5582 Résultats
Classification:
événements
événements
Actions:
Description:
Issu de l’édition inaugurale 2026 du Programme de bourses de recherche CCA–WRI, cet événement réunit Rayshad Dorsey, Hi‘ilei Hobart et Jake Hobart, qui présenteront leurs approches respectives des processus sociaux et juridiques complexes à l’origine des conditions contemporaines de vacance urbaine à Saint-Louis et Honolulu.
Issu de l’édition inaugurale 2026 du Programme de bourses de recherche CCA–WRI, cet événement réunit Rayshad Dorsey, Hi‘ilei Hobart et Jake Hobart, qui présenteront leurs approches respectives des processus sociaux et juridiques complexes à l’origine des conditions contemporaines de vacance urbaine à Saint-Louis et Honolulu.
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
27 août 2026, 18h à 19h30
27 août 2026, 18h à 19h30
Titre:
L’espace vacant comme retour et renouveau
Actions:
Description:
Issu de l’édition inaugurale 2026 du Programme de bourses de recherche CCA–WRI, cet événement réunit Rayshad Dorsey, Hi‘ilei Hobart et Jake Hobart, qui présenteront leurs approches respectives des processus sociaux et juridiques complexes à l’origine des conditions contemporaines de vacance urbaine à Saint-Louis et Honolulu.
L’espace vacant comme retour et renouveau
Actions:
Description:
Issu de l’édition inaugurale 2026 du Programme de bourses de recherche CCA–WRI, cet événement réunit Rayshad Dorsey, Hi‘ilei Hobart et Jake Hobart, qui présenteront leurs approches respectives des processus sociaux et juridiques complexes à l’origine des conditions contemporaines de vacance urbaine à Saint-Louis et Honolulu.
Classification:
événements
événements
Date:
27 août 2026
18h à 19h30
27 août 2026
18h à 19h30
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Personnes et institutions:
Date:
1969-1971
1969-1971
Titre:
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Architettura Interplanetaria [Interplanetary Architecture] (1970-1971)
Actions:
AP148.S1.1970.PR02
Description:
The project series documents Poli's work on the Interplanetary Architecture project, which was also made into a film by Superstudio directed by Alessandro Poli (the film is not included in the fonds). The project reflects Poli's deep fascination with the moon landing in 1969. Poli uses this major media event as a catalyst for thinking about a new approach to architecture and tools for design, including the idea that film and the movie camera should become part of the toolset. The project also seems to be in some way a response to Epoch magazine's challenge for a "Primo concorso di architettura nello spazio" (the first architectural competition in space), and includes much imagery and textual references to a new road or architectural links between the earth and other planets, including an earth moon highway. In his storyboard, Poli also makes reference to his earlier Piper project, and some imagery features wheels and an amusement park. The Interplanetary Architecture project was exhibited by Superstudio in Rome in 1972 and featured in "Casabella" magazine in April 1972 (no. 364). The project was also featured in the 2010 CCA exhibition "Other Space Odysseys". In the accompanying CCA publication, Poli describes this project as "a voyage off earthbound routes in quest of architecture unfettered by the urban nightmare, by induced needs or by planning as the only tool for regulating and solving the world's problems" (Poli quoted in Borasi and Zardini, 2010, 110). Poli's work on this project is deeply tied to the Zeno project, which was also featured in this exhibition and is included in this fonds (see AP148.S1.1972.PR01). For the Zeno project, Poli envisioned a dialogue between astronaut Buzz Aldrin and an Italian peasant, Zeno of Riparbella. Poli felt that these two shared a similarity in that both their homes were isolated capsules, one that provided a lens from which to see the rest of the world and understand their place in it. The material in the series includes numerous photomontages and collages of astronauts in space, as well as drawings of plantery shapes and structures. There are also texts, some of which include calculations of distances and diameters of planets, as well as notebooks and sketchbooks, many of which Poli included in a folder he entitled "Storyboard." The series also includes an unsent letter from Poli to Adolfo Natalini which describes how, after the moon landing, everything - the planet, the moon, the stars - is architecture, and that this will necessitate the need for new design tools, such as the movie camera. Some works are signed Alessandro Poli-Superstudio. Source cited: Giovanna Borasi and Mirko Zardini, eds., Other Space Odysseys, Montreal and Baden: Canadian Centre for Architecture/Lars Müller Publishers, 2010.
Niveau de description archivistique:
Project
Project
Date:
1969-1971
1969-1971
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Publications and Exhibitions
Publications and Exhibitions
Numéro de référence:
AP032.S4
Description:
This series contains material on publications and exhibitions concerning Goldsmith work and career. Papers and photographs record the creation of the book Myron Goldsmith: Buildings and Concepts, edited by Swiss architect Werner Blaser and published by Rizzoli Publications in 1987. The updating of Goldsmith's theoretical views are apparent in the manuscript drafts and revisions of his two essays for the book - "The Effects of Scale," reworked from his I.I.T. master's thesis, and the newly composed "Structural Architecture." This series also contains documents concerning retrospective exhibitions on Goldsmith originating at Harvard University (1982), and at the Canadian Centre for Architecture (1991). This material includes papers, correspondence, exhibition panels and wall text panels. The inclusion of periodicals and clippings on the architect's work, and the work of his students, supply a good bibliographic background on the architect.
