008/ (last accessed 12 November 2019).
Niveau de description archivistique:
Project
Project
Date:
1973-2017
1973-2017
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP140.S2.SS1.D70
Description:
File documents an unexecuted project for the Abando Passenger Interchange, in Bilbao, Spain. The office of James Stirling, Michael Wilford and Associates was appointed in 1985 to design the Passenger Interchange, including a dance and music school. The building programme was revised and enlarged in 1991 and design work began in 1992. This second project was developed after the death of James Stirling in 1992 by the firm of Michael Wilford and Partners. Material in this file was produced between 1974 and 2000. File contains reference drawings, presentation drawings and a large number of design development and working drawings. Photographic materials include views of the site by photographers Millar and Harris, aerial views of existing railway stations by photographers FOAT S.L., and views of models by photographer Chris Edgcombe, John Donat Photography and by Kandor Modelmakers. Textual records include photographs, a study model and model parts. Drawings, photographic materials and textual records also relate to several Abando Passenger Interchange exhibitions. File also contains a presentation model.
AP140.S2.SS1.D70
Description:
File documents an unexecuted project for the Abando Passenger Interchange, in Bilbao, Spain. The office of James Stirling, Michael Wilford and Associates was appointed in 1985 to design the Passenger Interchange, including a dance and music school. The building programme was revised and enlarged in 1991 and design work began in 1992. This second project was developed after the death of James Stirling in 1992 by the firm of Michael Wilford and Partners. Material in this file was produced between 1974 and 2000. File contains reference drawings, presentation drawings and a large number of design development and working drawings. Photographic materials include views of the site by photographers Millar and Harris, aerial views of existing railway stations by photographers FOAT S.L., and views of models by photographer Chris Edgcombe, John Donat Photography and by Kandor Modelmakers. Textual records include photographs, a study model and model parts. Drawings, photographic materials and textual records also relate to several Abando Passenger Interchange exhibitions. File also contains a presentation model.
Personnes et institutions:
Date:
1974-1999
1974-1999
Titre:
Abando Passenger Interchange, Bilbao, Spain
Actions:
AP140.S2.SS1.D70
Description:
File documents an unexecuted project for the Abando Passenger Interchange, in Bilbao, Spain. The office of James Stirling, Michael Wilford and Associates was appointed in 1985 to design the Passenger Interchange, including a dance and music school. The building programme was revised and enlarged in 1991 and design work began in 1992. This second project was developed after the death of James Stirling in 1992 by the firm of Michael Wilford and Partners. Material in this file was produced between 1974 and 2000. File contains reference drawings, presentation drawings and a large number of design development and working drawings. Photographic materials include views of the site by photographers Millar and Harris, aerial views of existing railway stations by photographers FOAT S.L., and views of models by photographer Chris Edgcombe, John Donat Photography and by Kandor Modelmakers. Textual records include photographs, a study model and model parts. Drawings, photographic materials and textual records also relate to several Abando Passenger Interchange exhibitions. File also contains a presentation model.
Abando Passenger Interchange, Bilbao, Spain
Actions:
AP140.S2.SS1.D70
Description:
File documents an unexecuted project for the Abando Passenger Interchange, in Bilbao, Spain. The office of James Stirling, Michael Wilford and Associates was appointed in 1985 to design the Passenger Interchange, including a dance and music school. The building programme was revised and enlarged in 1991 and design work began in 1992. This second project was developed after the death of James Stirling in 1992 by the firm of Michael Wilford and Partners. Material in this file was produced between 1974 and 2000. File contains reference drawings, presentation drawings and a large number of design development and working drawings. Photographic materials include views of the site by photographers Millar and Harris, aerial views of existing railway stations by photographers FOAT S.L., and views of models by photographer Chris Edgcombe, John Donat Photography and by Kandor Modelmakers. Textual records include photographs, a study model and model parts. Drawings, photographic materials and textual records also relate to several Abando Passenger Interchange exhibitions. File also contains a presentation model.
Niveau de description archivistique:
File 70
File 70
Date:
1974-1999
1974-1999
Personnes et institutions:
Classification:
expositions
expositions
Classification:
expositions
expositions
Date:
10 février 2023 au
28 mai 2023
10 février 2023 au
28 mai 2023