AP032.S4
Description:
This series contains material on publications and exhibitions concerning Goldsmith work and career. Papers and photographs record the creation of the book Myron Goldsmith: Buildings and Concepts, edited by Swiss architect Werner Blaser and published by Rizzoli Publications in 1987. The updating of Goldsmith's theoretical views are apparent in the manuscript drafts and revisions of his two essays for the book - "The Effects of Scale," reworked from his I.I.T. master's thesis, and the newly composed "Structural Architecture." This series also contains documents concerning retrospective exhibitions on Goldsmith originating at Harvard University (1982), and at the Canadian Centre for Architecture (1991). This material includes papers, correspondence, exhibition panels and wall text panels. The inclusion of periodicals and clippings on the architect's work, and the work of his students, supply a good bibliographic background on the architect.
Personnes et institutions:
Date:
1956-1991
1956-1991
Titre:
Publications and Exhibitions
Actions:
AP032.S4
Description:
This series contains material on publications and exhibitions concerning Goldsmith work and career. Papers and photographs record the creation of the book Myron Goldsmith: Buildings and Concepts, edited by Swiss architect Werner Blaser and published by Rizzoli Publications in 1987. The updating of Goldsmith's theoretical views are apparent in the manuscript drafts and revisions of his two essays for the book - "The Effects of Scale," reworked from his I.I.T. master's thesis, and the newly composed "Structural Architecture." This series also contains documents concerning retrospective exhibitions on Goldsmith originating at Harvard University (1982), and at the Canadian Centre for Architecture (1991). This material includes papers, correspondence, exhibition panels and wall text panels. The inclusion of periodicals and clippings on the architect's work, and the work of his students, supply a good bibliographic background on the architect.
Publications and Exhibitions
Actions:
AP032.S4
Description:
This series contains material on publications and exhibitions concerning Goldsmith work and career. Papers and photographs record the creation of the book Myron Goldsmith: Buildings and Concepts, edited by Swiss architect Werner Blaser and published by Rizzoli Publications in 1987. The updating of Goldsmith's theoretical views are apparent in the manuscript drafts and revisions of his two essays for the book - "The Effects of Scale," reworked from his I.I.T. master's thesis, and the newly composed "Structural Architecture." This series also contains documents concerning retrospective exhibitions on Goldsmith originating at Harvard University (1982), and at the Canadian Centre for Architecture (1991). This material includes papers, correspondence, exhibition panels and wall text panels. The inclusion of periodicals and clippings on the architect's work, and the work of his students, supply a good bibliographic background on the architect.
Niveau de description archivistique:
Series 4
Series 4
Date:
1956-1991
1956-1991
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP095
Résumé:
Le fonds Concours Biennale de Venise 1996 comprend principalement les 16 projets sélectionnés dans le cadre du concours national d'idées devant proposer un projet conceptuel pour un pavillon canadien de l'architecture à Venise. Les 16 projets lauréats ont été présentés, avec des oeuvres architecturales de l'agence Patkau Architects de Vancouver, pour représenter le Canada à la VIe Exposition internationale d'architecture de la Biennale de Venise 1996.
AP095
Résumé:
Le fonds Concours Biennale de Venise 1996 comprend principalement les 16 projets sélectionnés dans le cadre du concours national d'idées devant proposer un projet conceptuel pour un pavillon canadien de l'architecture à Venise. Les 16 projets lauréats ont été présentés, avec des oeuvres architecturales de l'agence Patkau Architects de Vancouver, pour représenter le Canada à la VIe Exposition internationale d'architecture de la Biennale de Venise 1996.
Personnes et institutions:
Date:
1994-1996
1994-1996
Titre:
Venice Biennale 1996 competition fonds
Actions:
AP095
Résumé:
Le fonds Concours Biennale de Venise 1996 comprend principalement les 16 projets sélectionnés dans le cadre du concours national d'idées devant proposer un projet conceptuel pour un pavillon canadien de l'architecture à Venise. Les 16 projets lauréats ont été présentés, avec des oeuvres architecturales de l'agence Patkau Architects de Vancouver, pour représenter le Canada à la VIe Exposition internationale d'architecture de la Biennale de Venise 1996.
Venice Biennale 1996 competition fonds
Actions:
AP095
Résumé:
Le fonds Concours Biennale de Venise 1996 comprend principalement les 16 projets sélectionnés dans le cadre du concours national d'idées devant proposer un projet conceptuel pour un pavillon canadien de l'architecture à Venise. Les 16 projets lauréats ont été présentés, avec des oeuvres architecturales de l'agence Patkau Architects de Vancouver, pour représenter le Canada à la VIe Exposition internationale d'architecture de la Biennale de Venise 1996.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1994-1996
1994-1996
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2023:0011:009
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
PH2023:0011:009
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Personnes et institutions:
Date:
1996 (printed 2023)
1996 (printed 2023)
Titre:
Untitled, from the series Sezioni del paesaggio italiano / Italy: Cross Sections of a Country. From Milano to Como
Actions:
PH2023:0011:009
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Untitled, from the series Sezioni del paesaggio italiano / Italy: Cross Sections of a Country. From Milano to Como
Actions:
PH2023:0011:009
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Classification:
photographies
photographies
Date:
1996 (printed 2023)
1996 (printed 2023)
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2023:0011:014
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
PH2023:0011:014
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Personnes et institutions:
Date:
1996 (printed 2023)
1996 (printed 2023)
Titre:
Untitled, from the series Sezioni del paesaggio italiano / Italy: Cross Sections of a Country. From Milano to Como
Actions:
PH2023:0011:014
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Untitled, from the series Sezioni del paesaggio italiano / Italy: Cross Sections of a Country. From Milano to Como
Actions:
PH2023:0011:014
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Classification:
photographies
photographies
Date:
1996 (printed 2023)
1996 (printed 2023)
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2023:0011:015
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
PH2023:0011:015
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Personnes et institutions:
Date:
1996 (printed 2023)
1996 (printed 2023)
Titre:
Untitled, from the series Sezioni del paesaggio italiano / Italy: Cross Sections of a Country. From Milano to Como
Actions:
PH2023:0011:015
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Untitled, from the series Sezioni del paesaggio italiano / Italy: Cross Sections of a Country. From Milano to Como
Actions:
PH2023:0011:015
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Classification:
photographies
photographies
Date:
1996 (printed 2023)
1996 (printed 2023)
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2023:0011:016
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
PH2023:0011:016
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Personnes et institutions:
Date:
1996 (printed 2023)
1996 (printed 2023)
Titre:
Untitled, from the series Sezioni del paesaggio italiano / Italy: Cross Sections of a Country. From Milano to Como
Actions:
PH2023:0011:016
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Untitled, from the series Sezioni del paesaggio italiano / Italy: Cross Sections of a Country. From Milano to Como
Actions:
PH2023:0011:016
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Classification:
photographies
photographies
Date:
1996 (printed 2023)
1996 (printed 2023)
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2023:0011:017
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
PH2023:0011:017
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Personnes et institutions:
Date:
1996 (printed 2023)
1996 (printed 2023)
Titre:
Untitled, from the series Sezioni del paesaggio italiano / Italy: Cross Sections of a Country. From Milano to Como
Actions:
PH2023:0011:017
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Untitled, from the series Sezioni del paesaggio italiano / Italy: Cross Sections of a Country. From Milano to Como
Actions:
PH2023:0011:017
Description:
Exhibition print created for the CCA for the exhibition The Lives of Documents—Photography as Project, on view from 3 May 2023 to 7 April 2024.
Classification:
photographies
photographies
Date:
1996 (printed 2023)
1996 (printed 2023)
Personnes et institutions:
Classification:
graphique
graphique
Numéro de référence:
ARCH262287
Description:
Catalogue d'exposition: Reciprocity, Patkau +16 = Réciprocité, Patkau +16 = Reciprocitá, Patkau +16. [Montréal] : Centre canadien d'architecture/Canadian Centre for Architecture, c1996. 27 p. : ill., port. ; 44 cm
ARCH262287
Description:
Catalogue d'exposition: Reciprocity, Patkau +16 = Réciprocité, Patkau +16 = Reciprocitá, Patkau +16. [Montréal] : Centre canadien d'architecture/Canadian Centre for Architecture, c1996. 27 p. : ill., port. ; 44 cm
Personnes et institutions:
Date:
1996
1996
Titre:
Reciprocity, Patkau +16
Actions:
ARCH262287
Description:
Catalogue d'exposition: Reciprocity, Patkau +16 = Réciprocité, Patkau +16 = Reciprocitá, Patkau +16. [Montréal] : Centre canadien d'architecture/Canadian Centre for Architecture, c1996. 27 p. : ill., port. ; 44 cm
Reciprocity, Patkau +16
Actions:
ARCH262287
Description:
Catalogue d'exposition: Reciprocity, Patkau +16 = Réciprocité, Patkau +16 = Reciprocitá, Patkau +16. [Montréal] : Centre canadien d'architecture/Canadian Centre for Architecture, c1996. 27 p. : ill., port. ; 44 cm
Classification:
graphique
graphique
Date:
1996
1996
Personnes et institutions:
